Songs like Favourite Boy by Half Moon Run
Based on a tempo of (+/- 10%) and a similar genre
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Half Moon Run
Warmest Regards
133 bpm • A Maj • 03:14 • -11.63db
35% Popularity • 76% Danceability • 26% Energy • 12% Liveness
58% Instrumentalness • 36% Positiveness
35% Popularity • 76% Danceability • 26% Energy • 12% Liveness
58% Instrumentalness • 36% Positiveness
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Fink
Blueberry Pancakes
133 bpm • A# Maj • 04:22 • -10db
38% Popularity • 74% Danceability • 45% Energy • 10% Liveness
16% Instrumentalness • 55% Positiveness
38% Popularity • 74% Danceability • 45% Energy • 10% Liveness
16% Instrumentalness • 55% Positiveness
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Bon Iver
Flume
133 bpm • B Maj • 03:39 • -17.01db
62% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
62% Popularity • 45% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 9% Positiveness
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Great Lake Swimmers
Everything Is Moving So Fast
134 bpm • E Maj • 04:19 • -14db
41% Popularity • 66% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
41% Popularity • 66% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
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Holy Holy
Sentimental and Monday
133 bpm • F min • 04:15 • -8db
42% Popularity • 36% Danceability • 69% Energy • 18% Liveness
1% Instrumentalness • 21% Positiveness
42% Popularity • 36% Danceability • 69% Energy • 18% Liveness
1% Instrumentalness • 21% Positiveness
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DOPE LEMON
Streets Of Your Town
132 bpm • D# Maj • 03:27 • -5.98db
48% Popularity • 54% Danceability • 62% Energy • 45% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 54% Danceability • 62% Energy • 45% Liveness
0% Instrumentalness • 54% Positiveness
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Jon and Roy
Nothing but Everything
134 bpm • F# Maj • 03:34 • -16.12db
62% Popularity • 80% Danceability • 16% Energy • 11% Liveness
65% Instrumentalness • 26% Positiveness
62% Popularity • 80% Danceability • 16% Energy • 11% Liveness
65% Instrumentalness • 26% Positiveness
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Bahamas
Half Your Love
132 bpm • A min • 02:24 • -9.89db
51% Popularity • 73% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
51% Popularity • 73% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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James Vincent McMorrow
I Should Go - Solo Version
132 bpm • F# min • 02:31 • -10.37db
54% Popularity • 71% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 71% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Boxer Rebellion
Pull Yourself Together
132 bpm • D Maj • 03:18 • -9.41db
31% Popularity • 35% Danceability • 53% Energy • 16% Liveness
91% Instrumentalness • 9% Positiveness
31% Popularity • 35% Danceability • 53% Energy • 16% Liveness
91% Instrumentalness • 9% Positiveness
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Ocie Elliott
Back Door Run
132 bpm • B min • 03:33 • -11.95db
45% Popularity • 70% Danceability • 27% Energy • 8% Liveness
35% Instrumentalness • 30% Positiveness
45% Popularity • 70% Danceability • 27% Energy • 8% Liveness
35% Instrumentalness • 30% Positiveness
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Mt. Joy
Bathroom Light
135 bpm • D# Maj • 03:08 • -10.82db
63% Popularity • 65% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
63% Popularity • 65% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
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![Lemon [Feat. Sharon Van Etten] cover art](https://i.scdn.co/image/ab67616d00001e027e03f3c0ed84e9db3e6e645b)
Local Natives
Lemon [Sharon Van Etten]
131 bpm • D# Maj • 03:17 • -8.74db
40% Popularity • 61% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 61% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Roo Panes
Indigo Home
135 bpm • C# Maj • 04:52 • -10.26db
34% Popularity • 52% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
34% Popularity • 52% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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Typhoon
Prosthetic Love
136 bpm • G Maj • 04:03 • -10db
32% Popularity • 38% Danceability • 42% Energy • 14% Liveness
28% Instrumentalness • 4% Positiveness
32% Popularity • 38% Danceability • 42% Energy • 14% Liveness
28% Instrumentalness • 4% Positiveness
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Jon and Roy
Rising Sun
