Songs like Find Yourself by The Meters
Based on a tempo of (+/- 10%) and a similar genre
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Marvin Gaye
Come Live With Me Angel
80 bpm • B min • 06:28 • -9.98db
52% Popularity • 58% Danceability • 68% Energy • 12% Liveness
8% Instrumentalness • 82% Positiveness
52% Popularity • 58% Danceability • 68% Energy • 12% Liveness
8% Instrumentalness • 82% Positiveness
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MFSB
Something For Nothing
80 bpm • C# min • 02:57 • -7.03db
24% Popularity • 56% Danceability • 65% Energy • 34% Liveness
20% Instrumentalness • 58% Positiveness
24% Popularity • 56% Danceability • 65% Energy • 34% Liveness
20% Instrumentalness • 58% Positiveness
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The Meters
Find Yourself
80 bpm • E Maj • 04:12 • -11.72db
36% Popularity • 62% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 62% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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O.V. Wright
Let's Straighten It Out
79 bpm • F min • 03:52 • -11.24db
45% Popularity • 69% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
45% Popularity • 69% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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The Isley Brothers
Footsteps in the Dark, Pts. 1 & 2
81 bpm • B min • 05:06 • -10.57db
63% Popularity • 68% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
63% Popularity • 68% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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The Mighty Imperials
We Need Him Now
79 bpm • G Maj • 02:50 • -10.18db
9% Popularity • 55% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 55% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Lee Fields & The Expressions
Never Be Another You
79 bpm • C min • 04:25 • -8.32db
55% Popularity • 77% Danceability • 68% Energy • 13% Liveness
2% Instrumentalness • 66% Positiveness
55% Popularity • 77% Danceability • 68% Energy • 13% Liveness
2% Instrumentalness • 66% Positiveness
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Ann Peebles
I Feel Like Breaking up Somebody's Home ...
81 bpm • F Maj • 02:30 • -9.15db
46% Popularity • 79% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
46% Popularity • 79% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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The Meters
He Bite Me
80 bpm • G# Maj • 02:58 • -10.31db
22% Popularity • 76% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
22% Popularity • 76% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Z.Z. Hill
That Ain't The Way You Make Love
78 bpm • G# min • 03:45 • -9.08db
43% Popularity • 58% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 58% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Zapp
Be Alright
82 bpm • G# Maj • 07:52 • -5db
44% Popularity • 64% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
44% Popularity • 64% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Eddie Kendricks
If You Let Me
77 bpm • C min • 03:21 • -12db
29% Popularity • 53% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 53% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Donald Byrd
I Feel Like Loving You Today
77 bpm • D min • 06:55 • -7.36db
34% Popularity • 58% Danceability • 73% Energy • 65% Liveness
5% Instrumentalness • 79% Positiveness
34% Popularity • 58% Danceability • 73% Energy • 65% Liveness
5% Instrumentalness • 79% Positiveness
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The Blackbyrds
Wilford's Gone
83 bpm • C Maj • 02:21 • -9db
43% Popularity • 63% Danceability • 56% Energy • 7% Liveness
36% Instrumentalness • 92% Positiveness
43% Popularity • 63% Danceability • 56% Energy • 7% Liveness
36% Instrumentalness • 92% Positiveness
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The Meters
Stormy
78 bpm • C Maj • 03:40 • -16.85db
40% Popularity • 62% Danceability • 22% Energy • 10% Liveness
81% Instrumentalness • 32% Positiveness
40% Popularity • 62% Danceability • 22% Energy • 10% Liveness
81% Instrumentalness • 32% Positiveness
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Gwen McCrae
90% of Me Is You
83 bpm • B Maj • 02:47 • -15db
47% Popularity • 49% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
47% Popularity • 49% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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The Delfonics
Ready or Not Here I Come (Can't Hide fro...
