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Fields of Athenry
Songs like
Fields of Athenry
by
Dropkick Murphys
Based on a tempo of (+/- 10%) and a similar genre
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The Briggs
Madmen
140 bpm • C Maj • 02:30 • -3.49db
42% Popularity • 67% Danceability • 90% Energy • 45% Liveness
0% Instrumentalness • 80% Positiveness
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The O'Reillys and the Paddyhats
Circus of Fools
140 bpm • C Maj • 02:37 • -3.45db
31% Popularity • 60% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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The Vandon Arms
Over There
140 bpm • G Maj • 03:29 • -9.96db
20% Popularity • 62% Danceability • 74% Energy • 66% Liveness
0% Instrumentalness • 97% Positiveness
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Bad Religion
Sorrow
140 bpm • G Maj • 03:21 • -4.6db
54% Popularity • 51% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Greenland Whalefishers
Lay Me Down
140 bpm • C Maj • 03:02 • -4.93db
12% Popularity • 45% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Smokey Bastard
Yuppie Dracula
140 bpm • A min • 03:38 • -5db
27% Popularity • 61% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 72% Positiveness
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The Briggs
Control Alt-Right Delete
140 bpm • E Maj • 03:23 • -7.19db
30% Popularity • 61% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The O'Reillys and the Paddyhats
Where Your Heart Is
140 bpm • B min • 03:04 • -3.52db
36% Popularity • 73% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Booze & Glory
Swinging Hammers
140 bpm • G Maj • 02:52 • -3.58db
34% Popularity • 44% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Bad Religion
Broken
140 bpm • A min • 02:54 • -3.06db
33% Popularity • 60% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Great Big Sea
The Night Pat Murphy Died
140 bpm • A Maj • 03:01 • -5db
50% Popularity • 68% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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The Bollox
Tura Lu
140 bpm • B Maj • 03:44 • -7.99db
45% Popularity • 65% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Dropkick Murphys
Fields of Athenry
140 bpm • D# Maj • 04:24 • -3.25db
45% Popularity • 29% Danceability • 88% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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The O'Reillys and the Paddyhats
Barroom Lady
140 bpm • E min • 03:14 • -3.09db
32% Popularity • 60% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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The O'Neill Brothers Group
The Sam Song
139 bpm • E min • 03:03 • -6.93db
31% Popularity • 49% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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The Old Firm Casuals
Perry Boys
140 bpm • G Maj • 03:54 • -4.97db
33% Popularity • 37% Danceability • 91% Energy • 10% Liveness
6% Instrumentalness • 49% Positiveness
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The Toy Dolls
The Devil Went Down to Scunthorpe
139 bpm • E min • 03:24 • -5.23db
23% Popularity • 59% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Mad Caddies
Leavin
139 bpm • D Maj • 02:59 • -3.55db
32% Popularity • 33% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Lars Frederiksen and the Bastards
Wine And Roses
141 bpm • A Maj • 03:21 • -2.38db
28% Popularity • 47% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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Barleyjuice
Modern Pirates
141 bpm • D Maj • 07:42 • -6.32db
20% Popularity • 44% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Dropkick Murphys
Middle Finger
141 bpm • D Maj • 02:35 • -3.76db
43% Popularity • 21% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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1916
Black & Tans
139 bpm • A min • 02:48 • -6.46db
21% Popularity • 46% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Skinny Lister
Hamburg Drunk
139 bpm • C Maj • 02:18 • -4.87db
23% Popularity • 58% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Blaggards
Drunken Sailor
141 bpm • G Maj • 02:38 • -8.74db
48% Popularity • 46% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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The Stanfields
Jimmy No More
141 bpm • A Maj • 05:06 • -7.86db
17% Popularity • 47% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Greenland Whalefishers
My Days Are Done
139 bpm • D Maj • 02:46 • -5.87db
20% Popularity • 43% Danceability • 91% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Dropkick Murphys
You'll Never Walk Alone
