Songs like Festa No Reinado / Amigo Tiriri / Dois Amigos / Salve Ele / Clarão da Lua by Pai Pedro Miranda
Based on a tempo of (+/- 10%) and a similar genre
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Genimar
Zé Pilintra Chegou
102 bpm • B min • 02:55 • -11.08db
24% Popularity • 66% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 66% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Batuqueiro de Oxóssi
Ponto Tiriri - É a Força Que Me Move.
102 bpm • C# Maj • 01:24 • -12.68db
15% Popularity • 64% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 64% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Pai Pedro Miranda
Chefe da Mata
102 bpm • D# Maj • 01:20 • -7.68db
19% Popularity • 58% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 58% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Nelson Mateus e Filhas de Iemanjá
Adorei as Almas
102 bpm • A min • 01:55 • -9db
43% Popularity • 77% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
43% Popularity • 77% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Mãe Iassan
Cabocla Jurema Dentro da Mata Virgem
102 bpm • C Maj • 01:43 • -6.55db
33% Popularity • 64% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
33% Popularity • 64% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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J.B. De Carvalho
Ogum Megê Meu Pai
102 bpm • G# Maj • 02:31 • -10.23db
14% Popularity • 70% Danceability • 67% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 70% Danceability • 67% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
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Filhas de Yemanja
Ela Gira No Ar
103 bpm • A# min • 02:09 • -11.13db
30% Popularity • 61% Danceability • 63% Energy • 25% Liveness
1% Instrumentalness • 96% Positiveness
30% Popularity • 61% Danceability • 63% Energy • 25% Liveness
1% Instrumentalness • 96% Positiveness
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Elza De Oxum
É Ê Micô Orô Mima Ô
103 bpm • A Maj • 02:12 • -9.61db
26% Popularity • 56% Danceability • 53% Energy • 55% Liveness
3% Instrumentalness • 94% Positiveness
26% Popularity • 56% Danceability • 53% Energy • 55% Liveness
3% Instrumentalness • 94% Positiveness
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Pai Pedro Miranda
Alalô / Exu Veludo / O Mato Está Mexen...
102 bpm • F Maj • 02:25 • -8db
16% Popularity • 53% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 53% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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Tenda de Umbanda Caboclo Caramã e Pai Cesário
Saudação a Oxossi
101 bpm • F# Maj • 04:41 • -12.2db
25% Popularity • 67% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 67% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Amigos do Axé
Caldeirão Sem Fundo
101 bpm • B Maj • 01:11 • -5.09db
20% Popularity • 51% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 51% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Élcio Póvoa
Lá em Caculé / Quebra o Coco
103 bpm • F# min • 03:11 • -14.31db
27% Popularity • 92% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 92% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Nelson Mateus e Filhas de Iemanjá
Retirada de Preto Velho
103 bpm • G Maj • 01:15 • -11.42db
32% Popularity • 64% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 64% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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José Carlos de Oxossi
Chamada de Ogum
103 bpm • A# min • 01:52 • -8.53db
21% Popularity • 62% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 62% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Pai Pedro Miranda
Festa No Reinado / Amigo Tiriri / Dois A...
102 bpm • F Maj • 05:59 • -8.48db
16% Popularity • 46% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 46% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Tenda de Umbanda Caboclo Caramã e Pai Cesário
Saudação a Exu
103 bpm • C# min • 03:38 • -11.24db
26% Popularity • 50% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 50% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Filhos de Iemanja
Ponto de Abertura
101 bpm • F# Maj • 01:20 • -15db
25% Popularity • 80% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 80% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Os Caboclos
Preta Velha da Bahia
104 bpm • A# min • 02:38 • -13.33db
25% Popularity • 83% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 83% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Tião Casemiro
Amigo
100 bpm • C Maj • 03:02 • -9.12db
26% Popularity • 76% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 76% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Amigos do Axé
Santo Antônio de Batalha
104 bpm • A# min • 02:06 • -7.2db
23% Popularity • 71% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 71% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Pai Pedro Miranda
Caçador de Ubá / Chamou Seu Pedra Bran...
103 bpm • D# min • 02:47 • -8.4db
24% Popularity • 65% Danceability • 72% Energy • 75% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 65% Danceability • 72% Energy • 75% Liveness
0% Instrumentalness • 74% Positiveness
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Nelson Mateus e Filhas de Iemanjá
Meu Cativeiro
100 bpm • A min • 01:19 • -9db
26% Popularity • 80% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 80% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Lucio Sanfilippo
Seu Tranca Rua É Homem/Santo Antonio Pe...
