Songs like Feelin' Down by The Poor
Based on a tempo of (+/- 10%) and a similar genre
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The Cyrkle
Why Can't You Give Me What I Want
119 bpm • D Maj • 02:25 • -12.21db
12% Popularity • 57% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 57% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
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Picadilly Line
Emily Small (The Huge World Thereof)
119 bpm • G Maj • 02:33 • -8.39db
9% Popularity • 68% Danceability • 37% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 68% Danceability • 37% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
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Fleur De Lys
Liar
119 bpm • B min • 03:15 • -7.21db
9% Popularity • 34% Danceability • 58% Energy • 25% Liveness
88% Instrumentalness • 17% Positiveness
9% Popularity • 34% Danceability • 58% Energy • 25% Liveness
88% Instrumentalness • 17% Positiveness
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The Poor
Feelin' Down
119 bpm • C# min • 03:02 • -5.25db
4% Popularity • 57% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
4% Popularity • 57% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
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The Smoke
Wake Up Cherylina
119 bpm • C# Maj • 02:21 • -9.25db
35% Popularity • 57% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 57% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Gene Clark
That's Alright By Me
119 bpm • E Maj • 04:00 • -7.86db
8% Popularity • 68% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 68% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Chad & Jeremy
The Gentle Cold of Dawn
119 bpm • F Maj • 03:52 • -16.81db
8% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The Dovers
I Could Be Happy
118 bpm • D Maj • 02:23 • -11.19db
10% Popularity • 54% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 94% Positiveness
10% Popularity • 54% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 94% Positiveness
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Ruthann Friedman
Windy - Demo
119 bpm • D Maj • 02:28 • -10.2db
12% Popularity • 64% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 64% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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The Poor
Hung Up On Losin'
119 bpm • C Maj • 02:22 • -4.87db
0% Popularity • 41% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 41% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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The Alan Bown
All I Can Do - Remastered 1985
120 bpm • G min • 02:50 • -10.45db
17% Popularity • 68% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 68% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Tommy James & The Shondells
Pick-Up
118 bpm • F Maj • 01:59 • -10.83db
8% Popularity • 73% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 73% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Sandy Salisbury
I Just Don’t Know How To Say Goodbye
118 bpm • C Maj • 02:33 • -8.19db
7% Popularity • 67% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
7% Popularity • 67% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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The Smoke
You Can't Catch Me
118 bpm • F Maj • 03:19 • -7.74db
22% Popularity • 47% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 47% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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The Troggs
Say Darlin’
118 bpm • A Maj • 02:46 • -10.6db
9% Popularity • 72% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 72% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Untamed Minotaurs
You Ain't Seen Nothin' Yet
118 bpm • D Maj • 03:39 • -8.38db
0% Popularity • 52% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
0% Popularity • 52% Danceability • 59% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Robbie Rhodes
You're a Man Melting Woman
120 bpm • D Maj • 03:36 • -9.73db
14% Popularity • 72% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 72% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Billy Nicholls
Life Is Short
120 bpm • B min • 03:08 • -12.59db
10% Popularity • 52% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 52% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Bevis Lawrence
The World Has Changed Its Way
118 bpm • E Maj • 03:07 • -11.38db
19% Popularity • 40% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 40% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Jermaine Prenger
My Pony
120 bpm • F Maj • 03:17 • -15.09db
20% Popularity • 61% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 61% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Spur
All Over The World
118 bpm • G# Maj • 03:02 • -6.75db
11% Popularity • 64% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 64% Danceability • 67% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Ted Neeley
Sound of Bugles - Remastered
118 bpm • C# Maj • 02:51 • -6.55db
10% Popularity • 46% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 46% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 42% Positiveness
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Ian Kay
Lonely Heart
120 bpm • G Maj • 03:29 • -7.63db
13% Popularity • 65% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 65% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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The Lovin' Spoonful
Did you ever have to make up your mind
120 bpm • D Maj • 01:58 • -5.45db
8% Popularity • 79% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 79% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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The Smoke
I Would If I Could But I Can't
120 bpm • C# Maj • 02:23 • -8.09db
24% Popularity • 51% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 51% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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The Archies
Love Light
120 bpm • G Maj • 02:29 • -11.85db
10% Popularity • 49% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 49% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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The Byrds
She Has a Way
118 bpm • G Maj • 02:31 • -12.44db
9% Popularity • 52% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 52% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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The New Colony Six
Don't You Think It's Time You Stopped Yo...
