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Feelin' High and Happy
Songs like
Feelin' High and Happy
by
Hot Lips Page
Based on a tempo of (+/- 10%) and a similar genre
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Slim & Slam
A-Well-A-Take-'em-A-Joe, Crap Shooter's ...
94 bpm • F Maj • 03:02 • -12.26db
12% Popularity • 71% Danceability • 46% Energy • 16% Liveness
44% Instrumentalness • 82% Positiveness
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King Oliver's Creole Jazz Band
Dippermouth Blues
94 bpm • C Maj • 02:26 • -12.98db
31% Popularity • 58% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 88% Positiveness
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Duke Ellington And The Jungle Band
Rockin' in Rhythm
94 bpm • C Maj • 03:03 • -8.37db
32% Popularity • 75% Danceability • 31% Energy • 17% Liveness
83% Instrumentalness • 80% Positiveness
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Illinois Jacquet
God Bless My Solo
94 bpm • G# Maj • 04:07 • -9.39db
22% Popularity • 72% Danceability • 43% Energy • 15% Liveness
74% Instrumentalness • 74% Positiveness
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King Oliver
Canal Street Blues
94 bpm • F Maj • 02:28 • -9.99db
21% Popularity • 66% Danceability • 44% Energy • 14% Liveness
47% Instrumentalness • 89% Positiveness
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Hot Lips Page
Feelin' High and Happy
94 bpm • D# Maj • 02:16 • -8.45db
5% Popularity • 80% Danceability • 52% Energy • 78% Liveness
47% Instrumentalness • 96% Positiveness
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Nat Gonella And His Georgians
Hesitation Blues
95 bpm • G min • 03:15 • -13.63db
28% Popularity • 81% Danceability • 32% Energy • 6% Liveness
4% Instrumentalness • 73% Positiveness
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Henry "Red" Allen
Just a Closer Walk with Thee
95 bpm • G# Maj • 03:23 • -15.17db
22% Popularity • 42% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 37% Positiveness
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Mills Blue Rhythm Band
Mr. Ghost Goes to Town
95 bpm • D# Maj • 03:24 • -14.05db
12% Popularity • 75% Danceability • 31% Energy • 16% Liveness
54% Instrumentalness • 88% Positiveness
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Rex Stewart
Shake It and Break It
95 bpm • G# Maj • 01:51 • -11.41db
21% Popularity • 73% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Brooks Prumo Orchestra
Benny's Bugle
95 bpm • G# Maj • 03:44 • -9db
17% Popularity • 64% Danceability • 42% Energy • 7% Liveness
19% Instrumentalness • 70% Positiveness
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Hot Lips Page
Lovin' Mama Blues
95 bpm • G min • 03:14 • -13.01db
0% Popularity • 72% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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King Oliver
Mahogany Hall Stomp
93 bpm • C Maj • 02:39 • -10.36db
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
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Wingy Manone
When I Get You Alone Tonight
95 bpm • D# Maj • 03:12 • -7.5db
18% Popularity • 69% Danceability • 52% Energy • 6% Liveness
1% Instrumentalness • 94% Positiveness
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Erskine Hawkins
Shipyard Ramble
96 bpm • C min • 03:26 • -8.75db
16% Popularity • 66% Danceability • 54% Energy • 14% Liveness
92% Instrumentalness • 67% Positiveness
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Louis Armstrong & His Hot Five
Struttin' with Some Barbecue - 78 rpm Ve...