83 bpm • D# Maj • 01:59 • -6.22db
49% Popularity • 55% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 55% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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The Main Ingredient
Euphrates
83 bpm • D# Maj • 04:44 • -7.95db
22% Popularity • 55% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
22% Popularity • 55% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Lee Dorsey
Give It Up
83 bpm • A# min • 03:03 • -8.92db
35% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 62% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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The Pointer Sisters
Don't It Drive You Crazy
83 bpm • D min • 06:19 • -10db
28% Popularity • 55% Danceability • 74% Energy • 51% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 55% Danceability • 74% Energy • 51% Liveness
0% Instrumentalness • 92% Positiveness
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The Meters
Wichita Lineman
83 bpm • D min • 02:59 • -15db
34% Popularity • 54% Danceability • 34% Energy • 21% Liveness
1% Instrumentalness • 35% Positiveness
34% Popularity • 54% Danceability • 34% Energy • 21% Liveness
1% Instrumentalness • 35% Positiveness
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Heatwave
The Star of a Story
84 bpm • B min • 05:50 • -14.48db
38% Popularity • 42% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 42% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Lee Fields & The Expressions
It Rains Love
84 bpm • F# min • 03:55 • -5db
44% Popularity • 58% Danceability • 84% Energy • 13% Liveness
3% Instrumentalness • 77% Positiveness
44% Popularity • 58% Danceability • 84% Energy • 13% Liveness
3% Instrumentalness • 77% Positiveness
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D.J. Rogers
Bail Out
84 bpm • G# Maj • 04:18 • -12db
11% Popularity • 75% Danceability • 63% Energy • 15% Liveness
2% Instrumentalness • 90% Positiveness
11% Popularity • 75% Danceability • 63% Energy • 15% Liveness
2% Instrumentalness • 90% Positiveness
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The Stylistics
People Make The World Go Round
84 bpm • G Maj • 06:27 • -11db
38% Popularity • 69% Danceability • 45% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 69% Danceability • 45% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
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Soul Dog
Can't Stop Loving You
76 bpm • C Maj • 05:12 • -14db
32% Popularity • 58% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
32% Popularity • 58% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Rufus Thomas
Sixty Minute Man
85 bpm • C# min • 07:18 • -9.45db
25% Popularity • 77% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 77% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Lee Dorsey
Get out of My Life, Woman
85 bpm • B Maj • 03:10 • -13db
26% Popularity • 71% Danceability • 43% Energy • 9% Liveness
5% Instrumentalness • 70% Positiveness
26% Popularity • 71% Danceability • 43% Energy • 9% Liveness
5% Instrumentalness • 70% Positiveness
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Cornelius Brothers & Sister Rose
Since I Found My Baby
85 bpm • F# min • 03:40 • -12db
29% Popularity • 53% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 53% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Jimmy "Bo" Horne
Clean Up Man
85 bpm • G min • 02:30 • -12.22db
31% Popularity • 75% Danceability • 37% Energy • 6% Liveness
25% Instrumentalness • 68% Positiveness
31% Popularity • 75% Danceability • 37% Energy • 6% Liveness
25% Instrumentalness • 68% Positiveness
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Eddie Kendricks
Day By Day
74 bpm • G# Maj • 03:17 • -11.68db
30% Popularity • 43% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 43% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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George Jackson
Aretha, Sing One for Me
86 bpm • C Maj • 02:57 • -10.7db
40% Popularity • 69% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
40% Popularity • 69% Danceability • 34% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
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The Meters
Be My Lady - Single Version; 2017 Remast...
86 bpm • E min • 03:29 • -10.66db
22% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Edwin Starr
Easin' In
87 bpm • F# Maj • 03:14 • -11.15db
46% Popularity • 84% Danceability • 40% Energy • 11% Liveness
26% Instrumentalness • 87% Positiveness
46% Popularity • 84% Danceability • 40% Energy • 11% Liveness
26% Instrumentalness • 87% Positiveness
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Labi Siffre
I Got The... - Radio Edit
87 bpm • G min • 03:51 • -12db
30% Popularity • 52% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 52% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Parliament
P-Funk (Wants To Get Funked Up)
88 bpm • A Maj • 07:41 • -14.33db
44% Popularity • 64% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
