Songs like Fauré / Arr. Rutter: Requiem, Op. 48: IV. Pie Jesu by Gabriel Fauré
Based on a tempo of (+/- 10%) and a similar genre
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Agostino Steffani
Stabat Mater: Stabat Mater Dolorosa
111 bpm • G min • 02:09 • -18.08db
30% Popularity • 27% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
30% Popularity • 27% Danceability • 7% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré / Arr. Rutter: Requiem, Op. 48: I...
111 bpm • A# Maj • 03:17 • -27.29db
12% Popularity • 21% Danceability • 5% Energy • 10% Liveness
42% Instrumentalness • 4% Positiveness
12% Popularity • 21% Danceability • 5% Energy • 10% Liveness
42% Instrumentalness • 4% Positiveness
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Thomas Morley
Now Is the Month of Maying: Now Is the M...
111 bpm • G Maj • 01:50 • -23db
10% Popularity • 61% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
10% Popularity • 61% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
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Joseph Haydn
Te Deum In C Major - Hob. XXIIIc:2: "Te ...
112 bpm • C Maj • 03:01 • -16db
13% Popularity • 48% Danceability • 27% Energy • 16% Liveness
12% Instrumentalness • 34% Positiveness
13% Popularity • 48% Danceability • 27% Energy • 16% Liveness
12% Instrumentalness • 34% Positiveness
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Giulio Caccini
All'imperio d'Amore: 5. Ineffabile ardor...
113 bpm • A# Maj • 01:00 • -17db
36% Popularity • 17% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
36% Popularity • 17% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Intemerata Dei Mater
110 bpm • C# min • 07:43 • -22.94db
14% Popularity • 18% Danceability • 21% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 21% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Antonio Lotti
Miserere
109 bpm • G# min • 01:30 • -19db
38% Popularity • 18% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Michael Tippett
Steal Away
113 bpm • G Maj • 03:21 • -24.87db
9% Popularity • 20% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
114 bpm • A min • 01:34 • -31db
47% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
47% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
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Francesco Landini
Nella partita
114 bpm • A Maj • 03:45 • -29db
10% Popularity • 25% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 25% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Confitebor: VI. Gloria Patri
114 bpm • C# min • 01:07 • -14db
35% Popularity • 17% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 3% Positiveness
35% Popularity • 17% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 3% Positiveness
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Franz Schubert
Schubert: Deutsche Messe, D. 872: No. 5,...
108 bpm • D# Maj • 03:47 • -21.91db
11% Popularity • 19% Danceability • 2% Energy • 14% Liveness
68% Instrumentalness • 7% Positiveness
11% Popularity • 19% Danceability • 2% Energy • 14% Liveness
68% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 7. In paradisum (I)
110 bpm • D Maj • 03:16 • -36.44db
11% Popularity • 16% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 1% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Messa di Gloria: Gloria in exce...
108 bpm • G# Maj • 04:37 • -16db
15% Popularity • 20% Danceability • 22% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
15% Popularity • 20% Danceability • 22% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Théodore Dubois
Adoramus te, Christe
108 bpm • C Maj • 01:40 • -30db
28% Popularity • 19% Danceability • 1% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
28% Popularity • 19% Danceability • 1% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
Missa Sancti Josephi, ZWV 14: No. 3 Et i...
114 bpm • A# min • 02:50 • -27.32db
20% Popularity • 28% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
20% Popularity • 28% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Musicalische Exequien, SWV 279: Concert ...
115 bpm • E min • 03:58 • -22.63db
19% Popularity • 20% Danceability • 5% Energy • 21% Liveness
33% Instrumentalness • 8% Positiveness
19% Popularity • 20% Danceability • 5% Energy • 21% Liveness
33% Instrumentalness • 8% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: Ib. Ad ped...
107 bpm • B min • 01:21 • -22.64db
31% Popularity • 35% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 35% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: VI. Libera me
114 bpm • D min • 04:42 • -24.8db
14% Popularity • 19% Danceability • 8% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 8% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Paschal de l'Estocart
Veu que du tout (Ps. 11)
115 bpm • C# min • 01:38 • -18.46db
29% Popularity • 21% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
29% Popularity • 21% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
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Charles Gounod
Messe solennelle de Sainte Cécile: Agnu...
