Songs like Fidelio, Op. 72: 'O war 'ich schon mit dir vereint' by Elisabeth Schwarzkopf
Based on a tempo of (+/- 10%) and a similar genre
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Bedřich Smetana
The Bartered Bride, Act I Scene V: Intro...
103 bpm • C Maj • 04:39 • -18db
30% Popularity • 44% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 44% Positiveness
30% Popularity • 44% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 44% Positiveness
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Elisabeth Schwarzkopf
Fidelio, Op. 72: 'O war 'ich schon mit d...
103 bpm • C Maj • 03:48 • -12.39db
2% Popularity • 36% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
2% Popularity • 36% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Charles Gounod
Faust: Faust, Act I: Cavatina: Avant de ...
104 bpm • D# Maj • 03:18 • -22db
12% Popularity • 22% Danceability • 10% Energy • 8% Liveness
3% Instrumentalness • 17% Positiveness
12% Popularity • 22% Danceability • 10% Energy • 8% Liveness
3% Instrumentalness • 17% Positiveness
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Edward Elgar
Elgar: Sea Pictures, Op. 37: No. 5, The ...
102 bpm • G Maj • 06:09 • -16db
16% Popularity • 30% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 30% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Franz Schubert
Schubert: Im Frühling, Op. Posth 101 No...
102 bpm • G Maj • 04:32 • -23.42db
3% Popularity • 38% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
3% Popularity • 38% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Giacomo Puccini
Turandot (2008 Digital Remaster), Act I:...
102 bpm • F min • 01:21 • -24.95db
1% Popularity • 20% Danceability • 11% Energy • 30% Liveness
35% Instrumentalness • 5% Positiveness
1% Popularity • 20% Danceability • 11% Energy • 30% Liveness
35% Instrumentalness • 5% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia, Act I, No. 5: U...
104 bpm • E Maj • 06:08 • -20.4db
19% Popularity • 42% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 42% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Gaetano Donizetti
Don Pasquale / Act 3: "Com'è gentil...t...
102 bpm • A Maj • 03:49 • -10.78db
31% Popularity • 38% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 38% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Johannes Brahms
Brahms: 49 Deutsche Volkslieder, WoO 33:...
104 bpm • G min • 02:44 • -25.7db
3% Popularity • 40% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
3% Popularity • 40% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Vincenzo Bellini
Vaga luna che inargenti
101 bpm • G# Maj • 04:00 • -26db
23% Popularity • 34% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 34% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Franz Schubert
Schubert: 2 Lieder, Op. 43: No. 1, Die j...
102 bpm • F Maj • 04:51 • -15.71db
1% Popularity • 35% Danceability • 14% Energy • 9% Liveness
3% Instrumentalness • 10% Positiveness
1% Popularity • 35% Danceability • 14% Energy • 9% Liveness
3% Instrumentalness • 10% Positiveness
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Giacomo Puccini
Turandot (2008 Digital Remaster), Act I:...
102 bpm • D# min • 02:15 • -12.05db
1% Popularity • 25% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
1% Popularity • 25% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: II. Cujus animam
105 bpm • G# Maj • 03:07 • -21.02db
38% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
38% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
La traviata / Act III: "Ah, Violetta!" -...
105 bpm • A min • 01:43 • -23.97db
27% Popularity • 37% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 37% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen, Act 1: "Sur la place" (Ch...
105 bpm • A# Maj • 07:22 • -21db
24% Popularity • 32% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 32% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
101 bpm • G Maj • 02:57 • -24.97db
11% Popularity • 31% Danceability • 9% Energy • 14% Liveness
3% Instrumentalness • 27% Positiveness
11% Popularity • 31% Danceability • 9% Energy • 14% Liveness
3% Instrumentalness • 27% Positiveness
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Jacques Offenbach
Un mari à la porte: Valse Tyrolienne
105 bpm • G Maj • 03:47 • -13db
8% Popularity • 44% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 44% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Giacomo Puccini
Puccini: Turandot, Act 3: "Principessa d...
