Songs like Fields of Wonder: In Time of Silver Rian by Harriette Davison
Based on a tempo of (+/- 10%) and a similar genre
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Scott Frankel
Drift Away
76 bpm • G min • 02:20 • -16db
7% Popularity • 36% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 36% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
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Harriette Davison
Fields of Wonder: In Time of Silver Rian
76 bpm • D# Maj • 01:23 • -22.02db
0% Popularity • 39% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 39% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Cathy Rigby
I Gotta Crow
76 bpm • G# Maj • 02:20 • -16.81db
12% Popularity • 40% Danceability • 25% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 40% Danceability • 25% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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Rodgers & Hammerstein
Oklahoma! / Finale: Oh, What A Beautiful...
76 bpm • A Maj • 03:58 • -14db
18% Popularity • 44% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 50% Positiveness
18% Popularity • 44% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 50% Positiveness
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Denis O'Hare
Sweet Charity
77 bpm • A# min • 02:11 • -10.02db
8% Popularity • 37% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 37% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Janice Kapp Perry
Jesus Was No Ordinary Man
75 bpm • F Maj • 03:26 • -17.07db
8% Popularity • 35% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 35% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Cole Porter
You Do Something To Me
75 bpm • C# Maj • 01:22 • -23.49db
8% Popularity • 43% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 43% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Angel Bat Dawid
INTROIT- Joy n’ Suff’rin
77 bpm • D# min • 03:33 • -13.2db
7% Popularity • 18% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
7% Popularity • 18% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Leonard Bernstein
West Side Story : Act II: Somewhere (Bal...
77 bpm • F Maj • 07:32 • -19db
15% Popularity • 21% Danceability • 11% Energy • 37% Liveness
4% Instrumentalness • 7% Positiveness
15% Popularity • 21% Danceability • 11% Energy • 37% Liveness
4% Instrumentalness • 7% Positiveness
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The Pirates Of Penzance
All Is Prepared
77 bpm • C# min • 01:24 • -19.03db
15% Popularity • 48% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 48% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Bryce Pinkham
The Little Things in Life
77 bpm • F# Maj • 01:38 • -13.72db
9% Popularity • 44% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 44% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Maury Yeston
Simple
77 bpm • A# Maj • 02:58 • -15.28db
11% Popularity • 44% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 44% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Cole Porter
Porter: Kiss Me, Kate, Act 2: "Where Is ...
77 bpm • D min • 04:46 • -12.55db
1% Popularity • 36% Danceability • 30% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
1% Popularity • 36% Danceability • 30% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
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Barbra Streisand
All That I Want
77 bpm • G Maj • 03:48 • -16.08db
8% Popularity • 22% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 22% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Laura Osnes
Easy to Love - Reprise
75 bpm • G# min • 00:59 • -16.8db
24% Popularity • 30% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 30% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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Kelly Hunter
Maybe This Time
77 bpm • A Maj • 03:39 • -14.76db
11% Popularity • 33% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 33% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Chita Rivera
Do Miracles
77 bpm • C Maj • 03:23 • -19.72db
9% Popularity • 18% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 18% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Maury Yeston
Unusual Way
77 bpm • C# min • 05:00 • -12.51db
23% Popularity • 21% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 21% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Kate Baldwin
It Only Takes a Moment
78 bpm • C# Maj • 03:12 • -15db
27% Popularity • 29% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 29% Danceability • 17% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
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Daisy Eagan
Storm II
78 bpm • E min • 01:23 • -20.43db
20% Popularity • 31% Danceability • 6% Energy • 90% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 31% Danceability • 6% Energy • 90% Liveness
0% Instrumentalness • 39% Positiveness
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Karen Mason
Isn't This Better?
74 bpm • F# Maj • 04:55 • -20db
9% Popularity • 25% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 25% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Tatiana Bookbinder
The Man I Love
78 bpm • D# Maj • 03:49 • -11.68db
8% Popularity • 42% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 42% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Broadway Cast Recording
Kiss Me, Kate (Finale)
78 bpm • A# Maj • 00:56 • -7.32db
12% Popularity • 59% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 59% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Maury Yeston
Dressed in Your Pyjamas in the Grand Sal...
