Songs like Feeling Gravitys Pull - Athens Demo by R.E.M.
Based on a tempo of (+/- 10%) and a similar genre
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The Tragically Hip
Flamenco
110 bpm • G Maj • 04:06 • -15.95db
34% Popularity • 67% Danceability • 26% Energy • 11% Liveness
37% Instrumentalness • 14% Positiveness
34% Popularity • 67% Danceability • 26% Energy • 11% Liveness
37% Instrumentalness • 14% Positiveness
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10,000 Maniacs
Noah's Dove
110 bpm • A min • 04:30 • -9db
36% Popularity • 64% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
36% Popularity • 64% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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R.E.M.
Feeling Gravitys Pull - Athens Demo
110 bpm • E min • 04:36 • -6.91db
12% Popularity • 37% Danceability • 82% Energy • 17% Liveness
9% Instrumentalness • 42% Positiveness
12% Popularity • 37% Danceability • 82% Energy • 17% Liveness
9% Instrumentalness • 42% Positiveness
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Jason Falkner
Hectified
111 bpm • A Maj • 02:44 • -8db
13% Popularity • 56% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 56% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Crowded House
Everything Is Good For You - Home Demo
110 bpm • B min • 03:14 • -9.32db
10% Popularity • 75% Danceability • 45% Energy • 8% Liveness
39% Instrumentalness • 56% Positiveness
10% Popularity • 75% Danceability • 45% Energy • 8% Liveness
39% Instrumentalness • 56% Positiveness
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The Auteurs
Idiot Brother
109 bpm • A min • 05:45 • -10db
13% Popularity • 53% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 53% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Guadalcanal Diary
Little Birds
111 bpm • D Maj • 04:00 • -13.33db
8% Popularity • 48% Danceability • 53% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
8% Popularity • 48% Danceability • 53% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
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Aimee Mann
All Over Now
109 bpm • F# min • 04:02 • -8.68db
16% Popularity • 47% Danceability • 63% Energy • 6% Liveness
1% Instrumentalness • 42% Positiveness
16% Popularity • 47% Danceability • 63% Energy • 6% Liveness
1% Instrumentalness • 42% Positiveness
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R.E.M.
Feeling Gravitys Pull - 2010 Remaster
110 bpm • E min • 04:51 • -5.84db
25% Popularity • 39% Danceability • 73% Energy • 29% Liveness
2% Instrumentalness • 30% Positiveness
25% Popularity • 39% Danceability • 73% Energy • 29% Liveness
2% Instrumentalness • 30% Positiveness
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Ian McCulloch
I Know You Well
111 bpm • A Maj • 04:08 • -11.47db
10% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Billy Bragg
Dolphins
109 bpm • D Maj • 04:20 • -12.25db
13% Popularity • 57% Danceability • 25% Energy • 10% Liveness
52% Instrumentalness • 13% Positiveness
13% Popularity • 57% Danceability • 25% Energy • 10% Liveness
52% Instrumentalness • 13% Positiveness
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The Lemonheads
Favorite T
111 bpm • C Maj • 02:54 • -18.59db
20% Popularity • 58% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 58% Danceability • 19% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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The Charlatans
Then
112 bpm • A Maj • 04:11 • -13.58db
37% Popularity • 50% Danceability • 66% Energy • 5% Liveness
86% Instrumentalness • 45% Positiveness
37% Popularity • 50% Danceability • 66% Energy • 5% Liveness
86% Instrumentalness • 45% Positiveness
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The Judybats
Ugly on the Outside
108 bpm • C# min • 03:46 • -9.56db
14% Popularity • 55% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 55% Danceability • 70% Energy • 35% Liveness
0% Instrumentalness • 83% Positiveness
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R.E.M.
