Songs like Fill It to the Brim by Mark Simos
Based on a tempo of (+/- 10%) and a similar genre
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Sonya Heller
No Questions Asked
100 bpm • G Maj • 02:30 • -16.46db
24% Popularity • 45% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 45% Danceability • 12% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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Square Dance Heroes
Square Dance Music Hoedown and Rodeo Mus...
100 bpm • G Maj • 01:22 • -12.35db
11% Popularity • 68% Danceability • 44% Energy • 77% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 68% Danceability • 44% Energy • 77% Liveness
0% Instrumentalness • 60% Positiveness
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Kevin Perjurer
Seeds of Progress
100 bpm • C Maj • 02:58 • -8.81db
8% Popularity • 34% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 47% Positiveness
8% Popularity • 34% Danceability • 39% Energy • 11% Liveness
88% Instrumentalness • 47% Positiveness
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Mark Simos
Fill It to the Brim
100 bpm • F min • 05:07 • -10.45db
4% Popularity • 53% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
4% Popularity • 53% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Morgan Toney
Netukulimk
100 bpm • C Maj • 03:02 • -6.56db
12% Popularity • 59% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
12% Popularity • 59% Danceability • 69% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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Kate Rusby
Hunting The Hare
100 bpm • F Maj • 02:49 • -13.91db
11% Popularity • 68% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 68% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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The Furrow Collective
The Wild Wild Berry
100 bpm • G min • 04:04 • -11.55db
11% Popularity • 59% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 59% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Sean Orr
Jennie's Chickens
100 bpm • B min • 01:29 • -4.82db
14% Popularity • 61% Danceability • 95% Energy • 30% Liveness
67% Instrumentalness • 84% Positiveness
14% Popularity • 61% Danceability • 95% Energy • 30% Liveness
67% Instrumentalness • 84% Positiveness
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Traditional Song
Ship in Distress (Traditional)
99 bpm • D Maj • 02:56 • -15.19db
8% Popularity • 63% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 63% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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The Kraken Consort
Kathrine Oggie (Arr. for Ensemble by The...
99 bpm • D Maj • 04:34 • -9.49db
7% Popularity • 38% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 38% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Dancing Hare
Ostara's Story
100 bpm • E min • 04:16 • -17.55db
15% Popularity • 48% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 48% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Windborne
The Song of Hard Times
101 bpm • D Maj • 03:25 • -11.48db
9% Popularity • 80% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 80% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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The OK Factor
Mary and the Soldier
99 bpm • F Maj • 06:13 • -13.1db
9% Popularity • 33% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 33% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Liz Carroll
As the Crow Flies
101 bpm • C Maj • 03:56 • -10.79db
7% Popularity • 48% Danceability • 60% Energy • 11% Liveness
24% Instrumentalness • 82% Positiveness
7% Popularity • 48% Danceability • 60% Energy • 11% Liveness
24% Instrumentalness • 82% Positiveness
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The Red River Ramblers
Louis Riel Reel
101 bpm • D Maj • 02:31 • -9.19db
11% Popularity • 59% Danceability • 86% Energy • 7% Liveness
41% Instrumentalness • 91% Positiveness
11% Popularity • 59% Danceability • 86% Energy • 7% Liveness
41% Instrumentalness • 91% Positiveness
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Melissa Chilinski
River Green
101 bpm • G# Maj • 01:20 • -22.51db
13% Popularity • 41% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 41% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Mike McGoldrick, John McCusker & John Doyle
Burke & Hare
101 bpm • D min • 04:21 • -11.38db
9% Popularity • 37% Danceability • 36% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
9% Popularity • 37% Danceability • 36% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
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Fernhill
Carol Haf
99 bpm • B min • 01:33 • -14.58db
20% Popularity • 52% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 52% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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The Poozies
Dheanainn Sugradh
101 bpm • D Maj • 06:40 • -14.72db
10% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Jackie Oates
Being on Chagford Allotments on a May Mo...