44% Popularity • 64% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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Rufus & Chaka Khan
Tell Me Something Good
73 bpm • C# Maj • 04:37 • -9.74db
54% Popularity • 66% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 66% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Allen Toussaint
Last Train - Remastered Version
88 bpm • C# Maj • 03:01 • -9db
42% Popularity • 58% Danceability • 78% Energy • 8% Liveness
2% Instrumentalness • 93% Positiveness
42% Popularity • 58% Danceability • 78% Energy • 8% Liveness
2% Instrumentalness • 93% Positiveness
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The Meters
Dry Spell
74 bpm • D# Maj • 02:29 • -15.37db
16% Popularity • 69% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 38% Positiveness
16% Popularity • 69% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 38% Positiveness
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Mandrill
I Refuse To Smile
88 bpm • E min • 04:07 • -7.36db
20% Popularity • 54% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 54% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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The Dramatics
In The Rain
73 bpm • G# min • 05:10 • -12.6db
27% Popularity • 33% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 33% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Eugene McDaniels
Cherrystones
88 bpm • F min • 03:11 • -10db
32% Popularity • 62% Danceability • 67% Energy • 47% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 62% Danceability • 67% Energy • 47% Liveness
0% Instrumentalness • 93% Positiveness
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Bernie Worrell
Woo Together
88 bpm • F# Maj • 04:32 • -8db
19% Popularity • 60% Danceability • 60% Energy • 63% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 60% Danceability • 60% Energy • 63% Liveness
0% Instrumentalness • 75% Positiveness
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Lafayette Afro Rock Band
Baba Hya - Remastered
88 bpm • G min • 05:29 • -5.15db
22% Popularity • 44% Danceability • 92% Energy • 7% Liveness
88% Instrumentalness • 78% Positiveness
22% Popularity • 44% Danceability • 92% Energy • 7% Liveness
88% Instrumentalness • 78% Positiveness
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The Meters
Cardova
87 bpm • F Maj • 04:35 • -14db
35% Popularity • 74% Danceability • 69% Energy • 18% Liveness
79% Instrumentalness • 69% Positiveness
35% Popularity • 74% Danceability • 69% Energy • 18% Liveness
79% Instrumentalness • 69% Positiveness
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Foster Sylvers
Misdemeanor
88 bpm • D Maj • 02:33 • -8.68db
40% Popularity • 76% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
40% Popularity • 76% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Darondo
Sexy Mama
88 bpm • B min • 03:55 • -10db
31% Popularity • 80% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 80% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Eugene McDaniels
Jagger the Dagger
89 bpm • C Maj • 06:03 • -16db
23% Popularity • 49% Danceability • 31% Energy • 17% Liveness
6% Instrumentalness • 40% Positiveness
23% Popularity • 49% Danceability • 31% Energy • 17% Liveness
6% Instrumentalness • 40% Positiveness
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Willie Wright
I'm So Happy Now
89 bpm • C# min • 04:33 • -6.53db
30% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 58% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Gil Scott-Heron
Legend In His Own Mind
89 bpm • C Maj • 03:41 • -12.21db
31% Popularity • 61% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 61% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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The Meters
Be My Lady
88 bpm • E min • 06:25 • -13.2db
14% Popularity • 52% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 52% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Bobby Rush
Chicken Heads
89 bpm • A Maj • 02:34 • -8.47db
37% Popularity • 85% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 85% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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The South Side Movement
I' Been Watching You
89 bpm • A Maj • 03:03 • -9.68db
28% Popularity • 64% Danceability • 45% Energy • 29% Liveness
9% Instrumentalness • 81% Positiveness
28% Popularity • 64% Danceability • 45% Energy • 29% Liveness
9% Instrumentalness • 81% Positiveness
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Stevie Wonder
Hey Love
89 bpm • C Maj • 02:41 • -13.16db
43% Popularity • 67% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 67% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Parliament
Mothership Connection (Star Child)
89 bpm • G# min • 06:13 • -10.24db
46% Popularity • 66% Danceability • 58% Energy • 44% Liveness
0% Instrumentalness • 83% Positiveness
46% Popularity • 66% Danceability • 58% Energy • 44% Liveness
0% Instrumentalness • 83% Positiveness
