Songs like Finally Free - From "Smallfoot" by Niall Horan
Based on a tempo of (+/- 10%) and a similar genre
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Niall Horan
Cross Your Mind
124 bpm • C# Maj • 03:48 • -3.96db
59% Popularity • 63% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
59% Popularity • 63% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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Julie and the Phantoms Cast
Stand Tall
124 bpm • D Maj • 03:33 • -5.58db
59% Popularity • 73% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
59% Popularity • 73% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Elton John
Never Too Late
124 bpm • C Maj • 04:09 • -4.93db
42% Popularity • 66% Danceability • 97% Energy • 85% Liveness
0% Instrumentalness • 64% Positiveness
42% Popularity • 66% Danceability • 97% Energy • 85% Liveness
0% Instrumentalness • 64% Positiveness
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John De Sohn
Happy Kids
124 bpm • B Maj • 02:57 • -5.85db
41% Popularity • 60% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 60% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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Zendaya
Neverland
124 bpm • D Maj • 03:44 • -9.09db
50% Popularity • 48% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
50% Popularity • 48% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
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One Direction
Wolves
123 bpm • F Maj • 04:01 • -4.24db
61% Popularity • 63% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
61% Popularity • 63% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Niall Horan
On The Loose
124 bpm • B min • 03:43 • -7db
62% Popularity • 72% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
62% Popularity • 72% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Elijah N
Missing What's You
125 bpm • G# Maj • 03:09 • -4.82db
34% Popularity • 51% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 51% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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The Girl and The Dreamcatcher
Gladiator
125 bpm • C Maj • 03:06 • -5.23db
32% Popularity • 70% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 70% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Carly Rae Jepsen
Everywhere You Look (The Fuller House Th...
125 bpm • F# Maj • 03:18 • -1.8db
49% Popularity • 66% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 66% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Zara Larsson
Ruin My Life - Piano Version
125 bpm • B Maj • 03:10 • -7.2db
40% Popularity • 65% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 65% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Mikey Wax
Big Little Life
125 bpm • C Maj • 03:11 • -8.91db
26% Popularity • 84% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 84% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Niall Horan
On The Loose - Basic Tape Remix
124 bpm • B min • 02:59 • -4.68db
29% Popularity • 68% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 68% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Jonas Blue
I See Love
123 bpm • D min • 02:53 • -3.9db
46% Popularity • 74% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
46% Popularity • 74% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Austin Moon
Chasin' the Beat of My Heart
125 bpm • C# min • 03:18 • -7.01db
42% Popularity • 58% Danceability • 79% Energy • 41% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 58% Danceability • 79% Energy • 41% Liveness
0% Instrumentalness • 30% Positiveness
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Darren Criss
Put a Little Love in Your Heart
123 bpm • F# Maj • 01:54 • -6.01db
41% Popularity • 59% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 59% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Forest Blakk
Put Your Hands Up
125 bpm • B Maj • 03:12 • -7db
40% Popularity • 63% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 63% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Ross Lynch
Meant to Be
125 bpm • A Maj • 03:40 • -5db
52% Popularity • 59% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
52% Popularity • 59% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Niall Horan
Finally Free
124 bpm • F Maj • 03:23 • -4.3db
50% Popularity • 54% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
50% Popularity • 54% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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American Authors
Replaced
125 bpm • F Maj • 03:32 • -6.39db
33% Popularity • 67% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 67% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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One Direction
Where Do Broken Hearts Go
123 bpm • E Maj • 03:49 • -3.72db
66% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
66% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Ricky Reed
Good Vibrations
123 bpm • B Maj • 03:18 • -4.03db
50% Popularity • 61% Danceability • 87% Energy • 58% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 61% Danceability • 87% Energy • 58% Liveness
0% Instrumentalness • 76% Positiveness
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Cody Simpson
Daybreak
125 bpm • F# Maj • 02:56 • -8.04db
25% Popularity • 68% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 68% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Shane Harper
Anything But Love
125 bpm • B min • 03:57 • -5db
18% Popularity • 62% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 62% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Lewis Capaldi
Hollywood
125 bpm • A# Maj • 03:11 • -4.9db
56% Popularity • 72% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
56% Popularity • 72% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Tritonal
I Feel The Love
125 bpm • C Maj • 03:33 • -5.79db
49% Popularity • 56% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 56% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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One Direction
Illusion
123 bpm • C# Maj • 03:14 • -5.46db
56% Popularity • 56% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
56% Popularity • 56% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Zac Efron
Rewrite The Stars
125 bpm • A# Maj • 03:37 • -7.01db
73% Popularity • 68% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
73% Popularity • 68% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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MKTO
American Dream
123 bpm • C Maj • 03:45 • -5db
58% Popularity • 55% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
58% Popularity • 55% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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James TW
Right Into Your Love
125 bpm • A# Maj • 03:41 • -7.64db
32% Popularity • 72% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 72% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
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Niall Horan
Too Much To Ask - Acoustic
125 bpm • C Maj • 03:41 • -7.38db
52% Popularity • 52% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 52% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Gavin DeGraw