101 bpm • G# min • 02:43 • -15.57db
1% Popularity • 30% Danceability • 19% Energy • 49% Liveness
0% Instrumentalness • 16% Positiveness
1% Popularity • 30% Danceability • 19% Energy • 49% Liveness
0% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Alma grande e nobil core, K.578 - 2001 R...
101 bpm • A# Maj • 04:28 • -17.28db
0% Popularity • 38% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 38% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Giuseppe Verdi
Il Trovatore / Act 1: "Di due figli"
105 bpm • E min • 08:25 • -18db
18% Popularity • 43% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 43% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Franz Schubert
Schubert: 4 Lieder, Op. 106: No. 4, An S...
105 bpm • B min • 03:05 • -21.81db
1% Popularity • 35% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
1% Popularity • 35% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Maurice Ravel
Shéhérazade, M. 41: 1. Asie
101 bpm • C# min • 09:15 • -20.2db
18% Popularity • 21% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
101 bpm • C Maj • 01:12 • -31.8db
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 1: "O soave fan...
101 bpm • C Maj • 04:06 • -24.95db
15% Popularity • 16% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 16% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice / Act 3: Aria: "Che fa...
106 bpm • C Maj • 05:37 • -18.56db
21% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
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Richard Wagner
Wagner: Tannhäuser, Act 3: "O! du mein ...
100 bpm • G Maj • 03:19 • -28.79db
5% Popularity • 14% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
5% Popularity • 14% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Verdi: Messa da Requiem: XVIII. Requiem ...
105 bpm • F Maj • 03:16 • -31.32db
7% Popularity • 16% Danceability • 8% Energy • 10% Liveness
20% Instrumentalness • 3% Positiveness
7% Popularity • 16% Danceability • 8% Energy • 10% Liveness
20% Instrumentalness • 3% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232 / Agnus Dei: Ag...
106 bpm • G min • 05:42 • -19.51db
16% Popularity • 20% Danceability • 20% Energy • 17% Liveness
14% Instrumentalness • 6% Positiveness
16% Popularity • 20% Danceability • 20% Energy • 17% Liveness
14% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
101 bpm • D Maj • 03:45 • -27db
30% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Giacomo Puccini
Puccini: Turandot, Act 3: "Quel nome!" (...
100 bpm • F Maj • 01:21 • -21.3db
1% Popularity • 36% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 36% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
100 bpm • E Maj • 05:18 • -19.76db
22% Popularity • 22% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
22% Popularity • 22% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Hugo Wolf
Wolf: 6 Lieder für eine Frauenstimme: N...
100 bpm • G# Maj • 03:40 • -23.31db
4% Popularity • 46% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
4% Popularity • 46% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Ludwig van Beethoven
Fidelio, Op. 72 (Ed. Lühning & Didion),...
100 bpm • A# Maj • 06:56 • -28.75db
24% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Petite messe solennelle: Gloria in excel...
106 bpm • F Maj • 02:14 • -24db
25% Popularity • 26% Danceability • 9% Energy • 9% Liveness
14% Instrumentalness • 15% Positiveness
25% Popularity • 26% Danceability • 9% Energy • 9% Liveness
14% Instrumentalness • 15% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
101 bpm • A Maj • 02:06 • -19.03db
3% Popularity • 40% Danceability • 11% Energy • 44% Liveness
0% Instrumentalness • 37% Positiveness
3% Popularity • 40% Danceability • 11% Energy • 44% Liveness
0% Instrumentalness • 37% Positiveness
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Henri Duparc
Chanson triste
107 bpm • C Maj • 02:52 • -18.29db
15% Popularity • 28% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
15% Popularity • 28% Danceability • 14% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: "Sur la pla...
107 bpm • A# Maj • 01:54 • -25db
26% Popularity • 39% Danceability • 8% Energy • 16% Liveness
11% Instrumentalness • 40% Positiveness
26% Popularity • 39% Danceability • 8% Energy • 16% Liveness
11% Instrumentalness • 40% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH. 5 / Act I: In...