104 bpm • B min • 03:11 • -13db
24% Popularity • 64% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 50% Positiveness
24% Popularity • 64% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 50% Positiveness
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Os Caboclos
Seu Pena Branca Chegou
100 bpm • F Maj • 02:53 • -2db
19% Popularity • 74% Danceability • 93% Energy • 30% Liveness
74% Instrumentalness • 61% Positiveness
19% Popularity • 74% Danceability • 93% Energy • 30% Liveness
74% Instrumentalness • 61% Positiveness
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José Carlos de Oxossi
Saudação a Ogum das Pedreiras
104 bpm • F min • 02:33 • -9.5db
18% Popularity • 79% Danceability • 64% Energy • 4% Liveness
1% Instrumentalness • 97% Positiveness
18% Popularity • 79% Danceability • 64% Energy • 4% Liveness
1% Instrumentalness • 97% Positiveness
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Mãe Taiane Macedo
Oxum (Que Linda Estrela / Oxum É uma Fl...
104 bpm • C# Maj • 02:53 • -7.84db
22% Popularity • 74% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 74% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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Pai Pedro Miranda
Ponto de Santo Antônio
101 bpm • D# min • 01:57 • -8.17db
13% Popularity • 30% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 30% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Coral Filhos de Oxóssi
Seu Irmão É Flor do Dia
104 bpm • F min • 02:57 • -8.48db
10% Popularity • 87% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 87% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Cae lopes
Ponto de Boiadeiros Salve Jetruá
104 bpm • C Maj • 02:14 • -8db
26% Popularity • 60% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 60% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Zé MaurÃcio Machline
Ponto De Obaluaiê / Abaluaiê
100 bpm • A# min • 01:39 • -12db
37% Popularity • 84% Danceability • 24% Energy • 7% Liveness
39% Instrumentalness • 49% Positiveness
37% Popularity • 84% Danceability • 24% Energy • 7% Liveness
39% Instrumentalness • 49% Positiveness
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Batuqueiro de Oxóssi
Ponto Capa Preta - Quem Me Conduz.
100 bpm • A# min • 01:41 • -13.19db
24% Popularity • 65% Danceability • 29% Energy • 10% Liveness
11% Instrumentalness • 32% Positiveness
24% Popularity • 65% Danceability • 29% Energy • 10% Liveness
11% Instrumentalness • 32% Positiveness
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Cria de Ogum
Pacto de Rosa
104 bpm • G# Maj • 02:30 • -14.51db
25% Popularity • 60% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 60% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Filhos de Dona Maria
Zé da Curimba
104 bpm • D Maj • 03:14 • -9db
20% Popularity • 78% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 78% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Pai Pedro Miranda
Somente a Paz
100 bpm • A# Maj • 01:34 • -10.22db
11% Popularity • 52% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 52% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 27% Positiveness
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Dudu Tucci
Saudação A Ogum
104 bpm • F# min • 02:41 • -8.23db
37% Popularity • 85% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 85% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Nelson Mateus e Filhas de Iemanjá
Filhos de Pemba
104 bpm • A min • 02:20 • -10.15db
16% Popularity • 76% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 76% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Élcio Póvoa
Quero Meu Boi
100 bpm • A Maj • 02:47 • -11.25db
23% Popularity • 89% Danceability • 49% Energy • 11% Liveness
40% Instrumentalness • 96% Positiveness
23% Popularity • 89% Danceability • 49% Energy • 11% Liveness
40% Instrumentalness • 96% Positiveness
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J.B. De Carvalho
Exu Tranca Rua da Encruza
100 bpm • F Maj • 02:54 • -14.18db
28% Popularity • 76% Danceability • 66% Energy • 67% Liveness
1% Instrumentalness • 61% Positiveness
28% Popularity • 76% Danceability • 66% Energy • 67% Liveness
1% Instrumentalness • 61% Positiveness