118 bpm • F# min • 02:20 • -10.45db
8% Popularity • 42% Danceability • 51% Energy • 14% Liveness
2% Instrumentalness • 53% Positiveness
8% Popularity • 42% Danceability • 51% Energy • 14% Liveness
2% Instrumentalness • 53% Positiveness
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Paul Jones
The Dog Presides - B Side
120 bpm • A Maj • 02:47 • -5.94db
8% Popularity • 42% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 42% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 64% Positiveness
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Billy Nicholls
Come Again
120 bpm • A# Maj • 02:35 • -11.83db
15% Popularity • 47% Danceability • 52% Energy • 14% Liveness
1% Instrumentalness • 80% Positiveness
15% Popularity • 47% Danceability • 52% Energy • 14% Liveness
1% Instrumentalness • 80% Positiveness
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Street People
Jennifer Tomkins
120 bpm • G# Maj • 01:47 • -14.04db
9% Popularity • 76% Danceability • 40% Energy • 85% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 76% Danceability • 40% Energy • 85% Liveness
0% Instrumentalness • 97% Positiveness
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The Valentines
Everyday I Have to Cry
121 bpm • A Maj • 02:30 • -7.5db
10% Popularity • 50% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 50% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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The Smoke
If The Weather's Sunny
121 bpm • G# Maj • 02:52 • -8.29db
32% Popularity • 60% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 60% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Stephen L Ward
Danube Everyday
117 bpm • D Maj • 03:27 • -11.24db
12% Popularity • 48% Danceability • 67% Energy • 10% Liveness
72% Instrumentalness • 74% Positiveness
12% Popularity • 48% Danceability • 67% Energy • 10% Liveness
72% Instrumentalness • 74% Positiveness
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The Syn
Grounded
117 bpm • A Maj • 02:23 • -6.33db
15% Popularity • 42% Danceability • 83% Energy • 33% Liveness
93% Instrumentalness • 63% Positiveness
15% Popularity • 42% Danceability • 83% Energy • 33% Liveness
93% Instrumentalness • 63% Positiveness
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The Seeds
Mr. Farmer - Stereo
121 bpm • G Maj • 03:14 • -9.49db
10% Popularity • 57% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 57% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Link Cromwell & The Zoo
Crazy Like A Fox
121 bpm • A Maj • 02:18 • -10.28db
8% Popularity • 60% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 60% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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The Lovin' Spoonful
Warm Baby
117 bpm • E min • 01:54 • -17.01db
12% Popularity • 65% Danceability • 42% Energy • 90% Liveness
2% Instrumentalness • 92% Positiveness
12% Popularity • 65% Danceability • 42% Energy • 90% Liveness
2% Instrumentalness • 92% Positiveness
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The Smoke
It Could Be Wonderful
121 bpm • F min • 02:19 • -6.73db
15% Popularity • 39% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 39% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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The Foggy Notions
Need a Little Lovin'
117 bpm • B min • 03:07 • -6.96db
17% Popularity • 50% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
17% Popularity • 50% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Connor McLaren
In My Eyes
117 bpm • A Maj • 03:19 • -7.88db
12% Popularity • 58% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 58% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Ohio Express
Nothing Sweeter Than My Baby
121 bpm • G Maj • 02:18 • -7.01db
8% Popularity • 72% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 72% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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The Cyrkle
There's a Fire in the Fireplace
121 bpm • G# Maj • 02:24 • -9.51db
10% Popularity • 54% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 54% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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The Mugwumps
Everybody's Been Talkin'
117 bpm • A Maj • 02:30 • -8.52db
13% Popularity • 55% Danceability • 53% Energy • 63% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 55% Danceability • 53% Energy • 63% Liveness
0% Instrumentalness • 76% Positiveness
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The Troggs
We Waited for Someone
117 bpm • D Maj • 02:52 • -8.74db
12% Popularity • 72% Danceability • 70% Energy • 7% Liveness
7% Instrumentalness • 90% Positiveness
12% Popularity • 72% Danceability • 70% Energy • 7% Liveness
7% Instrumentalness • 90% Positiveness
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Sagittarius
My World Fell Down
121 bpm • G# min • 02:54 • -14.91db
30% Popularity • 42% Danceability • 30% Energy • 9% Liveness
33% Instrumentalness • 23% Positiveness
30% Popularity • 42% Danceability • 30% Energy • 9% Liveness
33% Instrumentalness • 23% Positiveness
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The Banana Splits
I Enjoy Being A Boy
121 bpm • F Maj • 02:26 • -6.86db
9% Popularity • 46% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 46% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Clear Light
How Many Nights Have Passed
117 bpm • D Maj • 02:24 • -8.14db
13% Popularity • 50% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 50% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Quiet World
First Light
117 bpm • D Maj • 03:36 • -6.28db
10% Popularity • 33% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 33% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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? & The Mysterians
She Goes to Church on Sunday - Acetate V...