Binky The Doormat
111 bpm • D Maj • 05:01 • -6.96db
25% Popularity • 35% Danceability • 83% Energy • 34% Liveness
17% Instrumentalness • 58% Positiveness
25% Popularity • 35% Danceability • 83% Energy • 34% Liveness
17% Instrumentalness • 58% Positiveness
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The Boo Radleys
Martin, Doom! It's Seven O'Clock
108 bpm • B min • 06:21 • -8.52db
8% Popularity • 32% Danceability • 56% Energy • 6% Liveness
2% Instrumentalness • 27% Positiveness
8% Popularity • 32% Danceability • 56% Energy • 6% Liveness
2% Instrumentalness • 27% Positiveness
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The The
DecemberSunlight
108 bpm • F Maj • 03:18 • -10.82db
35% Popularity • 59% Danceability • 48% Energy • 38% Liveness
70% Instrumentalness • 56% Positiveness
35% Popularity • 59% Danceability • 48% Energy • 38% Liveness
70% Instrumentalness • 56% Positiveness
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The House of Love
Se Dest
112 bpm • D Maj • 05:02 • -17.08db
14% Popularity • 34% Danceability • 32% Energy • 12% Liveness
37% Instrumentalness • 19% Positiveness
14% Popularity • 34% Danceability • 32% Energy • 12% Liveness
37% Instrumentalness • 19% Positiveness
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The Wild Swans
Melting Blue Delicious
108 bpm • F Maj • 03:02 • -8.87db
13% Popularity • 56% Danceability • 84% Energy • 9% Liveness
10% Instrumentalness • 88% Positiveness
13% Popularity • 56% Danceability • 84% Energy • 9% Liveness
10% Instrumentalness • 88% Positiveness
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The Stone Roses
Don't Stop - Remastered
107 bpm • B Maj • 05:20 • -7.7db
45% Popularity • 29% Danceability • 76% Energy • 14% Liveness
18% Instrumentalness • 48% Positiveness
45% Popularity • 29% Danceability • 76% Energy • 14% Liveness
18% Instrumentalness • 48% Positiveness
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R.E.M.
I Don’t Sleep, I Dream - Remastered
108 bpm • D Maj • 03:27 • -8.39db
33% Popularity • 58% Danceability • 71% Energy • 16% Liveness
95% Instrumentalness • 39% Positiveness
33% Popularity • 58% Danceability • 71% Energy • 16% Liveness
95% Instrumentalness • 39% Positiveness
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The Auteurs
Brain Child
113 bpm • E Maj • 03:43 • -12db
11% Popularity • 52% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 52% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Gene
I Love You, What Are You?
113 bpm • G Maj • 04:42 • -8db
11% Popularity • 33% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 33% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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The House of Love
Man to Child - 2018 Remaster
113 bpm • D Maj • 02:51 • -10.06db
16% Popularity • 53% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 37% Positiveness
16% Popularity • 53% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 37% Positiveness
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Ride
Starlight Motel - 2001 Remaster
113 bpm • C Maj • 03:33 • -7.75db
9% Popularity • 58% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 58% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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The Replacements
Torture - 2008 Remaster
113 bpm • A Maj • 01:51 • -10.26db
19% Popularity • 58% Danceability • 38% Energy • 44% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 58% Danceability • 38% Energy • 44% Liveness
0% Instrumentalness • 61% Positiveness
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R.E.M.
I Took Your Name - Remastered
113 bpm • A Maj • 04:02 • -4.16db
30% Popularity • 59% Danceability • 90% Energy • 29% Liveness
79% Instrumentalness • 71% Positiveness
30% Popularity • 59% Danceability • 90% Energy • 29% Liveness
79% Instrumentalness • 71% Positiveness
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The Connells
Home Today
107 bpm • E min • 03:28 • -13.79db
11% Popularity • 50% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 50% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Crowded House
Skin Feeling
107 bpm • C Maj • 03:56 • -7.46db
18% Popularity • 45% Danceability • 94% Energy • 42% Liveness
1% Instrumentalness • 58% Positiveness
18% Popularity • 45% Danceability • 94% Energy • 42% Liveness
1% Instrumentalness • 58% Positiveness
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The House of Love
Blind
113 bpm • A Maj • 03:43 • -22.64db
16% Popularity • 54% Danceability • 22% Energy • 20% Liveness
10% Instrumentalness • 26% Positiveness
16% Popularity • 54% Danceability • 22% Energy • 20% Liveness
10% Instrumentalness • 26% Positiveness
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Jane's Addiction
Summertime Rolls
113 bpm • F# Maj • 06:16 • -10.78db
43% Popularity • 35% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
43% Popularity • 35% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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The Replacements
Rock 'N' Roll Ghost - 2008 Remaster
113 bpm • F Maj • 03:25 • -14.73db
15% Popularity • 53% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 36% Positiveness
15% Popularity • 53% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 36% Positiveness
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R.E.M.