She Sets The City On Fire
126 bpm • E Maj • 03:38 • -6.41db
56% Popularity • 62% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
56% Popularity • 62% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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WALK THE MOON
Timebomb
122 bpm • F Maj • 03:38 • -4.77db
45% Popularity • 58% Danceability • 78% Energy • 62% Liveness
0% Instrumentalness • 45% Positiveness
45% Popularity • 58% Danceability • 78% Energy • 62% Liveness
0% Instrumentalness • 45% Positiveness
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Olly Murs
Love Me Again
126 bpm • C Maj • 02:50 • -5.76db
25% Popularity • 91% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 91% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Harry Styles
Treat People With Kindness
122 bpm • F Maj • 03:17 • -3.73db
65% Popularity • 65% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
65% Popularity • 65% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Nick Howard
Our Time
122 bpm • A Maj • 03:26 • -6.3db
21% Popularity • 60% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 60% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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The Girl and The Dreamcatcher
Written in the Stars
126 bpm • B Maj • 03:11 • -5.15db
47% Popularity • 63% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 63% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Lawson
When I'm Old
122 bpm • A Maj • 03:04 • -3.94db
33% Popularity • 57% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 57% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Liam Payne
Say It All
122 bpm • F# Maj • 03:27 • -4.69db
38% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Julie and the Phantoms Cast
Finally Free
122 bpm • D Maj • 03:01 • -4.7db
57% Popularity • 63% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
57% Popularity • 63% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Niall Horan
So Long The RTÉ Concert Orchestra - Liv...
126 bpm • A min • 03:37 • -7.05db
48% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Madilyn
Red Ribbon
122 bpm • F# min • 03:23 • -8db
40% Popularity • 55% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 55% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Austin Mahone
Dancing with Nobody
122 bpm • B Maj • 03:16 • -4.07db
34% Popularity • 80% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 80% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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Kevin Quinn
Tidal Wave
127 bpm • D Maj • 03:19 • -3.28db
41% Popularity • 60% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 60% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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James TW
You & Me
127 bpm • B Maj • 03:51 • -6.33db
64% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
64% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Justin Thorne
Summer Nights
127 bpm • G min • 03:35 • -4.83db
30% Popularity • 73% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 73% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Niall Horan
Since We're Alone
127 bpm • C# Maj • 04:02 • -7.99db
58% Popularity • 71% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
58% Popularity • 71% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Parachute
New Orleans
127 bpm • A Maj • 04:06 • -6.56db
36% Popularity • 59% Danceability • 75% Energy • 38% Liveness
0% Instrumentalness • 10% Positiveness
36% Popularity • 59% Danceability • 75% Energy • 38% Liveness
0% Instrumentalness • 10% Positiveness
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Olly Murs
Excuses
127 bpm • C# Maj • 04:06 • -4.78db
38% Popularity • 42% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 42% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Louis Tomlinson
Two of Us
127 bpm • C Maj • 03:37 • -5.63db
58% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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One Direction
Stockholm Syndrome
121 bpm • D Maj • 03:34 • -4.96db
69% Popularity • 68% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
69% Popularity • 68% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Calum Scott
Rhythm Inside
121 bpm • D min • 03:32 • -5.58db
46% Popularity • 59% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
46% Popularity • 59% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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AJ Mitchell
Slow Dance
128 bpm • C# Maj • 02:58 • -7.66db
53% Popularity • 67% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
53% Popularity • 67% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Cast of The Lodge
Starting Over, Starting Now
128 bpm • D Maj • 02:12 • -4.78db
29% Popularity • 59% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 59% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Bella Thorne
Sweetest Feeling
128 bpm • D Maj • 02:06 • -7.54db
32% Popularity • 79% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 79% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Maia Mitchell
Oxygen
128 bpm • E Maj • 03:01 • -3.87db
47% Popularity • 59% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 59% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Laura Marano
Boombox
128 bpm • A Maj • 03:16 • -4.98db
43% Popularity • 60% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 60% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Mikey Wax
Helium
128 bpm • G Maj • 03:11 • -5.41db
35% Popularity • 63% Danceability • 82% Energy • 64% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 63% Danceability • 82% Energy • 64% Liveness
0% Instrumentalness • 71% Positiveness
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Foxes
Lose My Cool
128 bpm • G# Maj • 03:22 • -4.5db
35% Popularity • 63% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 63% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Austin Moon
Steal Your Heart
128 bpm • C# Maj • 03:21 • -4.99db
53% Popularity • 72% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
53% Popularity • 72% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Ally Dawson
Dance Like Nobody's Watching
128 bpm • G Maj • 03:12 • -4.55db
39% Popularity • 64% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 64% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Nick Kingsley
The Day We Fell in Love
120 bpm • D Maj • 02:49 • -7.81db
36% Popularity • 62% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 62% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Bebe Rexha
Beautiful Life
128 bpm • A Maj • 03:23 • -7.2db
51% Popularity • 60% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
51% Popularity • 60% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Matt Johnson
Warplane
120 bpm • G Maj • 03:03 • -6.79db
20% Popularity • 62% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 62% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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American Authors
What We Live For
120 bpm • C Maj • 02:58 • -4.75db
50% Popularity • 69% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
50% Popularity • 69% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Niall Horan
Fool's Gold - Recorded At RAK Studios, L...