102 bpm • G Maj • 03:30 • -11.3db
9% Popularity • 39% Danceability • 22% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
9% Popularity • 39% Danceability • 22% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
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Broom Bezzums
Bare Knuckle
102 bpm • B min • 02:58 • -6.32db
7% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 63% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Anna Massie
100 Days
102 bpm • G Maj • 03:53 • -10.32db
8% Popularity • 67% Danceability • 49% Energy • 7% Liveness
92% Instrumentalness • 97% Positiveness
8% Popularity • 67% Danceability • 49% Energy • 7% Liveness
92% Instrumentalness • 97% Positiveness
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Rosalind Jehanne
The Lament of Two Ladies
98 bpm • A# Maj • 03:06 • -13.4db
7% Popularity • 72% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 72% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Leslie Fish
Iron Mistress
102 bpm • C min • 02:37 • -7.96db
10% Popularity • 44% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
10% Popularity • 44% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Maddie Morris
Cedar Swamp
98 bpm • G Maj • 02:27 • -13.08db
17% Popularity • 64% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 64% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Brandon Vance
Black Jock
102 bpm • G# Maj • 03:50 • -7.16db
10% Popularity • 45% Danceability • 23% Energy • 9% Liveness
27% Instrumentalness • 96% Positiveness
10% Popularity • 45% Danceability • 23% Energy • 9% Liveness
27% Instrumentalness • 96% Positiveness
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The Teacups
Three Jolly Huntsmen
102 bpm • G# Maj • 02:16 • -8.33db
17% Popularity • 88% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 88% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Rum Ragged
Mug of Old Ale
98 bpm • D Maj • 03:42 • -6.89db
19% Popularity • 63% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 63% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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John Coda
Palidorian
102 bpm • D Maj • 02:57 • -11.17db
11% Popularity • 68% Danceability • 46% Energy • 19% Liveness
11% Instrumentalness • 61% Positiveness
11% Popularity • 68% Danceability • 46% Energy • 19% Liveness
11% Instrumentalness • 61% Positiveness
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The Sherwood Consort
Missal Estampie
102 bpm • G min • 03:50 • -13.15db
11% Popularity • 48% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 48% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Janice Burns & Jon Doran
Glasgow Peggy
98 bpm • D Maj • 02:45 • -9.31db
19% Popularity • 66% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 66% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Kieran Quinn
The Match
98 bpm • C Maj • 03:28 • -15.61db
10% Popularity • 48% Danceability • 34% Energy • 14% Liveness
91% Instrumentalness • 95% Positiveness
10% Popularity • 48% Danceability • 34% Energy • 14% Liveness
91% Instrumentalness • 95% Positiveness
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Traditional
Reels
102 bpm • G Maj • 03:17 • -15.48db
0% Popularity • 52% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
0% Popularity • 52% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Katelyn Strout
Surrender
98 bpm • A min • 02:31 • -13.8db
12% Popularity • 58% Danceability • 35% Energy • 60% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 58% Danceability • 35% Energy • 60% Liveness
0% Instrumentalness • 37% Positiveness
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The Young'uns
Roseberry Moon
97 bpm • D Maj • 03:15 • -12.78db
10% Popularity • 58% Danceability • 11% Energy • 38% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 58% Danceability • 11% Energy • 38% Liveness
0% Instrumentalness • 27% Positiveness
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Martha Tilston
Women of the Well
103 bpm • G Maj • 04:23 • -14.51db
16% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 55% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Réalta
The Red Rock
103 bpm • D Maj • 03:12 • -10db
13% Popularity • 56% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
13% Popularity • 56% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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The Magpies
The Two Magicians
97 bpm • D min • 03:02 • -7.25db
12% Popularity • 59% Danceability • 50% Energy • 47% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 59% Danceability • 50% Energy • 47% Liveness
