Songs like Feshty Veruka by Frank Kelly
Based on a tempo of (+/- 10%) and a similar genre
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TV Theme Song Maniacs
Cheers: Where Everybody Knows Your Name
89 bpm • A# Maj • 03:07 • -13db
31% Popularity • 58% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 58% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Des O'Connor
Dick-a-Dum-Dum (King's Road)
89 bpm • F Maj • 02:14 • -8db
18% Popularity • 74% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
18% Popularity • 74% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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Frank Kelly
Feshty Veruka
89 bpm • C# min • 05:12 • -15.29db
0% Popularity • 65% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 65% Danceability • 33% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Val Doonican
Scarlet Ribbons
90 bpm • G Maj • 03:32 • -15.18db
17% Popularity • 16% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 16% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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The Wombles
Wellington Goes To Waterloo
90 bpm • F Maj • 03:36 • -13db
10% Popularity • 55% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 55% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Paul Williams
Bugsy Malone
88 bpm • C Maj • 02:31 • -11db
35% Popularity • 63% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 63% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Brendan Grace
The Dutchman
90 bpm • D Maj • 05:09 • -17db
20% Popularity • 40% Danceability • 27% Energy • 18% Liveness
4% Instrumentalness • 39% Positiveness
20% Popularity • 40% Danceability • 27% Energy • 18% Liveness
4% Instrumentalness • 39% Positiveness
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Bernard Cribbins
The Bird on the Second Floor
87 bpm • C Maj • 01:49 • -14db
12% Popularity • 76% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 76% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Frank Kelly
Pianissimo
89 bpm • B min • 04:14 • -13.39db
0% Popularity • 65% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
0% Popularity • 65% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Gordon Macrae
Oh What A Beautiful Morning
87 bpm • E Maj • 02:37 • -14.06db
14% Popularity • 30% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 30% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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The Party Poppers
Nellie Dean
87 bpm • F Maj • 01:07 • -15db
10% Popularity • 22% Danceability • 44% Energy • 92% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 22% Danceability • 44% Energy • 92% Liveness
0% Instrumentalness • 18% Positiveness
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The Fivepenny Piece
Pete Was a Lonely Dog Who Lived in Centr...
91 bpm • E Maj • 03:29 • -13.47db
9% Popularity • 65% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 65% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Harry Secombe
Amazing Grace
86 bpm • A Maj • 03:27 • -14db
11% Popularity • 21% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 21% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Cy Coleman
Sweet Charity: The Rhythm of Life
86 bpm • C Maj • 03:58 • -13.35db
27% Popularity • 73% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 73% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Rolf Harris
Iko Iko
92 bpm • G# min • 02:07 • -9.28db
12% Popularity • 83% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 83% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Military Wives
Songs That Won The War - Medley
92 bpm • A Maj • 04:27 • -12.35db
13% Popularity • 16% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 16% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Andy Stewart
A Scottish Soldier
86 bpm • E Maj • 03:19 • -12.37db
16% Popularity • 46% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 46% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Richard Burton
Desiderata
93 bpm • A Maj • 02:02 • -19.72db
12% Popularity • 69% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 69% Danceability • 26% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Sir Harry Lauder
Roaming in the Gloaming
93 bpm • F# Maj • 03:52 • -11.92db
9% Popularity • 72% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 72% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Tony Russo
When Your Heartache Begins
85 bpm • G# Maj • 03:16 • -11.97db
15% Popularity • 41% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 41% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 21% Positiveness
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John Shuttleworth
I Can't Go Back To Savoury Now
85 bpm • D Maj • 04:10 • -9db
15% Popularity • 43% Danceability • 54% Energy • 9% Liveness
9% Instrumentalness • 74% Positiveness
15% Popularity • 43% Danceability • 54% Energy • 9% Liveness
