Songs like Fill My Void by Sky McCreery
Based on a tempo of (+/- 10%) and a similar genre
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Sky McCreery
Fill My Void
75 bpm • F min • 03:05 • -17db
38% Popularity • 71% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 21% Positiveness
38% Popularity • 71% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 21% Positiveness
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Belfa
don't be scared
75 bpm • C# Maj • 02:22 • -15db
36% Popularity • 58% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 58% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Julia Alexa
In My Head
75 bpm • C# Maj • 02:27 • -8.66db
31% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
31% Popularity • 51% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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David Kushner
Look Back & Laugh
75 bpm • D Maj • 02:44 • -10db
62% Popularity • 55% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
62% Popularity • 55% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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kidgloves
Highway
75 bpm • C# Maj • 03:00 • -9db
40% Popularity • 54% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 54% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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James Quick
You Matter
75 bpm • C Maj • 04:25 • -14db
22% Popularity • 43% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 43% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Jess Benko
Did You Ever Hurt for Me?
75 bpm • C Maj • 05:41 • -16.25db
42% Popularity • 61% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 61% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Belfa
mess
75 bpm • C# Maj • 02:36 • -17db
22% Popularity • 53% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 53% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Montell Fish
Hollow Lover
75 bpm • B Maj • 03:07 • -30.39db
57% Popularity • 29% Danceability • 2% Energy • 10% Liveness
50% Instrumentalness • 8% Positiveness
57% Popularity • 29% Danceability • 2% Energy • 10% Liveness
50% Instrumentalness • 8% Positiveness
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Chris Lanzon
Everything
74 bpm • B Maj • 01:32 • -15.79db
33% Popularity • 35% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
33% Popularity • 35% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Kina
Tell Me About You
76 bpm • C Maj • 03:14 • -14.28db
48% Popularity • 38% Danceability • 29% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
48% Popularity • 38% Danceability • 29% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
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will hyde
hayley.
74 bpm • C Maj • 03:02 • -14.03db
40% Popularity • 49% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
40% Popularity • 49% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Jess Benko
Sad World
75 bpm • F# min • 03:18 • -10.04db
21% Popularity • 51% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 51% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Sky McCreery
good side
76 bpm • C# Maj • 02:48 • -12db
18% Popularity • 71% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 71% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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mehro
howling
76 bpm • E Maj • 03:33 • -11db
45% Popularity • 50% Danceability • 35% Energy • 11% Liveness
35% Instrumentalness • 20% Positiveness
45% Popularity • 50% Danceability • 35% Energy • 11% Liveness
35% Instrumentalness • 20% Positiveness
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Harry Hudson
Overwhelmed
76 bpm • D# Maj • 02:44 • -8.45db
36% Popularity • 45% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 45% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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SOLOMON
my dear
74 bpm • B Maj • 02:12 • -12.35db
49% Popularity • 68% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 68% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Rowan Drake
2 people
76 bpm • D Maj • 02:31 • -12db
45% Popularity • 47% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
45% Popularity • 47% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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Zevia
manipulation
74 bpm • A min • 03:51 • -13db
43% Popularity • 41% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 41% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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David Kushner
Cannon Beach
76 bpm • B Maj • 02:52 • -7db
57% Popularity • 56% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
57% Popularity • 56% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Jose Leyva
Only We Know
73 bpm • D min • 04:18 • -20db
26% Popularity • 63% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 63% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
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Daniel Leggs
arms
73 bpm • G Maj • 02:17 • -19db
23% Popularity • 35% Danceability • 6% Energy • 8% Liveness
39% Instrumentalness • 30% Positiveness
23% Popularity • 35% Danceability • 6% Energy • 8% Liveness
39% Instrumentalness • 30% Positiveness
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Abe Parker
Slipping Through My Fingers
73 bpm • G Maj • 02:52 • -8db
37% Popularity • 64% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 64% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Rowan Drake
Elephant In The Room
77 bpm • C# Maj • 02:41 • -12.02db
56% Popularity • 51% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 51% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Roland Faunte
Brick by Brick
77 bpm • C# Maj • 02:40 • -8.78db
28% Popularity • 55% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 55% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Genevieve Stokes
Parking Lot
77 bpm • C Maj • 02:41 • -8.26db
46% Popularity • 43% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 43% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Alexander 23
IDK You Yet
77 bpm • C# Maj • 03:04 • -11.73db
75% Popularity • 65% Danceability • 31% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
75% Popularity • 65% Danceability • 31% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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Tom Rosenthal
How Have You Been?