0% Instrumentalness • 88% Positiveness
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Leslie Fish
The Engineer's Hymn
103 bpm • E min • 02:33 • -8.16db
12% Popularity • 60% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 60% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Nigel Eaton
The Mighty Speedway
97 bpm • G min • 04:20 • -12.68db
8% Popularity • 14% Danceability • 40% Energy • 7% Liveness
44% Instrumentalness • 40% Positiveness
8% Popularity • 14% Danceability • 40% Energy • 7% Liveness
44% Instrumentalness • 40% Positiveness
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Mark Simos
The Word in Edgewise
97 bpm • D Maj • 03:12 • -11.59db
0% Popularity • 59% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
0% Popularity • 59% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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gearoid mccarthy
Boys of Barr Na Sraide
97 bpm • F Maj • 04:09 • -16.67db
18% Popularity • 55% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 55% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Hannah Read
Nick's
104 bpm • G Maj • 03:05 • -13.16db
9% Popularity • 35% Danceability • 16% Energy • 15% Liveness
10% Instrumentalness • 21% Positiveness
9% Popularity • 35% Danceability • 16% Energy • 15% Liveness
10% Instrumentalness • 21% Positiveness
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The Steel Wheels
Dissidents
104 bpm • D Maj • 02:44 • -11.36db
17% Popularity • 31% Danceability • 45% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
17% Popularity • 31% Danceability • 45% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
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Moira Craig
The Twa Magicians
104 bpm • F# min • 02:44 • -13.94db
13% Popularity • 63% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 63% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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The Lasses
Lonesome Robin
96 bpm • D Maj • 03:14 • -10.12db
10% Popularity • 48% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 48% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Kate Ward
The Tiger Hornpipe
104 bpm • A Maj • 02:33 • -7.4db
8% Popularity • 69% Danceability • 45% Energy • 16% Liveness
5% Instrumentalness • 84% Positiveness
8% Popularity • 69% Danceability • 45% Energy • 16% Liveness
5% Instrumentalness • 84% Positiveness
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Legiana Collective
Wicked Light
104 bpm • A min • 03:32 • -10.83db
11% Popularity • 59% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 59% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Northern Resonance
Nobody's Marsch
96 bpm • C Maj • 04:19 • -9.27db
8% Popularity • 25% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 25% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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The Magpies
Run River Run
96 bpm • D Maj • 04:01 • -8.12db
11% Popularity • 47% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 47% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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ANNAPHORA
Paths
104 bpm • A# Maj • 03:21 • -14.2db
13% Popularity • 30% Danceability • 25% Energy • 19% Liveness
77% Instrumentalness • 38% Positiveness
13% Popularity • 30% Danceability • 25% Energy • 19% Liveness
77% Instrumentalness • 38% Positiveness
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Wickerlight
The Kindling (live)
104 bpm • G Maj • 03:41 • -8.26db
7% Popularity • 44% Danceability • 81% Energy • 6% Liveness
93% Instrumentalness • 94% Positiveness
7% Popularity • 44% Danceability • 81% Energy • 6% Liveness
93% Instrumentalness • 94% Positiveness
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Stina Kjelstad
From the Heart
104 bpm • D# Maj • 02:55 • -12.26db
22% Popularity • 42% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 42% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Charm City Junction
Prairie Fire
96 bpm • B min • 03:41 • -11.9db
8% Popularity • 53% Danceability • 30% Energy • 8% Liveness
7% Instrumentalness • 43% Positiveness
8% Popularity • 53% Danceability • 30% Energy • 8% Liveness
7% Instrumentalness • 43% Positiveness
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Sal Heneghan
Farewell to You
104 bpm • C Maj • 03:32 • -13.04db
21% Popularity • 53% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 53% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Jim's Red Pants
Mr. Sloane's Fiddle / Reverend Richard V...