115 bpm • D Maj • 04:17 • -28db
10% Popularity • 21% Danceability • 8% Energy • 8% Liveness
34% Instrumentalness • 6% Positiveness
10% Popularity • 21% Danceability • 8% Energy • 8% Liveness
34% Instrumentalness • 6% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Dixit Dominus - A...
115 bpm • F# Maj • 02:02 • -17db
31% Popularity • 38% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 51% Positiveness
31% Popularity • 38% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 51% Positiveness
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Robert Lucas Pearsall
Sing we and chaunt it
107 bpm • C# min • 01:56 • -25db
33% Popularity • 26% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
33% Popularity • 26% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: IX. Sancta Mater
115 bpm • A# Maj • 05:59 • -22.73db
32% Popularity • 25% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 25% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Gabriel Fauré
Fauré: Super flumina Babylonis
115 bpm • A min • 09:59 • -20.4db
16% Popularity • 20% Danceability • 12% Energy • 9% Liveness
47% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 12% Energy • 9% Liveness
47% Instrumentalness • 4% Positiveness
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Andrej Makor
O lux beata Trinitas
106 bpm • F# Maj • 02:37 • -25db
25% Popularity • 16% Danceability • 6% Energy • 16% Liveness
83% Instrumentalness • 5% Positiveness
25% Popularity • 16% Danceability • 6% Energy • 16% Liveness
83% Instrumentalness • 5% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: I. Ad pede...
116 bpm • C min • 08:49 • -22db
12% Popularity • 29% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 29% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Monteverdi : Beatus vir
106 bpm • C Maj • 07:17 • -22.61db
16% Popularity • 30% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 30% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Marc-Antoine Charpentier
Te Deum for Soloists, Chorus and Orchest...
106 bpm • C Maj • 03:30 • -15db
9% Popularity • 36% Danceability • 41% Energy • 14% Liveness
18% Instrumentalness • 43% Positiveness
9% Popularity • 36% Danceability • 41% Energy • 14% Liveness
18% Instrumentalness • 43% Positiveness
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Edward Elgar
My Love Dwelt in A Northern Land, Op. 18...
105 bpm • A min • 04:01 • -24.76db
8% Popularity • 23% Danceability • 6% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
8% Popularity • 23% Danceability • 6% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: IV. Pie Jesu
106 bpm • A# Maj • 03:16 • -30db
10% Popularity • 19% Danceability • 4% Energy • 34% Liveness
35% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 4% Energy • 34% Liveness
35% Instrumentalness • 4% Positiveness
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Westminster Williamson Voices
Tantum Ergo
105 bpm • F min • 01:21 • -35db
36% Popularity • 28% Danceability • 4% Energy • 8% Liveness
30% Instrumentalness • 6% Positiveness
36% Popularity • 28% Danceability • 4% Energy • 8% Liveness
30% Instrumentalness • 6% Positiveness
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Luigi Cherubini
Requiem in C Minor: II. Graduale
105 bpm • G min • 01:42 • -24.55db
33% Popularity • 16% Danceability • 8% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 8% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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Albert Samain
Fauré: Pleurs d'or, Op. 72
105 bpm • B Maj • 02:39 • -19.64db
3% Popularity • 25% Danceability • 11% Energy • 16% Liveness
29% Instrumentalness • 4% Positiveness
3% Popularity • 25% Danceability • 11% Energy • 16% Liveness
29% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Misericordias Domini, K. 222
104 bpm • G min • 06:17 • -24.05db
14% Popularity • 34% Danceability • 10% Energy • 7% Liveness
14% Instrumentalness • 17% Positiveness
14% Popularity • 34% Danceability • 10% Energy • 7% Liveness
14% Instrumentalness • 17% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
118 bpm • G# Maj • 06:46 • -24.16db
16% Popularity • 19% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
16% Popularity • 19% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Madrigal, Op. 35
106 bpm • D min • 04:19 • -31.83db
10% Popularity • 20% Danceability • 2% Energy • 6% Liveness
2% Instrumentalness • 5% Positiveness
10% Popularity • 20% Danceability • 2% Energy • 6% Liveness
2% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: III. "Blazhen muzh"