73 bpm • C Maj • 02:48 • -15.1db
50% Popularity • 38% Danceability • 3% Energy • 15% Liveness
3% Instrumentalness • 12% Positiveness
50% Popularity • 38% Danceability • 3% Energy • 15% Liveness
3% Instrumentalness • 12% Positiveness
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Tomo
Oh Love
73 bpm • G Maj • 02:58 • -20db
42% Popularity • 55% Danceability • 6% Energy • 7% Liveness
8% Instrumentalness • 30% Positiveness
42% Popularity • 55% Danceability • 6% Energy • 7% Liveness
8% Instrumentalness • 30% Positiveness
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Finding Hope
Okay
73 bpm • A min • 02:54 • -17.36db
39% Popularity • 65% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
39% Popularity • 65% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 58% Positiveness
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Hayd
When You Were Mine
78 bpm • E Maj • 04:26 • -10.92db
45% Popularity • 24% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 24% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Krishna Canning
Home(stranglehold)
78 bpm • C# min • 02:12 • -15.35db
41% Popularity • 38% Danceability • 23% Energy • 10% Liveness
5% Instrumentalness • 6% Positiveness
41% Popularity • 38% Danceability • 23% Energy • 10% Liveness
5% Instrumentalness • 6% Positiveness
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Alexander 23
Brainstorm
77 bpm • D Maj • 03:04 • -11db
46% Popularity • 68% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
46% Popularity • 68% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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normal the kid
pale blue,
78 bpm • A min • 03:15 • -11db
26% Popularity • 23% Danceability • 29% Energy • 9% Liveness
75% Instrumentalness • 10% Positiveness
26% Popularity • 23% Danceability • 29% Energy • 9% Liveness
75% Instrumentalness • 10% Positiveness
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Cody Lovaas
Staring at the Skye
78 bpm • F Maj • 03:22 • -16.13db
18% Popularity • 52% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 52% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Sky McCreery
half a heart
72 bpm • C Maj • 02:13 • -11.37db
30% Popularity • 67% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 67% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Daniel Leggs
u know who u r
72 bpm • D# Maj • 04:58 • -21.11db
19% Popularity • 23% Danceability • 8% Energy • 9% Liveness
27% Instrumentalness • 19% Positiveness
19% Popularity • 23% Danceability • 8% Energy • 9% Liveness
27% Instrumentalness • 19% Positiveness
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awfultune
things that i miss
78 bpm • G# Maj • 03:36 • -12.59db
56% Popularity • 53% Danceability • 18% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
56% Popularity • 53% Danceability • 18% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Sydney Rose
Bedroom Floor
78 bpm • C Maj • 04:09 • -19.07db
30% Popularity • 55% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 55% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Steinza
The Former
78 bpm • C Maj • 02:37 • -13db
59% Popularity • 35% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
59% Popularity • 35% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 16% Positiveness
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Hollow Wood
Forget Me Forgotten
78 bpm • A min • 03:20 • -12.82db
39% Popularity • 26% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
39% Popularity • 26% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Chris Lanzon
Melancholy - Intro
79 bpm • A min • 03:16 • -12db
20% Popularity • 17% Danceability • 30% Energy • 10% Liveness
5% Instrumentalness • 10% Positiveness
20% Popularity • 17% Danceability • 30% Energy • 10% Liveness
5% Instrumentalness • 10% Positiveness
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Zevia
life, i'm over you
79 bpm • B Maj • 03:23 • -12.28db
53% Popularity • 50% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
53% Popularity • 50% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Maldito
My Forest Fire
79 bpm • C min • 03:26 • -15.13db
47% Popularity • 47% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
47% Popularity • 47% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 15% Positiveness
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Joey Kidney
What's the Rush - Interlude
79 bpm • G# Maj • 01:39 • -12.59db
31% Popularity • 52% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 52% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
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Miles Carter
My Personal Sunset
80 bpm • G Maj • 02:32 • -15.84db
36% Popularity • 44% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 44% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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sombr
would've been you
80 bpm • C# Maj • 03:03 • -12.79db
69% Popularity • 31% Danceability • 38% Energy • 10% Liveness
17% Instrumentalness • 14% Positiveness
69% Popularity • 31% Danceability • 38% Energy • 10% Liveness
17% Instrumentalness • 14% Positiveness
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Zebatin
6 ft down
80 bpm • D Maj • 02:01 • -17.05db
31% Popularity • 70% Danceability • 20% Energy • 14% Liveness
7% Instrumentalness • 20% Positiveness
31% Popularity • 70% Danceability • 20% Energy • 14% Liveness
7% Instrumentalness • 20% Positiveness
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normal the kid
good mourning,
80 bpm • G Maj • 03:07 • -13.28db
27% Popularity • 60% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 60% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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Chris Lanzon
Maybe
80 bpm • C Maj • 01:27 • -16.09db
35% Popularity • 61% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
35% Popularity • 61% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Francisco Sola
I'll Be Gone
80 bpm • A Maj • 05:23 • -15.04db
26% Popularity • 25% Danceability • 22% Energy • 25% Liveness
63% Instrumentalness • 8% Positiveness
26% Popularity • 25% Danceability • 22% Energy • 25% Liveness
63% Instrumentalness • 8% Positiveness
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Teqkoi
I don't feel okay
80 bpm • C Maj • 02:29 • -19.35db
30% Popularity • 76% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 76% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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sombr
don't let me down
80 bpm • D Maj • 03:43 • -8.3db
35% Popularity • 46% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 46% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Delaney Bailey
Loving & Losing
70 bpm • C Maj • 03:04 • -23db
48% Popularity • 46% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 46% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Addict.
