Songs like Fever - Adam Freeland Remix by John Davenport
Based on a tempo of (+/- 10%) and a similar genre
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John Davenport
The Blue Boat
128 bpm • E Maj • 00:56 • -17.63db
0% Popularity • 53% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 53% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Oberaargauer Brass Band
For the First Time
128 bpm • A# Maj • 03:38 • -17.97db
11% Popularity • 21% Danceability • 20% Energy • 15% Liveness
89% Instrumentalness • 26% Positiveness
11% Popularity • 21% Danceability • 20% Energy • 15% Liveness
89% Instrumentalness • 26% Positiveness
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Big Band Wattens
Straighten Up And Fly
128 bpm • A# Maj • 03:02 • -10.81db
3% Popularity • 63% Danceability • 64% Energy • 79% Liveness
0% Instrumentalness • 46% Positiveness
3% Popularity • 63% Danceability • 64% Energy • 79% Liveness
0% Instrumentalness • 46% Positiveness
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Eddie Cooley
Fever
128 bpm • D# Maj • 03:31 • -20.76db
5% Popularity • 64% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
5% Popularity • 64% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Gypsy Swing Revue
Happy Feet
128 bpm • F min • 02:49 • -8.04db
15% Popularity • 65% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 65% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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BOSCO jazz & pop orchestra
Tin Tin Deo
128 bpm • A# Maj • 02:53 • -10.99db
15% Popularity • 57% Danceability • 37% Energy • 9% Liveness
80% Instrumentalness • 39% Positiveness
15% Popularity • 57% Danceability • 37% Energy • 9% Liveness
80% Instrumentalness • 39% Positiveness
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The Band Of The Royal Corps Of Signals
Largo Al Factotum
128 bpm • F Maj • 04:16 • -22.46db
10% Popularity • 41% Danceability • 7% Energy • 8% Liveness
85% Instrumentalness • 44% Positiveness
10% Popularity • 41% Danceability • 7% Energy • 8% Liveness
85% Instrumentalness • 44% Positiveness
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Astor Piazzolla
Milonga de la Anunciacion I
127 bpm • A min • 01:23 • -19.82db
26% Popularity • 37% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 39% Positiveness
26% Popularity • 37% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 39% Positiveness
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Bob Crewe
Can't Take My Eyes Off You (Cb March)
129 bpm • F min • 03:35 • -15.39db
16% Popularity • 50% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
16% Popularity • 50% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
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Primus Brass
Probiers Mal Mit Gemütlichkeit
127 bpm • C Maj • 02:12 • -9db
31% Popularity • 73% Danceability • 34% Energy • 6% Liveness
93% Instrumentalness • 69% Positiveness
31% Popularity • 73% Danceability • 34% Energy • 6% Liveness
93% Instrumentalness • 69% Positiveness
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John Davenport
Waitin' At the Station
127 bpm • E Maj • 02:43 • -14.34db
0% Popularity • 76% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
0% Popularity • 76% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Chris Hazell
Three Brass Cats: Borage
129 bpm • G Maj • 02:40 • -15db
11% Popularity • 73% Danceability • 24% Energy • 7% Liveness
96% Instrumentalness • 21% Positiveness
11% Popularity • 73% Danceability • 24% Energy • 7% Liveness
96% Instrumentalness • 21% Positiveness
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Ethel Smyth
Voices Sing of Immortality (arr. for bra...