104 bpm • F Maj • 03:47 • -33.58db
10% Popularity • 18% Danceability • 2% Energy • 15% Liveness
85% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 2% Energy • 15% Liveness
85% Instrumentalness • 5% Positiveness
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Herbert Sumsion
Nunc dimittis in G Major
119 bpm • E min • 02:32 • -24.51db
17% Popularity • 19% Danceability • 6% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 6% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 1. Sancte Deus
104 bpm • A min • 01:46 • -23.94db
36% Popularity • 25% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
36% Popularity • 25% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Petite messe solennelle: Kyrie
120 bpm • C Maj • 06:17 • -29db
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
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Samuel Barber
Reincarnations, Op. 16: III. The Coolin
103 bpm • G min • 03:14 • -29.74db
9% Popularity • 20% Danceability • 5% Energy • 11% Liveness
20% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 5% Energy • 11% Liveness
20% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Pavane, Op. 50 - Excerpt
118 bpm • F# min • 02:36 • -20db
21% Popularity • 17% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 11% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Responsory: O felix anima
103 bpm • A# min • 06:40 • -31.28db
22% Popularity • 20% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
22% Popularity • 20% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Paul Hindemith
6 Chansons: No. 1. La biche
102 bpm • C# min • 01:17 • -28db
28% Popularity • 22% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 22% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Antonio Vivaldi
Magnificat, RV 610: 9. Gloria Patri
103 bpm • G min • 01:55 • -17.21db
11% Popularity • 32% Danceability • 24% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
11% Popularity • 32% Danceability • 24% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
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Camille Saint-Saëns
Les fleurs et les arbres, Op. 68, No. 2
102 bpm • E Maj • 02:07 • -28.27db
11% Popularity • 20% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 4% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Vespers, Op. 37: No. 6, Bog...
121 bpm • F Maj • 03:28 • -27db
20% Popularity • 17% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 3. Sanctus
103 bpm • D# Maj • 03:37 • -21.66db
5% Popularity • 14% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
5% Popularity • 14% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Nathan Jones
I Would Live in Your Love
121 bpm • A# Maj • 04:55 • -31db
25% Popularity • 17% Danceability • 2% Energy • 11% Liveness
6% Instrumentalness • 3% Positiveness
25% Popularity • 17% Danceability • 2% Energy • 11% Liveness
6% Instrumentalness • 3% Positiveness
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Samuel Barber
4 Songs, Op. 13: No. 3. Sure on this shi...
101 bpm • A# Maj • 02:29 • -28.32db
18% Popularity • 16% Danceability • 3% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 3% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: II. ...
121 bpm • B min • 04:39 • -17.43db
9% Popularity • 17% Danceability • 17% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 17% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Jacopo Peri
Euridice, Scena I: Per quel vago boschet...
101 bpm • G Maj • 09:46 • -28db
8% Popularity • 28% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 28% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Giovanni Pierluigi da Palestrina
Stabat Mater
123 bpm • G# Maj • 09:19 • -26.25db
9% Popularity • 20% Danceability • 7% Energy • 27% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 7% Energy • 27% Liveness
0% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 4. Pie Jesu
102 bpm • A# Maj • 04:04 • -29db
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Claudio Monteverdi
L'incoronazione di Poppea: "Pur ti miro"
123 bpm • F# Maj • 04:36 • -20db
19% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
19% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
► Preview
Arvo Pärt
Arvo Pärt: Bogoróditse Dévo
100 bpm • A Maj • 01:14 • -21db
16% Popularity • 33% Danceability • 11% Energy • 10% Liveness
16% Instrumentalness • 8% Positiveness
16% Popularity • 33% Danceability • 11% Energy • 10% Liveness
16% Instrumentalness • 8% Positiveness
► Preview
Gioachino Rossini
Petite messe solennelle, Gloria: IX. Cum...