done fighting
81 bpm • E Maj • 02:25 • -16db
31% Popularity • 63% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 63% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Sky McCreery
Problem
81 bpm • C Maj • 02:10 • -9db
28% Popularity • 67% Danceability • 43% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
28% Popularity • 67% Danceability • 43% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
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Rnla
In My Dreams
81 bpm • B min • 02:14 • -11.26db
24% Popularity • 60% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 60% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Locals Only Sound
Become
81 bpm • D Maj • 03:32 • -14.89db
31% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
31% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Noah Henderson
how did i lose you
82 bpm • D min • 03:25 • -14.88db
36% Popularity • 24% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
36% Popularity • 24% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Tomo
Enough to Drink
82 bpm • A# Maj • 02:59 • -10db
31% Popularity • 47% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 47% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Alan Fiore
running.
69 bpm • F# Maj • 01:03 • -12.38db
50% Popularity • 40% Danceability • 37% Energy • 25% Liveness
1% Instrumentalness • 54% Positiveness
50% Popularity • 40% Danceability • 37% Energy • 25% Liveness
1% Instrumentalness • 54% Positiveness
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boodahki
i'd rather be alone
82 bpm • F Maj • 02:22 • -13.49db
49% Popularity • 40% Danceability • 20% Energy • 13% Liveness
15% Instrumentalness • 12% Positiveness
49% Popularity • 40% Danceability • 20% Energy • 13% Liveness
15% Instrumentalness • 12% Positiveness
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Sky McCreery
Train
82 bpm • D Maj • 01:35 • -10.14db
21% Popularity • 26% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 26% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Ruel
Hard Sometimes
82 bpm • A# Maj • 04:29 • -7.9db
57% Popularity • 41% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 41% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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X Lovers
Hell
82 bpm • E Maj • 03:19 • -8.1db
31% Popularity • 67% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 67% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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sombr
weak
82 bpm • E Maj • 03:56 • -16.22db
48% Popularity • 18% Danceability • 17% Energy • 8% Liveness
54% Instrumentalness • 4% Positiveness
48% Popularity • 18% Danceability • 17% Energy • 8% Liveness
54% Instrumentalness • 4% Positiveness
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Sleeping At Last
Touch
82 bpm • C Maj • 04:16 • -11.83db
68% Popularity • 42% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
68% Popularity • 42% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Kilu
love/hate
82 bpm • F Maj • 02:46 • -18.03db
37% Popularity • 48% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 48% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Charlie Oriain
Miss The Rest
82 bpm • C# Maj • 02:50 • -12.76db
33% Popularity • 45% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 45% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Hinshi
cold
82 bpm • A min • 01:47 • -11.08db
30% Popularity • 63% Danceability • 42% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
30% Popularity • 63% Danceability • 42% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
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zachy
if i fall
82 bpm • C min • 03:10 • -13.47db
32% Popularity • 40% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 40% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Devon Gabriella
better this way
83 bpm • A# Maj • 03:17 • -16.34db
30% Popularity • 45% Danceability • 18% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 45% Danceability • 18% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
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Zevia
life, i'm over you - acoustic
83 bpm • B Maj • 02:52 • -15.76db
34% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Matthew Hall
Inconvenient
83 bpm • D Maj • 02:20 • -10.04db
35% Popularity • 28% Danceability • 44% Energy • 30% Liveness
41% Instrumentalness • 39% Positiveness
35% Popularity • 28% Danceability • 44% Energy • 30% Liveness
41% Instrumentalness • 39% Positiveness
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CHPTRS
Last Chance (Alternate Version)
68 bpm • D# Maj • 05:51 • -12.45db
48% Popularity • 11% Danceability • 25% Energy • 10% Liveness
6% Instrumentalness • 5% Positiveness
48% Popularity • 11% Danceability • 25% Energy • 10% Liveness
6% Instrumentalness • 5% Positiveness
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Sky McCreery
Gabe
83 bpm • D Maj • 02:54 • -10.71db
24% Popularity • 32% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 32% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness
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Kilu
old me please dont go
