Songs like Festivo by The Band Of The Corps Of Royal Electrical And Mechanical Engineers
Based on a tempo of (+/- 10%) and a similar genre
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Paul Hindemith
March from Symphonic Metamorfosis I
148 bpm • A# Maj • 01:01 • -15.67db
15% Popularity • 40% Danceability • 17% Energy • 19% Liveness
92% Instrumentalness • 32% Positiveness
15% Popularity • 40% Danceability • 17% Energy • 19% Liveness
92% Instrumentalness • 32% Positiveness
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Al Goodhart
Momele
149 bpm • G min • 04:50 • -14.16db
15% Popularity • 27% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 27% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Gregson
Festivo
146 bpm • D min • 05:00 • -14.24db
2% Popularity • 32% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
2% Popularity • 32% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
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Angela Mocanu
Justice
148 bpm • F# Maj • 02:33 • -11.32db
11% Popularity • 47% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 47% Danceability • 49% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Canadian Brass
Constant Craving
150 bpm • F min • 03:26 • -11.06db
11% Popularity • 49% Danceability • 25% Energy • 22% Liveness
89% Instrumentalness • 54% Positiveness
11% Popularity • 49% Danceability • 25% Energy • 22% Liveness
89% Instrumentalness • 54% Positiveness
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Yolanda Hammontree
James Bay
146 bpm • G min • 02:31 • -11.77db
10% Popularity • 48% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 48% Danceability • 35% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Coro Cosa de Negros
In Walked Bud
150 bpm • F min • 02:14 • -11.85db
15% Popularity • 57% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 57% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Gemma Lukin
Gone Too Soon
145 bpm • B Maj • 02:56 • -12.86db
13% Popularity • 41% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 41% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Daniel Boone
3 Moods: III. Allegro
145 bpm • C Maj • 01:07 • -28.9db
10% Popularity • 50% Danceability • 6% Energy • 12% Liveness
96% Instrumentalness • 29% Positiveness
10% Popularity • 50% Danceability • 6% Energy • 12% Liveness
96% Instrumentalness • 29% Positiveness
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Agnès Wiklund-Pöntinen
Carefree IV
144 bpm • G# Maj • 00:57 • -19.96db
12% Popularity • 26% Danceability • 5% Energy • 10% Liveness
97% Instrumentalness • 25% Positiveness
12% Popularity • 26% Danceability • 5% Energy • 10% Liveness
97% Instrumentalness • 25% Positiveness
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Will Todd
Passion Music: Greater Love
152 bpm • C min • 04:52 • -13.48db
7% Popularity • 41% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 41% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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The Floyds & the Rockafellers
Lullaby of Love
144 bpm • A# Maj • 05:10 • -19.26db
21% Popularity • 46% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 46% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Jim Croce
Bad Bad Leroy Brown
144 bpm • C min • 02:52 • -16db
9% Popularity • 55% Danceability • 27% Energy • 22% Liveness
28% Instrumentalness • 73% Positiveness
9% Popularity • 55% Danceability • 27% Energy • 22% Liveness
28% Instrumentalness • 73% Positiveness
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Dwayna Litz
Rise and Be Healed
143 bpm • D# Maj • 04:09 • -12.59db
8% Popularity • 32% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 32% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Jerome Nuñez
When I Fall In Love
144 bpm • C Maj • 03:19 • -13.18db
12% Popularity • 21% Danceability • 16% Energy • 16% Liveness
14% Instrumentalness • 7% Positiveness
12% Popularity • 21% Danceability • 16% Energy • 16% Liveness
14% Instrumentalness • 7% Positiveness
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Traditional
English Country Gardens
143 bpm • A# Maj • 02:40 • -11.82db
0% Popularity • 37% Danceability • 45% Energy • 8% Liveness
70% Instrumentalness • 46% Positiveness
0% Popularity • 37% Danceability • 45% Energy • 8% Liveness
70% Instrumentalness • 46% Positiveness
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Frans Bak
Stay With Me
142 bpm • D Maj • 04:52 • -10.79db
23% Popularity • 44% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 44% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Johann Nepomuk Hummel
Trumpet Concerto in E Flat Major, S. 49:...