100 bpm • F Maj • 05:33 • -21.26db
20% Popularity • 24% Danceability • 13% Energy • 10% Liveness
69% Instrumentalness • 32% Positiveness
20% Popularity • 24% Danceability • 13% Energy • 10% Liveness
69% Instrumentalness • 32% Positiveness
► Preview
Wolfgang Amadeus Mozart
Ave verum corpus in D Major, K. 618
123 bpm • D Maj • 02:47 • -21db
31% Popularity • 17% Danceability • 8% Energy • 7% Liveness
37% Instrumentalness • 3% Positiveness
31% Popularity • 17% Danceability • 8% Energy • 7% Liveness
37% Instrumentalness • 3% Positiveness
► Preview
Gregorio Allegri
Messe vidi turbam magnam: No. 3, Gloria
100 bpm • F Maj • 03:20 • -19db
16% Popularity • 18% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 18% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Gabriel Fauré
Les djinns, Op. 12
121 bpm • A# min • 04:25 • -25db
9% Popularity • 31% Danceability • 3% Energy • 6% Liveness
8% Instrumentalness • 6% Positiveness
9% Popularity • 31% Danceability • 3% Energy • 6% Liveness
8% Instrumentalness • 6% Positiveness
► Preview
Claudio Monteverdi
Vespro della Beata Vergine, SV 206: Hymn...
123 bpm • G Maj • 09:28 • -25.9db
17% Popularity • 20% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
17% Popularity • 20% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Joseph Haydn
Insanae et vanae curae
124 bpm • C# min • 06:42 • -19.79db
11% Popularity • 28% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
11% Popularity • 28% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Gioachino Rossini
Petite messe solennelle: Cum Sancto Spir...
100 bpm • F Maj • 05:33 • -18.78db
15% Popularity • 37% Danceability • 20% Energy • 23% Liveness
65% Instrumentalness • 44% Positiveness
15% Popularity • 37% Danceability • 20% Energy • 23% Liveness
65% Instrumentalness • 44% Positiveness
► Preview
Giovanni Gabrieli
Exaudi, Deus, orationem meam in F Minor,...
100 bpm • A Maj • 03:05 • -20db
21% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Christus factus est, WAB 11
124 bpm • D min • 05:09 • -24db
9% Popularity • 18% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Fauré: 3 Mélodies, Op. 7: No. 1, Aprè...
122 bpm • F min • 02:36 • -26.16db
23% Popularity • 31% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
23% Popularity • 31% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Charles Villiers Stanford
The Blue Bird, Op. 119 No. 3
124 bpm • F# Maj • 03:47 • -31.49db
12% Popularity • 18% Danceability • 2% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
12% Popularity • 18% Danceability • 2% Energy • 7% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Accentus
Drömmarna
99 bpm • D# Maj • 01:45 • -29.36db
28% Popularity • 17% Danceability • 6% Energy • 9% Liveness
17% Instrumentalness • 5% Positiveness
28% Popularity • 17% Danceability • 6% Energy • 9% Liveness
17% Instrumentalness • 5% Positiveness
► Preview
Hildegard von Bingen
Antiphon Caritas habundant in omnia
125 bpm • F min • 02:18 • -26.93db
22% Popularity • 27% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
22% Popularity • 27% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Johannes Ockeghem
Ma maistresse
125 bpm • F Maj • 05:32 • -23db
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
17% Popularity • 18% Danceability • 13% Energy • 12% Liveness
11% Instrumentalness • 5% Positiveness
► Preview
Claudio Monteverdi
Lasciate Mi Morire
125 bpm • A# Maj • 02:38 • -23.26db
9% Popularity • 20% Danceability • 9% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 9% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48: 1. Introitus: Requiem a...