129 bpm • A Maj • 04:36 • -19.39db
8% Popularity • 21% Danceability • 7% Energy • 28% Liveness
89% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 7% Energy • 28% Liveness
89% Instrumentalness • 4% Positiveness
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The Philip Jones Brass Ensemble
Borage
129 bpm • F min • 02:42 • -16db
9% Popularity • 60% Danceability • 20% Energy • 9% Liveness
97% Instrumentalness • 8% Positiveness
9% Popularity • 60% Danceability • 20% Energy • 9% Liveness
97% Instrumentalness • 8% Positiveness
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Firehouse Five Plus Two
Chinatown, My Chinatown
130 bpm • A# Maj • 02:22 • -11.29db
11% Popularity • 69% Danceability • 62% Energy • 24% Liveness
63% Instrumentalness • 96% Positiveness
11% Popularity • 69% Danceability • 62% Energy • 24% Liveness
63% Instrumentalness • 96% Positiveness
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Gentlemen Of Jazz
It's a Sin to Tell a Lie
129 bpm • A# Maj • 07:05 • -14.18db
25% Popularity • 60% Danceability • 29% Energy • 7% Liveness
4% Instrumentalness • 59% Positiveness
25% Popularity • 60% Danceability • 29% Energy • 7% Liveness
4% Instrumentalness • 59% Positiveness
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Curtis Stigers
I’ve Got You Under My Skin - Live
126 bpm • C# Maj • 03:50 • -9db
16% Popularity • 54% Danceability • 56% Energy • 88% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 54% Danceability • 56% Energy • 88% Liveness
0% Instrumentalness • 59% Positiveness
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Chris Hopkins
Wrap Your Troubles In Dreams (Album Vers...
130 bpm • G Maj • 05:12 • -10.89db
7% Popularity • 59% Danceability • 38% Energy • 68% Liveness
37% Instrumentalness • 48% Positiveness
7% Popularity • 59% Danceability • 38% Energy • 68% Liveness
37% Instrumentalness • 48% Positiveness
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Grażyna Bacewicz
Oberek No. 1 (arr. for brass ensemble by...
130 bpm • D Maj • 01:43 • -22.25db
16% Popularity • 58% Danceability • 38% Energy • 8% Liveness
91% Instrumentalness • 76% Positiveness
16% Popularity • 58% Danceability • 38% Energy • 8% Liveness
91% Instrumentalness • 76% Positiveness
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Bob Gaudio
Can't take my Eyes off You
130 bpm • G min • 03:49 • -8.83db
11% Popularity • 49% Danceability • 79% Energy • 11% Liveness
13% Instrumentalness • 79% Positiveness
11% Popularity • 49% Danceability • 79% Energy • 11% Liveness
13% Instrumentalness • 79% Positiveness
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Al Hammerman
Not Sure
130 bpm • F min • 03:04 • -10.72db
19% Popularity • 65% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
19% Popularity • 65% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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German Dutch Tuba Collaboration
A.R.C. Centennial March - Baritone Horn,...
130 bpm • A# Maj • 03:20 • -23.27db
8% Popularity • 80% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 71% Positiveness
8% Popularity • 80% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 71% Positiveness
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Louis Armstrong And The All-Stars
High Society
126 bpm • C min • 03:59 • -13.55db
24% Popularity • 61% Danceability • 41% Energy • 6% Liveness
26% Instrumentalness • 94% Positiveness
24% Popularity • 61% Danceability • 41% Energy • 6% Liveness
26% Instrumentalness • 94% Positiveness
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Basement Band
Bari Bari Good
130 bpm • F Maj • 03:16 • -9.16db
10% Popularity • 80% Danceability • 41% Energy • 9% Liveness
80% Instrumentalness • 62% Positiveness
10% Popularity • 80% Danceability • 41% Energy • 9% Liveness
80% Instrumentalness • 62% Positiveness
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Ted Heath
Hot Toddy
130 bpm • G Maj • 02:59 • -16db
20% Popularity • 76% Danceability • 30% Energy • 4% Liveness
18% Instrumentalness • 81% Positiveness
20% Popularity • 76% Danceability • 30% Energy • 4% Liveness
18% Instrumentalness • 81% Positiveness
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Sir Bourbon Dixieland Band
Ice Cream
126 bpm • A# Maj • 03:36 • -10.01db
7% Popularity • 58% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 58% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Andrew Neu
Catwalk
126 bpm • C min • 07:35 • -8.87db
7% Popularity • 67% Danceability • 42% Energy • 9% Liveness
6% Instrumentalness • 34% Positiveness
7% Popularity • 67% Danceability • 42% Energy • 9% Liveness
6% Instrumentalness • 34% Positiveness
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Roger Pontare
Born to Dance: I've Got You Under My Ski...
