Songs like Filler by Benjamin Gibbard
Based on a tempo of (+/- 10%) and a similar genre
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Fruit Bats
Canyon Girl
117 bpm • G Maj • 02:41 • -5db
26% Popularity • 69% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 69% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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Great Lake Swimmers
Pulling On A Line
117 bpm • D Maj • 03:19 • -7db
49% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
49% Popularity • 66% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Benjamin Gibbard
Filler
117 bpm • G Maj • 02:54 • -10.45db
17% Popularity • 67% Danceability • 24% Energy • 10% Liveness
3% Instrumentalness • 24% Positiveness
17% Popularity • 67% Danceability • 24% Energy • 10% Liveness
3% Instrumentalness • 24% Positiveness
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Ivan & Alyosha
Running for Cover
117 bpm • C# Maj • 03:57 • -7.71db
39% Popularity • 53% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 53% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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The New Pornographers
Go Places
117 bpm • C Maj • 04:32 • -8.02db
29% Popularity • 60% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 60% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Andy Shauf
Your Heart
117 bpm • E Maj • 02:07 • -9.33db
22% Popularity • 60% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 60% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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The Weakerthans
Left And Leaving
117 bpm • B Maj • 04:45 • -10db
36% Popularity • 59% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 59% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Fruit Bats
The Little Acorn
117 bpm • D Maj • 06:26 • -7db
17% Popularity • 63% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
17% Popularity • 63% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Benjamin Gibbard
When The Sun Goes Down
117 bpm • E Maj • 03:20 • -13.71db
18% Popularity • 67% Danceability • 47% Energy • 11% Liveness
7% Instrumentalness • 48% Positiveness
18% Popularity • 67% Danceability • 47% Energy • 11% Liveness
7% Instrumentalness • 48% Positiveness
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Horse Feathers
Working Poor
116 bpm • A Maj • 03:16 • -12.7db
35% Popularity • 63% Danceability • 33% Energy • 10% Liveness
8% Instrumentalness • 59% Positiveness
35% Popularity • 63% Danceability • 33% Energy • 10% Liveness
8% Instrumentalness • 59% Positiveness
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Patrick Park
Here We Are
118 bpm • D Maj • 03:09 • -8.81db
27% Popularity • 66% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 66% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Wild Reeds
Of All the Dreams
118 bpm • G Maj • 03:32 • -7.36db
31% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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DeYarmond Edison
Heroin(e)
118 bpm • F# Maj • 03:27 • -9.16db
21% Popularity • 64% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 64% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Band of Horses
The General Specific
118 bpm • F Maj • 03:07 • -6db
48% Popularity • 75% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 75% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Benjamin Gibbard
A Hard One to Know
116 bpm • A Maj • 02:40 • -7.1db
3% Popularity • 55% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
3% Popularity • 55% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 82% Positiveness
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Blitzen Trapper
Not Your Lover
118 bpm • C Maj • 02:50 • -13db
40% Popularity • 51% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 51% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Death Cab for Cutie
Title and Registration
116 bpm • A Maj • 03:39 • -10.37db
56% Popularity • 75% Danceability • 55% Energy • 11% Liveness
8% Instrumentalness • 72% Positiveness
56% Popularity • 75% Danceability • 55% Energy • 11% Liveness
8% Instrumentalness • 72% Positiveness
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Colin Meloy
Wonder
116 bpm • D Maj • 03:03 • -22.15db
12% Popularity • 48% Danceability • 10% Energy • 72% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 48% Danceability • 10% Energy • 72% Liveness
0% Instrumentalness • 31% Positiveness
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PHOX
Noble Heart
116 bpm • D Maj • 05:22 • -10.95db
27% Popularity • 39% Danceability • 32% Energy • 10% Liveness
2% Instrumentalness • 17% Positiveness
27% Popularity • 39% Danceability • 32% Energy • 10% Liveness
2% Instrumentalness • 17% Positiveness
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Rocky Votolato
Uppers Aren't Necessary
119 bpm • B Maj • 02:57 • -10.93db
24% Popularity • 38% Danceability • 46% Energy • 11% Liveness