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Cae lopes
Dama da Noite Rainha Pomba Gira
104 bpm • B Maj • 03:17 • -6.5db
29% Popularity • 70% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 70% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Marina C. Carneiro
Curimba de Maria Conga
100 bpm • F# min • 01:35 • -9.21db
22% Popularity • 68% Danceability • 66% Energy • 68% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 68% Danceability • 66% Energy • 68% Liveness
0% Instrumentalness • 86% Positiveness
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Dudu Tucci
Saudação Aos Pretos Velhos III
100 bpm • F min • 01:45 • -8.11db
37% Popularity • 86% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
37% Popularity • 86% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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Pai Pedro Miranda
Ponto de Ogum Timbiri
100 bpm • D min • 03:01 • -8.63db
10% Popularity • 38% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 38% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Nelson Mateus e Filhas de Iemanjá
Preto na Senzala
100 bpm • G Maj • 02:36 • -8.97db
33% Popularity • 80% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 80% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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J.B. De Carvalho
Beira Mar
104 bpm • E Maj • 02:40 • -10.24db
22% Popularity • 51% Danceability • 87% Energy • 74% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 51% Danceability • 87% Energy • 74% Liveness
0% Instrumentalness • 60% Positiveness
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Manoel do Exu
Não Mexa com Ela - Ao vivo
99 bpm • D# Maj • 01:06 • -9.73db
43% Popularity • 84% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 84% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Coral Filhos de Oxóssi
Sereno Que Cai
105 bpm • F min • 02:02 • -8db
17% Popularity • 84% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 84% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Pérola D'Iemanjá
Pout Pourri de Exú Caveira
99 bpm • F Maj • 03:39 • -15.2db
31% Popularity • 66% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 66% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Batuqueiro de Oxóssi
Ponto Baianos - É da Bahia
99 bpm • G Maj • 01:29 • -14db
33% Popularity • 66% Danceability • 41% Energy • 16% Liveness
85% Instrumentalness • 51% Positiveness
33% Popularity • 66% Danceability • 41% Energy • 16% Liveness
85% Instrumentalness • 51% Positiveness
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Dudu Tucci
Saudação A Ogum Beira-Mar
105 bpm • G# min • 04:03 • -8.43db
41% Popularity • 74% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 74% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Pai Pedro Miranda
Minha Cachimba Tá No Toco
105 bpm • B Maj • 01:26 • -10db
29% Popularity • 69% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 69% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Cae lopes
Maria Mulambo Salve Maria
105 bpm • A Maj • 01:44 • -10.47db
28% Popularity • 68% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 68% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Zé MaurÃcio Machline
Pontos De Pretos Velhos (Ponto do Zé do...
99 bpm • C# Maj • 02:03 • -13.18db
40% Popularity • 88% Danceability • 48% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 88% Danceability • 48% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Os Caboclos
Vovó Joaquina
99 bpm • A min • 02:31 • -13.76db
19% Popularity • 90% Danceability • 40% Energy • 7% Liveness
2% Instrumentalness • 65% Positiveness
19% Popularity • 90% Danceability • 40% Energy • 7% Liveness
2% Instrumentalness • 65% Positiveness
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Batuqueiro de Oxóssi
Ponto Dama da Noite - No Seu Olhar Tem M...
105 bpm • F Maj • 01:35 • -14.03db
33% Popularity • 72% Danceability • 40% Energy • 14% Liveness
69% Instrumentalness • 47% Positiveness
33% Popularity • 72% Danceability • 40% Energy • 14% Liveness
69% Instrumentalness • 47% Positiveness
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Pontos De Macumba Oficial
Firma Ponto Minha Gente - Pai Joaquim, P...