139 bpm • D# Maj • 03:22 • -4.69db
41% Popularity • 38% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Saint Bushmill's Choir
Come Out You Black & Tans
139 bpm • A min • 03:15 • -5.65db
14% Popularity • 50% Danceability • 96% Energy • 8% Liveness
1% Instrumentalness • 94% Positiveness
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Gaelic Storm
Johnny Jump Up/Morrison's Jig
141 bpm • E min • 05:00 • -5.73db
45% Popularity • 50% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Blaggards
Suspicious Minds
141 bpm • C Maj • 03:09 • -10.11db
28% Popularity • 44% Danceability • 72% Energy • 41% Liveness
0% Instrumentalness • 41% Positiveness
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The Stanfields
Run on the Banks
139 bpm • G Maj • 04:24 • -4.18db
32% Popularity • 38% Danceability • 87% Energy • 43% Liveness
0% Instrumentalness • 50% Positiveness
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Fiddler's Green
Victor and His Demons
138 bpm • G Maj • 03:25 • -4db
41% Popularity • 54% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Dropkick Murphys
The Boys Are Back
141 bpm • A# Maj • 03:19 • -2.13db
14% Popularity • 19% Danceability • 95% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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The Bones
Shooting Blanks
138 bpm • C Maj • 02:13 • -4.63db
20% Popularity • 48% Danceability • 99% Energy • 28% Liveness
1% Instrumentalness • 32% Positiveness
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The Currency
Anchor & Crown
138 bpm • G Maj • 02:33 • -4.43db
26% Popularity • 41% Danceability • 93% Energy • 10% Liveness
1% Instrumentalness • 91% Positiveness
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The Rumjacks
The Black Matilda
138 bpm • G Maj • 03:06 • -3.16db
32% Popularity • 60% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
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The Mighty Regis
Get Drunk and Go Home
138 bpm • G Maj • 01:49 • -5.58db
17% Popularity • 58% Danceability • 85% Energy • 22% Liveness
1% Instrumentalness • 92% Positiveness
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Flogging Molly
Black Friday Rule
142 bpm • B min • 07:01 • -7db
42% Popularity • 30% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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Dropkick Murphys
Tessie
142 bpm • A# Maj • 04:15 • -3.16db
41% Popularity • 26% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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The Mahones
Queen And Tequila
143 bpm • G Maj • 03:27 • -3.66db
14% Popularity • 38% Danceability • 96% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
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The Vandon Arms
Blaydon Races
137 bpm • G Maj • 02:59 • -8.26db
19% Popularity • 64% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 97% Positiveness
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Shane MacGowan & The Popes
Nancy Whisky
143 bpm • G Maj • 02:58 • -10.84db
35% Popularity • 42% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
► Preview
Hoist the Colors
Tonight We Drink, Tomorrow We Die
143 bpm • D Maj • 04:02 • -6.39db
16% Popularity • 50% Danceability • 93% Energy • 9% Liveness
2% Instrumentalness • 85% Positiveness
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The Bollox
Carry Me Away
137 bpm • B min • 03:59 • -9.6db
25% Popularity • 48% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Dropkick Murphys
The Dirty Glass
143 bpm • D Maj • 03:37 • -4.02db
49% Popularity • 34% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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The Mahones
Is This Bar Open Til' Tomorrow
137 bpm • G Maj • 04:05 • -9.66db
16% Popularity • 42% Danceability • 87% Energy • 20% Liveness
3% Instrumentalness • 64% Positiveness
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Sir Reg
Stereotypical Drunken Feckin' Irish Song
137 bpm • D Maj • 02:45 • -5db
26% Popularity • 51% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
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The Go Set
The Miner's Son
137 bpm • G# Maj • 02:36 • -4.5db
14% Popularity • 35% Danceability • 97% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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The Tossers
The Rocky Road To Dublin
143 bpm • G Maj • 02:40 • -3db
44% Popularity • 56% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Flogging Molly
The Kilburn High Road
144 bpm • E min • 03:43 • -3.36db
39% Popularity • 29% Danceability • 99% Energy • 21% Liveness
1% Instrumentalness • 47% Positiveness
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Anti-Flag