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Mel & Tim
Groovy Situation
89 bpm • F Maj • 03:12 • -7db
27% Popularity • 66% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 66% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Lee Fields & The Expressions
Precious Love
89 bpm • F Maj • 04:38 • -6.76db
35% Popularity • 71% Danceability • 74% Energy • 6% Liveness
6% Instrumentalness • 55% Positiveness
35% Popularity • 71% Danceability • 74% Energy • 6% Liveness
6% Instrumentalness • 55% Positiveness
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The Meters
Jungle Man
89 bpm • E min • 03:26 • -13.94db
28% Popularity • 80% Danceability • 38% Energy • 3% Liveness
19% Instrumentalness • 88% Positiveness
28% Popularity • 80% Danceability • 38% Energy • 3% Liveness
19% Instrumentalness • 88% Positiveness
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Lee Dorsey
Get out of My Life Woman
90 bpm • F# Maj • 02:26 • -11db
44% Popularity • 84% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 84% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Bernie Worrell
Happy to Have (Happiness On Our Side)
90 bpm • B min • 07:38 • -9.21db
11% Popularity • 58% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 58% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Shuggie Otis
Inspiration Information
90 bpm • G Maj • 04:12 • -7db
52% Popularity • 80% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 84% Positiveness
52% Popularity • 80% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 84% Positiveness
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Sly, Slick & Wicked
Sho' Nuff
90 bpm • B min • 02:50 • -9db
43% Popularity • 69% Danceability • 64% Energy • 45% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 69% Danceability • 64% Energy • 45% Liveness
0% Instrumentalness • 86% Positiveness
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Betty Wright
Old Songs
90 bpm • G# Maj • 05:34 • -7.6db
42% Popularity • 78% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
42% Popularity • 78% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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The Meters
Tippi-Toes
90 bpm • G Maj • 02:29 • -13.44db
41% Popularity • 76% Danceability • 53% Energy • 5% Liveness
77% Instrumentalness • 82% Positiveness
41% Popularity • 76% Danceability • 53% Energy • 5% Liveness
77% Instrumentalness • 82% Positiveness
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Gil Scott-Heron
I Think I'll Call It Morning
90 bpm • D Maj • 03:31 • -9db
44% Popularity • 71% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
44% Popularity • 71% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Fred Wesley & The J.B.'s
Same Beat
90 bpm • C Maj • 07:45 • -11.76db
20% Popularity • 72% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 72% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 84% Positiveness
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Hank Crawford
Wildflower
90 bpm • F Maj • 03:54 • -8.49db
38% Popularity • 49% Danceability • 61% Energy • 43% Liveness
1% Instrumentalness • 61% Positiveness
38% Popularity • 49% Danceability • 61% Energy • 43% Liveness
1% Instrumentalness • 61% Positiveness
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The J.B.'s
Transmograpfication
90 bpm • C Maj • 04:04 • -8.19db
14% Popularity • 62% Danceability • 83% Energy • 22% Liveness
45% Instrumentalness • 96% Positiveness
14% Popularity • 62% Danceability • 83% Energy • 22% Liveness
45% Instrumentalness • 96% Positiveness
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Betty Wright
Clean up Woman
90 bpm • F Maj • 02:49 • -9.05db
56% Popularity • 86% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
56% Popularity • 86% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Eddie Hazel
Frantic Moment
90 bpm • G Maj • 03:44 • -11db
29% Popularity • 81% Danceability • 52% Energy • 19% Liveness
45% Instrumentalness • 85% Positiveness
29% Popularity • 81% Danceability • 52% Energy • 19% Liveness
45% Instrumentalness • 85% Positiveness
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Parliament
Supergroovalisticprosifunkstication (The...
90 bpm • G Maj • 05:04 • -7.86db
36% Popularity • 65% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 65% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Bobby Caldwell
Down for the Third Time
90 bpm • G Maj • 05:04 • -20.69db
40% Popularity • 73% Danceability • 27% Energy • 6% Liveness
44% Instrumentalness • 64% Positiveness
40% Popularity • 73% Danceability • 27% Energy • 6% Liveness
44% Instrumentalness • 64% Positiveness
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The Meters
Hand Clapping Song
91 bpm • A Maj • 02:56 • -13db
43% Popularity • 80% Danceability • 52% Energy • 10% Liveness
85% Instrumentalness • 63% Positiveness
43% Popularity • 80% Danceability • 52% Energy • 10% Liveness
85% Instrumentalness • 63% Positiveness
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Ripple
I Don’t Know What It Is, But It Sure I...