96 bpm • G# Maj • 03:03 • -8.71db
20% Popularity • 74% Danceability • 32% Energy • 5% Liveness
87% Instrumentalness • 89% Positiveness
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The Cats & The Fiddle
Gangbusters
96 bpm • D min • 03:06 • -11.03db
19% Popularity • 82% Danceability • 39% Energy • 7% Liveness
44% Instrumentalness • 76% Positiveness
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Hot Lips Page
The Lady in Debt (c.09-45)
93 bpm • G# Maj • 02:29 • -16.94db
0% Popularity • 53% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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King Oliver
Dipper Mouth Blues, Pt. 1
95 bpm • C Maj • 02:30 • -12.05db
21% Popularity • 57% Danceability • 38% Energy • 6% Liveness
92% Instrumentalness • 86% Positiveness
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Muggsy Spanier
That Da Da Strain
92 bpm • D min • 02:30 • -13.33db
16% Popularity • 58% Danceability • 40% Energy • 31% Liveness
92% Instrumentalness • 91% Positiveness
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Erskine Hawkins
Hawk's Boogie
92 bpm • G Maj • 02:58 • -5.07db
23% Popularity • 61% Danceability • 56% Energy • 30% Liveness
84% Instrumentalness • 80% Positiveness
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Slim Gaillard
A-Well-A-Take-Um-A-Joe
92 bpm • F Maj • 03:05 • -9.42db
19% Popularity • 73% Danceability • 48% Energy • 10% Liveness
68% Instrumentalness • 90% Positiveness
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Albert Ammons
I Don't Want to See You
92 bpm • G Maj • 02:51 • -12.19db
10% Popularity • 68% Danceability • 40% Energy • 45% Liveness
0% Instrumentalness • 83% Positiveness
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Hot Lips Page
Blues with Lips
96 bpm • B Maj • 03:57 • -8.25db
0% Popularity • 57% Danceability • 78% Energy • 49% Liveness
78% Instrumentalness • 42% Positiveness
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Wingy Carpenter
Team Up
96 bpm • G# Maj • 02:53 • -13.38db
10% Popularity • 81% Danceability • 24% Energy • 7% Liveness
24% Instrumentalness • 96% Positiveness
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Andy Kirk
I'se A Muggin'
97 bpm • F Maj • 02:47 • -14.32db
12% Popularity • 83% Danceability • 21% Energy • 13% Liveness
5% Instrumentalness • 87% Positiveness
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Count Basie Orchestra
St. Louis Boogie
96 bpm • A min • 02:36 • -11.68db
12% Popularity • 70% Danceability • 29% Energy • 37% Liveness
70% Instrumentalness • 72% Positiveness
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The Cats & The Fiddle
We Cats Will Swing for You
91 bpm • C min • 02:38 • -10.82db
24% Popularity • 78% Danceability • 47% Energy • 9% Liveness
62% Instrumentalness • 90% Positiveness
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Illinois Jacquet
Bottom's Up
97 bpm • C# Maj • 05:17 • -10.83db
14% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Slim Gaillard
8, 9 and 10
91 bpm • D Maj • 02:43 • -17.49db
29% Popularity • 81% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 79% Positiveness
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Hot Lips Page
St
97 bpm • A min • 06:22 • -11.62db
1% Popularity • 47% Danceability • 34% Energy • 33% Liveness
30% Instrumentalness • 34% Positiveness
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Kid Ory
Sheik of Araby
97 bpm • A# Maj • 04:50 • -10.97db
12% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Casa Loma Orchestra
Whoa Babe
97 bpm • F Maj • 03:00 • -12.81db
12% Popularity • 76% Danceability • 35% Energy • 46% Liveness
10% Instrumentalness • 94% Positiveness
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Larry Clinton
Let'er Go
97 bpm • C Maj • 02:18 • -8.33db
20% Popularity • 83% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Jimmy Dorsey & His Orchestra
In A Sentimental Mood
97 bpm • G min • 03:02 • -12.82db
26% Popularity • 46% Danceability • 20% Energy • 14% Liveness
13% Instrumentalness • 40% Positiveness
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Una Mae Carlisle
Don't Try Your Jive on Me
97 bpm • G min • 02:52 • -8.93db
11% Popularity • 65% Danceability • 49% Energy • 32% Liveness
1% Instrumentalness • 93% Positiveness
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Stockholm Swing All Stars
All Star Theme
97 bpm • A min • 02:10 • -11.29db
17% Popularity • 69% Danceability • 38% Energy • 18% Liveness
77% Instrumentalness • 85% Positiveness