Brandenburg Gate
144 bpm • B Maj • 03:30 • -6.52db
32% Popularity • 43% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Gaelic Storm
Tell Me Ma
137 bpm • G Maj • 02:43 • -7db
52% Popularity • 74% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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The O'Reillys and the Paddyhats
Green Blood
136 bpm • E min • 03:37 • -4db
42% Popularity • 50% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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The Stanfields
Invisible Hands
136 bpm • G Maj • 03:20 • -3.85db
23% Popularity • 40% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Mudmen
Thousand Times
136 bpm • D# Maj • 04:37 • -4.26db
9% Popularity • 48% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Flogging Molly
The Worst Day Since Yesterday
136 bpm • D Maj • 03:38 • -8db
47% Popularity • 35% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Ahead to the Sea
An Eye for an Eye
136 bpm • G Maj • 03:12 • -6db
12% Popularity • 56% Danceability • 89% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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Dropkick Murphys
Captain Kelly's Kitchen
145 bpm • A Maj • 02:48 • -1.89db
43% Popularity • 31% Danceability • 100% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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Bad Religion
Generator
145 bpm • A min • 03:22 • -3.36db
49% Popularity • 30% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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The Stanfields
Blacktop Blues
136 bpm • A Maj • 03:12 • -4.17db
26% Popularity • 44% Danceability • 100% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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Sir Reg
Arrive On St. Patrick's Day
145 bpm • A min • 03:16 • -2db
49% Popularity • 58% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Flogging Molly
Devil's Dance Floor
145 bpm • G Maj • 03:59 • -6db
59% Popularity • 47% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Millencolin
Kemp
135 bpm • F# min • 03:26 • -2db
42% Popularity • 43% Danceability • 99% Energy • 56% Liveness
0% Instrumentalness • 31% Positiveness
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The Bollox
The Brothers The Bollox
145 bpm • G Maj • 03:09 • -7db
27% Popularity • 55% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Levellers
The Cholera Well
135 bpm • D Maj • 02:30 • -3.65db
22% Popularity • 48% Danceability • 96% Energy • 31% Liveness
2% Instrumentalness • 77% Positiveness
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Dropkick Murphys
The Green Fields Of France (No Man's Lan...
145 bpm • D# Maj • 04:45 • -7.16db
48% Popularity • 47% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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The Mighty Regis
Celtic Storm (2010)
145 bpm • A min • 03:16 • -5.52db
33% Popularity • 58% Danceability • 91% Energy • 7% Liveness
1% Instrumentalness • 68% Positiveness
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Blaggards
Rocky Road to Dublin
135 bpm • A min • 03:20 • -8.1db
26% Popularity • 62% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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The Peelers
I'll Meet you at the Bottom (Of a Bottle...
135 bpm • G Maj • 05:13 • -9db
9% Popularity • 51% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Neck
The 'psycho-CeilÃdh' mayhem Set
145 bpm • G Maj • 07:59 • -3.23db
8% Popularity • 16% Danceability • 96% Energy • 16% Liveness
90% Instrumentalness • 6% Positiveness
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Brave the Sea
Coming Home
135 bpm • D Maj • 02:40 • -3.53db
29% Popularity • 54% Danceability • 92% Energy • 10% Liveness
91% Instrumentalness • 73% Positiveness
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Dropkick Murphys
Boys on the Docks
145 bpm • C Maj • 02:33 • -4.64db
41% Popularity • 64% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Uncle Bard and The Dirty Bastards
The Flat Above My Pub
146 bpm • D Maj • 03:23 • -4.79db
25% Popularity • 59% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Greenland Whalefishers
Rocky Road To London
146 bpm • D Maj • 03:30 • -4.37db
23% Popularity • 31% Danceability • 94% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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The Walker Roaders
Lord Randall's Bastard Son
134 bpm • D Maj • 03:55 • -5.16db
19% Popularity • 50% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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The O'Reillys and the Paddyhats
Yesterday's Rebel
134 bpm • D min • 02:54 • -3db