7% Instrumentalness • 39% Positiveness
24% Popularity • 38% Danceability • 46% Energy • 11% Liveness
7% Instrumentalness • 39% Positiveness
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Benjamin Gibbard
Broken Yolk in Western Sky
116 bpm • G Maj • 03:32 • -6.43db
2% Popularity • 52% Danceability • 82% Energy • 16% Liveness
2% Instrumentalness • 87% Positiveness
2% Popularity • 52% Danceability • 82% Energy • 16% Liveness
2% Instrumentalness • 87% Positiveness
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Steve Fisk
Positively Fourth Ave Revisited
119 bpm • E Maj • 05:01 • -16.62db
2% Popularity • 47% Danceability • 72% Energy • 9% Liveness
84% Instrumentalness • 69% Positiveness
2% Popularity • 47% Danceability • 72% Energy • 9% Liveness
84% Instrumentalness • 69% Positiveness
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Lala Lala
Plates
115 bpm • A Maj • 02:50 • -10.91db
23% Popularity • 48% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 32% Positiveness
23% Popularity • 48% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 32% Positiveness
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Dawes
Somewhere Along The Way
119 bpm • A# Maj • 05:39 • -9.64db
35% Popularity • 63% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 63% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Bowerbirds
Thrift Store
119 bpm • G# Maj • 03:22 • -4.72db
33% Popularity • 50% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 50% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Gregory Alan Isakov
Evelyn
115 bpm • C Maj • 03:30 • -11.19db
46% Popularity • 62% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 62% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Benjamin Gibbard
What You Do to Me
115 bpm • D Maj • 02:03 • -7.63db
14% Popularity • 58% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 58% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
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Jay Farrar
Sea Engines
119 bpm • E Maj • 03:29 • -11db
9% Popularity • 34% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 34% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Band of Horses
I Go to the Barn Because I Like The
119 bpm • D Maj • 03:06 • -8db
51% Popularity • 42% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
51% Popularity • 42% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Decemberists
The Crane Wife 3
120 bpm • D Maj • 04:18 • -9.66db
47% Popularity • 59% Danceability • 61% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
47% Popularity • 59% Danceability • 61% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
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Andy Shauf
I Don't Really
114 bpm • G# Maj • 02:13 • -17db
35% Popularity • 78% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 78% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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The Shins
The Past and Pending - 2021 Remaster
120 bpm • A Maj • 05:25 • -11.37db
46% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
46% Popularity • 59% Danceability • 34% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
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A.A. Bondy
There's a Reason
120 bpm • C# Maj • 04:12 • -13.23db
22% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 63% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Bahamas
Southern Drawl
120 bpm • B Maj • 02:47 • -7.14db
35% Popularity • 64% Danceability • 74% Energy • 12% Liveness
66% Instrumentalness • 54% Positiveness
35% Popularity • 64% Danceability • 74% Energy • 12% Liveness
66% Instrumentalness • 54% Positiveness
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The Damnwells
I Will Keep The Bad Things From You
120 bpm • C Maj • 04:06 • -11db
19% Popularity • 54% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 54% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Dawes
Someone Will
114 bpm • F Maj • 03:33 • -9.11db
31% Popularity • 68% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 68% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Hem
Not California
120 bpm • G Maj • 04:15 • -6.24db
28% Popularity • 45% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 45% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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The Shins
Gone for Good - 2023 Remaster
114 bpm • C Maj • 03:12 • -4.47db
50% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 61% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Great Lake Swimmers
Palmistry
120 bpm • B min • 02:34 • -7.59db
41% Popularity • 59% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 59% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Cloud Cult
Pretty Voice
120 bpm • D Maj • 03:45 • -9.58db
32% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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A.A. Bondy
I Can See the Pines are Dancing