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Norbert Susemihl
Weather Bird Rag
98 bpm • F min • 02:55 • -12.67db
18% Popularity • 67% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 94% Positiveness
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Slim Gaillard
Look-A There
90 bpm • C Maj • 02:16 • -18.51db
30% Popularity • 79% Danceability • 22% Energy • 9% Liveness
51% Instrumentalness • 93% Positiveness
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Henry "Red" Allen
You're Gonna Lose Your Gal
98 bpm • F# Maj • 02:53 • -9.8db
22% Popularity • 81% Danceability • 40% Energy • 8% Liveness
12% Instrumentalness • 75% Positiveness
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Charlie Shavers
Jack, I'm Mellow
98 bpm • D# Maj • 02:48 • -12.81db
10% Popularity • 78% Danceability • 34% Energy • 7% Liveness
8% Instrumentalness • 85% Positiveness
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Una Mae Carlisle
Walkin' by the River
90 bpm • G Maj • 03:04 • -14.91db
13% Popularity • 71% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Count Basie Orchestra
Basie Boogie
98 bpm • C Maj • 02:17 • -16.12db
13% Popularity • 61% Danceability • 36% Energy • 13% Liveness
31% Instrumentalness • 88% Positiveness
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Eddie Condon
It's Right Here For You, Pt. 1
98 bpm • C Maj • 03:04 • -20.42db
16% Popularity • 67% Danceability • 13% Energy • 43% Liveness
91% Instrumentalness • 71% Positiveness
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Louis Armstrong & His Hot Five
Stuttin'with Some Barbecue - Remastered
98 bpm • G# Maj • 02:59 • -8.21db
11% Popularity • 73% Danceability • 41% Energy • 9% Liveness
85% Instrumentalness • 79% Positiveness
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Red Norvo
Everyone's Wrong but Me
98 bpm • G Maj • 02:58 • -14.54db
12% Popularity • 64% Danceability • 18% Energy • 13% Liveness
41% Instrumentalness • 33% Positiveness
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Reverent Juke
Castle Rock
98 bpm • G# Maj • 05:44 • -10db
16% Popularity • 71% Danceability • 46% Energy • 78% Liveness
0% Instrumentalness • 70% Positiveness
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Mint Julep Jazz Band
Darktown Strutters' Ball
98 bpm • D# Maj • 03:12 • -10db
18% Popularity • 78% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Slam Stewart
I'm In The Mood For Love
99 bpm • D# Maj • 02:54 • -17.5db
8% Popularity • 68% Danceability • 13% Energy • 18% Liveness
88% Instrumentalness • 48% Positiveness
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Slim & Slam
8, 9 and 10 (Alternate Take)
89 bpm • D Maj • 02:42 • -15.23db
9% Popularity • 70% Danceability • 20% Energy • 11% Liveness
35% Instrumentalness • 82% Positiveness
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Turk Murphy
By and By
99 bpm • F Maj • 03:00 • -13.9db
28% Popularity • 80% Danceability • 46% Energy • 16% Liveness
91% Instrumentalness • 94% Positiveness
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Red Norvo
Some Like It Hot
98 bpm • D min • 02:54 • -9.71db
13% Popularity • 79% Danceability • 46% Energy • 16% Liveness
87% Instrumentalness • 89% Positiveness
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Woody Herman & His Orchestra
Blues in the Night
89 bpm • C Maj • 03:11 • -11.68db
25% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
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Rex Stewart
Delta Mood
89 bpm • D# min • 02:45 • -15.19db
8% Popularity • 64% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
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Dean Mora & Rusty's Rhythm Rascals
24 Robbers
99 bpm • C Maj • 02:51 • -17.17db
18% Popularity • 74% Danceability • 28% Energy • 17% Liveness
77% Instrumentalness • 94% Positiveness
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Erskine Hawkins
Gin Mill Special
99 bpm • A# min • 03:19 • -10db
11% Popularity • 63% Danceability • 44% Energy • 64% Liveness
9% Instrumentalness • 85% Positiveness
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Johnny Hodges & His Orchestra
Things Ain't What They Used To Be - 1995...
89 bpm • C# Maj • 03:37 • -17.04db
28% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
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Andy Kirk
Until The Real Thing Comes Along
99 bpm • G# Maj • 02:57 • -17.36db
9% Popularity • 68% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Wingy Manone
Ain't It a Shame About Mame?