105 bpm • A# min • 02:09 • -11.4db
27% Popularity • 88% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 88% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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Tenda Mirim Sétima Filial
Saravá Aos Pretos Velhos
99 bpm • F min • 02:05 • -4db
21% Popularity • 40% Danceability • 99% Energy • 83% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 40% Danceability • 99% Energy • 83% Liveness
0% Instrumentalness • 19% Positiveness
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Various Artists
Exu Marabo
106 bpm • C# min • 02:16 • -12.88db
28% Popularity • 42% Danceability • 81% Energy • 17% Liveness
6% Instrumentalness • 11% Positiveness
28% Popularity • 42% Danceability • 81% Energy • 17% Liveness
6% Instrumentalness • 11% Positiveness
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Nega Duda
Levanta Mulé, Corra a Roda
106 bpm • C# Maj • 01:02 • -9.58db
31% Popularity • 77% Danceability • 58% Energy • 10% Liveness
8% Instrumentalness • 34% Positiveness
31% Popularity • 77% Danceability • 58% Energy • 10% Liveness
8% Instrumentalness • 34% Positiveness
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J.B. De Carvalho
Exu da Porteira
106 bpm • C# Maj • 02:49 • -15.33db
20% Popularity • 85% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 85% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Pai Pedro Miranda
Ponto de São Pedro e São Zacarias
106 bpm • C# Maj • 01:26 • -6.89db
7% Popularity • 61% Danceability • 66% Energy • 41% Liveness
0% Instrumentalness • 54% Positiveness
7% Popularity • 61% Danceability • 66% Energy • 41% Liveness
0% Instrumentalness • 54% Positiveness
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Filhas de Yemanja
Umbanda Sua Rainha Chegou
106 bpm • F min • 01:43 • -9.3db
17% Popularity • 50% Danceability • 87% Energy • 51% Liveness
15% Instrumentalness • 24% Positiveness
17% Popularity • 50% Danceability • 87% Energy • 51% Liveness
15% Instrumentalness • 24% Positiveness
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Tenda Mirim Sétima Filial
Saudação a Oxalá
98 bpm • C# Maj • 01:37 • -5db
17% Popularity • 49% Danceability • 93% Energy • 90% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 49% Danceability • 93% Energy • 90% Liveness
0% Instrumentalness • 34% Positiveness
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Élcio Póvoa
Corda de Laçar
98 bpm • A Maj • 01:42 • -10.95db
25% Popularity • 79% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
25% Popularity • 79% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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Cria de Ogum
É Padilha
106 bpm • D Maj • 02:21 • -13.44db
29% Popularity • 73% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 73% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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Lucio Sanfilippo
Ô Luar
106 bpm • D Maj • 04:05 • -13.05db
29% Popularity • 89% Danceability • 35% Energy • 5% Liveness
3% Instrumentalness • 35% Positiveness
29% Popularity • 89% Danceability • 35% Energy • 5% Liveness
3% Instrumentalness • 35% Positiveness
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Pai Pedro Miranda
Ponto do Caboclo Urubatão
98 bpm • B Maj • 01:15 • -9.06db
8% Popularity • 47% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 47% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 32% Positiveness
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Nelson Mateus e Filhas de Iemanjá
Pai Guiné de Aruanda
98 bpm • G Maj • 01:22 • -8.33db
36% Popularity • 83% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 83% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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Dudu Tucci
Defumaçao II
106 bpm • F# Maj • 02:16 • -9.61db
41% Popularity • 93% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
41% Popularity • 93% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Mãe Iassan
Subida de Caboclo
106 bpm • E min • 03:48 • -6.61db
15% Popularity • 57% Danceability • 80% Energy • 39% Liveness
6% Instrumentalness • 34% Positiveness
15% Popularity • 57% Danceability • 80% Energy • 39% Liveness
6% Instrumentalness • 34% Positiveness
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Élcio Póvoa
Firmeza de Boiadeiro
106 bpm • C# Maj • 01:18 • -10.88db
36% Popularity • 79% Danceability • 69% Energy • 11% Liveness
84% Instrumentalness • 96% Positiveness
36% Popularity • 79% Danceability • 69% Energy • 11% Liveness
84% Instrumentalness • 96% Positiveness
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Conjunto Folclórico Ibyara
Ogum Beira-Mar
106 bpm • C# min • 02:31 • -8.81db
22% Popularity • 47% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 47% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Coral Filhos de Exu
Exu da Boca da Mata
98 bpm • F# Maj • 02:57 • -11db
20% Popularity • 67% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 67% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Cae lopes
Pomba Gira Menina Tem uma Moça na Encru...