114 bpm • C# Maj • 03:42 • -9.26db
11% Popularity • 68% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 68% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Lord Huron
In The Wind
120 bpm • G Maj • 04:59 • -9.69db
44% Popularity • 52% Danceability • 48% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
44% Popularity • 52% Danceability • 48% Energy • 11% Liveness
4% Instrumentalness • 18% Positiveness
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Frightened Rabbit
Old Old Fashioned
114 bpm • G Maj • 03:44 • -7db
16% Popularity • 59% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 59% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Chris Staples
Dark Side of the Moon
120 bpm • D Maj • 03:27 • -10db
54% Popularity • 71% Danceability • 44% Energy • 9% Liveness
2% Instrumentalness • 37% Positiveness
54% Popularity • 71% Danceability • 44% Energy • 9% Liveness
2% Instrumentalness • 37% Positiveness
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Quiet Hollers
Côte d'Azur
114 bpm • C Maj • 04:14 • -6.39db
16% Popularity • 65% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 65% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Benjamin Gibbard
Metal Baby
120 bpm • A Maj • 03:09 • -8.47db
9% Popularity • 56% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 56% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Great Lake Swimmers
Alone but Not Alone
114 bpm • G Maj • 03:17 • -8.08db
38% Popularity • 52% Danceability • 77% Energy • 25% Liveness
94% Instrumentalness • 85% Positiveness
38% Popularity • 52% Danceability • 77% Energy • 25% Liveness
94% Instrumentalness • 85% Positiveness
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Band of Horses
St. Augustine
120 bpm • B Maj • 02:39 • -10db
36% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Blind Pilot
We Are the Tide
120 bpm • B Maj • 03:17 • -8db
51% Popularity • 63% Danceability • 77% Energy • 16% Liveness
15% Instrumentalness • 90% Positiveness
51% Popularity • 63% Danceability • 77% Energy • 16% Liveness
15% Instrumentalness • 90% Positiveness
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Dawes
The Way You Laugh
114 bpm • C Maj • 03:48 • -9.83db
27% Popularity • 62% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 62% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Jim Bryson
Raised All Wrong
120 bpm • C Maj • 01:33 • -17.24db
24% Popularity • 67% Danceability • 19% Energy • 13% Liveness
1% Instrumentalness • 44% Positiveness
24% Popularity • 67% Danceability • 19% Energy • 13% Liveness
1% Instrumentalness • 44% Positiveness
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Dan Mangan
Peaks & Valleys
113 bpm • C Maj • 03:49 • -11db
23% Popularity • 63% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 63% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Great Lake Swimmers
Where In The World Are You
113 bpm • C Maj • 03:49 • -20.67db
8% Popularity • 46% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 23% Positiveness
8% Popularity • 46% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 23% Positiveness
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Sean McMahon
No, It's Not
121 bpm • B Maj • 04:41 • -11db
22% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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A.A. Bondy
Lovers' Waltz
113 bpm • G# Maj • 03:26 • -8.5db
21% Popularity • 54% Danceability • 49% Energy • 9% Liveness
46% Instrumentalness • 23% Positiveness
21% Popularity • 54% Danceability • 49% Energy • 9% Liveness
46% Instrumentalness • 23% Positiveness
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Kenneth Pattengale & Joey Ryan
Permanent
113 bpm • A# Maj • 05:09 • -9.24db
23% Popularity • 60% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 60% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Fruit Bats
When U Love Somebody
121 bpm • G Maj • 04:31 • -6.37db
57% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
57% Popularity • 72% Danceability • 76% Energy • 34% Liveness
1% Instrumentalness • 59% Positiveness
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Steve Fisk
Giganticism
113 bpm • A min • 01:39 • -15.28db
4% Popularity • 21% Danceability • 62% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
4% Popularity • 21% Danceability • 62% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Ben Kweller
Thirteen
113 bpm • G Maj • 04:17 • -14.06db
29% Popularity • 69% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 69% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Benjamin Gibbard
Dream Song
113 bpm • A# Maj • 03:32 • -8.87db
3% Popularity • 77% Danceability • 58% Energy • 18% Liveness
28% Instrumentalness • 83% Positiveness
3% Popularity • 77% Danceability • 58% Energy • 18% Liveness
28% Instrumentalness • 83% Positiveness
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Jay Farrar
One Fast Move or I'm Gone
113 bpm • A# Maj • 04:15 • -10db