Old Man Kensey - Athens Demo
113 bpm • E Maj • 04:07 • -5.54db
10% Popularity • 46% Danceability • 72% Energy • 10% Liveness
6% Instrumentalness • 68% Positiveness
10% Popularity • 46% Danceability • 72% Energy • 10% Liveness
6% Instrumentalness • 68% Positiveness
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Queen
Under Pressure - Remastered 2011
114 bpm • D Maj • 04:08 • -7.82db
83% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
83% Popularity • 67% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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The Dandy Warhols
Good Morning
114 bpm • C Maj • 05:00 • -10.58db
38% Popularity • 30% Danceability • 67% Energy • 26% Liveness
96% Instrumentalness • 14% Positiveness
38% Popularity • 30% Danceability • 67% Energy • 26% Liveness
96% Instrumentalness • 14% Positiveness
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The Charlatans
You're Not Very Well
114 bpm • F# min • 03:30 • -14db
30% Popularity • 57% Danceability • 85% Energy • 12% Liveness
21% Instrumentalness • 88% Positiveness
30% Popularity • 57% Danceability • 85% Energy • 12% Liveness
21% Instrumentalness • 88% Positiveness
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Midnight Oil
One Too Many Times
114 bpm • A Maj • 03:28 • -17.56db
11% Popularity • 65% Danceability • 26% Energy • 17% Liveness
12% Instrumentalness • 36% Positiveness
11% Popularity • 65% Danceability • 26% Energy • 17% Liveness
12% Instrumentalness • 36% Positiveness
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Ned's Atomic Dustbin
Swallowing Air
114 bpm • D Maj • 04:11 • -14.21db
13% Popularity • 64% Danceability • 68% Energy • 12% Liveness
2% Instrumentalness • 40% Positiveness
13% Popularity • 64% Danceability • 68% Energy • 12% Liveness
2% Instrumentalness • 40% Positiveness
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The Wallflowers
Josephine
114 bpm • A Maj • 05:09 • -9.8db
38% Popularity • 31% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
38% Popularity • 31% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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Bob Mould
Compositions For The Young And Old
106 bpm • G Maj • 04:39 • -10.9db
15% Popularity • 65% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 65% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Lloyd Cole
Ice Cream Girl
106 bpm • F Maj • 03:04 • -12.93db
20% Popularity • 57% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 57% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
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Urge Overkill
Monopoly
114 bpm • F# Maj • 03:29 • -6db
13% Popularity • 59% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 59% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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The Replacements
The Last - 2008 Remaster
106 bpm • C Maj • 02:55 • -17db
11% Popularity • 64% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 64% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Paul Westerberg
Once Around the Weekend - Alternate Mix
114 bpm • F Maj • 04:06 • -7.78db
10% Popularity • 78% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 78% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Inspiral Carpets
Just Wednesday
106 bpm • F Maj • 03:43 • -12.95db
13% Popularity • 76% Danceability • 40% Energy • 12% Liveness
61% Instrumentalness • 38% Positiveness
13% Popularity • 76% Danceability • 40% Energy • 12% Liveness
61% Instrumentalness • 38% Positiveness
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The Wild Swans
I'm a Lighthouse
115 bpm • D Maj • 04:28 • -12.63db
13% Popularity • 58% Danceability • 66% Energy • 6% Liveness
72% Instrumentalness • 49% Positiveness
13% Popularity • 58% Danceability • 66% Energy • 6% Liveness
72% Instrumentalness • 49% Positiveness
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XTC
Crocodile - 2001 Remaster
106 bpm • D Maj • 03:56 • -5.6db
19% Popularity • 55% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 55% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Lloyd Cole
Past Imperfect
115 bpm • C Maj • 04:41 • -4.15db
12% Popularity • 57% Danceability • 84% Energy • 11% Liveness
2% Instrumentalness • 39% Positiveness
12% Popularity • 57% Danceability • 84% Energy • 11% Liveness
2% Instrumentalness • 39% Positiveness
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Longpigs
Sally Dances
115 bpm • C Maj • 03:44 • -10db
22% Popularity • 35% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 35% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
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Neil Finn
King Tide
105 bpm • A min • 04:33 • -9.88db
17% Popularity • 58% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 58% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Peter Murphy
Wild Birds Flock to Me
115 bpm • C# min • 03:48 • -9.47db
14% Popularity • 58% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 58% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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The Charlatans
Chewing Gum Weekend
115 bpm • G Maj • 05:06 • -11.95db
20% Popularity • 57% Danceability • 64% Energy • 16% Liveness
3% Instrumentalness • 46% Positiveness
20% Popularity • 57% Danceability • 64% Energy • 16% Liveness
3% Instrumentalness • 46% Positiveness
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XTC
Cynical Days - 2001 Remaster
106 bpm • B min • 03:17 • -5.76db
19% Popularity • 44% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 44% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Soul Asylum
Black Gold (2022 Remaster)
115 bpm • D Maj • 03:57 • -7.08db
43% Popularity • 58% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 58% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
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R.E.M.