130 bpm • C min • 03:22 • -11.25db
53% Popularity • 73% Danceability • 51% Energy • 10% Liveness
5% Instrumentalness • 34% Positiveness
53% Popularity • 73% Danceability • 51% Energy • 10% Liveness
5% Instrumentalness • 34% Positiveness
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Half Moon Run
Salt
136 bpm • F Maj • 04:01 • -9.55db
38% Popularity • 62% Danceability • 57% Energy • 11% Liveness
20% Instrumentalness • 28% Positiveness
38% Popularity • 62% Danceability • 57% Energy • 11% Liveness
20% Instrumentalness • 28% Positiveness
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S. Carey
Fool's Gold
130 bpm • A Maj • 04:14 • -13db
40% Popularity • 50% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
40% Popularity • 50% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
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Aaron Espe
Only Time
136 bpm • A min • 02:58 • -12.11db
52% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 70% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Roo Panes
Remember Fall In Montreal
136 bpm • C Maj • 05:00 • -12db
47% Popularity • 45% Danceability • 31% Energy • 11% Liveness
37% Instrumentalness • 18% Positiveness
47% Popularity • 45% Danceability • 31% Energy • 11% Liveness
37% Instrumentalness • 18% Positiveness
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Dekker
Maybe October
130 bpm • F# Maj • 02:44 • -10db
64% Popularity • 78% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
64% Popularity • 78% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Matt Holubowski
La mer/Mon père
130 bpm • D Maj • 04:02 • -13.92db
22% Popularity • 56% Danceability • 30% Energy • 12% Liveness
10% Instrumentalness • 13% Positiveness
22% Popularity • 56% Danceability • 30% Energy • 12% Liveness
10% Instrumentalness • 13% Positiveness
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José González
Stay Alive
130 bpm • F# Maj • 04:26 • -12.11db
68% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
68% Popularity • 71% Danceability • 31% Energy • 9% Liveness
17% Instrumentalness • 31% Positiveness
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Jon and Roy
The Road Ahead Is Golden
130 bpm • B min • 03:45 • -13.09db
56% Popularity • 60% Danceability • 47% Energy • 9% Liveness
67% Instrumentalness • 17% Positiveness
56% Popularity • 60% Danceability • 47% Energy • 9% Liveness
67% Instrumentalness • 17% Positiveness
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Burkini Beach
Sad Songs
130 bpm • G min • 06:12 • -11.87db
22% Popularity • 66% Danceability • 44% Energy • 14% Liveness
30% Instrumentalness • 63% Positiveness
22% Popularity • 66% Danceability • 44% Energy • 14% Liveness
30% Instrumentalness • 63% Positiveness
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Blanco White
Olalla
130 bpm • C min • 04:08 • -11.95db
66% Popularity • 58% Danceability • 40% Energy • 12% Liveness
46% Instrumentalness • 38% Positiveness
66% Popularity • 58% Danceability • 40% Energy • 12% Liveness
46% Instrumentalness • 38% Positiveness
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Dekker
Too Young To Die
130 bpm • B Maj • 02:38 • -9.37db
39% Popularity • 82% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 82% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Fink
If Only
130 bpm • D Maj • 04:23 • -19.28db
44% Popularity • 69% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 69% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Westerman
Mother Song
136 bpm • G Maj • 02:53 • -16.92db
40% Popularity • 57% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 57% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Isbells
Reunite
136 bpm • C# min • 03:55 • -12.78db
44% Popularity • 42% Danceability • 47% Energy • 12% Liveness
21% Instrumentalness • 56% Positiveness
44% Popularity • 42% Danceability • 47% Energy • 12% Liveness
21% Instrumentalness • 56% Positiveness
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Houndmouth
For No One
130 bpm • D# Maj • 03:49 • -11.18db
37% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Charlie Cunningham
While You Are Young
130 bpm • C Maj • 02:41 • -11.22db
36% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
36% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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James Vincent McMorrow
Hurricane
137 bpm • G Maj • 04:26 • -6.38db
42% Popularity • 68% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
42% Popularity • 68% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Little May
Boardwalks - Remastered 2015/ Bonus Trac...