117 bpm • D Maj • 02:40 • -11.64db
9% Popularity • 71% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 71% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 91% Positiveness
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avante-garde
Naturally Stoned
122 bpm • C# Maj • 02:11 • -14.06db
11% Popularity • 58% Danceability • 44% Energy • 22% Liveness
15% Instrumentalness • 62% Positiveness
11% Popularity • 58% Danceability • 44% Energy • 22% Liveness
15% Instrumentalness • 62% Positiveness
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The Blues Magoos
Gotta Get Away
121 bpm • F Maj • 02:30 • -7.35db
8% Popularity • 40% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 40% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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The Troggs
I Want You To Come Into My Life
116 bpm • B min • 02:24 • -7.54db
17% Popularity • 81% Danceability • 93% Energy • 5% Liveness
86% Instrumentalness • 92% Positiveness
17% Popularity • 81% Danceability • 93% Energy • 5% Liveness
86% Instrumentalness • 92% Positiveness
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Los Brincos
Nobody Wants You - Remastered
122 bpm • B Maj • 02:35 • -7.43db
8% Popularity • 68% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 68% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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The Archies
Everything Alright
122 bpm • D Maj • 02:13 • -11.6db
16% Popularity • 60% Danceability • 44% Energy • 20% Liveness
81% Instrumentalness • 78% Positiveness
16% Popularity • 60% Danceability • 44% Energy • 20% Liveness
81% Instrumentalness • 78% Positiveness
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The Poor
Knowing You, Loving You
122 bpm • D Maj • 01:53 • -8.25db
2% Popularity • 51% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
2% Popularity • 51% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness
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Paul Revere & The Raiders
Our Candidate
122 bpm • B min • 02:51 • -5.78db
8% Popularity • 65% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 65% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Spanky & Our Gang
And She's Mine
116 bpm • D Maj • 02:41 • -8.54db
11% Popularity • 59% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 59% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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The Fairytale
Guess I Was Dreaming
116 bpm • A Maj • 03:02 • -11.31db
9% Popularity • 55% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 55% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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The Holy Mackerel
Scorpio Red
122 bpm • A Maj • 03:15 • -8.66db
9% Popularity • 49% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 49% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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The Troggs
Little Red Donkey
116 bpm • A Maj • 02:15 • -9.88db
9% Popularity • 94% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 99% Positiveness
9% Popularity • 94% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 99% Positiveness
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The Turtles
Goodbye Surprise - Remastered
122 bpm • D# min • 02:55 • -11.41db
2% Popularity • 50% Danceability • 75% Energy • 62% Liveness
1% Instrumentalness • 47% Positiveness
2% Popularity • 50% Danceability • 75% Energy • 62% Liveness
1% Instrumentalness • 47% Positiveness
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Small Faces
E To D - Live At The BBC '65-'68 - Remas...
122 bpm • A min • 04:13 • -8.81db
9% Popularity • 62% Danceability • 64% Energy • 16% Liveness
34% Instrumentalness • 50% Positiveness
9% Popularity • 62% Danceability • 64% Energy • 16% Liveness
34% Instrumentalness • 50% Positiveness
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Ohio Express
And It's True
116 bpm • D Maj • 01:48 • -10.88db
11% Popularity • 50% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 50% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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A Passing Fancy
Island
116 bpm • F Maj • 02:11 • -10.73db
9% Popularity • 55% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 55% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Bobby Vee
I May Be Gone
122 bpm • B min • 02:12 • -15.27db
8% Popularity • 41% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 41% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Classics IV
Mama's And Papa's
122 bpm • A Maj • 02:08 • -12.13db
9% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Gerry & The Pacemakers
Baby You're So Good To Me - Recorded for...
116 bpm • E Maj • 02:31 • -10.97db
10% Popularity • 62% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 62% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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The Kinks
Polly (2020 Remaster)
115 bpm • G Maj • 02:51 • -9.34db
8% Popularity • 68% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 68% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Billy Nicholls
Girl from New York
115 bpm • A# Maj • 03:18 • -10.64db
10% Popularity • 44% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 44% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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Blossom Toes
I'll Be Late For Tea - 2022 Remaster
123 bpm • B Maj • 02:42 • -6.58db
9% Popularity • 37% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 37% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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The Gentle Soul
Our National Anthem - Single Version
115 bpm • E Maj • 02:28 • -8db
10% Popularity • 48% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 48% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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The Gants
My Baby Don't Care
115 bpm • A Maj • 02:25 • -7.99db
10% Popularity • 72% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 72% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Five Day Week Straw People
Five Day Week Straw People
123 bpm • A Maj • 03:25 • -11.13db
13% Popularity • 33% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 33% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
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Honeybus
Fresher Than The Sweetness In Water
123 bpm • C Maj • 03:05 • -10.16db
10% Popularity • 61% Danceability • 69% Energy • 67% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 61% Danceability • 69% Energy • 67% Liveness
0% Instrumentalness • 84% Positiveness
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Mirrour
Memories of Love
123 bpm • E Maj • 02:36 • -16.58db
2% Popularity • 68% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
2% Popularity • 68% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Laghonia
Billy Morsa
123 bpm • A min • 04:22 • -7.86db
8% Popularity • 66% Danceability • 60% Energy • 74% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 66% Danceability • 60% Energy • 74% Liveness
0% Instrumentalness • 69% Positiveness
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The Maze
Eye To Eye
115 bpm • G# Maj • 03:29 • -5.88db
12% Popularity • 67% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 67% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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The Turtles
Too Young to Be One (Mono) - 2016 Remast...
