Songs like Fidelio, Op. 72: Act II: Introduction and Aria: Gott! welch' Dunkel hier! by Ludwig van Beethoven

177 bpm • C# Maj • 01:23 • -47db

53% Popularity • 18% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 42% Positiveness

176 bpm • D Maj • 02:01 • -36.55db

61% Popularity • 25% Danceability • 1% Energy • 16% Liveness
27% Instrumentalness • 18% Positiveness

176 bpm • F Maj • 01:31 • -27.33db

54% Popularity • 23% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness

176 bpm • D Maj • 06:14 • -18db

28% Popularity • 27% Danceability • 17% Energy • 11% Liveness
50% Instrumentalness • 29% Positiveness

179 bpm • F Maj • 07:13 • -28db

63% Popularity • 14% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness

179 bpm • D min • 04:20 • -24.28db

46% Popularity • 12% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness

175 bpm • F min • 09:36 • -23db

32% Popularity • 24% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness

175 bpm • C Maj • 03:14 • -23.21db

51% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness

179 bpm • G Maj • 02:11 • -25.7db

62% Popularity • 29% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness

174 bpm • C Maj • 04:27 • -15db

36% Popularity • 34% Danceability • 50% Energy • 5% Liveness
90% Instrumentalness • 69% Positiveness

173 bpm • C Maj • 01:34 • -35db

61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness

173 bpm • C Maj • 01:49 • -20db

52% Popularity • 26% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness

181 bpm • G# Maj • 05:14 • -34.73db

46% Popularity • 26% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness

173 bpm • C min • 06:14 • -28.78db

50% Popularity • 8% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness

172 bpm • F min • 03:15 • -18db

42% Popularity • 34% Danceability • 20% Energy • 18% Liveness
50% Instrumentalness • 30% Positiveness

172 bpm • D Maj • 03:25 • -11.12db

39% Popularity • 16% Danceability • 26% Energy • 11% Liveness
80% Instrumentalness • 22% Positiveness

182 bpm • A Maj • 01:13 • -20db

45% Popularity • 28% Danceability • 44% Energy • 8% Liveness
88% Instrumentalness • 52% Positiveness

170 bpm • D# Maj • 07:53 • -21db

41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness

173 bpm • F min • 09:00 • -18db

43% Popularity • 24% Danceability • 8% Energy • 12% Liveness
61% Instrumentalness • 10% Positiveness

169 bpm • F# min • 02:56 • -33db

36% Popularity • 26% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness

186 bpm • D Maj • 06:37 • -24.47db

50% Popularity • 21% Danceability • 5% Energy • 11% Liveness
64% Instrumentalness • 15% Positiveness

167 bpm • A min • 04:22 • -19.3db

37% Popularity • 38% Danceability • 10% Energy • 5% Liveness
10% Instrumentalness • 46% Positiveness

168 bpm • E min • 03:22 • -32db

41% Popularity • 20% Danceability • 3% Energy • 12% Liveness
28% Instrumentalness • 13% Positiveness

166 bpm • G Maj • 01:04 • -25db

48% Popularity • 33% Danceability • 25% Energy • 15% Liveness
87% Instrumentalness • 95% Positiveness

171 bpm • D# Maj • 05:53 • -22.82db

39% Popularity • 38% Danceability • 17% Energy • 6% Liveness
92% Instrumentalness • 27% Positiveness

168 bpm • G min • 01:58 • -37db

55% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness

197 bpm • B min • 02:47 • -35.32db

55% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness

157 bpm • D# Maj • 01:58 • -20db

36% Popularity • 36% Danceability • 15% Energy • 17% Liveness
81% Instrumentalness • 43% Positiveness

154 bpm • C Maj • 03:15 • -16.58db

46% Popularity • 49% Danceability • 15% Energy • 7% Liveness
34% Instrumentalness • 38% Positiveness

156 bpm • F# min • 05:40 • -17.03db

42% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness

170 bpm • G# Maj • 05:43 • -33db

42% Popularity • 29% Danceability • 0% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness

161 bpm • E Maj • 06:39 • -18.15db

35% Popularity • 33% Danceability • 22% Energy • 36% Liveness
18% Instrumentalness • 46% Positiveness

153 bpm • F min • 03:28 • -27db

50% Popularity • 29% Danceability • 3% Energy • 29% Liveness
1% Instrumentalness • 29% Positiveness

165 bpm • E Maj • 04:12 • -23.04db

16% Popularity • 24% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 25% Positiveness

167 bpm • C min • 08:30 • -22db

31% Popularity • 33% Danceability • 18% Energy • 7% Liveness
88% Instrumentalness • 16% Positiveness

162 bpm • A# min • 02:03 • -24db

58% Popularity • 37% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 62% Positiveness

165 bpm • C min • 09:56 • -24db

25% Popularity • 26% Danceability • 5% Energy • 11% Liveness
72% Instrumentalness • 16% Positiveness

158 bpm • F# min • 07:38 • -16.63db

42% Popularity • 32% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness

157 bpm • F# min • 07:41 • -24.19db

50% Popularity • 29% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness

153 bpm • D Maj • 03:31 • -22db

45% Popularity • 39% Danceability • 12% Energy • 5% Liveness
48% Instrumentalness • 59% Positiveness

150 bpm • A min • 02:46 • -33.12db

35% Popularity • 10% Danceability • 3% Energy • 14% Liveness
87% Instrumentalness • 46% Positiveness