78 bpm • G# Maj • 04:41 • -19.24db
20% Popularity • 44% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 44% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Charlaine Woodard
Keepin' Out of Mischief Now
78 bpm • D# Maj • 03:48 • -18.23db
9% Popularity • 44% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 44% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Julie Andrews
History of Musical Comedy
74 bpm • C# Maj • 09:52 • -16.35db
12% Popularity • 30% Danceability • 29% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 30% Danceability • 29% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
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Leonard Bernstein
Bernstein: West Side Story, Act 1: "Some...
74 bpm • C Maj • 02:57 • -18.31db
7% Popularity • 44% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
7% Popularity • 44% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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William Finn
A Really Lousy Day in the Universe
78 bpm • B min • 03:30 • -19.42db
9% Popularity • 32% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 32% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Alexis Smith
The Story Of Lucy And Jessie
74 bpm • F min • 01:52 • -16db
13% Popularity • 72% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 72% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Brent Barrett
At the Grand Hotel / Table with a View
78 bpm • G# Maj • 03:05 • -14.53db
8% Popularity • 34% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 34% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Princesses - The Little Mermaid Original Broadway Cast
The Contest
74 bpm • A Maj • 01:33 • -17.32db
28% Popularity • 62% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 62% Danceability • 13% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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Jeanine Tesori
"I Want to Bless You..."
79 bpm • G Maj • 01:20 • -21.46db
9% Popularity • 28% Danceability • 5% Energy • 39% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 28% Danceability • 5% Energy • 39% Liveness
0% Instrumentalness • 9% Positiveness
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Gregory Bradley
Who Will Buy?
79 bpm • C min • 04:30 • -19.47db
30% Popularity • 27% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 27% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Don Chastain
Letter to the Governor
79 bpm • D# min • 01:45 • -15.14db
12% Popularity • 50% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 50% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ann Brown
Lullaby
79 bpm • B Maj • 02:47 • -18.73db
12% Popularity • 42% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 42% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Roger Rees
Man In the Mirror
79 bpm • A# min • 03:24 • -20.64db
10% Popularity • 34% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 34% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Mabel Mercer
When Love Comes Your Way
79 bpm • G Maj • 03:13 • -15.59db
18% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Mack
Movies Were Movies
79 bpm • C Maj • 03:09 • -14.65db
8% Popularity • 43% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 43% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Richard Cheese
Cum on Feel the Noize
79 bpm • G Maj • 01:43 • -15.54db
8% Popularity • 51% Danceability • 7% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 51% Danceability • 7% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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James Naughton
With Every Breath I Take (Duet)
79 bpm • F# min • 02:27 • -21.83db
13% Popularity • 23% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 23% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Jerome Kern
Bill
73 bpm • A# Maj • 03:33 • -16.18db
10% Popularity • 34% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 34% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Agathe Backer Grøndahl
Til Mitt Hjertes Dronning, Op.1 No.3
73 bpm • F# Maj • 04:06 • -28.64db
1% Popularity • 32% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
1% Popularity • 32% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Leonard Bernstein
Bernstein: West Side Story, Act 1: "Mari...
79 bpm • G# Maj • 02:48 • -18.51db
8% Popularity • 26% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 26% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Maryann Plunkett
Take It On The Chin - Original Cast Reco...
80 bpm • D Maj • 02:34 • -18.25db
15% Popularity • 56% Danceability • 15% Energy • 57% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 56% Danceability • 15% Energy • 57% Liveness
0% Instrumentalness • 62% Positiveness
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Jordan Donica
On the Street Where You Live
80 bpm • C Maj • 03:53 • -8db
26% Popularity • 35% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 35% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Rob Gardner, London Symphony Orchestra, Spire Chorus
This Is He
80 bpm • E Maj • 04:35 • -15.04db
31% Popularity • 29% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 29% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Sumi Jo
I'm Always Chasing Rainbows
80 bpm • G Maj • 01:30 • -18db
9% Popularity • 26% Danceability • 10% Energy • 14% Liveness
5% Instrumentalness • 11% Positiveness
9% Popularity • 26% Danceability • 10% Energy • 14% Liveness
5% Instrumentalness • 11% Positiveness
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Julie Andrews
I Could Have Danced All Night
80 bpm • C Maj • 03:44 • -15.32db
22% Popularity • 29% Danceability • 24% Energy • 56% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 29% Danceability • 24% Energy • 56% Liveness
0% Instrumentalness • 40% Positiveness
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Brent Barrett
Love Can't Happen
80 bpm • C# Maj • 02:50 • -11.76db
18% Popularity • 30% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 30% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Kenneth Nelson
Metaphor
80 bpm • G Maj • 04:13 • -11.47db
0% Popularity • 32% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 32% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Jordan Donica
If Ever I Would Leave You
80 bpm • A# Maj • 03:40 • -11.79db
24% Popularity • 31% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 31% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Original Broadway Cast "Boys From Syracuse"
Falling In Love With Love
80 bpm • C Maj • 03:11 • -11.59db
11% Popularity • 36% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 36% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Marc Blitzstein
I Wish It So
80 bpm • C Maj • 03:20 • -23.05db
11% Popularity • 31% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 31% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Tony Jay
Out There - Remastered 2021
72 bpm • G# Maj • 05:52 • -19.55db
27% Popularity • 20% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 20% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Original Broadway Cast Of 'Passion'
Loving You
81 bpm • C# Maj • 02:07 • -24.97db
29% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Ragtime Orchestra
Epilogue: Ragtime (Reprise) / Wheels of ...