The Wrong Child - Remastered
115 bpm • D Maj • 03:38 • -14.02db
29% Popularity • 55% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 55% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Julian Cope
Leperskin
115 bpm • F# min • 05:10 • -11.71db
8% Popularity • 64% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 64% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Paul Westerberg
Final Hurrah
115 bpm • G Maj • 03:28 • -6.89db
10% Popularity • 62% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 62% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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The Connells
Speak To Me
105 bpm • B min • 03:56 • -9.39db
14% Popularity • 46% Danceability • 68% Energy • 14% Liveness
2% Instrumentalness • 40% Positiveness
14% Popularity • 46% Danceability • 68% Energy • 14% Liveness
2% Instrumentalness • 40% Positiveness
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Elvis Costello & The Attractions
Watch Your Step
115 bpm • C Maj • 02:58 • -10db
36% Popularity • 70% Danceability • 52% Energy • 13% Liveness
5% Instrumentalness • 82% Positiveness
36% Popularity • 70% Danceability • 52% Energy • 13% Liveness
5% Instrumentalness • 82% Positiveness
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Ian McCulloch
Horse's Head
115 bpm • D Maj • 04:49 • -8.1db
12% Popularity • 64% Danceability • 82% Energy • 29% Liveness
1% Instrumentalness • 71% Positiveness
12% Popularity • 64% Danceability • 82% Energy • 29% Liveness
1% Instrumentalness • 71% Positiveness
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Sloan
Take It In
115 bpm • G Maj • 03:58 • -8.9db
13% Popularity • 41% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 41% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Del Amitri
Make It Always Be Too Late
105 bpm • G# min • 03:22 • -7.28db
15% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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R.E.M.
The Flowers Of Guatemala
105 bpm • A Maj • 03:56 • -12.59db
31% Popularity • 30% Danceability • 45% Energy • 10% Liveness
18% Instrumentalness • 37% Positiveness
31% Popularity • 30% Danceability • 45% Energy • 10% Liveness
18% Instrumentalness • 37% Positiveness
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Guadalcanal Diary
Sleepers Awake
104 bpm • A min • 03:13 • -10.98db
12% Popularity • 46% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
12% Popularity • 46% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Adam Ant
Image of Yourself
116 bpm • A Maj • 04:01 • -8.51db
10% Popularity • 54% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 54% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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INXS
Listen Like Thieves
116 bpm • G Maj • 03:46 • -4.43db
48% Popularity • 57% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
48% Popularity • 57% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
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Bob Mould
Poison Years
116 bpm • B min • 05:24 • -10.26db
20% Popularity • 55% Danceability • 67% Energy • 31% Liveness
1% Instrumentalness • 56% Positiveness
20% Popularity • 55% Danceability • 67% Energy • 31% Liveness
1% Instrumentalness • 56% Positiveness
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Ian McCulloch
Love in Veins
116 bpm • C Maj • 03:26 • -3.98db
10% Popularity • 45% Danceability • 82% Energy • 6% Liveness
2% Instrumentalness • 72% Positiveness
10% Popularity • 45% Danceability • 82% Energy • 6% Liveness
2% Instrumentalness • 72% Positiveness
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Counting Crows
A Murder Of One
116 bpm • F# Maj • 05:43 • -8db
45% Popularity • 53% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 53% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Paul Westerberg
Once Around the Weekend
116 bpm • F Maj • 03:56 • -8.83db
14% Popularity • 75% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 75% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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The Wallflowers
Letters From The Wasteland
116 bpm • D Maj • 04:27 • -5.92db
36% Popularity • 60% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 60% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Lloyd Cole
Sweetheart
116 bpm • A Maj • 04:30 • -11.99db
13% Popularity • 63% Danceability • 62% Energy • 8% Liveness
8% Instrumentalness • 73% Positiveness
13% Popularity • 63% Danceability • 62% Energy • 8% Liveness
8% Instrumentalness • 73% Positiveness
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Bob Mould
Lonely Afternoon
116 bpm • B Maj • 04:29 • -10.73db
13% Popularity • 58% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 58% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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The Lemonheads
Rockin' Stroll - Remastered
116 bpm • D Maj • 01:46 • -7.26db
31% Popularity • 46% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 46% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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XTC
The Loving - 2001 Remaster
104 bpm • D Maj • 04:11 • -2.92db
25% Popularity • 56% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 56% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Paul Westerberg
Someone I Once Knew
116 bpm • G Maj • 03:10 • -9.09db
15% Popularity • 79% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 79% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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R.E.M.