91 bpm • A# min • 03:27 • -6.93db
39% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
39% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Baby Huey
Mighty Mighty
91 bpm • E Maj • 02:49 • -6db
25% Popularity • 44% Danceability • 90% Energy • 47% Liveness
1% Instrumentalness • 82% Positiveness
25% Popularity • 44% Danceability • 90% Energy • 47% Liveness
1% Instrumentalness • 82% Positiveness
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Dee Edwards
(I Can) Deal with That
91 bpm • C# Maj • 03:39 • -8.83db
37% Popularity • 59% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 59% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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The Brothers Johnson
Strawberry Letter 23
91 bpm • G min • 04:59 • -11.7db
62% Popularity • 73% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 75% Positiveness
62% Popularity • 73% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 75% Positiveness
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Patrice Rushen
Remind Me - Remastered
91 bpm • E min • 05:19 • -9db
58% Popularity • 81% Danceability • 48% Energy • 8% Liveness
4% Instrumentalness • 84% Positiveness
58% Popularity • 81% Danceability • 48% Energy • 8% Liveness
4% Instrumentalness • 84% Positiveness
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The Meters
Here Comes the Meter Man
91 bpm • C Maj • 02:55 • -10.47db
35% Popularity • 57% Danceability • 89% Energy • 5% Liveness
3% Instrumentalness • 90% Positiveness
35% Popularity • 57% Danceability • 89% Energy • 5% Liveness
3% Instrumentalness • 90% Positiveness
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Tyrone Davis
In the Mood
70 bpm • G min • 04:09 • -10.14db
47% Popularity • 60% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 60% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Baby Huey
Hard Times
91 bpm • A min • 03:23 • -5.82db
51% Popularity • 66% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
51% Popularity • 66% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Funk Inc.
Goodbye, So Long
92 bpm • A min • 04:25 • -9.4db
17% Popularity • 67% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 67% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Ann Peebles
Somebody's on Your Case
92 bpm • G Maj • 02:24 • -7.61db
40% Popularity • 87% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 87% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Leon Haywood
I Want'a Do Something Freaky To You
92 bpm • F# min • 05:03 • -15.26db
43% Popularity • 57% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
43% Popularity • 57% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
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The Meters
I Want to Be Loved by You
91 bpm • F min • 05:24 • -11.94db
11% Popularity • 72% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 72% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Final Solution
Gotta Get Through to You
92 bpm • F# min • 04:44 • -7.43db
18% Popularity • 58% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 58% Danceability • 83% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Clarence Reid
Masterpiece
92 bpm • D# Maj • 02:52 • -2.36db
32% Popularity • 52% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 52% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Express Yourself
92 bpm • G# Maj • 03:53 • -8.84db
59% Popularity • 79% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
59% Popularity • 79% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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The Whatnauts
Message from a Black Man
92 bpm • A# min • 03:01 • -16db
34% Popularity • 50% Danceability • 22% Energy • 47% Liveness
74% Instrumentalness • 64% Positiveness
34% Popularity • 50% Danceability • 22% Energy • 47% Liveness
74% Instrumentalness • 64% Positiveness
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Leon Haywood
I Want'a Do Something Freaky To You
92 bpm • F# min • 05:52 • -7.16db
38% Popularity • 59% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 59% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Marvin Gaye
You're The Man - Parts 1 & 2
92 bpm • C# Maj • 05:46 • -9.88db
25% Popularity • 64% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
25% Popularity • 64% Danceability • 72% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
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The Meters
Soul Island
92 bpm • C Maj • 03:11 • -12.06db
24% Popularity • 72% Danceability • 68% Energy • 7% Liveness
86% Instrumentalness • 97% Positiveness
24% Popularity • 72% Danceability • 68% Energy • 7% Liveness
86% Instrumentalness • 97% Positiveness
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Ramsey Lewis
Sun Goddess
93 bpm • G Maj • 08:27 • -12.66db
36% Popularity • 54% Danceability • 78% Energy • 8% Liveness
9% Instrumentalness • 53% Positiveness
36% Popularity • 54% Danceability • 78% Energy • 8% Liveness
9% Instrumentalness • 53% Positiveness
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Congress Alley
Are You Looking?
93 bpm • F min • 03:48 • -12.94db
18% Popularity • 43% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 43% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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William DeVaughn
Be Thankful for What You Got (Pt. 1)
93 bpm • C# min • 03:28 • -13.5db
35% Popularity • 86% Danceability • 31% Energy • 7% Liveness
24% Instrumentalness • 88% Positiveness
35% Popularity • 86% Danceability • 31% Energy • 7% Liveness
24% Instrumentalness • 88% Positiveness
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The Blackbyrds
Mysterious Vibes
93 bpm • G# min • 04:50 • -19.62db
49% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
49% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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The Five Stairsteps
Don't Change Your Love - Buddha Remaster...
93 bpm • A Maj • 02:48 • -7.01db
19% Popularity • 59% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 59% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Donald Byrd
Places And Spaces
93 bpm • G# Maj • 06:19 • -10db
40% Popularity • 62% Danceability • 70% Energy • 11% Liveness
8% Instrumentalness • 91% Positiveness
40% Popularity • 62% Danceability • 70% Energy • 11% Liveness
8% Instrumentalness • 91% Positiveness