95 bpm • D Maj • 03:05 • -8.72db
8% Popularity • 43% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 43% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Dany Nicolas
Tomber du Bund
105 bpm • D Maj • 01:13 • -11.02db
16% Popularity • 68% Danceability • 70% Energy • 12% Liveness
91% Instrumentalness • 92% Positiveness
16% Popularity • 68% Danceability • 70% Energy • 12% Liveness
91% Instrumentalness • 92% Positiveness
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Spiers & Boden
Bailey Hill / Wittenham Clumps
105 bpm • D Maj • 03:41 • -7.49db
16% Popularity • 63% Danceability • 67% Energy • 13% Liveness
92% Instrumentalness • 94% Positiveness
16% Popularity • 63% Danceability • 67% Energy • 13% Liveness
92% Instrumentalness • 94% Positiveness
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Vulva Voce
Weaver's Key
105 bpm • G min • 05:05 • -9.48db
14% Popularity • 39% Danceability • 37% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
14% Popularity • 39% Danceability • 37% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
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Kate Sutherland
Oh the Sky
105 bpm • C# min • 01:25 • -11.52db
12% Popularity • 37% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 37% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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The Celts
Glasgow Reel
105 bpm • E min • 03:47 • -7.84db
11% Popularity • 57% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 57% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Ben Nicholls
The Greenland Whale Fisheries
95 bpm • G Maj • 03:05 • -12.12db
14% Popularity • 55% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 55% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Laurel Premo
Snow Blind
106 bpm • D min • 03:08 • -12.16db
8% Popularity • 65% Danceability • 33% Energy • 10% Liveness
98% Instrumentalness • 72% Positiveness
8% Popularity • 65% Danceability • 33% Energy • 10% Liveness
98% Instrumentalness • 72% Positiveness
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Merry Ladies & Olohuoneorkesteri
Roll On, Mississippi, Roll On
106 bpm • E min • 03:05 • -9.79db
8% Popularity • 61% Danceability • 42% Energy • 54% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 61% Danceability • 42% Energy • 54% Liveness
0% Instrumentalness • 72% Positiveness
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Mike Vass
Snowfall
95 bpm • G Maj • 02:05 • -11.14db
20% Popularity • 29% Danceability • 26% Energy • 12% Liveness
58% Instrumentalness • 17% Positiveness
20% Popularity • 29% Danceability • 26% Energy • 12% Liveness
58% Instrumentalness • 17% Positiveness
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Kate Rusby
The Blind Harper
94 bpm • A# Maj • 04:07 • -11.49db
12% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Bella Hardy
My Johnny was a Shoemaker
106 bpm • C Maj • 02:13 • -9db
21% Popularity • 76% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 76% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Raske Drenge
Farewell to Trion / Arkansas Traveler
94 bpm • E Maj • 04:15 • -9.06db
8% Popularity • 33% Danceability • 46% Energy • 13% Liveness
77% Instrumentalness • 61% Positiveness
8% Popularity • 33% Danceability • 46% Energy • 13% Liveness
77% Instrumentalness • 61% Positiveness
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The Kraken Consort
Oft in the Stilly Night (Arr. for Ensemb...
106 bpm • D Maj • 07:18 • -7.59db
9% Popularity • 30% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 30% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Wayne Brereton
Keg of Brandy
94 bpm • D Maj • 03:43 • -9.39db
14% Popularity • 56% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 56% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Nancy Kerr
Crow's Wing
94 bpm • G Maj • 02:58 • -9.89db
13% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 48% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Kate Rusby
Withered and Died
94 bpm • C Maj • 04:03 • -13.25db
22% Popularity • 38% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 38% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Phil Manzanera
PIZZICA De La Matina
94 bpm • B min • 04:45 • -5.57db
20% Popularity • 45% Danceability • 86% Energy • 8% Liveness
26% Instrumentalness • 75% Positiveness
20% Popularity • 45% Danceability • 86% Energy • 8% Liveness
26% Instrumentalness • 75% Positiveness
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Mark Simos
Armin's Socks/ Sliding Up the Bannister/...
107 bpm • D Maj • 06:11 • -13.9db
0% Popularity • 47% Danceability • 34% Energy • 7% Liveness
7% Instrumentalness • 91% Positiveness
0% Popularity • 47% Danceability • 34% Energy • 7% Liveness
7% Instrumentalness • 91% Positiveness
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Monroe Felton
Spiritual Fruit
93 bpm • E Maj • 04:44 • -11.78db
25% Popularity • 63% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 63% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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The Brothers Gillespie
Bird on the Bough
93 bpm • D Maj • 05:36 • -13.28db
7% Popularity • 34% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 34% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Lisa Knapp
Bedfordshire May Day Carol
94 bpm • A Maj • 03:04 • -16.51db
