Songs like Finding Nemo / Nemo Egg (From "Finding Nemo") by The City of Prague Philharmonic Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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David Buckley
Plaintiff's Partita
80 bpm • G min • 01:53 • -18.17db
11% Popularity • 68% Danceability • 26% Energy • 13% Liveness
91% Instrumentalness • 73% Positiveness
11% Popularity • 68% Danceability • 26% Energy • 13% Liveness
91% Instrumentalness • 73% Positiveness
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James Horner
End Credits
80 bpm • E min • 06:41 • -15.37db
25% Popularity • 15% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Howard Shore
The Prophecy
80 bpm • D min • 05:01 • -17.54db
28% Popularity • 9% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
28% Popularity • 9% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Penguin Cafe
Perpetuum Mobile
80 bpm • C Maj • 04:41 • -17.22db
38% Popularity • 43% Danceability • 40% Energy • 11% Liveness
84% Instrumentalness • 57% Positiveness
38% Popularity • 43% Danceability • 40% Energy • 11% Liveness
84% Instrumentalness • 57% Positiveness
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Yuja Wang
Wallfisch: The Races
80 bpm • F# Maj • 01:33 • -18.33db
19% Popularity • 34% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
19% Popularity • 34% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Samuel Barber
Barber: Adagio for Strings, Op. 11
80 bpm • A# min • 06:21 • -21.58db
39% Popularity • 12% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 12% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Michael Kamen
Band Of Brothers Suite Two - Instrumenta...
80 bpm • D# Maj • 09:13 • -14.67db
30% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Ronald Binge
The Watermill
80 bpm • F Maj • 03:46 • -31.05db
30% Popularity • 8% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
30% Popularity • 8% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
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Nicholas Hooper
Dumbledore's Army
80 bpm • G Maj • 02:40 • -21db
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
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Ralph Vaughan Williams
Fantasia on a Theme by Thomas Tallis (ex...
80 bpm • C min • 06:24 • -26.06db
29% Popularity • 8% Danceability • 5% Energy • 34% Liveness
53% Instrumentalness • 4% Positiveness
29% Popularity • 8% Danceability • 5% Energy • 34% Liveness
53% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
The Park - Finding Neverland/Soundtrack ...
80 bpm • C Maj • 01:07 • -16.85db
37% Popularity • 18% Danceability • 16% Energy • 16% Liveness
69% Instrumentalness • 19% Positiveness
37% Popularity • 18% Danceability • 16% Energy • 16% Liveness
69% Instrumentalness • 19% Positiveness
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John Corigliano
I. Cremona, Main Title
80 bpm • G# Maj • 02:42 • -26.12db
19% Popularity • 7% Danceability • 4% Energy • 61% Liveness
89% Instrumentalness • 3% Positiveness
19% Popularity • 7% Danceability • 4% Energy • 61% Liveness
89% Instrumentalness • 3% Positiveness
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David Hirschfelder
Elizabeth - Original Motion Picture Soun...
80 bpm • A# Maj • 01:49 • -25.21db
32% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
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Rael Jones
Precious to Me
80 bpm • E min • 01:49 • -27.77db
40% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
40% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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The City of Prague Philharmonic Orchestra
Jane Eyre
80 bpm • C# Maj • 03:17 • -17.62db
14% Popularity • 21% Danceability • 22% Energy • 13% Liveness
55% Instrumentalness • 9% Positiveness
14% Popularity • 21% Danceability • 22% Energy • 13% Liveness
55% Instrumentalness • 9% Positiveness
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Stephen Sondheim
Johanna
80 bpm • D# Maj • 02:24 • -14.38db
9% Popularity • 15% Danceability • 18% Energy • 9% Liveness
42% Instrumentalness • 5% Positiveness
9% Popularity • 15% Danceability • 18% Energy • 9% Liveness
42% Instrumentalness • 5% Positiveness
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Johann Strauss II
On the Beautiful Blue Danube - Waltz Op....
81 bpm • D Maj • 09:34 • -24.92db
37% Popularity • 23% Danceability • 3% Energy • 31% Liveness
58% Instrumentalness • 15% Positiveness
37% Popularity • 23% Danceability • 3% Energy • 31% Liveness
58% Instrumentalness • 15% Positiveness
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Anne Dudley
The Endless River
79 bpm • C# min • 02:04 • -16db
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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The Starlite Orchestra & Singers
The Patriot (Main Theme)
81 bpm • C Maj • 06:35 • -13.17db
20% Popularity • 13% Danceability • 28% Energy • 17% Liveness
60% Instrumentalness • 10% Positiveness
20% Popularity • 13% Danceability • 28% Energy • 17% Liveness
60% Instrumentalness • 10% Positiveness
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Joshua Bell
Heavenly Voice II (Alternative Version)
81 bpm • D# Maj • 01:52 • -28.66db
22% Popularity • 17% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 8% Positiveness
22% Popularity • 17% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 8% Positiveness
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The City of Prague Philharmonic Orchestra
Reunion of Friends
79 bpm • A Maj • 05:45 • -12.33db
21% Popularity • 8% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
21% Popularity • 8% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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I Salonisti
Marguerite Waltz
81 bpm • A Maj • 02:34 • -16.31db
21% Popularity • 37% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 37% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Fernando Velázquez
Edith's Theme
81 bpm • G min • 01:56 • -14.8db
42% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
42% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Ludwig van Beethoven
String Quartet in C-sharp minor, Op. 131...