99 bpm • C min • 03:04 • -10.58db
11% Popularity • 77% Danceability • 40% Energy • 12% Liveness
3% Instrumentalness • 88% Positiveness
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Lee Wiley
Oh Look at Me Now
89 bpm • C# Maj • 03:09 • -16.33db
12% Popularity • 53% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Slim Gaillard
The Flat Foot Floogie
89 bpm • F Maj • 02:51 • -17.17db
23% Popularity • 79% Danceability • 30% Energy • 13% Liveness
84% Instrumentalness • 85% Positiveness
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Johnny Hodges and His Orchestra
That's the Blues, Old Man
89 bpm • F min • 02:54 • -10.8db
8% Popularity • 64% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 59% Positiveness
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Lil Hardin Armstrong
Bluer Than Blue
89 bpm • F min • 03:11 • -10.85db
5% Popularity • 64% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Johnny Dodds
Melancholy - 21/01/1938
100 bpm • C Maj • 02:43 • -12.71db
33% Popularity • 82% Danceability • 40% Energy • 6% Liveness
92% Instrumentalness • 87% Positiveness
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Pee Wee Russell
Embraceable You
88 bpm • F Maj • 04:04 • -16db
9% Popularity • 46% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 45% Positiveness
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Erskine Hawkins
Knock Me a Kiss
100 bpm • F min • 02:47 • -9.46db
12% Popularity • 46% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Count Basie & His All American Rhythm Section
Farewell Blues - 78rpm Version
100 bpm • G min • 03:17 • -23.73db
7% Popularity • 72% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 73% Positiveness
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Hot Lips Page
No Matter Where You Are (12-03-40)
102 bpm • D Maj • 03:22 • -12.19db
0% Popularity • 64% Danceability • 14% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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Cootie Williams
Juice Head Baby
87 bpm • C min • 03:09 • -10db
24% Popularity • 52% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Slim Gaillard
The Flat Foot Floogie
88 bpm • C Maj • 02:49 • -12db
22% Popularity • 80% Danceability • 40% Energy • 38% Liveness
2% Instrumentalness • 87% Positiveness
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Jimmy Dorsey & His Orchestra
The Darktown Strutter's Ball
102 bpm • F min • 02:27 • -8db
26% Popularity • 71% Danceability • 55% Energy • 51% Liveness
3% Instrumentalness • 84% Positiveness
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King Oliver
New Orleans Shout
102 bpm • F Maj • 02:43 • -12db
19% Popularity • 85% Danceability • 40% Energy • 20% Liveness
92% Instrumentalness • 97% Positiveness
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Johnny Dodds
47Th Street Stomp
86 bpm • C Maj • 03:10 • -8.98db
14% Popularity • 65% Danceability • 46% Energy • 47% Liveness
31% Instrumentalness • 96% Positiveness
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Muggsy Spanier
Relaxin' At the Touro
86 bpm • C Maj • 03:14 • -11db
21% Popularity • 69% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
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Charlie Barnet & His Orchestra
Pompton Turnpike
86 bpm • F min • 03:02 • -13.67db
20% Popularity • 43% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 27% Positiveness
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Erskine Hawkins & His Orchestra
Swing Out
103 bpm • A# Maj • 03:19 • -13db
9% Popularity • 78% Danceability • 24% Energy • 9% Liveness
81% Instrumentalness • 44% Positiveness
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Eddie Condon
Diane
103 bpm • F min • 03:06 • -15db
16% Popularity • 57% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 66% Positiveness
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Humphrey Lyttelton
Evenin'
103 bpm • D min • 02:43 • -13.87db
9% Popularity • 65% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Walter Page's Blue Devils
Blue Devil Blues
104 bpm • D# Maj • 02:46 • -13db
13% Popularity • 77% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Johnny Hodges & His Orchestra
Squaty Roo - Remastered - 1995
103 bpm • A# min • 02:23 • -14db
29% Popularity • 68% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 72% Positiveness
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Erskine Hawkins
After Hours
85 bpm • G Maj • 03:20 • -11.33db
11% Popularity • 66% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 44% Positiveness
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Johnny Dodds
Wild Man Blues (Alternate Take)
85 bpm • F# min • 03:13 • -11db
19% Popularity • 74% Danceability • 30% Energy • 8% Liveness
62% Instrumentalness • 73% Positiveness
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Bunny Berigan
All God s Chillun Got Rhyth
105 bpm • A# Maj • 02:25 • -11db
20% Popularity • 71% Danceability • 47% Energy • 8% Liveness
63% Instrumentalness • 80% Positiveness
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The Cats & The Fiddle
That's on Jack, That's On
105 bpm • F Maj • 02:32 • -8.18db
14% Popularity • 83% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Kid Ory's Creole Jazz Band
Blues for Jimmy Noone
84 bpm • A# Maj • 03:10 • -11.44db
14% Popularity • 51% Danceability • 24% Energy • 25% Liveness
91% Instrumentalness • 28% Positiveness
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Pearl Bailey
It's a Great Feeling
105 bpm • D# Maj • 02:21 • -13.73db
0% Popularity • 82% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Bob Crosby & His Orchestra
What's New?