21% Popularity • 70% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 70% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Sarah Harmer
Lodestar
113 bpm • E Maj • 05:28 • -7db
29% Popularity • 41% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 41% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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John K. Samson
Winter Wheat
113 bpm • D Maj • 02:52 • -15.66db
23% Popularity • 74% Danceability • 21% Energy • 12% Liveness
16% Instrumentalness • 10% Positiveness
23% Popularity • 74% Danceability • 21% Energy • 12% Liveness
16% Instrumentalness • 10% Positiveness
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Fiona Apple F/ Jon Brion And The Punch Brothers
So Sleepy
112 bpm • G Maj • 04:13 • -9.55db
32% Popularity • 79% Danceability • 51% Energy • 9% Liveness
9% Instrumentalness • 55% Positiveness
32% Popularity • 79% Danceability • 51% Energy • 9% Liveness
9% Instrumentalness • 55% Positiveness
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Guster
Ramona
112 bpm • E Maj • 03:06 • -9.25db
37% Popularity • 62% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 41% Positiveness
37% Popularity • 62% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 41% Positiveness
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Benjamin Gibbard
Shepherd’s Bush Lullaby
121 bpm • F# Maj • 00:50 • -13.94db
2% Popularity • 60% Danceability • 17% Energy • 40% Liveness
0% Instrumentalness • 48% Positiveness
2% Popularity • 60% Danceability • 17% Energy • 40% Liveness
0% Instrumentalness • 48% Positiveness
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Blind Pilot
Always
122 bpm • F Maj • 02:26 • -9.93db
44% Popularity • 66% Danceability • 63% Energy • 11% Liveness
3% Instrumentalness • 91% Positiveness
44% Popularity • 66% Danceability • 63% Energy • 11% Liveness
3% Instrumentalness • 91% Positiveness
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The Lone Bellow
Pink Rabbits
122 bpm • A Maj • 04:12 • -6.09db
26% Popularity • 46% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 46% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Death Cab for Cutie
Roman Candles - Acoustic
122 bpm • A Maj • 02:13 • -10.45db
30% Popularity • 54% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 54% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Jay Farrar
Big Sur
122 bpm • E Maj • 03:24 • -11.72db
21% Popularity • 35% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 35% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Format
On Your Porch
122 bpm • C Maj • 05:11 • -10.79db
36% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Great Lake Swimmers
Zero in the City
112 bpm • G Maj • 03:05 • -9db
41% Popularity • 59% Danceability • 61% Energy • 10% Liveness
28% Instrumentalness • 38% Positiveness
41% Popularity • 59% Danceability • 61% Energy • 10% Liveness
28% Instrumentalness • 38% Positiveness
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The Wild Reeds
Let No Grief
112 bpm • A Maj • 04:34 • -6.72db
35% Popularity • 57% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 57% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Andrew Bird
tenuousness
122 bpm • C Maj • 03:51 • -11db
27% Popularity • 66% Danceability • 42% Energy • 12% Liveness
10% Instrumentalness • 44% Positiveness
27% Popularity • 66% Danceability • 42% Energy • 12% Liveness
10% Instrumentalness • 44% Positiveness
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The Milk Carton Kids
Undress the World
122 bpm • G# Maj • 03:16 • -15.24db
29% Popularity • 52% Danceability • 30% Energy • 13% Liveness
4% Instrumentalness • 38% Positiveness
29% Popularity • 52% Danceability • 30% Energy • 13% Liveness
4% Instrumentalness • 38% Positiveness
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The Weakerthans
Night Windows
112 bpm • C Maj • 04:35 • -6.94db
27% Popularity • 70% Danceability • 74% Energy • 10% Liveness
8% Instrumentalness • 37% Positiveness
27% Popularity • 70% Danceability • 74% Energy • 10% Liveness
8% Instrumentalness • 37% Positiveness
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Fruit Bats
Rainbow Sign
122 bpm • D Maj • 03:24 • -8.66db
31% Popularity • 74% Danceability • 51% Energy • 11% Liveness
78% Instrumentalness • 53% Positiveness
31% Popularity • 74% Danceability • 51% Energy • 11% Liveness
78% Instrumentalness • 53% Positiveness
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Jay Farrar
Final Horrors
112 bpm • D Maj • 02:39 • -14.14db
10% Popularity • 52% Danceability • 23% Energy • 13% Liveness
1% Instrumentalness • 44% Positiveness
10% Popularity • 52% Danceability • 23% Energy • 13% Liveness
1% Instrumentalness • 44% Positiveness
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Typhoon
Morton's Fork
111 bpm • G Maj • 03:22 • -11.16db
21% Popularity • 42% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 42% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jim Bryson