154 bpm • A# Maj • 03:22 • -9.8db
10% Popularity • 52% Danceability • 51% Energy • 12% Liveness
92% Instrumentalness • 71% Positiveness
10% Popularity • 52% Danceability • 51% Energy • 12% Liveness
92% Instrumentalness • 71% Positiveness
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Christian Lindberg
Docktor Decker´s Daydream: V
142 bpm • G# Maj • 01:04 • -20.41db
13% Popularity • 54% Danceability • 41% Energy • 84% Liveness
92% Instrumentalness • 55% Positiveness
13% Popularity • 54% Danceability • 41% Energy • 84% Liveness
92% Instrumentalness • 55% Positiveness
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Brassology
Always Forward
155 bpm • A# min • 00:57 • -18.75db
14% Popularity • 60% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 88% Positiveness
14% Popularity • 60% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 88% Positiveness
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Annie Rumbaugh
Friends We Made
142 bpm • C# min • 01:42 • -9.86db
10% Popularity • 53% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 53% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Hege Saugstad
We walk together
141 bpm • G# Maj • 03:43 • -12.95db
27% Popularity • 26% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 26% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Alan Hsiao
Brother Moon
142 bpm • E min • 01:57 • -15.21db
9% Popularity • 54% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 54% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Carol Brittin Chambers
Energy Ball
155 bpm • C min • 02:14 • -15.08db
11% Popularity • 57% Danceability • 45% Energy • 23% Liveness
65% Instrumentalness • 62% Positiveness
11% Popularity • 57% Danceability • 45% Energy • 23% Liveness
65% Instrumentalness • 62% Positiveness
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Christian Lindberg
Requerdos De Girona 1. ”Locura En Cada...
141 bpm • D Maj • 01:07 • -17.78db
16% Popularity • 41% Danceability • 13% Energy • 15% Liveness
94% Instrumentalness • 12% Positiveness
16% Popularity • 41% Danceability • 13% Energy • 15% Liveness
94% Instrumentalness • 12% Positiveness
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Nicolas Fayolle
Go Down
141 bpm • G min • 03:52 • -13.42db
29% Popularity • 39% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 53% Positiveness
29% Popularity • 39% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 53% Positiveness
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Dwayna Litz
The Same Old Story
141 bpm • A# Maj • 03:49 • -6.88db
8% Popularity • 34% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 34% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Nádia Figueiredo
The Way You Look
141 bpm • G Maj • 03:27 • -9.3db
23% Popularity • 31% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 31% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Soesja Citroen
Love in Vain
141 bpm • D min • 05:40 • -16db
11% Popularity • 34% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 34% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Melissa Errico
Little Things You Do Together
141 bpm • G# Maj • 02:57 • -12.48db
8% Popularity • 74% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 74% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Jazzation
Aeternum
140 bpm • A# min • 03:52 • -8.82db
8% Popularity • 34% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 34% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Crystal Lewis
Summertime
140 bpm • G min • 05:00 • -10.1db
15% Popularity • 64% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 64% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Cast of Most Peculiar Dreams
Henrietta Harmon - Remix
140 bpm • C Maj • 02:08 • -13.82db
25% Popularity • 38% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 38% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Loren Allred
No Promises to Keep - 【Instrumental / ...