99 bpm • D min • 07:29 • -26.98db
11% Popularity • 13% Danceability • 3% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
11% Popularity • 13% Danceability • 3% Energy • 14% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Nordic Chamber Choir - Nicol Matt
La Rose Complete
125 bpm • C# Maj • 04:10 • -33.25db
13% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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John Dunstable
Quam pulchra es, JD 44
125 bpm • A# Maj • 02:35 • -26db
25% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Vivaldi: Laetatus Sum, RV 607
125 bpm • F Maj • 03:37 • -15.39db
14% Popularity • 32% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 32% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Frank Martin
Mass for Double Choir: V. Agnus dei
126 bpm • E min • 05:11 • -23.31db
13% Popularity • 19% Danceability • 6% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
13% Popularity • 19% Danceability • 6% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Alessandro Striggio
Ecce beatam lucem à 40
126 bpm • C Maj • 08:15 • -19db
7% Popularity • 18% Danceability • 15% Energy • 8% Liveness
15% Instrumentalness • 5% Positiveness
7% Popularity • 18% Danceability • 15% Energy • 8% Liveness
15% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 4. Pie Jesu
99 bpm • A# Maj • 03:35 • -28.01db
5% Popularity • 15% Danceability • 5% Energy • 26% Liveness
66% Instrumentalness • 4% Positiveness
5% Popularity • 15% Danceability • 5% Energy • 26% Liveness
66% Instrumentalness • 4% Positiveness
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Francesco Durante
Magnificat in B flat major: Magnificat a...
126 bpm • A Maj • 02:35 • -16db
16% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Jean Mouton
Nesciens mater
126 bpm • G Maj • 06:51 • -30.95db
14% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
21% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
21% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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The Monteverdi Choir
Missa Orbis factor: I. Kyrie eleison
127 bpm • G Maj • 01:16 • -32.48db
32% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. for ...
98 bpm • F min • 03:01 • -20db
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Olivier Messiaen
O sacrum convivium!
127 bpm • F# Maj • 04:31 • -30.76db
20% Popularity • 17% Danceability • 2% Energy • 18% Liveness
42% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 2% Energy • 18% Liveness
42% Instrumentalness • 3% Positiveness
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Henry Purcell
Motet for five Voices: Psalm 3: Jehova, ...
127 bpm • G# min • 06:16 • -23.61db
7% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
7% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Pavel Chesnokov
All Night Vigil, Op. 9: No. 18, Bless Th...
127 bpm • C Maj • 03:07 • -26db
13% Popularity • 19% Danceability • 11% Energy • 32% Liveness
3% Instrumentalness • 12% Positiveness
13% Popularity • 19% Danceability • 11% Energy • 32% Liveness
3% Instrumentalness • 12% Positiveness
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William Byrd
Byrd : Ave verum corpus
127 bpm • G min • 04:33 • -30db
15% Popularity • 17% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
15% Popularity • 17% Danceability • 6% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Magnificat en sol mineur, RV 610: I. Mag...
128 bpm • F# min • 01:17 • -19db
28% Popularity • 16% Danceability • 18% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
28% Popularity • 16% Danceability • 18% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Tristesse, Op. 6, No. 2
97 bpm • F min • 02:47 • -24db
29% Popularity • 19% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 19% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: III. "Te aeternum Patre...
97 bpm • C# Maj • 03:59 • -17db
18% Popularity • 29% Danceability • 26% Energy • 23% Liveness
16% Instrumentalness • 30% Positiveness
18% Popularity • 29% Danceability • 26% Energy • 23% Liveness
16% Instrumentalness • 30% Positiveness
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Camille Saint-Saëns
Calme des nuits, Op. 68, No. 1
128 bpm • E min • 04:13 • -40.65db
24% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
24% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
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Charles Villiers Stanford
Beati quorum via
128 bpm • G# Maj • 03:22 • -27.87db
7% Popularity • 17% Danceability • 7% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
7% Popularity • 17% Danceability • 7% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
128 bpm • F# Maj • 01:42 • -24.88db
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
27% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Giacomo Carissimi
Jephte: Plorate filii Israel plorate (Ch...
129 bpm • F# Maj • 04:49 • -25db
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fantaisie, Op. 79 (Orch. Louis Aubert)
128 bpm • C Maj • 05:30 • -26db
17% Popularity • 32% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 20% Positiveness
17% Popularity • 32% Danceability • 10% Energy • 13% Liveness
93% Instrumentalness • 20% Positiveness