130 bpm • C# Maj • 03:38 • -14.03db
7% Popularity • 47% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
7% Popularity • 47% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Ted Huggens
Pavane in Blue
125 bpm • G# Maj • 03:50 • -11.56db
9% Popularity • 22% Danceability • 37% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
9% Popularity • 22% Danceability • 37% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
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Astor Piazzolla
Fugua y Misterio II
131 bpm • E min • 01:13 • -13.16db
10% Popularity • 62% Danceability • 28% Energy • 44% Liveness
82% Instrumentalness • 54% Positiveness
10% Popularity • 62% Danceability • 28% Energy • 44% Liveness
82% Instrumentalness • 54% Positiveness
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Peter Joosten
I've Got You Under My Skin
131 bpm • D Maj • 03:39 • -6.15db
19% Popularity • 48% Danceability • 62% Energy • 42% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 48% Danceability • 62% Energy • 42% Liveness
0% Instrumentalness • 46% Positiveness
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Paul Lovatt-Cooper
Wall of Sound
125 bpm • C Maj • 08:14 • -19.72db
9% Popularity • 53% Danceability • 35% Energy • 39% Liveness
93% Instrumentalness • 37% Positiveness
9% Popularity • 53% Danceability • 35% Energy • 39% Liveness
93% Instrumentalness • 37% Positiveness
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Ray Anthony
The Hokey Pokey
125 bpm • G# Maj • 03:16 • -11.99db
15% Popularity • 89% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 89% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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JJ Brass
Heart of Courage
125 bpm • C# Maj • 01:49 • -18.52db
17% Popularity • 48% Danceability • 18% Energy • 26% Liveness
98% Instrumentalness • 29% Positiveness
17% Popularity • 48% Danceability • 18% Energy • 26% Liveness
98% Instrumentalness • 29% Positiveness
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Kenichi Tsunoda Big Band
スマイル
125 bpm • F Maj • 03:42 • -11.22db
9% Popularity • 60% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 60% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Astor Piazzolla
Allegro Tangabile I
131 bpm • G min • 01:09 • -18.28db
18% Popularity • 51% Danceability • 32% Energy • 43% Liveness
90% Instrumentalness • 43% Positiveness
18% Popularity • 51% Danceability • 32% Energy • 43% Liveness
90% Instrumentalness • 43% Positiveness
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The Singers Unlimited
You Are the Sunshine of My Life
132 bpm • E min • 02:51 • -10.48db
8% Popularity • 47% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 47% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Groove For Thought
Groovin' Hard
125 bpm • F min • 05:22 • -11.01db
12% Popularity • 56% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 56% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Claude Bolling
Toot Suite: VI. Spirituelle
132 bpm • A# Maj • 06:03 • -14.1db
7% Popularity • 54% Danceability • 48% Energy • 44% Liveness
23% Instrumentalness • 56% Positiveness
7% Popularity • 54% Danceability • 48% Energy • 44% Liveness
23% Instrumentalness • 56% Positiveness
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Daniel Freiberg
Crónicas Latinoamericanas: III. Influen...
