Songs like Fauré: Requiem, Op. 48: VII. In paradisum by Gabriel Fauré
Based on a tempo of (+/- 10%) and a similar genre
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Edward Naylor
Vox dicentis: Clama - 2003 Remastered Ve...
103 bpm • C Maj • 08:04 • -21.74db
0% Popularity • 20% Danceability • 14% Energy • 27% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 14% Energy • 27% Liveness
1% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: VII. In paradis...
103 bpm • D Maj • 03:52 • -22.02db
26% Popularity • 26% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 26% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice),...
103 bpm • F# Maj • 03:47 • -22.13db
25% Popularity • 31% Danceability • 5% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 31% Danceability • 5% Energy • 34% Liveness
0% Instrumentalness • 12% Positiveness
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Alexander Borodin
Polovtsian Dances From "Prince Igor"
103 bpm • D Maj • 11:30 • -21.85db
34% Popularity • 22% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 8% Positiveness
34% Popularity • 22% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 8% Positiveness
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George Frideric Handel
Handel: Rinaldo, HWV 7, Act 2: "Lascia c...
103 bpm • E Maj • 05:32 • -22.76db
30% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 21% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Don Pasquale / Act 3: "Com'è gentil...t...
102 bpm • A Maj • 03:49 • -10.78db
32% Popularity • 38% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 38% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
102 bpm • G Maj • 06:08 • -27.3db
28% Popularity • 14% Danceability • 5% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 5% Energy • 16% Liveness
96% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 4. Pie Jesu
102 bpm • A# Maj • 04:04 • -29db
28% Popularity • 19% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
28% Popularity • 19% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Georges Bizet
Les PĂŞcheurs de Perles, Act I: "Au fond...
102 bpm • D# Maj • 05:47 • -16.47db
19% Popularity • 23% Danceability • 24% Energy • 7% Liveness
35% Instrumentalness • 12% Positiveness
19% Popularity • 23% Danceability • 24% Energy • 7% Liveness
35% Instrumentalness • 12% Positiveness
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Albert Ketèlbey
In a Monastery Garden
102 bpm • F Maj • 05:28 • -26db
11% Popularity • 14% Danceability • 6% Energy • 17% Liveness
94% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 6% Energy • 17% Liveness
94% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Judas Maccabaeus, HWV 63, Act 3:...
102 bpm • D Maj • 03:01 • -15.95db
27% Popularity • 20% Danceability • 25% Energy • 10% Liveness
7% Instrumentalness • 15% Positiveness
27% Popularity • 20% Danceability • 25% Energy • 10% Liveness
7% Instrumentalness • 15% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
102 bpm • F Maj • 02:41 • -26.61db
17% Popularity • 46% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
17% Popularity • 46% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
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Ernest Bullock
Give us the wings of faith - 1974 Remast...
102 bpm • D Maj • 02:36 • -22.83db
1% Popularity • 22% Danceability • 14% Energy • 11% Liveness
51% Instrumentalness • 10% Positiveness
1% Popularity • 22% Danceability • 14% Energy • 11% Liveness
51% Instrumentalness • 10% Positiveness
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Albert Samain
Fauré: Pleurs d'or, Op. 72
105 bpm • B Maj • 02:39 • -19.64db
3% Popularity • 25% Danceability • 11% Energy • 16% Liveness
29% Instrumentalness • 4% Positiveness
3% Popularity • 25% Danceability • 11% Energy • 16% Liveness
29% Instrumentalness • 4% Positiveness
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Leoš Janáček
Idyl for Strings - Adagio
105 bpm • G Maj • 05:37 • -27db
23% Popularity • 16% Danceability • 6% Energy • 13% Liveness
66% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 6% Energy • 13% Liveness
66% Instrumentalness • 5% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
105 bpm • D# Maj • 04:25 • -21.54db
29% Popularity • 20% Danceability • 11% Energy • 10% Liveness
14% Instrumentalness • 5% Positiveness
29% Popularity • 20% Danceability • 11% Energy • 10% Liveness
14% Instrumentalness • 5% Positiveness
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Samuel Barber
4 Songs, Op. 13: No. 3. Sure on this shi...
101 bpm • A# Maj • 02:29 • -28.32db
18% Popularity • 16% Danceability • 3% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 3% Energy • 7% Liveness
99% Instrumentalness • 3% Positiveness
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Jacques Offenbach
Gaîté parisienne: No. 23: Barcarolle
101 bpm • D Maj • 03:46 • -22db
19% Popularity • 20% Danceability • 10% Energy • 28% Liveness
3% Instrumentalness • 13% Positiveness
19% Popularity • 20% Danceability • 10% Energy • 28% Liveness
3% Instrumentalness • 13% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
106 bpm • C Maj • 08:00 • -17db
34% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
34% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice / Act 3: Aria: "Che fa...