9% Instrumentalness • 74% Positiveness
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Rolf Harris
Tie Me Kangaroo Down Sport
93 bpm • A Maj • 02:42 • -14.92db
26% Popularity • 71% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 71% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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FASCINATING AIDA
So Sorry Scotland - Live
84 bpm • C Maj • 04:01 • -17.72db
13% Popularity • 50% Danceability • 17% Energy • 71% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 50% Danceability • 17% Energy • 71% Liveness
0% Instrumentalness • 47% Positiveness
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Frank Kelly
Tractor Hire
84 bpm • A Maj • 04:49 • -15.73db
0% Popularity • 62% Danceability • 31% Energy • 86% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 62% Danceability • 31% Energy • 86% Liveness
0% Instrumentalness • 50% Positiveness
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Ivor Biggun
The Majorca Song
94 bpm • C Maj • 02:42 • -5.83db
9% Popularity • 67% Danceability • 90% Energy • 62% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 67% Danceability • 90% Energy • 62% Liveness
0% Instrumentalness • 93% Positiveness
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Coded Channel
Raggy Dolls
94 bpm • C Maj • 00:57 • -6.48db
22% Popularity • 86% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 86% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Lionel Bart
Oom-Pah-Pah
84 bpm • D Maj • 03:15 • -13.75db
14% Popularity • 67% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 67% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Rolf Harris
Waltzing Matilda
84 bpm • D# Maj • 03:42 • -12.5db
16% Popularity • 46% Danceability • 50% Energy • 84% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 46% Danceability • 50% Energy • 84% Liveness
0% Instrumentalness • 64% Positiveness
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Val Doonican
Ring of Bright Water
84 bpm • G# Maj • 03:02 • -12db
17% Popularity • 18% Danceability • 34% Energy • 12% Liveness
8% Instrumentalness • 34% Positiveness
17% Popularity • 18% Danceability • 34% Energy • 12% Liveness
8% Instrumentalness • 34% Positiveness
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Wild Thing
A Wanker (With White Socks)
95 bpm • G Maj • 02:38 • -10.32db
17% Popularity • 81% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 81% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Victoria Wood
They Call Me Pam
95 bpm • A Maj • 08:29 • -15.46db
9% Popularity • 59% Danceability • 68% Energy • 97% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 59% Danceability • 68% Energy • 97% Liveness
0% Instrumentalness • 52% Positiveness
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Benny Hill
Rachel
83 bpm • C# Maj • 02:51 • -12.12db
13% Popularity • 53% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 53% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Frank Kelly
The Bard of Wicklow
83 bpm • C# min • 03:17 • -15.25db
0% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Rolf Harris
Botany Bay
95 bpm • C Maj • 02:18 • -12.09db
10% Popularity • 66% Danceability • 44% Energy • 73% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 66% Danceability • 44% Energy • 73% Liveness
0% Instrumentalness • 95% Positiveness
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Bernard Cribbins
Folk Song
83 bpm • F Maj • 02:59 • -12db
9% Popularity • 49% Danceability • 26% Energy • 48% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 49% Danceability • 26% Energy • 48% Liveness
0% Instrumentalness • 62% Positiveness
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Barbara Dickson
Skye Boat Song
95 bpm • D Maj • 03:02 • -16.37db
15% Popularity • 20% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 20% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Ivor Biggun
Dorothy Please Trim Your Hinge (Misprint...
95 bpm • G Maj • 02:41 • -6.07db
11% Popularity • 48% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 48% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Bella Berkus
The Glow of the Sand
83 bpm • F Maj • 02:36 • -10.52db
8% Popularity • 50% Danceability • 52% Energy • 69% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 50% Danceability • 52% Energy • 69% Liveness
0% Instrumentalness • 82% Positiveness
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Frank Kelly
Flight of Fancy
83 bpm • D Maj • 05:23 • -12.71db
0% Popularity • 55% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 55% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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The Houghton Weavers
The Blackpool Belle
96 bpm • C Maj • 02:57 • -8db
18% Popularity • 77% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 77% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Andy Stewart
I Belong to Glasgow / Sailing Up the Cly...