124 bpm • G min • 06:36 • -15.37db
11% Popularity • 46% Danceability • 45% Energy • 14% Liveness
58% Instrumentalness • 52% Positiveness
11% Popularity • 46% Danceability • 45% Energy • 14% Liveness
58% Instrumentalness • 52% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Papageno
124 bpm • G# Maj • 02:17 • -17.79db
14% Popularity • 53% Danceability • 16% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
14% Popularity • 53% Danceability • 16% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
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Joe Stilgoe
Nobody Cares Like Me
132 bpm • F min • 03:46 • -7.13db
21% Popularity • 70% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 70% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Brigitte Zarie
I Can't Wait
124 bpm • G min • 04:06 • -6.41db
7% Popularity • 60% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 60% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Gilles Rocha
Fly or Die
132 bpm • G min • 06:09 • -17.34db
10% Popularity • 43% Danceability • 24% Energy • 37% Liveness
90% Instrumentalness • 32% Positiveness
10% Popularity • 43% Danceability • 24% Energy • 37% Liveness
90% Instrumentalness • 32% Positiveness
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Cavendish Music
Baby We'll Fly
124 bpm • F min • 04:02 • -8.25db
8% Popularity • 61% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 61% Danceability • 30% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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Schwarz Rot Atemgold 09
Die letzte Schicht
132 bpm • E Maj • 01:39 • -16.71db
18% Popularity • 65% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 50% Positiveness
18% Popularity • 65% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 50% Positiveness
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Slokar Trombone Quartet
James Bond 007
133 bpm • C Maj • 09:11 • -16.24db
7% Popularity • 34% Danceability • 24% Energy • 36% Liveness
91% Instrumentalness • 14% Positiveness
7% Popularity • 34% Danceability • 24% Energy • 36% Liveness
91% Instrumentalness • 14% Positiveness
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Luca Sestak
Blame Game
133 bpm • D min • 06:10 • -17.95db
34% Popularity • 48% Danceability • 20% Energy • 19% Liveness
90% Instrumentalness • 47% Positiveness
34% Popularity • 48% Danceability • 20% Energy • 19% Liveness
90% Instrumentalness • 47% Positiveness
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Scott Bradlee's Postmodern Jukebox
(Meet) The Flintstones
133 bpm • A# Maj • 01:53 • -6.99db
17% Popularity • 63% Danceability • 60% Energy • 13% Liveness
2% Instrumentalness • 88% Positiveness
17% Popularity • 63% Danceability • 60% Energy • 13% Liveness
2% Instrumentalness • 88% Positiveness
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Simone Kopmajer
Spotlights
123 bpm • C Maj • 03:52 • -12.18db
10% Popularity • 61% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 61% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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The Columbus Jazz Orchestra
Diamonds Are a Girl's Best Friend
133 bpm • G# Maj • 02:51 • -6.9db
15% Popularity • 50% Danceability • 70% Energy • 5% Liveness
8% Instrumentalness • 81% Positiveness
15% Popularity • 50% Danceability • 70% Energy • 5% Liveness
8% Instrumentalness • 81% Positiveness
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Fred Mollin and the Blue Sea Band
Shoo Fly Pie and Apple Pan Dowdy - Origi...
133 bpm • D# Maj • 02:32 • -5.91db
22% Popularity • 55% Danceability • 66% Energy • 92% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 55% Danceability • 66% Energy • 92% Liveness
0% Instrumentalness • 81% Positiveness
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Kyle Eastwood
Flags of Our Fathers "Main Theme"
123 bpm • C Maj • 07:52 • -11.35db
7% Popularity • 32% Danceability • 31% Energy • 8% Liveness
74% Instrumentalness • 20% Positiveness
7% Popularity • 32% Danceability • 31% Energy • 8% Liveness
74% Instrumentalness • 20% Positiveness
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Rosemary Clooney
The Coffee Song
123 bpm • F# Maj • 02:44 • -12.35db
2% Popularity • 72% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
2% Popularity • 72% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Claude Bolling
Paris en colère
123 bpm • G# Maj • 02:44 • -12.98db
12% Popularity • 41% Danceability • 37% Energy • 11% Liveness
84% Instrumentalness • 56% Positiveness
12% Popularity • 41% Danceability • 37% Energy • 11% Liveness
84% Instrumentalness • 56% Positiveness
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John Davenport
Lead Me Not into Temptation (I Found a S...