129 bpm • F# Maj • 03:19 • -13db
52% Popularity • 66% Danceability • 38% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
52% Popularity • 66% Danceability • 38% Energy • 12% Liveness
6% Instrumentalness • 26% Positiveness
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Aliocha Schneider
Over My Shoulder
137 bpm • C# min • 05:02 • -7.61db
39% Popularity • 68% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 68% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Matt Holubowski
The Highlands
128 bpm • D# Maj • 05:24 • -12.83db
15% Popularity • 34% Danceability • 39% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
15% Popularity • 34% Danceability • 39% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
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The Boxer Rebellion
What the Fuck
138 bpm • B min • 04:23 • -13db
35% Popularity • 56% Danceability • 31% Energy • 9% Liveness
31% Instrumentalness • 16% Positiveness
35% Popularity • 56% Danceability • 31% Energy • 9% Liveness
31% Instrumentalness • 16% Positiveness
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1969 Collective
Provincetown
138 bpm • B Maj • 04:10 • -13.34db
18% Popularity • 54% Danceability • 24% Energy • 33% Liveness
1% Instrumentalness • 36% Positiveness
18% Popularity • 54% Danceability • 24% Energy • 33% Liveness
1% Instrumentalness • 36% Positiveness
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Bess Atwell
Cherry Baby
138 bpm • F# min • 05:26 • -13.36db
29% Popularity • 58% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 58% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Gang of Youths
Do Not Let Your Spirit Wane
128 bpm • D Maj • 07:33 • -6.94db
44% Popularity • 55% Danceability • 64% Energy • 12% Liveness
55% Instrumentalness • 28% Positiveness
44% Popularity • 55% Danceability • 64% Energy • 12% Liveness
55% Instrumentalness • 28% Positiveness
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Bear's Den
Elysium
138 bpm • G Maj • 03:26 • -10db
19% Popularity • 30% Danceability • 43% Energy • 10% Liveness
30% Instrumentalness • 10% Positiveness
19% Popularity • 30% Danceability • 43% Energy • 10% Liveness
30% Instrumentalness • 10% Positiveness
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Beta Radio
Come on Make It Right Once
138 bpm • E min • 03:04 • -11.05db
47% Popularity • 75% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
47% Popularity • 75% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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Jon and Roy
Summer Night
128 bpm • C Maj • 03:25 • -11.47db
41% Popularity • 64% Danceability • 42% Energy • 8% Liveness
33% Instrumentalness • 20% Positiveness
41% Popularity • 64% Danceability • 42% Energy • 8% Liveness
33% Instrumentalness • 20% Positiveness
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S. Carey
Rose Petals
128 bpm • A# Maj • 03:33 • -12db
50% Popularity • 56% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
50% Popularity • 56% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Blanco White
Outsider
128 bpm • E Maj • 04:44 • -11.19db
44% Popularity • 50% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
44% Popularity • 50% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
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Richy Mitch & The Coal Miners
Solstice
127 bpm • G Maj • 05:06 • -16.8db
46% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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SOHN
Riverbank
128 bpm • A Maj • 04:15 • -9db
46% Popularity • 66% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 66% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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The Paper Kites
For All You Give
139 bpm • B min • 03:11 • -17.14db
51% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Geoffroy
Cold World
127 bpm • D Maj • 03:44 • -12.92db
33% Popularity • 49% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 49% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Jon and Roy
By My Side
127 bpm • D Maj • 04:12 • -8.3db
43% Popularity • 68% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
43% Popularity • 68% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Blanco White
Una Noche Más
127 bpm • E min • 03:20 • -15.16db
48% Popularity • 60% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 60% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Roo Panes
Tiger Striped Sky
140 bpm • D Maj • 04:01 • -10.32db
58% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
58% Popularity • 47% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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George Ogilvie
Foreign Hands (George's Version)
140 bpm • D# min • 04:18 • -8.74db
45% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The National
This is the Last Time
140 bpm • C min • 04:43 • -10db
53% Popularity • 50% Danceability • 50% Energy • 9% Liveness
37% Instrumentalness • 13% Positiveness
53% Popularity • 50% Danceability • 50% Energy • 9% Liveness
37% Instrumentalness • 13% Positiveness
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Geoffroy
Sweetpie
127 bpm • A Maj • 03:38 • -13.53db
37% Popularity • 52% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 52% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Chris Staples
Full Color Dream
140 bpm • D# min • 03:35 • -8.45db