12% Popularity • 47% Danceability • 8% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 47% Danceability • 8% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Olav Mjelva
Don't Drink and Dance
107 bpm • D Maj • 03:13 • -8.26db
7% Popularity • 37% Danceability • 56% Energy • 55% Liveness
87% Instrumentalness • 71% Positiveness
7% Popularity • 37% Danceability • 56% Energy • 55% Liveness
87% Instrumentalness • 71% Positiveness
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Leveret
Rain on the Woodpile / Terminus
93 bpm • A min • 05:36 • -7.6db
16% Popularity • 59% Danceability • 54% Energy • 12% Liveness
72% Instrumentalness • 94% Positiveness
16% Popularity • 59% Danceability • 54% Energy • 12% Liveness
72% Instrumentalness • 94% Positiveness
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Banshee In The Kitchen
Merrily Kiss the Quaker
108 bpm • D Maj • 03:38 • -5.75db
8% Popularity • 41% Danceability • 49% Energy • 13% Liveness
65% Instrumentalness • 34% Positiveness
8% Popularity • 41% Danceability • 49% Energy • 13% Liveness
65% Instrumentalness • 34% Positiveness
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Kate Rusby
I Courted a Sailor
93 bpm • A# Maj • 04:03 • -12.5db
24% Popularity • 41% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 41% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Salt House
Charmer
93 bpm • G Maj • 05:13 • -13.84db
10% Popularity • 23% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 23% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Andy Irvine
My Heart's Tonight In Ireland
93 bpm • F Maj • 03:50 • -15.71db
11% Popularity • 63% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 63% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Rónán Ó Snodaigh
Sliabh Gan Anam
93 bpm • B Maj • 05:04 • -15.51db
11% Popularity • 48% Danceability • 31% Energy • 10% Liveness
28% Instrumentalness • 17% Positiveness
11% Popularity • 48% Danceability • 31% Energy • 10% Liveness
28% Instrumentalness • 17% Positiveness
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Tony Cuffe
When Rosy May Comes in Wi' Flowers
108 bpm • F Maj • 04:15 • -9.75db
12% Popularity • 61% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 61% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Avourneen
I Wish I Was Back Home in Derry/Green Bu...
108 bpm • G Maj • 03:38 • -8.89db
7% Popularity • 57% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
7% Popularity • 57% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Isabel Palethorpe
On island
108 bpm • C Maj • 03:22 • -8db
10% Popularity • 55% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 55% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Hungrytown
Sylvie
108 bpm • G min • 04:26 • -13db
10% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 47% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Salt House
Katie Cruel
108 bpm • B min • 04:30 • -14db
23% Popularity • 59% Danceability • 30% Energy • 10% Liveness
23% Instrumentalness • 34% Positiveness
23% Popularity • 59% Danceability • 30% Energy • 10% Liveness
23% Instrumentalness • 34% Positiveness
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Dulcimore
Highland Donald
108 bpm • G Maj • 03:51 • -13db
12% Popularity • 58% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 58% Danceability • 46% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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The Bow Tides
The Power of Three
108 bpm • A min • 04:57 • -9.13db
14% Popularity • 52% Danceability • 60% Energy • 7% Liveness
88% Instrumentalness • 79% Positiveness
14% Popularity • 52% Danceability • 60% Energy • 7% Liveness
88% Instrumentalness • 79% Positiveness
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VRï
Breow Kernow
108 bpm • G Maj • 06:04 • -12.83db
8% Popularity • 39% Danceability • 28% Energy • 12% Liveness
68% Instrumentalness • 24% Positiveness
8% Popularity • 39% Danceability • 28% Energy • 12% Liveness
68% Instrumentalness • 24% Positiveness
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Martha Tilston
Nightjar
92 bpm • A# Maj • 06:52 • -14.97db
15% Popularity • 36% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 36% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Little Roots
Green Like a Garden
109 bpm • C Maj • 02:03 • -10.46db
8% Popularity • 48% Danceability • 31% Energy • 10% Liveness
3% Instrumentalness • 35% Positiveness
8% Popularity • 48% Danceability • 31% Energy • 10% Liveness
3% Instrumentalness • 35% Positiveness
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Jack Rutter
Bold Nevison The Highwayman
109 bpm • F# Maj • 03:43 • -7.3db
10% Popularity • 53% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 53% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Honey and The Bear
Dear Grandmother
92 bpm • D Maj • 03:23 • -7.61db
9% Popularity • 59% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 59% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Trolska Polska
Tøbrud
92 bpm • D Maj • 05:12 • -9.14db
7% Popularity • 28% Danceability • 42% Energy • 17% Liveness
16% Instrumentalness • 43% Positiveness
7% Popularity • 28% Danceability • 42% Energy • 17% Liveness
16% Instrumentalness • 43% Positiveness
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Wirbeley
God Rest Ye Merry, Gentlemen
92 bpm • F min • 02:22 • -13db
17% Popularity • 48% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 48% Danceability • 29% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
