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February
Songs like
February
by
Tomberlin
Based on a tempo of (+/- 10%) and a similar genre
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Better Oblivion Community Center
Chesapeake
99 bpm • C# Maj • 04:04 • -13.33db
42% Popularity • 51% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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River Whyless
All of My Friends
99 bpm • D Maj • 02:48 • -12db
45% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Bloomsday
ISO
99 bpm • A# Maj • 03:39 • -8.66db
10% Popularity • 60% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Tomberlin
February
99 bpm • C Maj • 05:20 • -15.14db
18% Popularity • 38% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Yowler
Sorrow
99 bpm • D Maj • 03:56 • -18.27db
10% Popularity • 36% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
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Free Cake For Every Creature
Be Home Soon
99 bpm • B Maj • 03:40 • -14.71db
28% Popularity • 61% Danceability • 48% Energy • 9% Liveness
33% Instrumentalness • 49% Positiveness
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Florist
M
99 bpm • C Maj • 02:46 • -17.81db
45% Popularity • 42% Danceability • 5% Energy • 34% Liveness
4% Instrumentalness • 14% Positiveness
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Haley Heynderickx
Little Wind
99 bpm • D Maj • 02:02 • -12.34db
40% Popularity • 57% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Sylvan Esso
Coming Back To You
100 bpm • B min • 04:58 • -16.83db
33% Popularity • 64% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Adrianne Lenker
Wallet
98 bpm • A Maj • 03:42 • -13.94db
34% Popularity • 56% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 31% Positiveness
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Skullcrusher
Song for Nick Drake
98 bpm • E Maj • 02:57 • -12.26db
40% Popularity • 45% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 19% Positiveness
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Lucy Dacus
Cartwheel
100 bpm • C Maj • 03:24 • -12.81db
46% Popularity • 61% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Sam Tudor
Change My Shape
98 bpm • D# min • 03:38 • -12.5db
16% Popularity • 57% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Helena Deland
Drawing Room
100 bpm • E Maj • 04:15 • -14.03db
15% Popularity • 56% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Miya Folick
I Think This Is the Dream Where I Met Yo...
98 bpm • A min • 03:31 • -15.15db
23% Popularity • 36% Danceability • 24% Energy • 7% Liveness
8% Instrumentalness • 28% Positiveness
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Sivu
Kin and Chrome
98 bpm • G# Maj • 03:54 • -14.21db
8% Popularity • 52% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Julie Byrne
Morning Dove
98 bpm • C Maj • 02:59 • -13.32db
34% Popularity • 48% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Maple Glider
Be Mean, It's Kinder Than Crying
100 bpm • E Maj • 02:15 • -8.82db
24% Popularity • 81% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Harrison Whitford
Anyplace I Am
98 bpm • F Maj • 04:02 • -17.85db
16% Popularity • 34% Danceability • 11% Energy • 9% Liveness
10% Instrumentalness • 36% Positiveness
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Phoebe Bridgers
Garden Song
100 bpm • C Maj • 03:39 • -16.65db
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Lucy Dacus
Thumbs
98 bpm • G min • 04:25 • -16db
45% Popularity • 47% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Katy Kirby
Secret Language
97 bpm • B Maj • 03:42 • -14.71db
25% Popularity • 64% Danceability • 18% Energy • 33% Liveness
2% Instrumentalness • 15% Positiveness
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Tomberlin
stoned
97 bpm • D# Maj • 04:45 • -7db
27% Popularity • 52% Danceability • 56% Energy • 36% Liveness
2% Instrumentalness • 24% Positiveness
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Bella Porter
Luck of the Draw
97 bpm • E Maj • 05:20 • -19.98db
8% Popularity • 39% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Fenne Lily
Blood Moon
101 bpm • C# Maj • 01:18 • -17.6db
21% Popularity • 32% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 9% Positiveness
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Pinegrove