107 bpm • G min • 02:31 • -21.34db
26% Popularity • 20% Danceability • 9% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
26% Popularity • 20% Danceability • 9% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
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Vincenzo Bellini
Malinconia, ninfa gentile
107 bpm • F Maj • 01:13 • -14.64db
23% Popularity • 48% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 48% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Das Veilchen, K. 476
107 bpm • E Maj • 02:39 • -24.96db
0% Popularity • 47% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 47% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Entr'acte
100 bpm • E Maj • 01:18 • -15db
36% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
36% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
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Ludwig van Beethoven
Fidelio, Op. 72 (Ed. Lühning & Didion),...
107 bpm • G Maj • 04:31 • -29.42db
18% Popularity • 22% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 4% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Turandot (2008 Digital Remaster), Act II...
107 bpm • A min • 01:26 • -20.35db
1% Popularity • 59% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
1% Popularity • 59% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Johann Sebastian Bach
Bach, JS: Was mir behagt, BWV 208 "Jagdk...
98 bpm • G Maj • 05:04 • -18.25db
0% Popularity • 23% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 23% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Vincenzo Bellini
Norma / Act 2: Mira, o Norma
108 bpm • D# Maj • 05:13 • -23db
19% Popularity • 34% Danceability • 7% Energy • 66% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 34% Danceability • 7% Energy • 66% Liveness
0% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Oiseaux, si tous les ans, K. 307
98 bpm • C Maj • 01:20 • -22.67db
0% Popularity • 60% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 60% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Charles Gounod
Gounod: Faust, Act 3: "Les grands seigne...
108 bpm • E Maj • 06:24 • -21.56db
16% Popularity • 36% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 36% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
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Jacques Offenbach
Offenbach: Robinson Crusoë, Act 2: Vals...
100 bpm • A Maj • 03:57 • -18.64db
13% Popularity • 37% Danceability • 17% Energy • 4% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 37% Danceability • 17% Energy • 4% Liveness
0% Instrumentalness • 19% Positiveness
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Giacomo Puccini
Turandot (2008 Digital Remaster), Act I:...
98 bpm • G min • 01:29 • -11.67db
1% Popularity • 40% Danceability • 32% Energy • 55% Liveness
6% Instrumentalness • 32% Positiveness
1% Popularity • 40% Danceability • 32% Energy • 55% Liveness
6% Instrumentalness • 32% Positiveness
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Hector Berlioz
La Damnation de Faust, Op. 24, H 111 / P...
108 bpm • F Maj • 10:43 • -25db
15% Popularity • 22% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
98 bpm • E Maj • 06:59 • -15.16db
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Dans un bois solitaire, K. 308
109 bpm • G# Maj • 02:59 • -20.49db
0% Popularity • 42% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 42% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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Vincenzo Bellini
La sonnambula / Act 2: "Ah, non credea m...
109 bpm • A min • 04:17 • -24.42db
21% Popularity • 32% Danceability • 6% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
21% Popularity • 32% Danceability • 6% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
108 bpm • D Maj • 03:02 • -28.48db
2% Popularity • 31% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
2% Popularity • 31% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
97 bpm • F Maj • 02:11 • -19.15db
17% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
17% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
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Johann Sebastian Bach
Bach: Cantata "Weichet nur, betrbte Sc...
96 bpm • C Maj • 03:24 • -14.61db
0% Popularity • 45% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 45% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia, Act II: No. 19,...
109 bpm • G Maj • 02:19 • -12db
22% Popularity • 52% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 52% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Elisabeth Schwarzkopf
Nachtviolen, D. 752
97 bpm • G min • 02:48 • -17.52db
3% Popularity • 36% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
3% Popularity • 36% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Umberto Giordano
Fedora: Amor ti vieta
96 bpm • C Maj • 01:46 • -13.68db
39% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
39% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
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Giuseppe Verdi
Verdi: Messa da Requiem: XI. Lacrymosa
110 bpm • A# min • 06:28 • -25.43db
4% Popularity • 19% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 19% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Amilcare Ponchielli
La Gioconda, Op. 9: Cielo e mar!