96 bpm • G Maj • 05:45 • -11.44db
13% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
13% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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The Fisherman’s Friends
Wellerman
96 bpm • G# Maj • 02:19 • -7.93db
30% Popularity • 83% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 83% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Val Doonican
Elusive Butterfly
96 bpm • C Maj • 02:43 • -13.85db
27% Popularity • 57% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 57% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Flanders & Swann
A Song of the Weather
96 bpm • F# Maj • 02:02 • -13db
16% Popularity • 63% Danceability • 40% Energy • 64% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 63% Danceability • 40% Energy • 64% Liveness
0% Instrumentalness • 90% Positiveness
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Frank Kelly
Jumbo Trade-In
95 bpm • D Maj • 05:05 • -14.72db
1% Popularity • 64% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
1% Popularity • 64% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Robert Lindsay
The Lambeth Walk - Original Cast Recordi...
96 bpm • F Maj • 04:18 • -17db
22% Popularity • 46% Danceability • 37% Energy • 43% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 46% Danceability • 37% Energy • 43% Liveness
0% Instrumentalness • 36% Positiveness
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The Wombles
Superwomble
96 bpm • A Maj • 03:26 • -9.25db
10% Popularity • 56% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 56% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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Ivor Biggun
Cucumber Number
82 bpm • D Maj • 01:59 • -8.43db
8% Popularity • 78% Danceability • 53% Energy • 57% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 78% Danceability • 53% Energy • 57% Liveness
0% Instrumentalness • 88% Positiveness
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George Formby
Guarding The Homes Of The Home Garden
97 bpm • A# Maj • 04:01 • -16.74db
8% Popularity • 78% Danceability • 44% Energy • 62% Liveness
7% Instrumentalness • 91% Positiveness
8% Popularity • 78% Danceability • 44% Energy • 62% Liveness
7% Instrumentalness • 91% Positiveness
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Stan Freberg
Little Blue Riding Hood
82 bpm • G Maj • 03:24 • -19.3db
2% Popularity • 69% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
2% Popularity • 69% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Frank Kelly
Dear Frank, Pt. 1
83 bpm • A Maj • 06:52 • -16.37db
0% Popularity • 63% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 63% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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The Houghton Weavers
Cushie Butterfield
82 bpm • G Maj • 02:37 • -5.65db
14% Popularity • 57% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 57% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Joe Dolan
The Universal
82 bpm • C Maj • 03:43 • -8.96db
21% Popularity • 49% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 49% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jona Lewie
Stop The Cavalry
97 bpm • A Maj • 02:56 • -9db
50% Popularity • 70% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
50% Popularity • 70% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Jason Manford
The Impossible Dream
81 bpm • A# Maj • 02:39 • -9.88db
9% Popularity • 26% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 26% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Finbar Wright
Whatever You Believe
81 bpm • C Maj • 04:32 • -14.7db
14% Popularity • 30% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 30% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Frank Kelly
Theatrical Costumes
82 bpm • A Maj • 04:26 • -16.42db
0% Popularity • 75% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 75% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Bud Flanagan
Who Do You Think You Are Kidding, Mr Hit...
98 bpm • A# Maj • 01:06 • -14.48db
29% Popularity • 60% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 60% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Morecambe & Wise
Bring Me Sunshine - Theme from the TV Se...