81 bpm • F# Maj • 03:52 • -10.37db
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Phillipa Soo
The Simple Joys of Maidenhood
81 bpm • B Maj • 03:03 • -11.49db
23% Popularity • 37% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 37% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Marni Nixon
Just You Wait (reprise)* - Voice
81 bpm • C min • 01:24 • -22.1db
19% Popularity • 25% Danceability • 3% Energy • 42% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 25% Danceability • 3% Energy • 42% Liveness
0% Instrumentalness • 14% Positiveness
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Bette Midler
All I Need Is the Girl
81 bpm • F Maj • 04:58 • -16.93db
8% Popularity • 42% Danceability • 11% Energy • 3% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 42% Danceability • 11% Energy • 3% Liveness
0% Instrumentalness • 16% Positiveness
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Stephen Bogardus
We're Only Thinking of Him
81 bpm • F min • 01:16 • -15.89db
21% Popularity • 55% Danceability • 16% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 55% Danceability • 16% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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Original Broadway Cast Of 'Passion'
I Read
81 bpm • G# Maj • 05:27 • -20db
14% Popularity • 42% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 42% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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David Burns
Impossible
81 bpm • C# Maj • 02:32 • -16.7db
1% Popularity • 62% Danceability • 19% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 62% Danceability • 19% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
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Barbara Bryne
Gossip
81 bpm • B min • 01:01 • -12.21db
22% Popularity • 60% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 60% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Jerry Orbach
Lullaby of Broadway
81 bpm • C Maj • 05:02 • -14db
24% Popularity • 32% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 32% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Camille Saviola
The Germans at the Spa
81 bpm • D# Maj • 04:21 • -10db
8% Popularity • 57% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 57% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Broadway Cast Recording
So In Love (Reprise)
82 bpm • G Maj • 03:32 • -12.21db
12% Popularity • 20% Danceability • 23% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
12% Popularity • 20% Danceability • 23% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
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Paulo Szot
Some Enchanted Evening
82 bpm • C Maj • 02:57 • -18.14db
31% Popularity • 22% Danceability • 13% Energy • 8% Liveness
50% Instrumentalness • 22% Positiveness
31% Popularity • 22% Danceability • 13% Energy • 8% Liveness
50% Instrumentalness • 22% Positiveness
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Ben Wright
That's For Me
71 bpm • F# Maj • 01:55 • -13.3db
9% Popularity • 37% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 37% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Bailee Bonick
Bonus Track: Auditions
82 bpm • E Maj • 01:19 • -13.93db
18% Popularity • 68% Danceability • 20% Energy • 55% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 68% Danceability • 20% Energy • 55% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Richard Adler
The Pajama Game: A New Town Is a Blue To...