96 bpm • D# Maj • 04:23 • -16.56db
36% Popularity • 24% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
36% Popularity • 24% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: Voi lo sapete
96 bpm • E min • 03:15 • -14.07db
29% Popularity • 24% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 24% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Euridice),...
96 bpm • D Maj • 03:49 • -18.95db
29% Popularity • 32% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 32% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Georges Bizet
Bizet: Carmen, WD 31, Act 2: "Votre toas...
111 bpm • F Maj • 05:02 • -17.98db
11% Popularity • 39% Danceability • 22% Energy • 16% Liveness
3% Instrumentalness • 49% Positiveness
11% Popularity • 39% Danceability • 22% Energy • 16% Liveness
3% Instrumentalness • 49% Positiveness
► Preview
Johann Sebastian Bach
Bach, JS: Was mir behagt, BWV 208 "Jagdk...
111 bpm • G Maj • 00:42 • -17.44db
0% Popularity • 50% Danceability • 16% Energy • 80% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 50% Danceability • 16% Energy • 80% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Elisabeth Schwarzkopf
Seligkeit, D. 433
96 bpm • E Maj • 02:21 • -17.95db
3% Popularity • 40% Danceability • 14% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
3% Popularity • 40% Danceability • 14% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Giuseppe Verdi
Messa da Requiem: 1. Requiem
96 bpm • A Maj • 08:49 • -22.04db
8% Popularity • 13% Danceability • 8% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 8% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Don Giovanni, K.527 / Act 1: "Là ci dar...
96 bpm • A Maj • 03:19 • -13db
15% Popularity • 26% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 26% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Jacques Offenbach
La belle Hélène / Act 1: Au mont Ida.....
96 bpm • A# Maj • 03:50 • -17db
10% Popularity • 41% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
10% Popularity • 41% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
► Preview
Antonín Dvořák
Dvořák: Rusalka, Op. 114, B. 203, Act ...
96 bpm • F# Maj • 05:55 • -20db
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
The Queen of Spades, Op. 68, Act II: Ya ...
96 bpm • D# Maj • 04:01 • -22db
12% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Elisabeth Schwarzkopf
Nahe des Geliebten, Op. 5, No. 2, D. 162
96 bpm • F# Maj • 03:17 • -19.32db
3% Popularity • 31% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
3% Popularity • 31% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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Giuseppe Verdi
Aida: Act II: Gloria all'Egitto
111 bpm • A# Maj • 03:19 • -19.37db
19% Popularity • 29% Danceability • 9% Energy • 53% Liveness
3% Instrumentalness • 18% Positiveness
19% Popularity • 29% Danceability • 9% Energy • 53% Liveness
3% Instrumentalness • 18% Positiveness
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Giacomo Puccini
Turandot (2008 Digital Remaster), Act II...
111 bpm • G min • 02:06 • -17.66db
1% Popularity • 43% Danceability • 20% Energy • 10% Liveness
3% Instrumentalness • 45% Positiveness
1% Popularity • 43% Danceability • 20% Energy • 10% Liveness
3% Instrumentalness • 45% Positiveness
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Gaetano Donizetti
Don Pasquale: Quel guardo il cavaliere
95 bpm • A# Maj • 06:05 • -15db
12% Popularity • 41% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 41% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 2: "Voi...
95 bpm • A# Maj • 03:53 • -26.82db
25% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Antonín Dvořák
Rusalka, Op. 114, B. 203 / Act 1: "O Sil...
95 bpm • F# Maj • 06:40 • -22db
8% Popularity • 21% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
95 bpm • E min • 05:16 • -18db
7% Popularity • 34% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 34% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Giuseppe Verdi
La traviata / Act I: "Libiamo ne'lieti c...