83 bpm • D Maj • 02:20 • -14db
45% Popularity • 80% Danceability • 20% Energy • 25% Liveness
0% Instrumentalness • 11% Positiveness
45% Popularity • 80% Danceability • 20% Energy • 25% Liveness
0% Instrumentalness • 11% Positiveness
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Suriel Hess
Sing Myself to Sleep
83 bpm • F# Maj • 03:15 • -11db
45% Popularity • 52% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 52% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Rowan Drake
Heartbeat
83 bpm • A min • 02:28 • -9.77db
35% Popularity • 49% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 49% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jonah Kagen
broken
84 bpm • C# Maj • 03:15 • -12db
62% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
62% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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awfultune
MINE
67 bpm • C# Maj • 02:55 • -20.71db
54% Popularity • 69% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
54% Popularity • 69% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Zevia
why do i exist
84 bpm • A min • 02:34 • -20.57db
43% Popularity • 38% Danceability • 11% Energy • 37% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 38% Danceability • 11% Energy • 37% Liveness
0% Instrumentalness • 9% Positiveness
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Abe Parker
3 Moods
84 bpm • F Maj • 03:08 • -9.24db
34% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Carneyval
i'd call you but i can't
84 bpm • D min • 02:15 • -12.39db
28% Popularity • 58% Danceability • 35% Energy • 85% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 58% Danceability • 35% Energy • 85% Liveness
0% Instrumentalness • 40% Positiveness
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Suriel Hess
Wasted
84 bpm • F Maj • 03:05 • -13.32db
34% Popularity • 43% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 43% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Noah Henderson
tired of healing.
84 bpm • C Maj • 04:12 • -14.38db
55% Popularity • 26% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
55% Popularity • 26% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Ondi Vil
do you still love me
84 bpm • C Maj • 02:22 • -11.76db
20% Popularity • 70% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 70% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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dempsey hope
kitchen sink
84 bpm • D# Maj • 03:06 • -16.5db
15% Popularity • 66% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 66% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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sombr
alibi
85 bpm • C# Maj • 05:01 • -10db
39% Popularity • 30% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
39% Popularity • 30% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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will hyde
kiss me before u go.
84 bpm • F# Maj • 04:03 • -17.04db
42% Popularity • 64% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 64% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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awfultune
lvr boy
85 bpm • F# Maj • 04:55 • -25.02db
56% Popularity • 50% Danceability • 3% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
56% Popularity • 50% Danceability • 3% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
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dylxn
is this how it all falls apart?
86 bpm • C Maj • 02:26 • -17.27db
45% Popularity • 56% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
45% Popularity • 56% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Jess Benko
Sorry
66 bpm • D Maj • 02:17 • -23.12db
29% Popularity • 54% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 54% Danceability • 3% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Sam MacPherson
Routine
86 bpm • E Maj • 03:15 • -13.67db
39% Popularity • 64% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
39% Popularity • 64% Danceability • 25% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
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normal the kid
curse,
86 bpm • G# Maj • 03:58 • -11.67db
50% Popularity • 57% Danceability • 22% Energy • 16% Liveness
1% Instrumentalness • 12% Positiveness
50% Popularity • 57% Danceability • 22% Energy • 16% Liveness
1% Instrumentalness • 12% Positiveness
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Zebatin
false hope
86 bpm • B min • 03:02 • -15.9db
32% Popularity • 65% Danceability • 27% Energy • 12% Liveness
47% Instrumentalness • 15% Positiveness
32% Popularity • 65% Danceability • 27% Energy • 12% Liveness
47% Instrumentalness • 15% Positiveness
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Jon Caryl
House of Glass
86 bpm • D Maj • 03:22 • -16.83db
42% Popularity • 48% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 48% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Alexa Cirri
indifferent
65 bpm • G min • 03:12 • -13db
32% Popularity • 37% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 37% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