Maps And Legends - 2010 Remaster
116 bpm • D Maj • 03:10 • -5.38db
25% Popularity • 50% Danceability • 72% Energy • 12% Liveness
90% Instrumentalness • 80% Positiveness
25% Popularity • 50% Danceability • 72% Energy • 12% Liveness
90% Instrumentalness • 80% Positiveness
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The Wallflowers
Bleeders
117 bpm • E Maj • 03:41 • -7.58db
38% Popularity • 54% Danceability • 77% Energy • 12% Liveness
1% Instrumentalness • 45% Positiveness
38% Popularity • 54% Danceability • 77% Energy • 12% Liveness
1% Instrumentalness • 45% Positiveness
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Wilco
Kamera - 2022 Remaster
117 bpm • D Maj • 03:30 • -10db
45% Popularity • 89% Danceability • 76% Energy • 8% Liveness
82% Instrumentalness • 97% Positiveness
45% Popularity • 89% Danceability • 76% Energy • 8% Liveness
82% Instrumentalness • 97% Positiveness
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Guadalcanal Diary
Under the Yoke
104 bpm • E min • 03:25 • -8db
11% Popularity • 52% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 52% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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The Connells
Maybe
117 bpm • F Maj • 02:30 • -4.29db
10% Popularity • 38% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 38% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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The House of Love
Hedonist
117 bpm • B min • 03:36 • -10.82db
26% Popularity • 69% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 69% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Elvis Costello & The Attractions
Home Is Anywhere You Hang Your Head
103 bpm • A Maj • 05:04 • -11.02db
17% Popularity • 51% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 51% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Elvis Costello
Kinder Murder
117 bpm • G Maj • 03:24 • -7db
18% Popularity • 61% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 61% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Soul Asylum
Runaway Train (2022 Remaster)
117 bpm • C Maj • 04:26 • -7.96db
71% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
71% Popularity • 61% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Guadalcanal Diary
Pretty Is as Pretty Does
117 bpm • A min • 04:07 • -13.96db
9% Popularity • 56% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 56% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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The Police
Every Breath You Take
117 bpm • C# Maj • 04:13 • -9.8db
89% Popularity • 82% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
89% Popularity • 82% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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XTC
Big Day - Remastered 2001
117 bpm • G Maj • 03:32 • -8.17db
27% Popularity • 56% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 56% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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The Verve
This Time
103 bpm • C Maj • 03:51 • -6.98db
46% Popularity • 51% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 51% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Trashcan Sinatras
Send For Henny
103 bpm • E Maj • 03:16 • -12.3db
11% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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The Posies
Earlier Than Expected
118 bpm • G Maj • 03:35 • -7.96db
15% Popularity • 52% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 52% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Crowded House
Locked Out
118 bpm • C# min • 03:17 • -5.67db
42% Popularity • 46% Danceability • 96% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 46% Danceability • 96% Energy • 42% Liveness
0% Instrumentalness • 51% Positiveness
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American Music Club
Royal Cafe
103 bpm • C Maj • 03:24 • -11.25db
9% Popularity • 40% Danceability • 78% Energy • 23% Liveness
1% Instrumentalness • 57% Positiveness
9% Popularity • 40% Danceability • 78% Energy • 23% Liveness
1% Instrumentalness • 57% Positiveness
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XTC
Earn Enough For Us - Remastered 2001
118 bpm • C Maj • 02:53 • -4.53db
38% Popularity • 62% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 62% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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R.E.M.
Belong
103 bpm • G Maj • 04:06 • -4.52db
40% Popularity • 53% Danceability • 73% Energy • 22% Liveness
74% Instrumentalness • 57% Positiveness
40% Popularity • 53% Danceability • 73% Energy • 22% Liveness
74% Instrumentalness • 57% Positiveness
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10,000 Maniacs
Daktari
118 bpm • C Maj • 04:29 • -11.55db
9% Popularity • 57% Danceability • 72% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
9% Popularity • 57% Danceability • 72% Energy • 9% Liveness
1% Instrumentalness • 80% Positiveness
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Lloyd Cole
To The Lions
118 bpm • A Maj • 02:40 • -10.26db
11% Popularity • 60% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 60% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 92% Positiveness
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Robyn Hitchcock & The Egyptians
One Long Pair Of Eyes
103 bpm • A Maj • 04:58 • -12.35db
12% Popularity • 47% Danceability • 66% Energy • 13% Liveness
1% Instrumentalness • 63% Positiveness
12% Popularity • 47% Danceability • 66% Energy • 13% Liveness
1% Instrumentalness • 63% Positiveness