123 bpm • B min • 02:37 • -8.85db
0% Popularity • 91% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
0% Popularity • 91% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Mark Taylor
Brass Machine
133 bpm • F Maj • 05:12 • -6.7db
29% Popularity • 46% Danceability • 88% Energy • 20% Liveness
75% Instrumentalness • 59% Positiveness
29% Popularity • 46% Danceability • 88% Energy • 20% Liveness
75% Instrumentalness • 59% Positiveness
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Bob Mintzer Big Band
Computer
123 bpm • C min • 09:21 • -16.22db
18% Popularity • 64% Danceability • 50% Energy • 14% Liveness
87% Instrumentalness • 66% Positiveness
18% Popularity • 64% Danceability • 50% Energy • 14% Liveness
87% Instrumentalness • 66% Positiveness
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Frederic Alvarado-Dupuy
Samtig Matt
123 bpm • D# Maj • 05:54 • -20.19db
7% Popularity • 54% Danceability • 4% Energy • 14% Liveness
94% Instrumentalness • 16% Positiveness
7% Popularity • 54% Danceability • 4% Energy • 14% Liveness
94% Instrumentalness • 16% Positiveness
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John Lewis
Afternoon In Paris
134 bpm • F Maj • 09:17 • -18db
26% Popularity • 64% Danceability • 15% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
26% Popularity • 64% Danceability • 15% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
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Chuck Mangione
Children of Sanchez
123 bpm • D min • 04:57 • -13.23db
20% Popularity • 51% Danceability • 41% Energy • 22% Liveness
92% Instrumentalness • 69% Positiveness
20% Popularity • 51% Danceability • 41% Energy • 22% Liveness
92% Instrumentalness • 69% Positiveness
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Shelly Manne And His Friends
Get Me To The Church On Time - Instrumen...
122 bpm • G Maj • 04:12 • -25.71db
10% Popularity • 44% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 57% Positiveness
10% Popularity • 44% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 57% Positiveness
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John Davenport
New Year
122 bpm • D# Maj • 03:29 • -22.11db
0% Popularity • 40% Danceability • 7% Energy • 14% Liveness
3% Instrumentalness • 30% Positiveness
0% Popularity • 40% Danceability • 7% Energy • 14% Liveness
3% Instrumentalness • 30% Positiveness
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Robbie Williams
Have You Met Miss Jones?
122 bpm • G Maj • 02:34 • -7.8db
50% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
50% Popularity • 56% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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John Stevens
Power
135 bpm • C Maj • 01:25 • -24.63db
12% Popularity • 53% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 56% Positiveness
12% Popularity • 53% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 56% Positiveness
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Ladd McIntosh Swing Orchestra
Nevertheless
135 bpm • F min • 03:35 • -7.29db
11% Popularity • 57% Danceability • 49% Energy • 31% Liveness
1% Instrumentalness • 54% Positiveness
11% Popularity • 57% Danceability • 49% Energy • 31% Liveness
1% Instrumentalness • 54% Positiveness
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Pérez Prado
Arrivederci Roma (arr. for trombone and ...
135 bpm • C Maj • 03:37 • -13.49db
14% Popularity • 53% Danceability • 40% Energy • 12% Liveness
23% Instrumentalness • 61% Positiveness
14% Popularity • 53% Danceability • 40% Energy • 12% Liveness
23% Instrumentalness • 61% Positiveness
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Frank Sinatra Jr.
Softly, as in a Morning Sunrise
135 bpm • C Maj • 03:36 • -9.41db
23% Popularity • 50% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 50% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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John Davenport
Come a Little Closer
122 bpm • A Maj • 03:26 • -9.41db
0% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
0% Popularity • 70% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Chris Hazell
Cat Suite: I. Kraken
121 bpm • A# Maj • 03:28 • -19db
13% Popularity • 61% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 27% Positiveness
13% Popularity • 61% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 27% Positiveness
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Astor Piazzolla
Allegro Tangabile III
135 bpm • E min • 01:00 • -12.18db
13% Popularity • 45% Danceability • 44% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
13% Popularity • 45% Danceability • 44% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
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Michel Legrand
Serenade for Sarah - Version Instrumenta...