40% Popularity • 69% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 69% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Great Lake Swimmers
Swimming Away
126 bpm • A Maj • 03:08 • -8.97db
42% Popularity • 59% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
42% Popularity • 59% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Flyte
White Roses
140 bpm • A# Maj • 03:26 • -7.08db
51% Popularity • 53% Danceability • 63% Energy • 14% Liveness
2% Instrumentalness • 60% Positiveness
51% Popularity • 53% Danceability • 63% Energy • 14% Liveness
2% Instrumentalness • 60% Positiveness
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Shakey Graves
House of Winston
125 bpm • D# Maj • 04:13 • -9.5db
43% Popularity • 45% Danceability • 43% Energy • 31% Liveness
13% Instrumentalness • 48% Positiveness
43% Popularity • 45% Danceability • 43% Energy • 31% Liveness
13% Instrumentalness • 48% Positiveness
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The National
I Need My Girl
126 bpm • C min • 04:05 • -11.51db
64% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
64% Popularity • 52% Danceability • 44% Energy • 12% Liveness
7% Instrumentalness • 11% Positiveness
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S. Carey
More I See
141 bpm • E Maj • 04:03 • -11db
44% Popularity • 47% Danceability • 46% Energy • 8% Liveness
39% Instrumentalness • 42% Positiveness
44% Popularity • 47% Danceability • 46% Energy • 8% Liveness
39% Instrumentalness • 42% Positiveness
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Blanco White
Lie Alone
126 bpm • A min • 04:05 • -10.2db
46% Popularity • 62% Danceability • 29% Energy • 11% Liveness
7% Instrumentalness • 20% Positiveness
46% Popularity • 62% Danceability • 29% Energy • 11% Liveness
7% Instrumentalness • 20% Positiveness
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Lucy Rose
Question It All
141 bpm • C Maj • 04:02 • -11.91db
41% Popularity • 42% Danceability • 40% Energy • 11% Liveness
9% Instrumentalness • 17% Positiveness
41% Popularity • 42% Danceability • 40% Energy • 11% Liveness
9% Instrumentalness • 17% Positiveness
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Bon Iver
Re: Stacks
125 bpm • D Maj • 06:41 • -22.85db
64% Popularity • 68% Danceability • 8% Energy • 12% Liveness
42% Instrumentalness • 31% Positiveness
64% Popularity • 68% Danceability • 8% Energy • 12% Liveness
42% Instrumentalness • 31% Positiveness
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Axel Flóvent
Dancers
125 bpm • F Maj • 04:48 • -10.22db
25% Popularity • 70% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 70% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Half Moon Run
It Works Itself Out
125 bpm • G min • 04:07 • -9.38db
29% Popularity • 53% Danceability • 76% Energy • 30% Liveness
29% Instrumentalness • 65% Positiveness
29% Popularity • 53% Danceability • 76% Energy • 30% Liveness
29% Instrumentalness • 65% Positiveness
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The National
Light Years
125 bpm • E Maj • 03:33 • -11.67db
60% Popularity • 54% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 18% Positiveness
60% Popularity • 54% Danceability • 32% Energy • 10% Liveness
67% Instrumentalness • 18% Positiveness
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The Paper Kites
Featherstone
125 bpm • G# Maj • 03:49 • -13.67db
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
54% Popularity • 80% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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Foy Vance
She Burns
125 bpm • E Maj • 03:49 • -10.15db
54% Popularity • 73% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 73% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Flyte
Losing You
142 bpm • C# Maj • 03:18 • -7.85db
44% Popularity • 63% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 92% Positiveness
44% Popularity • 63% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 92% Positiveness
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Luca Wilding
Ruby, Don't Cry
142 bpm • D# min • 03:30 • -11.34db
31% Popularity • 69% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 69% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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Dekker
Small Wins
142 bpm • D min • 02:52 • -10.42db
55% Popularity • 78% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
55% Popularity • 78% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
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Beta Radio
Sitting Room
143 bpm • G# Maj • 04:09 • -14db
42% Popularity • 48% Danceability • 31% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
42% Popularity • 48% Danceability • 31% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
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Ella Grace
Wild Roads
124 bpm • C Maj • 03:22 • -7db
36% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Chris Staples
Golden Age
124 bpm • F# Maj • 03:18 • -7db
63% Popularity • 88% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
63% Popularity • 88% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Flyte
Everyone's A Winner
143 bpm • A Maj • 03:29 • -9.15db
47% Popularity • 59% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 51% Positiveness
47% Popularity • 59% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 51% Positiveness
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Luca Wilding
Heartachers