123 bpm • A Maj • 01:55 • -11.57db
7% Popularity • 53% Danceability • 61% Energy • 29% Liveness
3% Instrumentalness • 89% Positiveness
7% Popularity • 53% Danceability • 61% Energy • 29% Liveness
3% Instrumentalness • 89% Positiveness
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The Smoke
Waterfall
115 bpm • G# min • 02:43 • -8.42db
27% Popularity • 43% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 43% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Chad & Jeremy
Should I - Single Version
124 bpm • C Maj • 02:51 • -14.13db
10% Popularity • 68% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 68% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Sagittarius
Love's Fatal Way
115 bpm • A# min • 02:50 • -13.34db
9% Popularity • 51% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 51% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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The Jefferson Handkerchief
I'm Allergic to Flowers
114 bpm • G min • 03:30 • -11.98db
10% Popularity • 62% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 62% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Bevis Lawrence
Watch The World Continue To Move Forward
114 bpm • E Maj • 03:09 • -10.17db
20% Popularity • 44% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
20% Popularity • 44% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
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Simon Dupree & The Big Sound
Day Time, Night Time - Stereo; 2004 Rema...
114 bpm • C Maj • 02:17 • -8db
9% Popularity • 47% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 47% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Jon
Is It Love? - 2007 Remaster
114 bpm • C Maj • 02:53 • -7.29db
8% Popularity • 52% Danceability • 66% Energy • 59% Liveness
3% Instrumentalness • 66% Positiveness
8% Popularity • 52% Danceability • 66% Energy • 59% Liveness
3% Instrumentalness • 66% Positiveness
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The Kinks
Dead End Street (2020 Remaster)
124 bpm • A min • 03:26 • -9.23db
8% Popularity • 60% Danceability • 62% Energy • 14% Liveness
1% Instrumentalness • 48% Positiveness
8% Popularity • 60% Danceability • 62% Energy • 14% Liveness
1% Instrumentalness • 48% Positiveness
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Del Shannon
Break Up
114 bpm • G Maj • 02:19 • -5.29db
10% Popularity • 50% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 50% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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The Lemon Pipers
Ask Me If I Care
114 bpm • G Maj • 03:08 • -8.86db
8% Popularity • 54% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 54% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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The New Colony Six
Hello Lonely
114 bpm • A Maj • 02:17 • -16.09db
18% Popularity • 67% Danceability • 41% Energy • 12% Liveness
54% Instrumentalness • 71% Positiveness
18% Popularity • 67% Danceability • 41% Energy • 12% Liveness
54% Instrumentalness • 71% Positiveness
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The Cyrkle
Something Special
124 bpm • F# min • 02:12 • -16.18db
11% Popularity • 68% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 68% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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The Five Americans
Sound of Love
124 bpm • A Maj • 02:24 • -9.35db
12% Popularity • 60% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 60% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Bumble Bees
I Was Blind
124 bpm • F Maj • 02:04 • -6.61db
17% Popularity • 45% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 45% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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The Box Tops
I See Only Sunshine
124 bpm • D Maj • 02:13 • -12db
21% Popularity • 62% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 62% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 84% Positiveness
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The Open Mind
Cast A Spell
125 bpm • D min • 02:09 • -6.76db
10% Popularity • 41% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 41% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Andwellas Dream
High On A Mountain
125 bpm • A min • 02:30 • -4.72db
14% Popularity • 60% Danceability • 68% Energy • 6% Liveness
36% Instrumentalness • 76% Positiveness
14% Popularity • 60% Danceability • 68% Energy • 6% Liveness
36% Instrumentalness • 76% Positiveness
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The Lemon Pipers
Blueberry Blue
125 bpm • B min • 02:30 • -10db
14% Popularity • 64% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 64% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Billy Nicholls
Daytime Girl (Stereo Version)
125 bpm • G Maj • 02:45 • -13db
10% Popularity • 54% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 54% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