128 bpm • F# Maj • 03:24 • -11.99db
57% Popularity • 57% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
57% Popularity • 57% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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MKTO
Just Imagine It
120 bpm • A# Maj • 04:10 • -4.34db
48% Popularity • 70% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 70% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Ester Dean
Let It Grow (Celebrate The World)
120 bpm • F Maj • 03:39 • -7db
47% Popularity • 74% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 74% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
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Bryan Lanning
Like a Lion
120 bpm • B min • 03:32 • -7.36db
22% Popularity • 65% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 65% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Laura Marano
Let Me Cry
120 bpm • C Maj • 03:30 • -5db
29% Popularity • 67% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 67% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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American Authors
Mess With Your Heart
120 bpm • D Maj • 04:03 • -7.05db
28% Popularity • 62% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 62% Danceability • 82% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Jason Walker
Walk the Line
120 bpm • A# Maj • 03:31 • -6db
21% Popularity • 63% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 63% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Alex Aiono
Big Mistake
120 bpm • D min • 03:05 • -5db
33% Popularity • 72% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 72% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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James TW
Big Picture
120 bpm • E Maj • 03:40 • -5.42db
30% Popularity • 91% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 91% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Maddie Poppe
Going Going Gone
120 bpm • D Maj • 03:26 • -3.49db
38% Popularity • 67% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 67% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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AJ Mitchell
Say It Again
120 bpm • C# Maj • 03:26 • -7.52db
36% Popularity • 51% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 51% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Liam Payne
Bedroom Floor
120 bpm • C# Maj • 03:08 • -7.15db
51% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Vince Myers
I Did It All
120 bpm • A Maj • 03:58 • -7.56db
35% Popularity • 64% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 64% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 13% Positiveness
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Niall Horan
No Judgement - Acoustic
120 bpm • C# min • 03:10 • -4.54db
41% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Bea Miller
brand new eyes
120 bpm • F Maj • 03:27 • -7.09db
35% Popularity • 57% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 57% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Ashe
Moral of the Story - Bonus Track
120 bpm • A# Maj • 03:18 • -8.9db
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Charlie Puth
Through It All
119 bpm • E Maj • 03:26 • -8.54db
46% Popularity • 56% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 56% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Darren Criss
Foolish Thing
129 bpm • C Maj • 04:01 • -5.42db
33% Popularity • 62% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 62% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 80% Positiveness
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The Script
Wonders
130 bpm • D Maj • 04:18 • -5.89db
45% Popularity • 60% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 60% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Louis Tomlinson
Defenceless
119 bpm • B Maj • 03:43 • -5.87db
57% Popularity • 64% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 64% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Cameron Ernst
This Is Home
130 bpm • A# Maj • 03:08 • -4.89db
30% Popularity • 60% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 60% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Julie and the Phantoms Cast
Wake Up
130 bpm • F Maj • 03:37 • -4.73db
61% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
61% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Bella Thorne
Walk with Me (Single from the Midnight S...
130 bpm • C Maj • 03:24 • -8.49db
42% Popularity • 70% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
42% Popularity • 70% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Jodie Sweetin
The Boy Next Door
130 bpm • G Maj • 02:36 • -6db
37% Popularity • 61% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 61% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Lauv
Superhero
130 bpm • G Maj • 02:59 • -8.62db
56% Popularity • 68% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
56% Popularity • 68% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Jonathan Tilkin
Daydreamin
118 bpm • A Maj • 03:27 • -4db
36% Popularity • 76% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 76% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Hugh Jackman
Come Alive
118 bpm • G Maj • 03:45 • -9.41db
69% Popularity • 70% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
69% Popularity • 70% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Bastille
Joy
118 bpm • F# min • 03:12 • -4.75db
57% Popularity • 56% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 56% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Loote
Longer Than I Thought
118 bpm • A Maj • 03:35 • -5.86db
38% Popularity • 76% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 76% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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The Bellas
I Don't Like It, I Love It
118 bpm • D min • 03:59 • -5db
51% Popularity • 78% Danceability • 74% Energy • 53% Liveness
0% Instrumentalness • 90% Positiveness
51% Popularity • 78% Danceability • 74% Energy • 53% Liveness
0% Instrumentalness • 90% Positiveness
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Tony Ferrari
What We Got (Mickey's Birthday Song)
118 bpm • A Maj • 02:54 • -5db
31% Popularity • 74% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 74% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Jonathan Tilkin
Say Yes
130 bpm • B Maj • 03:26 • -6db
17% Popularity • 68% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 68% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Eli Lieb
Safe in My Hands
118 bpm • D# Maj • 03:21 • -7.04db
33% Popularity • 52% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 52% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