121 bpm • C Maj • 02:31 • -8.96db
9% Popularity • 57% Danceability • 52% Energy • 19% Liveness
13% Instrumentalness • 72% Positiveness
9% Popularity • 57% Danceability • 52% Energy • 19% Liveness
13% Instrumentalness • 72% Positiveness
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Eikanger-Bjørsvik Musikklag
Black Orpheus - Solo for Flugelhorn
121 bpm • G# Maj • 03:12 • -13.42db
9% Popularity • 30% Danceability • 25% Energy • 9% Liveness
85% Instrumentalness • 44% Positiveness
9% Popularity • 30% Danceability • 25% Energy • 9% Liveness
85% Instrumentalness • 44% Positiveness
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B.J. Thomas
As Long As We've Got Each Other
121 bpm • C# Maj • 03:28 • -8.01db
6% Popularity • 61% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
6% Popularity • 61% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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The Philip Jones Brass Ensemble
Blues March
121 bpm • A# Maj • 02:19 • -14db
11% Popularity • 60% Danceability • 35% Energy • 9% Liveness
90% Instrumentalness • 86% Positiveness
11% Popularity • 60% Danceability • 35% Energy • 9% Liveness
90% Instrumentalness • 86% Positiveness
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Isabelle Duchamp
Velvet Revolution
136 bpm • F Maj • 02:00 • -13.47db
12% Popularity • 56% Danceability • 35% Energy • 27% Liveness
96% Instrumentalness • 80% Positiveness
12% Popularity • 56% Danceability • 35% Energy • 27% Liveness
96% Instrumentalness • 80% Positiveness
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Kenny Ball & His Jazzmen
Washington Square
121 bpm • D Maj • 02:32 • -8.05db
28% Popularity • 74% Danceability • 53% Energy • 9% Liveness
81% Instrumentalness • 76% Positiveness
28% Popularity • 74% Danceability • 53% Energy • 9% Liveness
81% Instrumentalness • 76% Positiveness
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The Game Brass
Scherzo di Notte
136 bpm • C# Maj • 04:39 • -11.97db
9% Popularity • 72% Danceability • 46% Energy • 17% Liveness
89% Instrumentalness • 56% Positiveness
9% Popularity • 72% Danceability • 46% Energy • 17% Liveness
89% Instrumentalness • 56% Positiveness
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Alice Babs
I Let a Song Go out of My Heart
120 bpm • A# Maj • 02:45 • -8.88db
37% Popularity • 59% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 59% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
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Andrea Giuffredi
Aranjuez adagio
136 bpm • C min • 04:45 • -9.74db
8% Popularity • 27% Danceability • 31% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
8% Popularity • 27% Danceability • 31% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Buddy Rich
Cape Verdean Blues
120 bpm • F min • 06:13 • -11.81db
9% Popularity • 46% Danceability • 51% Energy • 24% Liveness
23% Instrumentalness • 80% Positiveness
9% Popularity • 46% Danceability • 51% Energy • 24% Liveness
23% Instrumentalness • 80% Positiveness
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The Hornheads
Can't Quite Put My Finger On It
120 bpm • C Maj • 04:44 • -9.91db
8% Popularity • 78% Danceability • 34% Energy • 28% Liveness
94% Instrumentalness • 67% Positiveness
8% Popularity • 78% Danceability • 34% Energy • 28% Liveness
94% Instrumentalness • 67% Positiveness
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Kenichi Tsunoda Big Band
コーナー・ポケット
136 bpm • A# min • 05:19 • -9.97db
7% Popularity • 63% Danceability • 36% Energy • 6% Liveness
66% Instrumentalness • 59% Positiveness
7% Popularity • 63% Danceability • 36% Energy • 6% Liveness
66% Instrumentalness • 59% Positiveness
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Pete Fountain
Bye Bye Bill Bailey
120 bpm • G# Maj • 02:44 • -13.9db
13% Popularity • 58% Danceability • 64% Energy • 5% Liveness
13% Instrumentalness • 92% Positiveness
13% Popularity • 58% Danceability • 64% Energy • 5% Liveness
13% Instrumentalness • 92% Positiveness
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John Davenport
Grandma's Star
120 bpm • A Maj • 03:28 • -17.79db
0% Popularity • 65% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 65% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Louis Dowdeswell Big Band
Sing, Sing, Sing!