106 bpm • C Maj • 05:37 • -18.56db
22% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
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Harold Darke
O gladsome light - 1995 Remastered Versi...
106 bpm • F# Maj • 02:51 • -21.57db
0% Popularity • 19% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 19% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
100 bpm • D# Maj • 09:33 • -29.92db
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 3% Energy • 6% Liveness
34% Instrumentalness • 4% Positiveness
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Richard Strauss
Capriccio, Op. 85, TrV 279: Mondscheinmu...
100 bpm • A Maj • 03:40 • -17.18db
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 14% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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George Frideric Handel
Zadok the Priest (Coronation Anthem No.1...
99 bpm • D Maj • 05:40 • -16db
14% Popularity • 38% Danceability • 14% Energy • 5% Liveness
34% Instrumentalness • 10% Positiveness
14% Popularity • 38% Danceability • 14% Energy • 5% Liveness
34% Instrumentalness • 10% Positiveness
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Antonio Vivaldi
Nulla in mundo pax, RV 630: 1. Nulla in ...
99 bpm • D# Maj • 06:42 • -19.51db
50% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
50% Popularity • 29% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 10% Positiveness
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AntonĂn Dvořák
Dvořák: 4 Romantic Pieces, Op. 75, B. ...
107 bpm • A# Maj • 03:17 • -26db
31% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
31% Popularity • 16% Danceability • 5% Energy • 13% Liveness
4% Instrumentalness • 8% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. MĂ©l...
99 bpm • D# Maj • 03:52 • -25.25db
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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John Ireland
My song is love unknown (Love Unknown)
98 bpm • D# Maj • 03:27 • -24.08db
30% Popularity • 23% Danceability • 12% Energy • 13% Liveness
10% Instrumentalness • 20% Positiveness
30% Popularity • 23% Danceability • 12% Energy • 13% Liveness
10% Instrumentalness • 20% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 4. Pie Jesu
99 bpm • A# Maj • 03:35 • -28.01db
6% Popularity • 15% Danceability • 5% Energy • 26% Liveness
66% Instrumentalness • 4% Positiveness
6% Popularity • 15% Danceability • 5% Energy • 26% Liveness
66% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
99 bpm • E Maj • 03:08 • -22.07db
13% Popularity • 16% Danceability • 7% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 7% Energy • 10% Liveness
49% Instrumentalness • 4% Positiveness
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Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
98 bpm • G min • 03:38 • -32.76db
17% Popularity • 19% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
17% Popularity • 19% Danceability • 2% Energy • 9% Liveness
72% Instrumentalness • 6% Positiveness
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Maria JoĂŁo Pires
Sonata No. 15 in C Major, II. Andante
108 bpm • G Maj • 04:22 • -28db
34% Popularity • 40% Danceability • 8% Energy • 7% Liveness
91% Instrumentalness • 41% Positiveness
34% Popularity • 40% Danceability • 8% Energy • 7% Liveness
91% Instrumentalness • 41% Positiveness
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Gregorio Allegri
Allegri: Miserere (Excerpt)
108 bpm • G min • 05:48 • -23.51db
36% Popularity • 20% Danceability • 10% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
36% Popularity • 20% Danceability • 10% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Vivaldi: Dixit Dominus in D Major, RV 59...
108 bpm • A# min • 02:54 • -17.13db
23% Popularity • 36% Danceability • 24% Energy • 12% Liveness
9% Instrumentalness • 21% Positiveness
23% Popularity • 36% Danceability • 24% Energy • 12% Liveness
9% Instrumentalness • 21% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Symphony No. 3 in C Minor,...
98 bpm • C Maj • 08:08 • -14.11db
17% Popularity • 18% Danceability • 37% Energy • 32% Liveness
86% Instrumentalness • 13% Positiveness
17% Popularity • 18% Danceability • 37% Energy • 32% Liveness
86% Instrumentalness • 13% Positiveness
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Henry Purcell
Abdelazer, Z.570: 2. Rondeau
97 bpm • C# min • 01:38 • -20db
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
49% Popularity • 37% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 48% Positiveness
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Vincenzo Bellini
La sonnambula / Act 2: "Ah, non credea m...
109 bpm • A min • 04:17 • -24.42db
21% Popularity • 32% Danceability • 6% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
21% Popularity • 32% Danceability • 6% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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George Frideric Handel
Serse, HWV 40, Act I Scene 1: Arioso "Om...
109 bpm • E Maj • 03:03 • -23.48db
40% Popularity • 20% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
40% Popularity • 20% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Polovt...
110 bpm • D Maj • 10:42 • -15db
50% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
50% Popularity • 29% Danceability • 25% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: XII....
109 bpm • C# Maj • 03:09 • -16.69db
28% Popularity • 28% Danceability • 23% Energy • 6% Liveness
1% Instrumentalness • 27% Positiveness
28% Popularity • 28% Danceability • 23% Energy • 6% Liveness
1% Instrumentalness • 27% Positiveness
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Gabriel Fauré
Pavane, Op. 50
97 bpm • F# min • 04:37 • -32.66db
37% Popularity • 12% Danceability • 2% Energy • 18% Liveness
49% Instrumentalness • 4% Positiveness
37% Popularity • 12% Danceability • 2% Energy • 18% Liveness
49% Instrumentalness • 4% Positiveness
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Maria JoĂŁo Pires
Sonata No. 16 in B Flat Major, II. Adagi...
96 bpm • D# Maj • 06:17 • -30.17db
33% Popularity • 44% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
33% Popularity • 44% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
110 bpm • D# Maj • 08:16 • -25.33db
32% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
32% Popularity • 19% Danceability • 8% Energy • 22% Liveness
8% Instrumentalness • 5% Positiveness
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Jean Sibelius
Valse triste, Op. 44
110 bpm • G Maj • 05:32 • -27.93db
23% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
23% Popularity • 16% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 8% Positiveness
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Jules Massenet
MĂ©ditation de ThaĂŻs
96 bpm • E min • 05:18 • -29db
23% Popularity • 12% Danceability • 5% Energy • 33% Liveness
55% Instrumentalness • 4% Positiveness
23% Popularity • 12% Danceability • 5% Energy • 33% Liveness
55% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Vivaldi: Dixit Dominus in D Major, RV 59...
110 bpm • C# Maj • 02:25 • -16.72db
25% Popularity • 46% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 46% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Gabriel Fauré
3 MĂ©lodies, Op. 7 - Arr. Hazell: 1. Apr...
96 bpm • F min • 03:27 • -26db
11% Popularity • 16% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Cyril Taylor
Glorious things of thee are spoken (Abbo...
96 bpm • D Maj • 03:54 • -21db
25% Popularity • 18% Danceability • 19% Energy • 14% Liveness
83% Instrumentalness • 10% Positiveness
25% Popularity • 18% Danceability • 19% Energy • 14% Liveness
83% Instrumentalness • 10% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: III. ...
96 bpm • A# Maj • 05:55 • -31.12db
16% Popularity • 16% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
16% Popularity • 16% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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AntonĂn Dvořák
Dvořák: Rusalka, Op. 114, B. 203, Act ...
96 bpm • F# Maj • 05:55 • -20db
25% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
25% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: III....
111 bpm • F# Maj • 02:26 • -19.85db
29% Popularity • 48% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 48% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Florence Beatrice Price
Violin Concerto No. 1 in D Major: II. An...
95 bpm • A# Maj • 05:57 • -21.56db
38% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
38% Popularity • 15% Danceability • 8% Energy • 16% Liveness
28% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Berceuse in D Flat Major, Op. 57
95 bpm • C# Maj • 04:52 • -26.42db
41% Popularity • 32% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 8% Positiveness
41% Popularity • 32% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Max Bruch
Bruch: Scottish Fantasy, Op. 46: I. (a) ...
95 bpm • D# min • 04:07 • -23.62db
9% Popularity • 18% Danceability • 8% Energy • 15% Liveness
55% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 8% Energy • 15% Liveness
55% Instrumentalness • 4% Positiveness
► Preview
![Zigeunermelodien, Op. 55, B. 104: Zigeunermelodien (Gypsy Melodies), Op. 55: No. 4, Songs my Mother taught me [Sung in German] cover art](https://i.scdn.co/image/ab67616d00001e026dd33ceae26466d0243ab588)
AntonĂn Dvořák
Zigeunermelodien, Op. 55, B. 104: Zigeun...