Constellation
123 bpm • B Maj • 04:11 • -12.05db
17% Popularity • 58% Danceability • 44% Energy • 9% Liveness
24% Instrumentalness • 50% Positiveness
17% Popularity • 58% Danceability • 44% Energy • 9% Liveness
24% Instrumentalness • 50% Positiveness
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Great Lake Swimmers
The Great Exhale
123 bpm • G Maj • 04:38 • -7.75db
8% Popularity • 58% Danceability • 67% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
8% Popularity • 58% Danceability • 67% Energy • 16% Liveness
1% Instrumentalness • 57% Positiveness
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John K. Samson
Heart of the Continent
123 bpm • B Maj • 04:06 • -14.03db
16% Popularity • 66% Danceability • 37% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
16% Popularity • 66% Danceability • 37% Energy • 10% Liveness
2% Instrumentalness • 32% Positiveness
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Hiss Golden Messenger
Heart Like a Levee
123 bpm • F# Maj • 03:52 • -8db
39% Popularity • 70% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 70% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Fruit Bats
Slipping Through The Sensors
123 bpm • C Maj • 04:52 • -9.43db
18% Popularity • 58% Danceability • 46% Energy • 18% Liveness
50% Instrumentalness • 34% Positiveness
18% Popularity • 58% Danceability • 46% Energy • 18% Liveness
50% Instrumentalness • 34% Positiveness
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The Decemberists
January Hymn
111 bpm • D Maj • 03:12 • -10db
37% Popularity • 56% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 56% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Kenneth Pattengale & Joey Ryan
Like a Cloak
123 bpm • C Maj • 05:13 • -10.45db
14% Popularity • 56% Danceability • 57% Energy • 60% Liveness
2% Instrumentalness • 67% Positiveness
14% Popularity • 56% Danceability • 57% Energy • 60% Liveness
2% Instrumentalness • 67% Positiveness
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Hey Rosetta!
Harriet
111 bpm • D Maj • 05:06 • -6db
31% Popularity • 48% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 48% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Band of Horses
The Great Salt Lake
123 bpm • G# Maj • 04:45 • -6db
53% Popularity • 32% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 32% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Blind Pilot
Just One
111 bpm • G Maj • 04:29 • -8.82db
37% Popularity • 48% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 48% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Staves
In the Long Run
111 bpm • A# Maj • 02:45 • -14.81db
39% Popularity • 63% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 63% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Bombadil
I Could Make You So Happy
111 bpm • E Maj • 03:27 • -15.37db
22% Popularity • 71% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 71% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Bahamas
Already Yours
124 bpm • C Maj • 02:05 • -12db
43% Popularity • 66% Danceability • 29% Energy • 18% Liveness
36% Instrumentalness • 53% Positiveness
43% Popularity • 66% Danceability • 29% Energy • 18% Liveness
36% Instrumentalness • 53% Positiveness
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Saintseneca
Only The Young Die Good
111 bpm • B Maj • 03:35 • -10.83db
30% Popularity • 40% Danceability • 39% Energy • 12% Liveness
9% Instrumentalness • 29% Positiveness
30% Popularity • 40% Danceability • 39% Energy • 12% Liveness
9% Instrumentalness • 29% Positiveness
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Great Lake Swimmers
Unison Falling Into Harmony
111 bpm • F Maj • 03:25 • -19db
36% Popularity • 72% Danceability • 25% Energy • 22% Liveness
3% Instrumentalness • 26% Positiveness
36% Popularity • 72% Danceability • 25% Energy • 22% Liveness
3% Instrumentalness • 26% Positiveness
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The Shins
Pink Bullets - 2023 Remaster
111 bpm • G min • 03:52 • -8.92db
44% Popularity • 51% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
44% Popularity • 51% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Lord Huron
I Will Be Back One Day
124 bpm • A Maj • 03:25 • -6.15db
50% Popularity • 57% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
50% Popularity • 57% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Steve Fisk
Interlude 1 (Olympia)
124 bpm • C# min • 01:06 • -16.53db
6% Popularity • 47% Danceability • 90% Energy • 8% Liveness
70% Instrumentalness • 57% Positiveness
6% Popularity • 47% Danceability • 90% Energy • 8% Liveness
70% Instrumentalness • 57% Positiveness
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Mates of State
My Only Offer
124 bpm • D Maj • 02:58 • -6.39db
4% Popularity • 74% Danceability • 76% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
4% Popularity • 74% Danceability • 76% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