48% Popularity • 65% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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Bad Religion
21st Century (Digital Boy)
134 bpm • F Maj • 02:49 • -4db
57% Popularity • 45% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
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Dropkick Murphys
Finnegan's Wake
135 bpm • B Maj • 02:19 • -4.29db
40% Popularity • 41% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Uncle Bard and The Dirty Bastards
Back On Your Feet
146 bpm • A Maj • 03:18 • -3.52db
23% Popularity • 57% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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The Pogues
Sally MacLennane
147 bpm • D Maj • 02:45 • -9db
55% Popularity • 50% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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The Business
No One Likes Us
134 bpm • C Maj • 01:37 • -3.21db
32% Popularity • 38% Danceability • 96% Energy • 33% Liveness
2% Instrumentalness • 45% Positiveness
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The O'Reillys and the Paddyhats
Fair Old Lady
134 bpm • G Maj • 03:07 • -4.12db
35% Popularity • 68% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Mudmen
Drink & Fight
147 bpm • G# Maj • 03:21 • -6db
19% Popularity • 30% Danceability • 89% Energy • 94% Liveness
0% Instrumentalness • 59% Positiveness
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Blood or Whiskey
Montpelier Hill
133 bpm • A min • 02:29 • -4.37db
19% Popularity • 35% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Blaggards
Whiskey in the Jar
147 bpm • D Maj • 04:08 • -6.54db
11% Popularity • 33% Danceability • 81% Energy • 79% Liveness
0% Instrumentalness • 86% Positiveness
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The Rumjacks
An Irish Pub Song
147 bpm • D Maj • 03:22 • -3db
54% Popularity • 63% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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The Offspring
Americana
147 bpm • G Maj • 03:15 • -5db
60% Popularity • 38% Danceability • 82% Energy • 41% Liveness
0% Instrumentalness • 81% Positiveness
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Down By Law
500 Miles
133 bpm • E Maj • 04:04 • -8db
34% Popularity • 39% Danceability • 87% Energy • 56% Liveness
0% Instrumentalness • 72% Positiveness
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Shane MacGowan & The Popes
Paddy Public Enemy No. 1
133 bpm • C Maj • 03:27 • -6db
28% Popularity • 61% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 88% Positiveness
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Blood or Whiskey
King of the Fairies/Western Junk
147 bpm • B min • 03:20 • -12.13db
15% Popularity • 45% Danceability • 55% Energy • 8% Liveness
94% Instrumentalness • 86% Positiveness
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The Feelgood McLouds
Dirty Bastards
133 bpm • B min • 03:54 • -7.15db
25% Popularity • 56% Danceability • 89% Energy • 24% Liveness
3% Instrumentalness • 52% Positiveness
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The Roughneck Riot
Parasites
147 bpm • D Maj • 02:46 • -7.02db
16% Popularity • 47% Danceability • 90% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
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The O'Reillys and the Paddyhats
Barrels of Whiskey
133 bpm • C Maj • 03:56 • -3db
51% Popularity • 65% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Hoist the Colors
The Curse of Blackbeard Lavoie
148 bpm • A min • 03:52 • -3.37db
11% Popularity • 48% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Mike Ness
I Fought The Law
148 bpm • D# Maj • 02:49 • -5db
38% Popularity • 53% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Dropkick Murphys
Hang 'Em High
148 bpm • G# Maj • 03:59 • -4.07db
10% Popularity • 21% Danceability • 99% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Flogging Molly
Tobacco Island
148 bpm • C# Maj • 05:17 • -4.17db
42% Popularity • 46% Danceability • 96% Energy • 11% Liveness
2% Instrumentalness • 89% Positiveness
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Mad Caddies
All American Badass
132 bpm • G Maj • 02:28 • -3.75db
30% Popularity • 60% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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The Real McKenzies
Droppin' Like Flies
132 bpm • A# Maj • 01:58 • -3.18db
32% Popularity • 50% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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The Go Set
Sing Me a Song
132 bpm • D# Maj • 02:35 • -3db
17% Popularity • 50% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Fields of Athenry