106 bpm • A# Maj • 02:44 • -10.84db
21% Popularity • 68% Danceability • 69% Energy • 16% Liveness
2% Instrumentalness • 81% Positiveness
21% Popularity • 68% Danceability • 69% Energy • 16% Liveness
2% Instrumentalness • 81% Positiveness
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Dudu Tucci
Saudação As Almas
98 bpm • F min • 03:00 • -8.95db
40% Popularity • 54% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 54% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Filhos de Iemanja
Saudação a Iemanja
106 bpm • D Maj • 01:04 • -14.77db
20% Popularity • 85% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 85% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Templo a Caminho da Paz
Subida do Povo Cigano
98 bpm • A Maj • 01:12 • -8.74db
25% Popularity • 53% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 53% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Pai Pedro Miranda
Que Linda Risada
98 bpm • F Maj • 00:36 • -9.28db
12% Popularity • 55% Danceability • 72% Energy • 72% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 55% Danceability • 72% Energy • 72% Liveness
0% Instrumentalness • 45% Positiveness
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Alessandra Leão
Abre a Porta / Boiada de 31
106 bpm • C# Maj • 03:27 • -9.2db
33% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Filhas de Yemanja
Pomba Gira Cigana
98 bpm • F min • 03:49 • -9.37db
45% Popularity • 40% Danceability • 93% Energy • 25% Liveness
2% Instrumentalness • 10% Positiveness
45% Popularity • 40% Danceability • 93% Energy • 25% Liveness
2% Instrumentalness • 10% Positiveness
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Pérola D'Iemanjá
Filha de Oyá
98 bpm • A# Maj • 02:30 • -11db
11% Popularity • 81% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 81% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Cria de Ogum
Velório na Esquerda
106 bpm • D Maj • 01:41 • -11.85db
37% Popularity • 59% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 59% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Mãe Iassan
Oxóssi É Poderoso
98 bpm • E min • 02:56 • -7.24db
21% Popularity • 53% Danceability • 64% Energy • 41% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 53% Danceability • 64% Energy • 41% Liveness
0% Instrumentalness • 24% Positiveness
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Traditionnel
Oxala - Nation Efon - Ljesha
106 bpm • G# Maj • 02:54 • -9.18db
37% Popularity • 78% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 78% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Pai Pedro Miranda
Caboclo LÃrio Branco
98 bpm • E Maj • 01:35 • -9.12db
7% Popularity • 48% Danceability • 44% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 48% Danceability • 44% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
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Nelson Mateus e Filhas de Iemanjá
Pai Joaquim D'angola
107 bpm • A# Maj • 02:27 • -11.16db
32% Popularity • 75% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 75% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Filhos de Iemanja
Saudação a Iansã
107 bpm • F# Maj • 02:02 • -15.01db
10% Popularity • 76% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 76% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Maria Padilha
Porque Mataste O Rapaz
107 bpm • A Maj • 01:37 • -3.29db
43% Popularity • 82% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
43% Popularity • 82% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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Tambores Do Paraná
Exu Mirim Cuida
107 bpm • F min • 02:45 • -6.23db
24% Popularity • 73% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 73% Danceability • 87% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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Tenda de Umbanda Caboclo Caramã e Pai Cesário
Abertura e Louvação
97 bpm • E Maj • 07:39 • -10.69db
15% Popularity • 47% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 47% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Rodrigo Ciampi
Dona Quitéria
107 bpm • D# min • 01:47 • -8.03db
41% Popularity • 59% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 59% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Carlos Buby
Saudação aos Baianos
97 bpm • D Maj • 02:50 • -5.51db
21% Popularity • 67% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 67% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Morro da Crioula
Dona Maria do Bagaço
97 bpm • B Maj • 01:53 • -10.61db
31% Popularity • 73% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 73% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Manoel do Exu
A Catacumba
97 bpm • D# Maj • 01:42 • -10.12db
43% Popularity • 70% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
43% Popularity • 70% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Coral Filhos de Exu
Morada do Exu 7 Portas
97 bpm • F# Maj • 02:45 • -11.01db
22% Popularity • 70% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 70% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Zé MaurÃcio Machline
Ponto De Ibeji
107 bpm • C# Maj • 02:05 • -12.8db
31% Popularity • 93% Danceability • 46% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
31% Popularity • 93% Danceability • 46% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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Pai Pedro Miranda
Ponto do Caboclo das Sete Encruzilhadas
107 bpm • A min • 01:52 • -10.16db
28% Popularity • 33% Danceability • 15% Energy • 37% Liveness
0% Instrumentalness • 9% Positiveness
28% Popularity • 33% Danceability • 15% Energy • 37% Liveness
0% Instrumentalness • 9% Positiveness
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Filhos de Iemanja
Ponto de Chamada
107 bpm • F# Maj • 02:07 • -15.72db
7% Popularity • 74% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 74% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Pérola D'Iemanjá
A História de Mulambo e Tranca Ruas
107 bpm • F# Maj • 02:43 • -14.55db
34% Popularity • 83% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 83% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness