Songs like Fiddle Tune Medley: Big Sciota / Acorn Hill / Anna Livia by Scott Nygaard
Based on a tempo of (+/- 10%) and a similar genre
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Jacob Jolliff
Waitin' on Gravey
133 bpm • D Maj • 03:32 • -7.63db
19% Popularity • 48% Danceability • 66% Energy • 14% Liveness
66% Instrumentalness • 96% Positiveness
19% Popularity • 48% Danceability • 66% Energy • 14% Liveness
66% Instrumentalness • 96% Positiveness
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Mile Twelve
Wickwire
133 bpm • C Maj • 03:30 • -10.68db
12% Popularity • 54% Danceability • 62% Energy • 17% Liveness
87% Instrumentalness • 84% Positiveness
12% Popularity • 54% Danceability • 62% Energy • 17% Liveness
87% Instrumentalness • 84% Positiveness
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The Infamous Stringdusters
40 West
133 bpm • D Maj • 04:00 • -9.14db
29% Popularity • 58% Danceability • 78% Energy • 50% Liveness
95% Instrumentalness • 95% Positiveness
29% Popularity • 58% Danceability • 78% Energy • 50% Liveness
95% Instrumentalness • 95% Positiveness
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Scott Nygaard
Fiddle Tune Medley: Big Sciota / Acorn H...
133 bpm • G Maj • 03:32 • -12.99db
21% Popularity • 44% Danceability • 58% Energy • 12% Liveness
96% Instrumentalness • 83% Positiveness
21% Popularity • 44% Danceability • 58% Energy • 12% Liveness
96% Instrumentalness • 83% Positiveness
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Reeltime Travellers
Paddy Wont You Drink Some Cider
133 bpm • A Maj • 02:20 • -8.01db
17% Popularity • 62% Danceability • 58% Energy • 31% Liveness
88% Instrumentalness • 89% Positiveness
17% Popularity • 62% Danceability • 58% Energy • 31% Liveness
88% Instrumentalness • 89% Positiveness
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Foghorn Stringband
Lost Indian
133 bpm • G Maj • 02:57 • -11.28db
17% Popularity • 56% Danceability • 64% Energy • 16% Liveness
94% Instrumentalness • 78% Positiveness
17% Popularity • 56% Danceability • 64% Energy • 16% Liveness
94% Instrumentalness • 78% Positiveness
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Bill Emerson
Home Of The Red Fox
133 bpm • A Maj • 02:54 • -16.57db
14% Popularity • 34% Danceability • 51% Energy • 26% Liveness
93% Instrumentalness • 96% Positiveness
14% Popularity • 34% Danceability • 51% Energy • 26% Liveness
93% Instrumentalness • 96% Positiveness
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George Jackson
Mississippi Sawyer
133 bpm • D Maj • 02:35 • -8.55db
10% Popularity • 58% Danceability • 52% Energy • 13% Liveness
40% Instrumentalness • 94% Positiveness
10% Popularity • 58% Danceability • 52% Energy • 13% Liveness
40% Instrumentalness • 94% Positiveness
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Chance McCoy & The Appalachian String Band
Rocky Road To Dublin
133 bpm • D Maj • 01:35 • -7.82db
25% Popularity • 61% Danceability • 73% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
25% Popularity • 61% Danceability • 73% Energy • 12% Liveness
87% Instrumentalness • 96% Positiveness
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Scott Nygaard
The Lost Word
133 bpm • G Maj • 04:09 • -17.86db
0% Popularity • 56% Danceability • 20% Energy • 15% Liveness
81% Instrumentalness • 47% Positiveness
0% Popularity • 56% Danceability • 20% Energy • 15% Liveness
81% Instrumentalness • 47% Positiveness
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The Waybacks
Last Date
133 bpm • D Maj • 08:43 • -12.22db
15% Popularity • 55% Danceability • 31% Energy • 11% Liveness
76% Instrumentalness • 25% Positiveness
15% Popularity • 55% Danceability • 31% Energy • 11% Liveness
76% Instrumentalness • 25% Positiveness
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Andy Hall
Up in Bigfoot Country
132 bpm • D Maj • 03:15 • -11.85db
19% Popularity • 48% Danceability • 66% Energy • 21% Liveness
96% Instrumentalness • 81% Positiveness
19% Popularity • 48% Danceability • 66% Energy • 21% Liveness
96% Instrumentalness • 81% Positiveness
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The Rice Brothers
Original Untitled
132 bpm • C Maj • 04:19 • -14.75db
10% Popularity • 37% Danceability • 44% Energy • 7% Liveness
94% Instrumentalness • 44% Positiveness
10% Popularity • 37% Danceability • 44% Energy • 7% Liveness
94% Instrumentalness • 44% Positiveness
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The Macrae Sisters
Tennessee Mountain Fox Chase
134 bpm • C Maj • 03:05 • -6.9db
9% Popularity • 56% Danceability • 80% Energy • 28% Liveness
90% Instrumentalness • 98% Positiveness
9% Popularity • 56% Danceability • 80% Energy • 28% Liveness
90% Instrumentalness • 98% Positiveness
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Carling & Will
June Apple
132 bpm • A# Maj • 02:04 • -12.32db
24% Popularity • 42% Danceability • 42% Energy • 11% Liveness
87% Instrumentalness • 68% Positiveness
24% Popularity • 42% Danceability • 42% Energy • 11% Liveness
87% Instrumentalness • 68% Positiveness
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Scott Nygaard
Muddy Creek / Indian Nation
133 bpm • G Maj • 03:42 • -13.03db
0% Popularity • 40% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 91% Positiveness
0% Popularity • 40% Danceability • 38% Energy • 10% Liveness
91% Instrumentalness • 91% Positiveness
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Steve Martin
The Crow
132 bpm • C Maj • 03:23 • -7.78db
19% Popularity • 43% Danceability • 69% Energy • 31% Liveness
86% Instrumentalness • 84% Positiveness
19% Popularity • 43% Danceability • 69% Energy • 31% Liveness
86% Instrumentalness • 84% Positiveness
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Foghorn Stringband
Chicken Reel
132 bpm • D Maj • 01:37 • -6.19db
19% Popularity • 64% Danceability • 65% Energy • 26% Liveness
55% Instrumentalness • 97% Positiveness
19% Popularity • 64% Danceability • 65% Energy • 26% Liveness
55% Instrumentalness • 97% Positiveness
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Rayna Gellert
Ducks On The Millpond
132 bpm • D Maj • 02:06 • -10.77db
17% Popularity • 56% Danceability • 55% Energy • 13% Liveness
89% Instrumentalness • 86% Positiveness
17% Popularity • 56% Danceability • 55% Energy • 13% Liveness
89% Instrumentalness • 86% Positiveness
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Joe K. Walsh
Cumberland Gap
131 bpm • D Maj • 03:44 • -8.46db
10% Popularity • 52% Danceability • 67% Energy • 30% Liveness
64% Instrumentalness • 76% Positiveness
10% Popularity • 52% Danceability • 67% Energy • 30% Liveness
64% Instrumentalness • 76% Positiveness
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Billy Faber
Green Corn
132 bpm • D Maj • 01:41 • -11.89db
16% Popularity • 31% Danceability • 56% Energy • 36% Liveness
99% Instrumentalness • 78% Positiveness
16% Popularity • 31% Danceability • 56% Energy • 36% Liveness
99% Instrumentalness • 78% Positiveness
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Scott Nygaard
Off Track
133 bpm • C Maj • 03:58 • -16.5db
0% Popularity • 65% Danceability • 28% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
0% Popularity • 65% Danceability • 28% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
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Carley Arrowood
Tsali's Run
135 bpm • E min • 03:58 • -6.25db
9% Popularity • 35% Danceability • 81% Energy • 5% Liveness
75% Instrumentalness • 93% Positiveness
9% Popularity • 35% Danceability • 81% Energy • 5% Liveness
75% Instrumentalness • 93% Positiveness
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Psychograss
Tree King Creek
131 bpm • G Maj • 04:11 • -14.49db
11% Popularity • 46% Danceability • 55% Energy • 21% Liveness
94% Instrumentalness • 95% Positiveness
11% Popularity • 46% Danceability • 55% Energy • 21% Liveness
94% Instrumentalness • 95% Positiveness
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Rayna Gellert
Great Big Taters In The Sandy Land
134 bpm • A Maj • 02:37 • -9.58db
11% Popularity • 59% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 59% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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David Johnson
Bile Them Cabbage Down
131 bpm • D min • 02:39 • -12db
15% Popularity • 50% Danceability • 62% Energy • 23% Liveness
96% Instrumentalness • 97% Positiveness
15% Popularity • 50% Danceability • 62% Energy • 23% Liveness
96% Instrumentalness • 97% Positiveness
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Chance McCoy & The Appalachian String Band
Jimmy Johnson
135 bpm • A Maj • 03:13 • -8.34db
13% Popularity • 59% Danceability • 86% Energy • 27% Liveness
88% Instrumentalness • 96% Positiveness
13% Popularity • 59% Danceability • 86% Energy • 27% Liveness
88% Instrumentalness • 96% Positiveness
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Uncle Earl
Julianne Johnson
131 bpm • D Maj • 02:33 • -9.88db
19% Popularity • 56% Danceability • 49% Energy • 22% Liveness
91% Instrumentalness • 91% Positiveness
19% Popularity • 56% Danceability • 49% Energy • 22% Liveness
91% Instrumentalness • 91% Positiveness
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Andy Hall
Squareneck Soul
135 bpm • D Maj • 02:29 • -13.19db
30% Popularity • 54% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 37% Positiveness
30% Popularity • 54% Danceability • 15% Energy • 10% Liveness
89% Instrumentalness • 37% Positiveness
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Scott Nygaard
Understanding Makes the Brain Lazy
131 bpm • G Maj • 03:18 • -21.9db
0% Popularity • 57% Danceability • 7% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
0% Popularity • 57% Danceability • 7% Energy • 11% Liveness
69% Instrumentalness • 6% Positiveness
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John Reischman
Queen of the Earth, Child of the Stars
131 bpm • D Maj • 03:05 • -18.61db
9% Popularity • 76% Danceability • 10% Energy • 14% Liveness
90% Instrumentalness • 32% Positiveness
9% Popularity • 76% Danceability • 10% Energy • 14% Liveness
90% Instrumentalness • 32% Positiveness
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Cedar Hill
Leavin' Egypt - Instrumental
135 bpm • E min • 03:08 • -6.11db
18% Popularity • 59% Danceability • 77% Energy • 18% Liveness
93% Instrumentalness • 86% Positiveness
18% Popularity • 59% Danceability • 77% Energy • 18% Liveness
93% Instrumentalness • 86% Positiveness
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Bill Emerson
Cowboys And Indians
131 bpm • C Maj • 02:23 • -15.39db
15% Popularity • 51% Danceability • 52% Energy • 19% Liveness
94% Instrumentalness • 96% Positiveness
15% Popularity • 51% Danceability • 52% Energy • 19% Liveness
94% Instrumentalness • 96% Positiveness
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Linda Waterfall
April 22nd
131 bpm • C# min • 08:01 • -11.16db
0% Popularity • 54% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 54% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Chris Thile
Golden Pond
131 bpm • D Maj • 03:12 • -13.94db
39% Popularity • 57% Danceability • 29% Energy • 14% Liveness
93% Instrumentalness • 26% Positiveness
39% Popularity • 57% Danceability • 29% Energy • 14% Liveness
93% Instrumentalness • 26% Positiveness
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Reeltime Travellers
Elzics Farewell
131 bpm • G Maj • 02:40 • -9.48db
17% Popularity • 46% Danceability • 57% Energy • 22% Liveness
87% Instrumentalness • 78% Positiveness
17% Popularity • 46% Danceability • 57% Energy • 22% Liveness
87% Instrumentalness • 78% Positiveness
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Sarah Jarosz
Mansinneedof
131 bpm • G Maj • 02:51 • -8.17db
32% Popularity • 60% Danceability • 42% Energy • 11% Liveness
47% Instrumentalness • 61% Positiveness
32% Popularity • 60% Danceability • 42% Energy • 11% Liveness
47% Instrumentalness • 61% Positiveness
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Tony Trischka
2fourteen
136 bpm • C Maj • 01:40 • -17.5db
33% Popularity • 48% Danceability • 39% Energy • 10% Liveness
92% Instrumentalness • 83% Positiveness
33% Popularity • 48% Danceability • 39% Energy • 10% Liveness
92% Instrumentalness • 83% Positiveness
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Steve Martin
Rare Bird Alert
136 bpm • D Maj • 02:39 • -6.13db
33% Popularity • 51% Danceability • 79% Energy • 10% Liveness
5% Instrumentalness • 77% Positiveness
33% Popularity • 51% Danceability • 79% Energy • 10% Liveness
5% Instrumentalness • 77% Positiveness
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Rob Stenson
Over the Waterfall / Fauquier County
136 bpm • C# Maj • 03:26 • -13db
14% Popularity • 43% Danceability • 55% Energy • 15% Liveness
75% Instrumentalness • 79% Positiveness
14% Popularity • 43% Danceability • 55% Energy • 15% Liveness
75% Instrumentalness • 79% Positiveness
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Blue Highway
Cold Frosty Morn
130 bpm • A min • 01:50 • -9.69db
26% Popularity • 66% Danceability • 46% Energy • 7% Liveness
76% Instrumentalness • 97% Positiveness
26% Popularity • 66% Danceability • 46% Energy • 7% Liveness
76% Instrumentalness • 97% Positiveness
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Peter Ostroushko
Medicine Bow
136 bpm • D Maj • 05:17 • -14db
17% Popularity • 28% Danceability • 12% Energy • 12% Liveness
35% Instrumentalness • 31% Positiveness
17% Popularity • 28% Danceability • 12% Energy • 12% Liveness
35% Instrumentalness • 31% Positiveness
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Kittel & Co.
Ohmsted
130 bpm • D Maj • 07:50 • -12.36db
14% Popularity • 45% Danceability • 54% Energy • 10% Liveness
87% Instrumentalness • 47% Positiveness
14% Popularity • 45% Danceability • 54% Energy • 10% Liveness
87% Instrumentalness • 47% Positiveness
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Old Salt Union
Johann's Breakdown
130 bpm • D min • 02:21 • -9.49db
14% Popularity • 64% Danceability • 62% Energy • 28% Liveness
54% Instrumentalness • 95% Positiveness
14% Popularity • 64% Danceability • 62% Energy • 28% Liveness
54% Instrumentalness • 95% Positiveness
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The Rice Brothers
Bill Cheatham
130 bpm • A Maj • 02:10 • -12.09db
35% Popularity • 53% Danceability • 63% Energy • 13% Liveness
96% Instrumentalness • 91% Positiveness
35% Popularity • 53% Danceability • 63% Energy • 13% Liveness
96% Instrumentalness • 91% Positiveness
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The Lonely Heartstring Band
Big Bruce
130 bpm • D Maj • 03:42 • -9.47db
24% Popularity • 58% Danceability • 65% Energy • 35% Liveness
90% Instrumentalness • 90% Positiveness
24% Popularity • 58% Danceability • 65% Energy • 35% Liveness
90% Instrumentalness • 90% Positiveness
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Bill Keith
Crazy Creek
136 bpm • E min • 02:57 • -11.9db
28% Popularity • 46% Danceability • 62% Energy • 13% Liveness
92% Instrumentalness • 85% Positiveness
28% Popularity • 46% Danceability • 62% Energy • 13% Liveness
92% Instrumentalness • 85% Positiveness
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Matt Flinner
Black's Fork
136 bpm • A Maj • 03:33 • -8.7db
22% Popularity • 50% Danceability • 71% Energy • 28% Liveness
85% Instrumentalness • 92% Positiveness
22% Popularity • 50% Danceability • 71% Energy • 28% Liveness
85% Instrumentalness • 92% Positiveness
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Hot Rize
Western Skies
130 bpm • A Maj • 02:42 • -7db
28% Popularity • 68% Danceability • 64% Energy • 32% Liveness
3% Instrumentalness • 91% Positiveness
28% Popularity • 68% Danceability • 64% Energy • 32% Liveness
3% Instrumentalness • 91% Positiveness
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Scott Nygaard
Crow Molly / Ship In The Clouds
130 bpm • D Maj • 03:32 • -15.56db
3% Popularity • 53% Danceability • 38% Energy • 16% Liveness
94% Instrumentalness • 96% Positiveness
3% Popularity • 53% Danceability • 38% Energy • 16% Liveness
94% Instrumentalness • 96% Positiveness
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Abigail Washburn
Santa Anna's Retreat / Kitchen Gal
130 bpm • D Maj • 03:21 • -9.46db
23% Popularity • 44% Danceability • 52% Energy • 31% Liveness
81% Instrumentalness • 96% Positiveness
23% Popularity • 44% Danceability • 52% Energy • 31% Liveness
81% Instrumentalness • 96% Positiveness
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Jake Workman
Down in the Dirt
136 bpm • G Maj • 03:00 • -9.05db
14% Popularity • 39% Danceability • 79% Energy • 15% Liveness
91% Instrumentalness • 82% Positiveness
14% Popularity • 39% Danceability • 79% Energy • 15% Liveness
91% Instrumentalness • 82% Positiveness
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Linda Waterfall
Song Like a Roar
136 bpm • G Maj • 05:19 • -9.6db
0% Popularity • 69% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 69% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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DAVID GRISMAN QUINTET
WAITING ON VASSAR
137 bpm • G Maj • 06:19 • -12.99db
8% Popularity • 43% Danceability • 57% Energy • 74% Liveness
81% Instrumentalness • 56% Positiveness
8% Popularity • 43% Danceability • 57% Energy • 74% Liveness
81% Instrumentalness • 56% Positiveness
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Rayna Gellert
Arkansas Traveler
129 bpm • D Maj • 02:06 • -12db
11% Popularity • 56% Danceability • 41% Energy • 20% Liveness
90% Instrumentalness • 93% Positiveness
11% Popularity • 56% Danceability • 41% Energy • 20% Liveness
90% Instrumentalness • 93% Positiveness
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Bryan Sutton And Friends
Dark Island
137 bpm • D Maj • 04:32 • -15db
14% Popularity • 46% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
14% Popularity • 46% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
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John Reischman
Cousin Sally Brown
129 bpm • D Maj • 02:46 • -14.05db
12% Popularity • 37% Danceability • 42% Energy • 10% Liveness
90% Instrumentalness • 71% Positiveness
12% Popularity • 37% Danceability • 42% Energy • 10% Liveness
90% Instrumentalness • 71% Positiveness
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The Nashville Bluegrass Band
Angeline The Baker
129 bpm • D Maj • 01:37 • -14.26db
31% Popularity • 60% Danceability • 47% Energy • 17% Liveness
84% Instrumentalness • 96% Positiveness
31% Popularity • 60% Danceability • 47% Energy • 17% Liveness
84% Instrumentalness • 96% Positiveness
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Scott Nygaard
Red Apple Rag
129 bpm • G Maj • 04:24 • -18.44db
2% Popularity • 49% Danceability • 39% Energy • 14% Liveness
70% Instrumentalness • 78% Positiveness
2% Popularity • 49% Danceability • 39% Energy • 14% Liveness
70% Instrumentalness • 78% Positiveness
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Uncle Earl
Black-Eyed Susie
129 bpm • D Maj • 01:49 • -7.32db
38% Popularity • 55% Danceability • 60% Energy • 8% Liveness
80% Instrumentalness • 67% Positiveness
38% Popularity • 55% Danceability • 60% Energy • 8% Liveness
80% Instrumentalness • 67% Positiveness
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Bill Keith
Cherokee Shuffle
129 bpm • A Maj • 03:07 • -12.34db
15% Popularity • 50% Danceability • 57% Energy • 12% Liveness
86% Instrumentalness • 89% Positiveness
15% Popularity • 50% Danceability • 57% Energy • 12% Liveness
86% Instrumentalness • 89% Positiveness
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Jordan Tice
Horse County
129 bpm • C Maj • 03:56 • -12.03db
17% Popularity • 47% Danceability • 56% Energy • 24% Liveness
94% Instrumentalness • 88% Positiveness
17% Popularity • 47% Danceability • 56% Energy • 24% Liveness
94% Instrumentalness • 88% Positiveness
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Nickel Creek
Robin And Marian
129 bpm • D Maj • 04:34 • -10.39db
30% Popularity • 42% Danceability • 45% Energy • 11% Liveness
66% Instrumentalness • 80% Positiveness
30% Popularity • 42% Danceability • 45% Energy • 11% Liveness
66% Instrumentalness • 80% Positiveness
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Foghorn Stringband
Georgia Railroad
137 bpm • D Maj • 03:50 • -12.32db
14% Popularity • 62% Danceability • 58% Energy • 13% Liveness
7% Instrumentalness • 95% Positiveness
14% Popularity • 62% Danceability • 58% Energy • 13% Liveness
7% Instrumentalness • 95% Positiveness
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Scott Nygaard
Wheatstraw
129 bpm • D Maj • 03:14 • -14.87db
0% Popularity • 52% Danceability • 50% Energy • 9% Liveness
85% Instrumentalness • 88% Positiveness
0% Popularity • 52% Danceability • 50% Energy • 9% Liveness
85% Instrumentalness • 88% Positiveness
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The Nashville Bluegrass Band
Garfield's Blackberry Blossom
128 bpm • G Maj • 02:42 • -9db
15% Popularity • 52% Danceability • 68% Energy • 23% Liveness
95% Instrumentalness • 89% Positiveness
15% Popularity • 52% Danceability • 68% Energy • 23% Liveness
95% Instrumentalness • 89% Positiveness
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J.D. Crowe & The New South
Sally Goodin
128 bpm • A Maj • 03:19 • -10.82db
26% Popularity • 46% Danceability • 75% Energy • 9% Liveness
96% Instrumentalness • 92% Positiveness
26% Popularity • 46% Danceability • 75% Energy • 9% Liveness
96% Instrumentalness • 92% Positiveness
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Bill Keith
Sugarfoot Rag
138 bpm • D Maj • 01:50 • -10.95db
32% Popularity • 56% Danceability • 65% Energy • 32% Liveness
96% Instrumentalness • 96% Positiveness
32% Popularity • 56% Danceability • 65% Energy • 32% Liveness
96% Instrumentalness • 96% Positiveness
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Steve Martin
Freddie's Lilt
128 bpm • D Maj • 02:54 • -10.77db
17% Popularity • 49% Danceability • 49% Energy • 8% Liveness
93% Instrumentalness • 42% Positiveness
17% Popularity • 49% Danceability • 49% Energy • 8% Liveness
93% Instrumentalness • 42% Positiveness
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Bobby Hicks
Whiskey Before Breakfast
128 bpm • D Maj • 03:15 • -10db
14% Popularity • 55% Danceability • 70% Energy • 10% Liveness
95% Instrumentalness • 77% Positiveness
14% Popularity • 55% Danceability • 70% Energy • 10% Liveness
95% Instrumentalness • 77% Positiveness
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Scott Nygaard
Chamomilia
137 bpm • D Maj • 03:50 • -20.7db
0% Popularity • 54% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
0% Popularity • 54% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Uncle Earl
Booth Shot Lincoln
128 bpm • A Maj • 02:09 • -6.08db
25% Popularity • 43% Danceability • 70% Energy • 16% Liveness
48% Instrumentalness • 78% Positiveness
25% Popularity • 43% Danceability • 70% Energy • 16% Liveness
48% Instrumentalness • 78% Positiveness
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The Nashville Bluegrass Band
Crossing The Cumberlands
128 bpm • G min • 03:28 • -12db
7% Popularity • 60% Danceability • 30% Energy • 20% Liveness
94% Instrumentalness • 63% Positiveness
7% Popularity • 60% Danceability • 30% Energy • 20% Liveness
94% Instrumentalness • 63% Positiveness
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Goldmine Pickers
Sean's Favorite
138 bpm • D Maj • 04:56 • -9.38db
13% Popularity • 58% Danceability • 40% Energy • 18% Liveness
22% Instrumentalness • 61% Positiveness
13% Popularity • 58% Danceability • 40% Energy • 18% Liveness
22% Instrumentalness • 61% Positiveness
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Ken & Brad Kolodner
Tippin' Back The Corn
128 bpm • A Maj • 02:38 • -11.17db
14% Popularity • 59% Danceability • 43% Energy • 6% Liveness
90% Instrumentalness • 76% Positiveness
14% Popularity • 59% Danceability • 43% Energy • 6% Liveness
90% Instrumentalness • 76% Positiveness
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Punch Brothers
Cattle in the Cane
138 bpm • G Maj • 03:32 • -8.98db
32% Popularity • 33% Danceability • 65% Energy • 34% Liveness
88% Instrumentalness • 70% Positiveness
32% Popularity • 33% Danceability • 65% Energy • 34% Liveness
88% Instrumentalness • 70% Positiveness
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Scott Nygaard
Fog And Flame
129 bpm • G min • 03:49 • -21.08db
0% Popularity • 50% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 76% Positiveness
0% Popularity • 50% Danceability • 16% Energy • 8% Liveness
90% Instrumentalness • 76% Positiveness
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Uncle Earl
Coon Dog
138 bpm • D Maj • 02:27 • -11.14db
17% Popularity • 52% Danceability • 67% Energy • 11% Liveness
96% Instrumentalness • 96% Positiveness
17% Popularity • 52% Danceability • 67% Energy • 11% Liveness
96% Instrumentalness • 96% Positiveness
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Steve Martin
Saga of the Old West
138 bpm • D min • 03:23 • -9.37db
18% Popularity • 44% Danceability • 53% Energy • 10% Liveness
95% Instrumentalness • 70% Positiveness
18% Popularity • 44% Danceability • 53% Energy • 10% Liveness
95% Instrumentalness • 70% Positiveness
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Foghorn Stringband
Lost Girl
128 bpm • G Maj • 03:06 • -11db
23% Popularity • 61% Danceability • 63% Energy • 30% Liveness
93% Instrumentalness • 51% Positiveness
23% Popularity • 61% Danceability • 63% Energy • 30% Liveness
93% Instrumentalness • 51% Positiveness
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Mike Marshall
Down in the Willow Garden
138 bpm • G Maj • 04:45 • -10.89db
16% Popularity • 31% Danceability • 46% Energy • 96% Liveness
64% Instrumentalness • 28% Positiveness
16% Popularity • 31% Danceability • 46% Energy • 96% Liveness
64% Instrumentalness • 28% Positiveness
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Bruce Molsky
Wandering Boy
128 bpm • D Maj • 02:50 • -9.75db
11% Popularity • 58% Danceability • 50% Energy • 12% Liveness
81% Instrumentalness • 97% Positiveness
11% Popularity • 58% Danceability • 50% Energy • 12% Liveness
81% Instrumentalness • 97% Positiveness
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Simon Chrisman & Wes Corbett
Cape Ann
139 bpm • E min • 03:50 • -13.69db
11% Popularity • 47% Danceability • 36% Energy • 12% Liveness
93% Instrumentalness • 54% Positiveness
11% Popularity • 47% Danceability • 36% Energy • 12% Liveness
93% Instrumentalness • 54% Positiveness
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Dan Tyminski
Greens Fees
139 bpm • D Maj • 02:27 • -9db
30% Popularity • 49% Danceability • 79% Energy • 24% Liveness
78% Instrumentalness • 96% Positiveness
30% Popularity • 49% Danceability • 79% Energy • 24% Liveness
78% Instrumentalness • 96% Positiveness
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Andy Thorn
Red Sun Salutation
128 bpm • F Maj • 02:43 • -13.74db
28% Popularity • 36% Danceability • 31% Energy • 13% Liveness
80% Instrumentalness • 67% Positiveness
28% Popularity • 36% Danceability • 31% Energy • 13% Liveness
80% Instrumentalness • 67% Positiveness
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Chris Thile
The Eleventh Reel
128 bpm • D Maj • 03:28 • -14.96db
23% Popularity • 35% Danceability • 56% Energy • 11% Liveness
92% Instrumentalness • 68% Positiveness
23% Popularity • 35% Danceability • 56% Energy • 11% Liveness
92% Instrumentalness • 68% Positiveness