Skylight
97 bpm • D Maj • 04:19 • -16.81db
40% Popularity • 52% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Sam Tudor
Everybody's Keeping Their Word
97 bpm • G Maj • 02:57 • -10.67db
18% Popularity • 66% Danceability • 24% Energy • 11% Liveness
8% Instrumentalness • 34% Positiveness
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Christian Lee Hutson
Single For The Summer
97 bpm • D# Maj • 03:57 • -9.44db
25% Popularity • 48% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 49% Positiveness
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Tomberlin
possessed
101 bpm • D Maj • 01:51 • -18.61db
38% Popularity • 46% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Sufjan Stevens
Carrie & Lowell - iPhone Demo
101 bpm • G Maj • 01:52 • -16.55db
26% Popularity • 48% Danceability • 28% Energy • 36% Liveness
10% Instrumentalness • 62% Positiveness
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Fenne Lily
Pick
101 bpm • A# Maj • 02:45 • -10.6db
35% Popularity • 76% Danceability • 44% Energy • 10% Liveness
59% Instrumentalness • 67% Positiveness
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Miya Folick
Oceans
97 bpm • C# min • 04:42 • -12.8db
15% Popularity • 38% Danceability • 9% Energy • 11% Liveness
4% Instrumentalness • 5% Positiveness
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Ada Lea
and my newness spoke to your newness and...
97 bpm • G Maj • 00:56 • -20.27db
34% Popularity • 29% Danceability • 28% Energy • 22% Liveness
95% Instrumentalness • 27% Positiveness
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Harrison Whitford
Salvation Army
102 bpm • F Maj • 03:48 • -9.65db
39% Popularity • 70% Danceability • 33% Energy • 12% Liveness
4% Instrumentalness • 56% Positiveness
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Tomberlin
collect caller
97 bpm • G# Maj • 03:01 • -16.63db
30% Popularity • 53% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
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Skullcrusher
You are my House
102 bpm • C Maj • 03:08 • -11db
33% Popularity • 32% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
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Laura Marling
Hope We Meet Again
96 bpm • F min • 04:05 • -16.63db
33% Popularity • 53% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Better Oblivion Community Center
Big Black Heart
102 bpm • C# Maj • 03:26 • -9.98db
39% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Indigo Sparke
Sad Is Love
96 bpm • E Maj • 03:54 • -8.52db
14% Popularity • 51% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Snail Mail
Let's Find an Out
96 bpm • C min • 02:13 • -9db
45% Popularity • 57% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Tomberlin
Floor
96 bpm • A# Maj • 04:33 • -9.07db
28% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Skullcrusher
Trace
96 bpm • F# Maj • 03:19 • -11.09db
32% Popularity • 57% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Julia Jacklin
to Perth, before the border closes
96 bpm • D Maj • 02:56 • -12.44db
58% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Jess Williamson
Snake Song
103 bpm • E min • 03:59 • -10.24db
16% Popularity • 36% Danceability • 22% Energy • 12% Liveness
1% Instrumentalness • 8% Positiveness
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Indigo Sparke
Pluto
96 bpm • E min • 03:02 • -10.98db
13% Popularity • 48% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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S. Carey
Emery
103 bpm • A min • 02:53 • -12.35db
24% Popularity • 38% Danceability • 51% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Phoebe Bridgers
Motion Sickness (Demo - Bonus Track)
95 bpm • C# Maj • 04:24 • -11.06db
50% Popularity • 36% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Skullcrusher
Building a Swing
102 bpm • F Maj • 03:36 • -8.81db
29% Popularity • 36% Danceability • 52% Energy • 25% Liveness
25% Instrumentalness • 19% Positiveness
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Samantha Crain
An Echo
103 bpm • C# Maj • 03:48 • -9.19db
21% Popularity • 56% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Snail Mail
Anytime
95 bpm • C# Maj • 04:38 • -10db
35% Popularity • 54% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Miya Folick
Let's Pretend
103 bpm • E min • 03:20 • -8.84db