120 bpm • C Maj • 05:18 • -7.66db
22% Popularity • 68% Danceability • 65% Energy • 7% Liveness
70% Instrumentalness • 53% Positiveness
22% Popularity • 68% Danceability • 65% Energy • 7% Liveness
70% Instrumentalness • 53% Positiveness
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Epic Euphoniums Project
Blind Spot
120 bpm • A# min • 06:52 • -16db
8% Popularity • 43% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
8% Popularity • 43% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Beltway Brass Quintet
Tango for Jam-Jam
120 bpm • G Maj • 03:25 • -9.93db
8% Popularity • 80% Danceability • 29% Energy • 11% Liveness
89% Instrumentalness • 76% Positiveness
8% Popularity • 80% Danceability • 29% Energy • 11% Liveness
89% Instrumentalness • 76% Positiveness
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Sal Valentinetti
Walking My Baby Back Home
120 bpm • A min • 02:34 • -7.5db
13% Popularity • 71% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 71% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Ben van Dijk
La Tarara
120 bpm • D Maj • 04:54 • -15.7db
21% Popularity • 61% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 11% Positiveness
21% Popularity • 61% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 11% Positiveness
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John Davenport
A Beer Is a Beer
120 bpm • C Maj • 02:41 • -10.94db
0% Popularity • 81% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 81% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Louis Dowdeswell Big Band
Into the Unknown
120 bpm • G# Maj • 03:17 • -7.47db
24% Popularity • 52% Danceability • 86% Energy • 31% Liveness
93% Instrumentalness • 64% Positiveness
24% Popularity • 52% Danceability • 86% Energy • 31% Liveness
93% Instrumentalness • 64% Positiveness
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Tom Hynes
Hynesight Shuffle
120 bpm • D Maj • 03:48 • -8.25db
8% Popularity • 63% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 63% Positiveness
8% Popularity • 63% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 63% Positiveness
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Udo Josef Goldschmidt
Bambam
120 bpm • F Maj • 01:43 • -21.51db
19% Popularity • 84% Danceability • 46% Energy • 6% Liveness
4% Instrumentalness • 27% Positiveness
19% Popularity • 84% Danceability • 46% Energy • 6% Liveness
4% Instrumentalness • 27% Positiveness
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Bruce Broughton
Oliver's Birthday
137 bpm • A# Maj • 03:46 • -19.44db
7% Popularity • 49% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 66% Positiveness
7% Popularity • 49% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 66% Positiveness
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Szeged Trombone Ensemble
Axel's Symphony (Arr. for Trombone Ensem...
137 bpm • F min • 06:59 • -14.98db
15% Popularity • 50% Danceability • 25% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
15% Popularity • 50% Danceability • 25% Energy • 10% Liveness
96% Instrumentalness • 29% Positiveness
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Patrick Williams
I've Been Around
120 bpm • A# Maj • 03:50 • -9.96db
10% Popularity • 68% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 68% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Sal Valentinetti
Just a Gigolo / I Ain't Got Nobody
120 bpm • C Maj • 03:27 • -10.53db
11% Popularity • 48% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 48% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