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Peter Ostroushko
Coming Down from Red Lodge
127 bpm • D Maj • 02:26 • -11.82db
16% Popularity • 56% Danceability • 48% Energy • 17% Liveness
60% Instrumentalness • 69% Positiveness
16% Popularity • 56% Danceability • 48% Energy • 17% Liveness
60% Instrumentalness • 69% Positiveness
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Sarah Jarosz
Fischer Store Road
139 bpm • A# Maj • 02:17 • -10.63db
19% Popularity • 51% Danceability • 53% Energy • 14% Liveness
92% Instrumentalness • 78% Positiveness
19% Popularity • 51% Danceability • 53% Energy • 14% Liveness
92% Instrumentalness • 78% Positiveness
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Allison de Groot & Tatiana Hargreaves
Eighth of January
127 bpm • A Maj • 02:48 • -10.96db
13% Popularity • 62% Danceability • 59% Energy • 20% Liveness
93% Instrumentalness • 94% Positiveness
13% Popularity • 62% Danceability • 59% Energy • 20% Liveness
93% Instrumentalness • 94% Positiveness
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Nickel Creek
Ode To A Butterfly
139 bpm • A Maj • 04:08 • -8.8db
34% Popularity • 36% Danceability • 71% Energy • 36% Liveness
36% Instrumentalness • 56% Positiveness
34% Popularity • 36% Danceability • 71% Energy • 36% Liveness
36% Instrumentalness • 56% Positiveness
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Andy Thorn
Stork Bite
127 bpm • C Maj • 02:22 • -15.57db
29% Popularity • 48% Danceability • 25% Energy • 6% Liveness
84% Instrumentalness • 65% Positiveness
29% Popularity • 48% Danceability • 25% Energy • 6% Liveness
84% Instrumentalness • 65% Positiveness
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Mike Marshall
Fisher's Hornpipe
127 bpm • D Maj • 03:19 • -10db
15% Popularity • 51% Danceability • 54% Energy • 29% Liveness
86% Instrumentalness • 96% Positiveness
15% Popularity • 51% Danceability • 54% Energy • 29% Liveness
86% Instrumentalness • 96% Positiveness
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Chance McCoy & The Appalachian String Band
Dance All Night With A Bottle In Your Ha...
139 bpm • G Maj • 02:56 • -8.91db
15% Popularity • 53% Danceability • 70% Energy • 17% Liveness
77% Instrumentalness • 94% Positiveness
15% Popularity • 53% Danceability • 70% Energy • 17% Liveness
77% Instrumentalness • 94% Positiveness
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Appalachian Road Show
Graveyard Fields
127 bpm • D min • 02:59 • -8.3db
25% Popularity • 57% Danceability • 71% Energy • 11% Liveness
90% Instrumentalness • 93% Positiveness
25% Popularity • 57% Danceability • 71% Energy • 11% Liveness
90% Instrumentalness • 93% Positiveness
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Shadowgrass
Creatures of Havoc
127 bpm • G Maj • 04:52 • -10.5db
27% Popularity • 60% Danceability • 69% Energy • 15% Liveness
71% Instrumentalness • 70% Positiveness
27% Popularity • 60% Danceability • 69% Energy • 15% Liveness
71% Instrumentalness • 70% Positiveness
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Sami Braman
Barnimal
139 bpm • B Maj • 02:23 • -8.73db
30% Popularity • 41% Danceability • 68% Energy • 29% Liveness
93% Instrumentalness • 96% Positiveness
30% Popularity • 41% Danceability • 68% Energy • 29% Liveness
93% Instrumentalness • 96% Positiveness
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Bill Emerson
Home Sweet Home
127 bpm • D Maj • 02:40 • -12.75db
14% Popularity • 46% Danceability • 64% Energy • 31% Liveness
97% Instrumentalness • 96% Positiveness
14% Popularity • 46% Danceability • 64% Energy • 31% Liveness
97% Instrumentalness • 96% Positiveness
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Steve Martin
Tin Roof
127 bpm • D Maj • 02:17 • -10.6db
20% Popularity • 29% Danceability • 57% Energy • 15% Liveness
92% Instrumentalness • 70% Positiveness
20% Popularity • 29% Danceability • 57% Energy • 15% Liveness
92% Instrumentalness • 70% Positiveness