140 bpm • C Maj • 05:57 • -12.44db
19% Popularity • 46% Danceability • 35% Energy • 9% Liveness
88% Instrumentalness • 9% Positiveness
19% Popularity • 46% Danceability • 35% Energy • 9% Liveness
88% Instrumentalness • 9% Positiveness
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Militärmusik Niederösterreich
EOS (The Goddess of Dawn)
156 bpm • A# Maj • 06:45 • -16.32db
4% Popularity • 24% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
4% Popularity • 24% Danceability • 16% Energy • 7% Liveness
88% Instrumentalness • 8% Positiveness
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Janet Krupin
Soul Meets Body
140 bpm • C Maj • 03:21 • -14.65db
21% Popularity • 52% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 52% Danceability • 17% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Gorelick
Sentimental
140 bpm • G# Maj • 06:39 • -12.57db
0% Popularity • 24% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
0% Popularity • 24% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Sally Mayes
My Romance
140 bpm • F Maj • 02:07 • -8.85db
16% Popularity • 45% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 45% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The Band Of The Corps Of Royal Electrical And Mechanical Engineers
Una Voce Poco Fa (The Barber of Seville)
139 bpm • F Maj • 06:38 • -25.49db
0% Popularity • 30% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
0% Popularity • 30% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
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Dhristian Eigueroa
You Can't Do This
139 bpm • G Maj • 05:36 • -25.9db
22% Popularity • 48% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 18% Positiveness
22% Popularity • 48% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 18% Positiveness
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Victor Schuster
Follow
157 bpm • F min • 03:45 • -9.68db
26% Popularity • 30% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 30% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 22% Positiveness
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3T Brass
Hino 212 - 3T Brass Band
139 bpm • D# Maj • 02:44 • -21.12db
8% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 11% Positiveness
8% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 11% Positiveness
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Brassology
The Russian One
139 bpm • D# Maj • 02:29 • -12.22db
8% Popularity • 58% Danceability • 34% Energy • 8% Liveness
93% Instrumentalness • 22% Positiveness
8% Popularity • 58% Danceability • 34% Energy • 8% Liveness
93% Instrumentalness • 22% Positiveness
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Sally Mayes
No Love, No Nothin'
139 bpm • F min • 02:24 • -10.19db
16% Popularity • 59% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 59% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Betsy Palmer
Landslide
158 bpm • B Maj • 03:15 • -8.78db
10% Popularity • 52% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 52% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Aled Jones
Trees
139 bpm • E Maj • 03:03 • -12.61db
11% Popularity • 21% Danceability • 26% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
11% Popularity • 21% Danceability • 26% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Mel Collins
I Talk To The Wind
158 bpm • E Maj • 06:16 • -11.35db
17% Popularity • 41% Danceability • 39% Energy • 12% Liveness
25% Instrumentalness • 20% Positiveness
17% Popularity • 41% Danceability • 39% Energy • 12% Liveness
25% Instrumentalness • 20% Positiveness
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Russ Lorenson
Swing is Back in Style - Radio Edit
138 bpm • A# min • 03:02 • -10.62db
21% Popularity • 56% Danceability • 59% Energy • 78% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 56% Danceability • 59% Energy • 78% Liveness
0% Instrumentalness • 55% Positiveness
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Jacob Gade
Tango Jalousie: II
138 bpm • D# min • 00:53 • -12.41db
15% Popularity • 33% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 22% Positiveness
15% Popularity • 33% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 22% Positiveness
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Emily McCoy
Even In Your Silence
138 bpm • A# Maj • 03:49 • -5.81db
7% Popularity • 55% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 55% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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Bryan Eng
Change Partners
138 bpm • C Maj • 02:46 • -14.11db
14% Popularity • 57% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 57% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Mnozil Brass
Infernal Dance Of All Kashei's Subjects
137 bpm • A Maj • 04:39 • -12.76db
11% Popularity • 46% Danceability • 54% Energy • 87% Liveness
95% Instrumentalness • 24% Positiveness
11% Popularity • 46% Danceability • 54% Energy • 87% Liveness
95% Instrumentalness • 24% Positiveness
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Jean Christian Orchestra
The Way We Were - Live
137 bpm • A Maj • 03:20 • -13.08db
22% Popularity • 32% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 32% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 15% Positiveness
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Jacob Wonsley
From the Rising
159 bpm • C# Maj • 01:54 • -10.86db
17% Popularity • 40% Danceability • 64% Energy • 83% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 40% Danceability • 64% Energy • 83% Liveness
0% Instrumentalness • 21% Positiveness
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대니 구(Danny Koo)
Just You
137 bpm • D# Maj • 05:08 • -14.4db
15% Popularity • 35% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 35% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 9% Positiveness
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Grażyna Bacewicz
Mazovian Dance (arr. for brass ensemble ...
160 bpm • G Maj • 03:04 • -24.47db
9% Popularity • 44% Danceability • 22% Energy • 4% Liveness
92% Instrumentalness • 47% Positiveness
9% Popularity • 44% Danceability • 22% Energy • 4% Liveness
92% Instrumentalness • 47% Positiveness
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Marco Tiso
Cheek To Cheek
160 bpm • C Maj • 03:43 • -10.05db
9% Popularity • 45% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 45% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Hadley Fraser
One Hand, One Heart
136 bpm • G# Maj • 03:37 • -19.54db
8% Popularity • 31% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
8% Popularity • 31% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
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George Gershwin
Our Love is Here to Stay (Arr. Firth for...