81 bpm • B Maj • 01:51 • -12.57db
41% Popularity • 68% Danceability • 40% Energy • 57% Liveness
0% Instrumentalness • 93% Positiveness
41% Popularity • 68% Danceability • 40% Energy • 57% Liveness
0% Instrumentalness • 93% Positiveness
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The Settlers
The Lightning Tree
98 bpm • G Maj • 02:44 • -4.54db
22% Popularity • 55% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 55% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Peter Cook
Goodbye-ee
98 bpm • A# Maj • 02:01 • -12db
10% Popularity • 52% Danceability • 29% Energy • 50% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 52% Danceability • 29% Energy • 50% Liveness
0% Instrumentalness • 55% Positiveness
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Paul Child
Working Man
98 bpm • A Maj • 04:22 • -11.56db
10% Popularity • 57% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 57% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Frank Kelly
Man Watch
97 bpm • D Maj • 03:37 • -15.99db
0% Popularity • 49% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 49% Danceability • 51% Energy • 31% Liveness
0% Instrumentalness • 75% Positiveness
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Smacka Fitzgibbon
The Adventures of Barry McKenzie
98 bpm • C Maj • 03:11 • -12.11db
10% Popularity • 63% Danceability • 35% Energy • 23% Liveness
1% Instrumentalness • 60% Positiveness
10% Popularity • 63% Danceability • 35% Energy • 23% Liveness
1% Instrumentalness • 60% Positiveness
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Max Boyce
The Ballad of Morgan the Moon - Live at ...
98 bpm • D# Maj • 06:34 • -19.98db
16% Popularity • 47% Danceability • 37% Energy • 78% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 47% Danceability • 37% Energy • 78% Liveness
0% Instrumentalness • 24% Positiveness
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Bernard Cribbins
Right Said Fred
98 bpm • C# Maj • 02:20 • -8.02db
25% Popularity • 78% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 78% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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David Alexander
A Working Man I Am
98 bpm • A Maj • 04:24 • -8.28db
27% Popularity • 53% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 53% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Peter Sellers
Goodness Gracious Me
98 bpm • G# Maj • 03:03 • -14db
25% Popularity • 67% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 67% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Frank Kelly
Double Image
82 bpm • D Maj • 04:05 • -12.41db
0% Popularity • 68% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 68% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Brian L Bennett
Cricket Theme Medley
98 bpm • F Maj • 05:24 • -13.07db
7% Popularity • 58% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
7% Popularity • 58% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Tony Russo
Somewhere There's A Someone
80 bpm • F# Maj • 02:16 • -9.51db
15% Popularity • 19% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 19% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Bernard Cribbins
The Hole in the Ground - Bonus Track
81 bpm • E Maj • 01:52 • -7.25db
21% Popularity • 78% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 78% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Harvey Andrews
Soldier
98 bpm • A Maj • 04:57 • -8.88db
22% Popularity • 55% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 55% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Münchener Freiheit
Keeping the Dream Alive
80 bpm • F Maj • 04:15 • -9.02db
33% Popularity • 44% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 44% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Frank Kelly
Swine Festival
98 bpm • A Maj • 04:16 • -14.66db
0% Popularity • 67% Danceability • 36% Energy • 64% Liveness
0% Instrumentalness • 63% Positiveness
0% Popularity • 67% Danceability • 36% Energy • 64% Liveness
0% Instrumentalness • 63% Positiveness
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Stanley Holloway
Any Old Iron?
99 bpm • A min • 02:30 • -9.57db
14% Popularity • 83% Danceability • 51% Energy • 54% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 83% Danceability • 51% Energy • 54% Liveness
0% Instrumentalness • 90% Positiveness
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Peter Dawson
The Floral Dance
99 bpm • C Maj • 03:15 • -9.68db
10% Popularity • 56% Danceability • 25% Energy • 13% Liveness
7% Instrumentalness • 43% Positiveness
10% Popularity • 56% Danceability • 25% Energy • 13% Liveness
7% Instrumentalness • 43% Positiveness
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Bernard Cribbins
Right Said Fred
99 bpm • G Maj • 02:17 • -6.18db
17% Popularity • 77% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 77% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Rolf Harris
A Pub with No Beer
80 bpm • A# Maj • 02:54 • -10.33db
10% Popularity • 71% Danceability • 43% Energy • 94% Liveness
0% Instrumentalness • 82% Positiveness
10% Popularity • 71% Danceability • 43% Energy • 94% Liveness
0% Instrumentalness • 82% Positiveness
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The Wombles
Tobermory's Music Machine
99 bpm • F Maj • 02:18 • -11.5db
8% Popularity • 74% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 74% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Frank Kelly
Beauty Contest
81 bpm • E Maj • 04:32 • -15db
0% Popularity • 62% Danceability • 39% Energy • 74% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 62% Danceability • 39% Energy • 74% Liveness
0% Instrumentalness • 62% Positiveness
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The Korgis
Wish You A Merry Christmas
99 bpm • A Maj • 02:56 • -10.75db
10% Popularity • 46% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 46% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Tim Minchin
White Wine In The Sun
80 bpm • F Maj • 07:12 • -14db
35% Popularity • 40% Danceability • 25% Energy • 68% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 40% Danceability • 25% Energy • 68% Liveness
0% Instrumentalness • 19% Positiveness
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The Young Ones
(All the Little Flowers Are) Happy
80 bpm • A min • 06:44 • -13.98db
9% Popularity • 62% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
9% Popularity • 62% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 43% Positiveness
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Anita Dobson
Anyone Can Fall in Love
99 bpm • C# Maj • 03:33 • -10.48db
11% Popularity • 69% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 69% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Benny Hill
Harvest of Love
80 bpm • G Maj • 02:22 • -9.89db
17% Popularity • 47% Danceability • 66% Energy • 74% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 47% Danceability • 66% Energy • 74% Liveness
0% Instrumentalness • 80% Positiveness
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Paul Child
Working Man
99 bpm • A Maj • 04:18 • -14.29db
9% Popularity • 48% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 48% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Pat McMinn with Bill Langford & the Stardusters
Opo The Crazy Dolphin
99 bpm • D# Maj • 02:20 • -7.98db
7% Popularity • 93% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
7% Popularity • 93% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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The Fivepenny Piece
Down Our Street
80 bpm • C Maj • 02:33 • -12.07db
10% Popularity • 70% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 70% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Flanagan & Allen
Maybe It's Because I'm a Londoner
80 bpm • C min • 02:21 • -15.61db
18% Popularity • 28% Danceability • 18% Energy • 48% Liveness
31% Instrumentalness • 28% Positiveness
18% Popularity • 28% Danceability • 18% Energy • 48% Liveness
31% Instrumentalness • 28% Positiveness
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Victoria Wood
A Better Day
100 bpm • A# Maj • 04:53 • -15.57db
7% Popularity • 58% Danceability • 33% Energy • 70% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 58% Danceability • 33% Energy • 70% Liveness
0% Instrumentalness • 70% Positiveness
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Konstantin Kirchoff
Water Street
100 bpm • C Maj • 03:20 • -11.75db
21% Popularity • 52% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 52% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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George Formby
The Window Cleaner (No 2)
100 bpm • A# Maj • 02:54 • -13.49db
13% Popularity • 85% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 85% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Joel Samberg & Benny Bell
Holiday Shaving Cream
100 bpm • A# Maj • 02:59 • -12db
15% Popularity • 67% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 67% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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Arthur Askey
The Bee Song
101 bpm • A# Maj • 02:42 • -17db
16% Popularity • 83% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 83% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Anthony Newley
Pop Goes The Weasel
101 bpm • F Maj • 02:47 • -8.34db
12% Popularity • 69% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 69% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Victoria Wood
It Would Never Have Worked
78 bpm • C Maj • 01:57 • -17.02db
10% Popularity • 56% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 56% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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FASCINATING AIDA
Fake News (True True True)
78 bpm • G Maj • 04:41 • -8.48db
10% Popularity • 44% Danceability • 65% Energy • 98% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 44% Danceability • 65% Energy • 98% Liveness
0% Instrumentalness • 50% Positiveness