82 bpm • C# min • 02:51 • -10.57db
13% Popularity • 31% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 31% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Lawrence Clayton
On a Stormy Night
82 bpm • C min • 01:03 • -24.86db
18% Popularity • 49% Danceability • 13% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 49% Danceability • 13% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Audra McDonald
Go Back Home
82 bpm • G# Maj • 03:13 • -11.54db
15% Popularity • 26% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 26% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Cathy Rigby
Neverland
70 bpm • F Maj • 03:40 • -17.28db
13% Popularity • 32% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 32% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Caroline Kava
For That's My Way
82 bpm • G min • 01:28 • -16.57db
9% Popularity • 62% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 62% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Nathan Lane
'Til Him
82 bpm • F Maj • 03:42 • -15.21db
21% Popularity • 31% Danceability • 20% Energy • 76% Liveness
0% Instrumentalness • 27% Positiveness
21% Popularity • 31% Danceability • 20% Energy • 76% Liveness
0% Instrumentalness • 27% Positiveness
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Burke Moses
Me
82 bpm • F# min • 02:48 • -17.3db
37% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Broadway Cast Recording
I Am Ashamed That Women Are So Simple
82 bpm • C# Maj • 02:10 • -11.69db
10% Popularity • 30% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 30% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Merle Louise
You Could Never Shame Me
82 bpm • A# Maj • 02:59 • -21.48db
8% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Fiorello! - Original Broadway Cast
Politics And Poker
82 bpm • G Maj • 03:58 • -12db
11% Popularity • 71% Danceability • 28% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
11% Popularity • 71% Danceability • 28% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
The Charlottetown Festival
Apology
82 bpm • G Maj • 02:06 • -15.91db
8% Popularity • 37% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 37% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 13% Positiveness
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Jerry Herman
Look over There
70 bpm • F min • 02:54 • -14.9db
13% Popularity • 46% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 46% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Cole Porter
Seven Lively Arts: Ev'ry time we say goo...
82 bpm • D Maj • 03:37 • -22.88db
9% Popularity • 20% Danceability • 9% Energy • 13% Liveness
8% Instrumentalness • 6% Positiveness
9% Popularity • 20% Danceability • 9% Energy • 13% Liveness
8% Instrumentalness • 6% Positiveness
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Leonard Bernstein
Candide, Act II: No. 17, My Love (Govern...
82 bpm • A# Maj • 02:29 • -14.56db
9% Popularity • 36% Danceability • 25% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
9% Popularity • 36% Danceability • 25% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
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Barbra Streisand
One Kiss
82 bpm • C Maj • 02:15 • -19.84db
9% Popularity • 24% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 24% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Lewis Cleale
Yesterday I Loved You
83 bpm • A# Maj • 02:33 • -14.31db
18% Popularity • 24% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 24% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Richard Adler
The Pajama Game: Small Talk
83 bpm • C# Maj • 03:52 • -13.14db
12% Popularity • 33% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 33% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Rob Gardner
Art Thou He?
83 bpm • A min • 03:00 • -21.5db
17% Popularity • 28% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 28% Danceability • 10% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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William Finn
The Music Still Plays On
83 bpm • G Maj • 04:49 • -16.97db
9% Popularity • 35% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 35% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Lisa O'Hare
Poor Monty
83 bpm • F min • 03:17 • -11db
22% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Howard McGillin
It's De-Lovely
83 bpm • F Maj • 04:22 • -22db
8% Popularity • 40% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 40% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Rose and Herbie
Small World
83 bpm • B Maj • 03:31 • -10.82db
15% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Robert Morse|Rudy Vallee
Rosemary
83 bpm • G Maj • 03:45 • -13.81db
0% Popularity • 30% Danceability • 22% Energy • 70% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 30% Danceability • 22% Energy • 70% Liveness
0% Instrumentalness • 35% Positiveness
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Michael Feinstein
When You Wish Upon A Star
83 bpm • G# Maj • 02:13 • -20.14db
8% Popularity • 32% Danceability • 12% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 32% Danceability • 12% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Gladys Rich
American Lullaby
83 bpm • G Maj • 02:20 • -18.08db
11% Popularity • 35% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 35% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Nicky Croydon
Poor Sweet Baby
83 bpm • F min • 03:19 • -20.51db
8% Popularity • 40% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 40% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Maury Yeston
Nine
83 bpm • A Maj • 03:14 • -13.42db
8% Popularity • 33% Danceability • 19% Energy • 31% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 33% Danceability • 19% Energy • 31% Liveness
0% Instrumentalness • 10% Positiveness
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Cole Porter
Porter: Anything Goes, Act I: You're The...
83 bpm • F Maj • 02:28 • -11.27db
5% Popularity • 69% Danceability • 25% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
5% Popularity • 69% Danceability • 25% Energy • 12% Liveness
2% Instrumentalness • 57% Positiveness
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Sunday In The Park With George 2017 Broadway Company
Sunday - Finale
69 bpm • G Maj • 04:13 • -12.48db
20% Popularity • 33% Danceability • 11% Energy • 36% Liveness
1% Instrumentalness • 12% Positiveness
20% Popularity • 33% Danceability • 11% Energy • 36% Liveness
1% Instrumentalness • 12% Positiveness