105 bpm • A# min • 02:57 • -25db
14% Popularity • 56% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 35% Positiveness
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Eddie Condon
Home Cooking
105 bpm • C min • 03:10 • -10db
20% Popularity • 67% Danceability • 36% Energy • 16% Liveness
4% Instrumentalness • 62% Positiveness
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Hot Lips Page
That Lucky Old Sun
84 bpm • A# Maj • 03:07 • -4.83db
0% Popularity • 26% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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The Cats & The Fiddle
That's On Jack That's On
105 bpm • F min • 02:32 • -10db
16% Popularity • 83% Danceability • 53% Energy • 6% Liveness
23% Instrumentalness • 91% Positiveness
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Kid Ory's Creole Jazz Band
Muskrat Ramble
105 bpm • G# Maj • 02:52 • -10db
22% Popularity • 66% Danceability • 57% Energy • 9% Liveness
11% Instrumentalness • 96% Positiveness
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Kid Ory
1919 Rag
105 bpm • C min • 03:08 • -9.46db
8% Popularity • 48% Danceability • 63% Energy • 32% Liveness
91% Instrumentalness • 97% Positiveness
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Erskine Hawkins
Soft Winds
84 bpm • C# Maj • 03:35 • -8db
11% Popularity • 59% Danceability • 33% Energy • 14% Liveness
84% Instrumentalness • 88% Positiveness
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Eddie Condon
Carnegie Drag
106 bpm • A# Maj • 03:16 • -13db
15% Popularity • 69% Danceability • 31% Energy • 9% Liveness
72% Instrumentalness • 82% Positiveness
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Benny Goodman Septet
Charlie's Dream
106 bpm • F min • 03:14 • -8db
11% Popularity • 77% Danceability • 41% Energy • 14% Liveness
82% Instrumentalness • 77% Positiveness
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Hot Lips Page
Pagin' Mr. Page (06-14-44)
106 bpm • C# Maj • 02:56 • -11.52db
0% Popularity • 66% Danceability • 37% Energy • 12% Liveness
92% Instrumentalness • 84% Positiveness
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Jimmy Dorsey & His Orchestra
King Porter Stomp
106 bpm • G# Maj • 02:52 • -8.64db
26% Popularity • 72% Danceability • 60% Energy • 66% Liveness
97% Instrumentalness • 89% Positiveness
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Erskine Hawkins & His Orchestra
After Hours - Digitally Mastered - Septe...
83 bpm • G Maj • 03:23 • -20db
9% Popularity • 67% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 43% Positiveness
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Erskine Hawkins
After Hours
84 bpm • G Maj • 03:23 • -20.64db
15% Popularity • 60% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 41% Positiveness
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Johnny Dodds
I'm Goin' Huntin'
106 bpm • F Maj • 02:59 • -9.69db
23% Popularity • 70% Danceability • 49% Energy • 36% Liveness
91% Instrumentalness • 89% Positiveness
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Feelin' High and Happy