136 bpm • D min • 05:28 • -16.55db
16% Popularity • 46% Danceability • 14% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
16% Popularity • 46% Danceability • 14% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
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McChicks
These Loose Ends
136 bpm • G min • 03:11 • -11.27db
9% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Brassology
Can Ya Feel
161 bpm • C# Maj • 07:07 • -16.39db
10% Popularity • 37% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
10% Popularity • 37% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 20% Positiveness
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Kurt Ackermann
Final Days Of The Year
136 bpm • D Maj • 03:39 • -7.94db
9% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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The Game Brass
Scherzo di Notte
136 bpm • C# Maj • 04:39 • -11.97db
9% Popularity • 72% Danceability • 46% Energy • 17% Liveness
89% Instrumentalness • 56% Positiveness
9% Popularity • 72% Danceability • 46% Energy • 17% Liveness
89% Instrumentalness • 56% Positiveness
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Steve Dobrogosz
Butterfly
136 bpm • E Maj • 04:42 • -18.06db
8% Popularity • 48% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 48% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Manu Martin
Lim Fantasy of Companionship for Piano a...
136 bpm • F# min • 03:51 • -8.87db
9% Popularity • 52% Danceability • 48% Energy • 6% Liveness
8% Instrumentalness • 18% Positiveness
9% Popularity • 52% Danceability • 48% Energy • 6% Liveness
8% Instrumentalness • 18% Positiveness
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Cor Meibion Pontarrddulais Male Voice Choir
Y Pren Ar Y Bryn
136 bpm • E min • 03:13 • -16.66db
9% Popularity • 37% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 37% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Anthony Casavecchia
Thanks God
161 bpm • G Maj • 01:40 • -9.93db
27% Popularity • 66% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 66% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
► Preview
Isabelle Duchamp
Velvet Revolution
136 bpm • F Maj • 02:00 • -13.47db
12% Popularity • 56% Danceability • 35% Energy • 27% Liveness
96% Instrumentalness • 80% Positiveness
12% Popularity • 56% Danceability • 35% Energy • 27% Liveness
96% Instrumentalness • 80% Positiveness
► Preview
Ann Kittredge
You're My Home
161 bpm • C Maj • 04:08 • -12.18db
31% Popularity • 39% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 39% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Isabella Lundgren
I Can't Give You Anything But Love
136 bpm • D# Maj • 04:08 • -9db
15% Popularity • 57% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 57% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Dhristian Eigueroa
Walking
135 bpm • C Maj • 03:19 • -26.71db
22% Popularity • 57% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 57% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Delia Winifred
Wexford Carroll
135 bpm • D Maj • 04:11 • -10.41db
24% Popularity • 45% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 45% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
J.W. Mitchell High School Wind Ensemble
Oh Henry!
135 bpm • D# Maj • 03:21 • -19.72db
7% Popularity • 39% Danceability • 26% Energy • 70% Liveness
87% Instrumentalness • 81% Positiveness
7% Popularity • 39% Danceability • 26% Energy • 70% Liveness
87% Instrumentalness • 81% Positiveness
► Preview
John Stevens
Power
135 bpm • C Maj • 01:25 • -24.63db
12% Popularity • 53% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 56% Positiveness
12% Popularity • 53% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 56% Positiveness
► Preview
Ashley Brown
Stay Awake/Feed the Birds
162 bpm • A Maj • 03:12 • -17.54db
16% Popularity • 25% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 25% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Brandon Ridenour
La La Land
134 bpm • G min • 04:46 • -18.92db
7% Popularity • 28% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 11% Positiveness
7% Popularity • 28% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 11% Positiveness
► Preview
Leneir Fletcher
Some Children See Him
134 bpm • G# Maj • 02:29 • -13db
11% Popularity • 24% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 24% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Jerome Kern
Why Was I Born?
134 bpm • C# Maj • 04:01 • -26.63db
1% Popularity • 30% Danceability • 2% Energy • 15% Liveness
82% Instrumentalness • 11% Positiveness
1% Popularity • 30% Danceability • 2% Energy • 15% Liveness
82% Instrumentalness • 11% Positiveness
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Alfred Concert Band
Guantanamera (arr. V. Lopez)
134 bpm • A# Maj • 01:58 • -15.01db
9% Popularity • 59% Danceability • 38% Energy • 9% Liveness
97% Instrumentalness • 94% Positiveness
9% Popularity • 59% Danceability • 38% Energy • 9% Liveness
97% Instrumentalness • 94% Positiveness
► Preview
Igor Orozovič
Frankie the Armless
134 bpm • F Maj • 03:19 • -11.33db
16% Popularity • 57% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 57% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Ella Fitzgerald
You Showed Me the Way (Arr. for Voice an...