124 bpm • C# min • 05:15 • -12.01db
11% Popularity • 55% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 55% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Patrick Watson
Hearts
143 bpm • C Maj • 04:52 • -11.01db
37% Popularity • 35% Danceability • 62% Energy • 12% Liveness
48% Instrumentalness • 30% Positiveness
37% Popularity • 35% Danceability • 62% Energy • 12% Liveness
48% Instrumentalness • 30% Positiveness
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Dekker
Supposed to Be a Friend
124 bpm • A# min • 02:49 • -8.59db
43% Popularity • 73% Danceability • 56% Energy • 9% Liveness
23% Instrumentalness • 71% Positiveness
43% Popularity • 73% Danceability • 56% Energy • 9% Liveness
23% Instrumentalness • 71% Positiveness
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Strand of Oaks
Somewhere in Chicago
144 bpm • B min • 03:05 • -8db
35% Popularity • 53% Danceability • 71% Energy • 25% Liveness
18% Instrumentalness • 65% Positiveness
35% Popularity • 53% Danceability • 71% Energy • 25% Liveness
18% Instrumentalness • 65% Positiveness
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Chris Staples
Hepburn In Summertime
124 bpm • C Maj • 02:42 • -8.77db
39% Popularity • 88% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 88% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Bear's Den
Sophie
144 bpm • B min • 05:04 • -13db
31% Popularity • 59% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 59% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Wild Child
Going In
144 bpm • E Maj • 02:41 • -12db
60% Popularity • 68% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
60% Popularity • 68% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Mt. Joy
Silver Lining
144 bpm • C Maj • 03:18 • -6.53db
77% Popularity • 54% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
77% Popularity • 54% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Dekker
Hands Clean
144 bpm • C# Maj • 03:12 • -16.27db
40% Popularity • 68% Danceability • 45% Energy • 10% Liveness
85% Instrumentalness • 66% Positiveness
40% Popularity • 68% Danceability • 45% Energy • 10% Liveness
85% Instrumentalness • 66% Positiveness
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Andrew Bird
tenuousness
122 bpm • C Maj • 03:51 • -11db
27% Popularity • 66% Danceability • 42% Energy • 12% Liveness
10% Instrumentalness • 44% Positiveness
27% Popularity • 66% Danceability • 42% Energy • 12% Liveness
10% Instrumentalness • 44% Positiveness
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Bee Caves
Black Mason Hills
122 bpm • B min • 04:25 • -7.16db
31% Popularity • 33% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 33% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Tim Baker
Twenty Twenty
122 bpm • D Maj • 05:03 • -7.8db
26% Popularity • 34% Danceability • 65% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
26% Popularity • 34% Danceability • 65% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
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Half Moon Run
Heartbeat
122 bpm • A min • 03:24 • -9.01db
37% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 61% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Dan Mangan
Lay Low
146 bpm • C Maj • 03:17 • -16.16db
28% Popularity • 69% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 69% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Lord Huron
Ends of the Earth
121 bpm • E Maj • 04:44 • -9db
69% Popularity • 55% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
69% Popularity • 55% Danceability • 58% Energy • 27% Liveness
4% Instrumentalness • 41% Positiveness
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Billie Marten
Blue Sea, Red Sea
121 bpm • D Maj • 03:53 • -12db
41% Popularity • 70% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 70% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Volcano Choir
Comrade
146 bpm • G Maj • 04:34 • -8.96db
41% Popularity • 51% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 34% Positiveness
41% Popularity • 51% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 34% Positiveness
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Stu Larsen
By the River - Acoustic
146 bpm • D min • 04:28 • -12db
42% Popularity • 48% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
42% Popularity • 48% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Charlie Cunningham
Permanent Way
147 bpm • G# Maj • 04:12 • -17.42db
56% Popularity • 56% Danceability • 55% Energy • 9% Liveness
48% Instrumentalness • 45% Positiveness
56% Popularity • 56% Danceability • 55% Energy • 9% Liveness
48% Instrumentalness • 45% Positiveness
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Little May
Seven Hours
121 bpm • D# Maj • 03:41 • -8db
37% Popularity • 32% Danceability • 65% Energy • 7% Liveness
14% Instrumentalness • 34% Positiveness
37% Popularity • 32% Danceability • 65% Energy • 7% Liveness
14% Instrumentalness • 34% Positiveness
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John Vincent III
Slow Song
120 bpm • A# Maj • 04:51 • -7db
45% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
45% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Manchester Orchestra
The Gold - Nick Waterhouse Remix
120 bpm • A Maj • 04:09 • -9.88db
41% Popularity • 69% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 47% Positiveness
41% Popularity • 69% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 47% Positiveness