111 bpm • A# Maj • 02:49 • -22.12db
31% Popularity • 47% Danceability • 13% Energy • 63% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 47% Danceability • 13% Energy • 63% Liveness
0% Instrumentalness • 36% Positiveness
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Giacomo Puccini
Turandot / Act 1: Non piangere Liù
111 bpm • D# min • 05:03 • -12.13db
33% Popularity • 27% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 27% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Vincenzo Bellini
Malinconia, ninfa gentile
94 bpm • E Maj • 01:36 • -19.59db
33% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: V. Quis est homo
94 bpm • C min • 03:00 • -24.63db
36% Popularity • 18% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 18% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Das Lied der Trennung, K. 519
93 bpm • F min • 05:37 • -21.29db
0% Popularity • 37% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 37% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: "Glou, gl...
114 bpm • F Maj • 01:19 • -27db
28% Popularity • 45% Danceability • 12% Energy • 13% Liveness
71% Instrumentalness • 22% Positiveness
28% Popularity • 45% Danceability • 12% Energy • 13% Liveness
71% Instrumentalness • 22% Positiveness
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Giuseppe Verdi
Verdi: Messa da Requiem: XXI. Libera me,...
113 bpm • C Maj • 06:23 • -17db
17% Popularity • 27% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
17% Popularity • 27% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Charles Gounod
Gounod: Faust, Act 2: Valse. "Ainsi que ...
114 bpm • D Maj • 02:58 • -20db
14% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "Che gelida manina"
93 bpm • G# Maj • 04:51 • -21db
10% Popularity • 18% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 18% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Umberto Giordano
Fedora / Act 2: "Amor ti vieta"
93 bpm • C Maj • 01:48 • -14db
33% Popularity • 30% Danceability • 35% Energy • 24% Liveness
83% Instrumentalness • 9% Positiveness
33% Popularity • 30% Danceability • 35% Energy • 24% Liveness
83% Instrumentalness • 9% Positiveness
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Elisabeth Schwarzkopf
Im Fruhling, Op. 101, No. 1, D. 882
93 bpm • G Maj • 04:31 • -20db
6% Popularity • 35% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
6% Popularity • 35% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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George Frideric Handel
Rinaldo / Act 2: "Lascia ch'io pianga"
92 bpm • E Maj • 04:24 • -16.95db
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
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Giuseppe Verdi
La traviata / Act II: "Di Provenza il ma...
114 bpm • C# Maj • 03:59 • -20.58db
28% Popularity • 30% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 30% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Richard Strauss
Strauss, R: 3 Lieder, Op. 88: No. 1, Das...
92 bpm • F Maj • 02:05 • -20.3db
9% Popularity • 28% Danceability • 16% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
9% Popularity • 28% Danceability • 16% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 3: "Donde lieta...
93 bpm • C# Maj • 03:20 • -17.39db
16% Popularity • 21% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 7% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Joseph Haydn
Haydn: Mass in D Minor, Hob. XXII:11 "Ne...
115 bpm • G min • 04:26 • -15db
29% Popularity • 42% Danceability • 31% Energy • 15% Liveness
33% Instrumentalness • 9% Positiveness
29% Popularity • 42% Danceability • 31% Energy • 15% Liveness
33% Instrumentalness • 9% Positiveness
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Richard Wagner
Parsifal, WWV 111: Prelude
115 bpm • G# Maj • 10:27 • -24.58db
17% Popularity • 17% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
17% Popularity • 17% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Die Zauberflöte, K. 620, Act 2:...
92 bpm • F Maj • 03:15 • -23.01db
20% Popularity • 19% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 11% Positiveness
20% Popularity • 19% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 11% Positiveness
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Giuseppe Verdi
Macbeth, Act I: Witches' Chorus. Che fac...
92 bpm • A min • 07:46 • -19.66db
15% Popularity • 39% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 39% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 1: Viva! Viva Amina!
116 bpm • F# min • 01:06 • -30db
35% Popularity • 25% Danceability • 10% Energy • 16% Liveness
30% Instrumentalness • 5% Positiveness
35% Popularity • 25% Danceability • 10% Energy • 16% Liveness
30% Instrumentalness • 5% Positiveness