111 bpm • A# Maj • 02:09 • -21.3db
22% Popularity • 22% Danceability • 9% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 9% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Jules Massenet
ThaĂŻs / Acte Deux: Meditation
95 bpm • E min • 06:01 • -24.29db
27% Popularity • 12% Danceability • 8% Energy • 37% Liveness
83% Instrumentalness • 4% Positiveness
27% Popularity • 12% Danceability • 8% Energy • 37% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Vaughan Williams: 3 Preludes Founded on ...
112 bpm • G Maj • 03:59 • -22.63db
20% Popularity • 17% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 8% Positiveness
20% Popularity • 17% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Frederick Delius
3 Small Tone Poems: No. 3. Spring Mornin...
95 bpm • A Maj • 07:24 • -26db
30% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Tristan und Isolde, Act III: Liebestod (...
94 bpm • B Maj • 07:26 • -16db
28% Popularity • 12% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
28% Popularity • 12% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
LĂ©o Delibes
Delibes: Lakmé, Act 1: Flower Duet - "D...
112 bpm • B Maj • 04:38 • -19.62db
23% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 34% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Samuel Barber
Agnus Dei, Op. 11
94 bpm • F# Maj • 05:54 • -22.72db
15% Popularity • 15% Danceability • 9% Energy • 8% Liveness
78% Instrumentalness • 3% Positiveness
15% Popularity • 15% Danceability • 9% Energy • 8% Liveness
78% Instrumentalness • 3% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
94 bpm • E Maj • 02:54 • -24.67db
30% Popularity • 28% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
30% Popularity • 28% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
► Preview
Gabriel Fauré
Fauré: Requiem, Op. 48: VI. Libera me
113 bpm • G min • 04:26 • -18.75db
2% Popularity • 20% Danceability • 14% Energy • 11% Liveness
36% Instrumentalness • 6% Positiveness
2% Popularity • 20% Danceability • 14% Energy • 11% Liveness
36% Instrumentalness • 6% Positiveness
► Preview
Antonio Vivaldi
Vivaldi / Arr. Pujol: Guitar Concerto in...
94 bpm • D Maj • 06:08 • -25db
21% Popularity • 26% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
21% Popularity • 26% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
► Preview
Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
48% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
► Preview
Edvard Grieg
Peer Gynt, Op. 23 - Incidental Music: No...
113 bpm • B min • 03:50 • -33.26db
21% Popularity • 17% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 1% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Sir John Pritchard
Alleluya, Sing to Jesus (Hyfrydol)
94 bpm • F Maj • 04:38 • -24db
24% Popularity • 12% Danceability • 16% Energy • 34% Liveness
1% Instrumentalness • 14% Positiveness
24% Popularity • 12% Danceability • 16% Energy • 34% Liveness
1% Instrumentalness • 14% Positiveness
► Preview
George Frideric Handel
Handel: Coronation Anthem No. 1, HWV 258...
94 bpm • C# Maj • 05:21 • -16db
27% Popularity • 31% Danceability • 19% Energy • 26% Liveness
41% Instrumentalness • 12% Positiveness
27% Popularity • 31% Danceability • 19% Energy • 26% Liveness
41% Instrumentalness • 12% Positiveness
► Preview
Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
114 bpm • A min • 01:34 • -31db
48% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
48% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
► Preview
Anonymous
Apres un reve, Op. 7, No. 1 (arr. for fl...
93 bpm • F min • 03:14 • -42.96db
12% Popularity • 12% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 10% Positiveness
12% Popularity • 12% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 10% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.2 op. 55 Solveig's So...
93 bpm • A min • 05:14 • -32db
34% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
34% Popularity • 11% Danceability • 2% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Paul Daniel
Pergolesi: Stabat Mater: I. Stabat mater...
93 bpm • F min • 03:56 • -18.52db
14% Popularity • 14% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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AntonĂn Dvořák
Rusalka, Op. 114, B. 203, Act I: MesĂck...
93 bpm • F# Maj • 06:54 • -22.13db
16% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Vivaldi: Concerto for Two Mandolins in G...
114 bpm • D# min • 02:49 • -24db
26% Popularity • 67% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 68% Positiveness
26% Popularity • 67% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 68% Positiveness
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Jules Massenet
Massenet: ThaĂŻs, Act 2, Scene 1: MĂ©dit...
93 bpm • D Maj • 05:00 • -24db
5% Popularity • 14% Danceability • 9% Energy • 12% Liveness
42% Instrumentalness • 4% Positiveness
5% Popularity • 14% Danceability • 9% Energy • 12% Liveness
42% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rinaldo / Act 2: "Lascia ch'io pianga"
92 bpm • E Maj • 04:24 • -16.95db
18% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
18% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
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Henri Rabaud
Dolly Suite, Op. 56 (arr. H. Rabaud): II...
114 bpm • C Maj • 02:15 • -29db
11% Popularity • 36% Danceability • 3% Energy • 9% Liveness
85% Instrumentalness • 22% Positiveness
11% Popularity • 36% Danceability • 3% Energy • 9% Liveness
85% Instrumentalness • 22% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Joseph Canteloube
Songs of the Auvergne, Book I: 2. BaĂŻlďż˝...
92 bpm • A# Maj • 06:14 • -20.82db
9% Popularity • 19% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Johan Svendsen
2 Swedish Folk-Melodies, Op. 27: No. 1 A...
92 bpm • E min • 03:10 • -23.3db
31% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 8% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Coronation Anthem No. 4, HWV 261...
115 bpm • G# Maj • 02:44 • -21db
29% Popularity • 44% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 44% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Henri Rabaud
Dolly Suite, Op. 56 (arr. H. Rabaud): IV...
92 bpm • D# Maj • 03:00 • -30.62db
14% Popularity • 13% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
14% Popularity • 13% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Benjamin Godard
Jocelyn, Suite No. 2: Berceuse
92 bpm • F Maj • 05:33 • -33.67db
17% Popularity • 23% Danceability • 2% Energy • 9% Liveness
47% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 2% Energy • 9% Liveness
47% Instrumentalness • 4% Positiveness
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AntonĂn Dvořák
Dvořák: 7 Gipsy Melodies, Op. 55, B. 1...
92 bpm • D Maj • 02:26 • -16.91db
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Seattle Symphony Orchestra
Symphony No. 3 in F major, Op. 90: III. ...
92 bpm • C min • 06:48 • -26.93db
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Johannes Brahms
5 Lieder, Op. 49: No. 4, Wiegenlied
92 bpm • D# Maj • 02:13 • -32.09db
26% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Giacomo Puccini
Madama Butterfly / Act 1: Vogliatemi ben...
92 bpm • A# Maj • 07:53 • -15.17db
39% Popularity • 17% Danceability • 19% Energy • 32% Liveness
3% Instrumentalness • 4% Positiveness
39% Popularity • 17% Danceability • 19% Energy • 32% Liveness
3% Instrumentalness • 4% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
91 bpm • D# Maj • 08:11 • -22.97db
24% Popularity • 15% Danceability • 10% Energy • 36% Liveness
16% Instrumentalness • 7% Positiveness
24% Popularity • 15% Danceability • 10% Energy • 36% Liveness
16% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Cantique de Jean Racine, Op. 11
91 bpm • C# Maj • 05:46 • -28.09db
1% Popularity • 14% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
1% Popularity • 14% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Carl Stamitz
Cello Concerto No. 1 in G Major: II. Rom...
91 bpm • A# Maj • 05:23 • -28db
39% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Thomas Tallis
Spem in alium
91 bpm • C# Maj • 11:31 • -18.54db
17% Popularity • 12% Danceability • 20% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 12% Danceability • 20% Energy • 15% Liveness
96% Instrumentalness • 4% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 1. Summer Evenin...
90 bpm • D Maj • 06:17 • -24db
34% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
34% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
► Preview
Giacomo Puccini
Puccini: Gianni Schicchi, Act 1: "O mio ...
91 bpm • G# Maj • 02:31 • -21db
24% Popularity • 25% Danceability • 14% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
24% Popularity • 25% Danceability • 14% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Prélude à l'après-midi d'un faune, L....
90 bpm • G# min • 10:44 • -30.2db
43% Popularity • 10% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
43% Popularity • 10% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
Gabriel Fauré
Requiem en ré mineur, Op. 48: "Pie Jesu...
91 bpm • A# Maj • 03:39 • -17.71db
24% Popularity • 24% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
24% Popularity • 24% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