133 bpm • D Maj • 04:26 • -20.25db
15% Popularity • 40% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
15% Popularity • 40% Danceability • 2% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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The Band Of The Corps Of Royal Electrical And Mechanical Engineers
Vissi d'Arte (Tosca)
165 bpm • D# Maj • 03:01 • -22.09db
0% Popularity • 10% Danceability • 4% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
0% Popularity • 10% Danceability • 4% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
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Healey Badger
You
133 bpm • G# Maj • 03:57 • -8.96db
24% Popularity • 37% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 37% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
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Rossini
Largo Al Factotum
132 bpm • A# Maj • 04:22 • -17.16db
0% Popularity • 43% Danceability • 17% Energy • 13% Liveness
91% Instrumentalness • 23% Positiveness
0% Popularity • 43% Danceability • 17% Energy • 13% Liveness
91% Instrumentalness • 23% Positiveness
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Jesse Peters
I'll Let Go
132 bpm • C# Maj • 03:46 • -8.63db
8% Popularity • 50% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 50% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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Jose Pimiento
As I Release
132 bpm • C Maj • 01:52 • -9db
18% Popularity • 55% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 55% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Olivia Van Goor
Lilac Wine
132 bpm • G Maj • 04:15 • -11.82db
10% Popularity • 37% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 37% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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The Band Of The Corps Of Royal Electrical And Mechanical Engineers
Intermezzo, Act 3 (Danse Aragonaise) [A ...
132 bpm • D min • 02:03 • -18.19db
0% Popularity • 37% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 37% Danceability • 12% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Marco Tiso
Sweetest Thing
132 bpm • C min • 02:57 • -11.32db
9% Popularity • 49% Danceability • 43% Energy • 14% Liveness
89% Instrumentalness • 39% Positiveness
9% Popularity • 49% Danceability • 43% Energy • 14% Liveness
89% Instrumentalness • 39% Positiveness
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Peaple
Arte Et Marte
132 bpm • C Maj • 02:41 • -11.27db
0% Popularity • 29% Danceability • 41% Energy • 7% Liveness
95% Instrumentalness • 17% Positiveness
0% Popularity • 29% Danceability • 41% Energy • 7% Liveness
95% Instrumentalness • 17% Positiveness
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Jim Croce
Bad, Bad Leroy Brown (arr. D. Mensinger ...
132 bpm • C Maj • 03:17 • -16.34db
7% Popularity • 62% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
7% Popularity • 62% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Elise Truax
Sunny Days
131 bpm • F Maj • 04:01 • -9.59db
10% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 51% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Natalie Douglas
Begin the Beguine
131 bpm • G Maj • 03:40 • -7.92db
8% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 61% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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The Band Of The Corps Of Royal Electrical And Mechanical Engineers
The Marriage of Figaro Overture
132 bpm • D# Maj • 04:29 • -18.34db
0% Popularity • 37% Danceability • 8% Energy • 13% Liveness
88% Instrumentalness • 44% Positiveness
0% Popularity • 37% Danceability • 8% Energy • 13% Liveness
88% Instrumentalness • 44% Positiveness
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Lita Neumann
Bed of Stars
167 bpm • A# Maj • 03:53 • -8.19db
29% Popularity • 40% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 40% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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The Regimental Band of the Coldstream Guards
And the Band Played On
131 bpm • D# Maj • 03:42 • -12.02db
9% Popularity • 32% Danceability • 45% Energy • 15% Liveness
91% Instrumentalness • 42% Positiveness
9% Popularity • 32% Danceability • 45% Energy • 15% Liveness
91% Instrumentalness • 42% Positiveness
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Astor Piazzolla
Fugua y Misterio II
131 bpm • E min • 01:13 • -13.16db
10% Popularity • 62% Danceability • 28% Energy • 44% Liveness
82% Instrumentalness • 54% Positiveness
10% Popularity • 62% Danceability • 28% Energy • 44% Liveness
82% Instrumentalness • 54% Positiveness
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Ruth Longoria
The Love That He Gave Us
168 bpm • C Maj • 03:28 • -19.52db
29% Popularity • 36% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 36% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