11% Popularity • 32% Danceability • 32% Energy • 9% Liveness
11% Instrumentalness • 7% Positiveness
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Lala Lala
Photo Photo
95 bpm • A min • 01:11 • -13.34db
45% Popularity • 54% Danceability • 11% Energy • 38% Liveness
0% Instrumentalness • 30% Positiveness
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Ainslie Wills
This Is What Our Love Looks Like Now
95 bpm • E Maj • 04:03 • -12.02db
17% Popularity • 35% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Haley Heynderickx
Mother
104 bpm • D min • 03:12 • -13.86db
32% Popularity • 59% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Skullcrusher
Lullaby in February
104 bpm • D Maj • 04:35 • -17.86db
28% Popularity • 29% Danceability • 8% Energy • 9% Liveness
58% Instrumentalness • 11% Positiveness
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Ethan Gruska
Crowded City Street
94 bpm • G Maj • 01:32 • -15.71db
21% Popularity • 43% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Tomberlin
Sin
94 bpm • D Maj • 04:31 • -8.62db
33% Popularity • 56% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Katy Kirby
Bad Man
94 bpm • G Maj • 03:38 • -9db
27% Popularity • 55% Danceability • 60% Energy • 12% Liveness
20% Instrumentalness • 61% Positiveness
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Joanna Sternberg
Don't You Ever
104 bpm • D# Maj • 03:01 • -14.56db
17% Popularity • 52% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Julien Baker
Ballad of Big Nothing
105 bpm • D Maj • 02:54 • -10.12db
32% Popularity • 53% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Taylor Vick
A World So Full Of Love
93 bpm • F Maj • 02:53 • -11.07db
19% Popularity • 35% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Harrison Whitford
Picture In a Drawer
93 bpm • F# Maj • 03:43 • -16.94db
12% Popularity • 25% Danceability • 17% Energy • 39% Liveness
0% Instrumentalness • 11% Positiveness
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Tomberlin
Wasted
93 bpm • E Maj • 02:29 • -10db
55% Popularity • 77% Danceability • 57% Energy • 14% Liveness
14% Instrumentalness • 72% Positiveness
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Katie Dey
Data (Tomberlin cover)
105 bpm • E Maj • 03:18 • -15.4db
3% Popularity • 39% Danceability • 21% Energy • 13% Liveness
20% Instrumentalness • 8% Positiveness
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Land of Talk
Love in 2 Stages
107 bpm • G Maj • 03:16 • -10.49db
13% Popularity • 48% Danceability • 36% Energy • 23% Liveness
4% Instrumentalness • 17% Positiveness
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Julien Baker
Blacktop
105 bpm • G Maj • 04:43 • -16.81db
35% Popularity • 51% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Allie Crow Buckley
Fool Around
107 bpm • C Maj • 04:45 • -7.58db
10% Popularity • 39% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jealous of the Birds
The Zodiac Bar
107 bpm • A# Maj • 03:30 • -12.22db
15% Popularity • 56% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Snail Mail
Mia
92 bpm • A# Maj • 03:27 • -11.51db
31% Popularity • 26% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Brooke Bentham
Heavy Head (Keep It Near)
107 bpm • A Maj • 04:17 • -12.82db
20% Popularity • 53% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Fog Lake
Catacombs
107 bpm • G Maj • 03:21 • -12.08db
34% Popularity • 60% Danceability • 31% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
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Julie Byrne
Follow My Voice
107 bpm • D Maj • 04:02 • -14.63db
48% Popularity • 40% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Charlie Hickey
No Good at Lying
107 bpm • C Maj • 02:59 • -6db
27% Popularity • 57% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Cassandra Jenkins
Hailey
107 bpm • A Maj • 02:53 • -18.65db
19% Popularity • 50% Danceability • 7% Energy • 35% Liveness
25% Instrumentalness • 29% Positiveness
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Florist
Vacation
108 bpm • C Maj • 03:47 • -13.94db
48% Popularity • 62% Danceability • 27% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
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Indigo Sparke
Bad Dreams
108 bpm • C min • 03:24 • -11.72db
12% Popularity • 32% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Waxahatchee
Slow You Down
108 bpm • F Maj • 01:48 • -13.93db
49% Popularity • 55% Danceability • 16% Energy • 10% Liveness
9% Instrumentalness • 18% Positiveness
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Luke Rathborne
I Can Be One
108 bpm • C Maj • 03:57 • -12.05db
18% Popularity • 36% Danceability • 16% Energy • 17% Liveness
5% Instrumentalness • 13% Positiveness
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Adrianne Lenker
New York City
108 bpm • C# Maj • 03:48 • -14.21db
44% Popularity • 62% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Harrison Whitford
Helpless
108 bpm • C Maj • 05:49 • -13.68db
11% Popularity • 53% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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juliet sunflower
drinking rain
90 bpm • E Maj • 02:59 • -16.69db
21% Popularity • 46% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Sadurn
lunch
90 bpm • B Maj • 04:21 • -15.15db
24% Popularity • 62% Danceability • 22% Energy • 8% Liveness
17% Instrumentalness • 10% Positiveness
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Indigo De Souza
The Moon Is No Good
91 bpm • F Maj • 05:40 • -17.98db
35% Popularity • 27% Danceability • 3% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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boygenius
Souvenir
109 bpm • F# min • 03:32 • -11.19db
63% Popularity • 60% Danceability • 30% Energy • 9% Liveness
47% Instrumentalness • 18% Positiveness
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Indigo Sparke
Hysteria
90 bpm • A# Maj • 04:03 • -7.96db
20% Popularity • 43% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 29% Positiveness
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Wild Pink
Wanting Things Makes You Shittier
109 bpm • C# Maj • 02:06 • -19.46db
7% Popularity • 33% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
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Mountain Man
Slow Wake Up Sunday Morning
110 bpm • C Maj • 04:10 • -19.06db
24% Popularity • 60% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Hana Bryanne
What A Year Today Has Been
89 bpm • C# Maj • 03:11 • -11.19db
17% Popularity • 33% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Samantha Crain
Holding to the Edge of Night
110 bpm • G# Maj • 04:43 • -11.86db
23% Popularity • 47% Danceability • 32% Energy • 14% Liveness
2% Instrumentalness • 3% Positiveness
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Flock of Dimes
It Just Goes On
110 bpm • D# Maj • 03:33 • -8.73db
26% Popularity • 65% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Allie Crow Buckley
Naked at the Feast
110 bpm • C Maj • 03:09 • -10.95db
9% Popularity • 35% Danceability • 22% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
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Lucy Dacus
Forever Half Mast
110 bpm • A Maj • 04:02 • -10.31db
34% Popularity • 62% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Skullcrusher
Steps
110 bpm • G# Maj • 01:51 • -8db
33% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Half Waif
Lavender Burning
110 bpm • D Maj • 03:20 • -11.12db
21% Popularity • 34% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Bon Iver
Brackett, WI
110 bpm • B Maj • 04:02 • -14db
44% Popularity • 49% Danceability • 34% Energy • 9% Liveness
75% Instrumentalness • 19% Positiveness
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Julien Baker
Red Door
110 bpm • D Maj • 04:10 • -11.36db
33% Popularity • 49% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Saint Sister
Corpses
89 bpm • G Maj • 04:30 • -14db
26% Popularity • 54% Danceability • 16% Energy • 9% Liveness
38% Instrumentalness • 8% Positiveness
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Free Cake For Every Creature
First Storm of the Summer
110 bpm • G Maj • 02:24 • -16db
35% Popularity • 72% Danceability • 33% Energy • 32% Liveness
84% Instrumentalness • 34% Positiveness
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Indigo Sparke
Dog Bark Echo
110 bpm • G Maj • 02:11 • -20.74db
16% Popularity • 47% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Kississippi
Greyhound
110 bpm • C Maj • 04:02 • -10.25db
24% Popularity • 61% Danceability • 28% Energy • 14% Liveness
12% Instrumentalness • 5% Positiveness
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February