81 bpm • G# min • 02:10 • -24.27db
26% Popularity • 15% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 15% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
52% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
52% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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Emile Pandolfi
Music of the Night
81 bpm • C# Maj • 05:17 • -16.01db
18% Popularity • 13% Danceability • 8% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 8% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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James Horner
End Credits
79 bpm • D Maj • 06:13 • -16.5db
32% Popularity • 10% Danceability • 18% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
32% Popularity • 10% Danceability • 18% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
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Sharon Farber
Mathilda
81 bpm • D min • 02:48 • -18.15db
33% Popularity • 15% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
33% Popularity • 15% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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The City of Prague Philharmonic Orchestra
Pachelbel: Canon in D Major, P. 37
81 bpm • C# Maj • 05:41 • -15.38db
20% Popularity • 32% Danceability • 17% Energy • 10% Liveness
61% Instrumentalness • 18% Positiveness
20% Popularity • 32% Danceability • 17% Energy • 10% Liveness
61% Instrumentalness • 18% Positiveness
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Ludwig van Beethoven
Beethoven: Epilogue ( Beethoven Piano Co...
81 bpm • B Maj • 03:57 • -29.33db
26% Popularity • 26% Danceability • 3% Energy • 5% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 26% Danceability • 3% Energy • 5% Liveness
92% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Government
81 bpm • D min • 04:06 • -27.76db
33% Popularity • 32% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
33% Popularity • 32% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Emile Pandolfi
The Sound of Music
81 bpm • F Maj • 02:41 • -18.28db
17% Popularity • 21% Danceability • 11% Energy • 25% Liveness
96% Instrumentalness • 5% Positiveness
17% Popularity • 21% Danceability • 11% Energy • 25% Liveness
96% Instrumentalness • 5% Positiveness
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William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
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Michael Giacchino
Star Trek Main Theme
79 bpm • A# Maj • 03:25 • -9.54db
50% Popularity • 23% Danceability • 52% Energy • 48% Liveness
95% Instrumentalness • 15% Positiveness
50% Popularity • 23% Danceability • 52% Energy • 48% Liveness
95% Instrumentalness • 15% Positiveness
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Academy of St. Martin in the Fields
Why Picton?
79 bpm • E min • 01:09 • -20.64db
31% Popularity • 20% Danceability • 5% Energy • 27% Liveness
90% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 5% Energy • 27% Liveness
90% Instrumentalness • 4% Positiveness
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Hans Zimmer
Chevaliers de Sangreal
81 bpm • F Maj • 04:07 • -11.8db
40% Popularity • 10% Danceability • 35% Energy • 13% Liveness
90% Instrumentalness • 8% Positiveness
40% Popularity • 10% Danceability • 35% Energy • 13% Liveness
90% Instrumentalness • 8% Positiveness
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Frédéric Chopin
Ballade No. 2 in F Major, Op. 38
79 bpm • F Maj • 07:32 • -19.96db
33% Popularity • 23% Danceability • 12% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
33% Popularity • 23% Danceability • 12% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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André Rieu
Death Of Åse, Op. 46
78 bpm • G Maj • 04:39 • -18.16db
15% Popularity • 10% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
15% Popularity • 10% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: Intermezzo (Godfat...
78 bpm • F Maj • 03:39 • -22.62db
28% Popularity • 13% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
28% Popularity • 13% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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The City of Prague Philharmonic Orchestra
Rachmaninoff: Rhapsody On A Theme Of Pag...
82 bpm • C# Maj • 02:31 • -15.73db
14% Popularity • 19% Danceability • 22% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 22% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Samuel Sim
Blind Endeavours
82 bpm • G Maj • 03:15 • -19db
28% Popularity • 12% Danceability • 9% Energy • 35% Liveness
80% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 9% Energy • 35% Liveness
80% Instrumentalness • 4% Positiveness
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Michael Kamen
Bull's Theme - Instrumental
82 bpm • C Maj • 03:19 • -20.02db
18% Popularity • 13% Danceability • 12% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 12% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Craig Armstrong
Armstrong: Opening
82 bpm • C min • 01:31 • -8.26db
30% Popularity • 21% Danceability • 67% Energy • 32% Liveness
96% Instrumentalness • 32% Positiveness
30% Popularity • 21% Danceability • 67% Energy • 32% Liveness
96% Instrumentalness • 32% Positiveness
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Carlo Savina
Love Theme Of Ben-Hur
78 bpm • F Maj • 02:51 • -21.83db
7% Popularity • 14% Danceability • 8% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
7% Popularity • 14% Danceability • 8% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Czech Suite, Op. 39, B. 93: I. Preludium...
82 bpm • D Maj • 03:56 • -29db
23% Popularity • 8% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
23% Popularity • 8% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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The City of Prague Philharmonic Orchestra
Airforce One
82 bpm • C Maj • 01:50 • -10.16db
28% Popularity • 16% Danceability • 50% Energy • 14% Liveness
66% Instrumentalness • 6% Positiveness
28% Popularity • 16% Danceability • 50% Energy • 14% Liveness
66% Instrumentalness • 6% Positiveness
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Niklas Wagner
A New Adventure
82 bpm • F# Maj • 01:46 • -17.01db
24% Popularity • 24% Danceability • 24% Energy • 26% Liveness
11% Instrumentalness • 13% Positiveness
24% Popularity • 24% Danceability • 24% Energy • 26% Liveness
11% Instrumentalness • 13% Positiveness
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Andrew Lloyd Webber
The Phantom Of The Opera Symphonic Suite...
78 bpm • D Maj • 02:12 • -18.23db
22% Popularity • 18% Danceability • 13% Energy • 36% Liveness
89% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 13% Energy • 36% Liveness
89% Instrumentalness • 4% Positiveness
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Nicholas Hooper
A Journey to Hogwarts
78 bpm • A min • 02:52 • -22db
48% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
48% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
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Hans Zimmer
Solomon
83 bpm • G Maj • 03:20 • -19.18db
27% Popularity • 18% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 3% Positiveness
27% Popularity • 18% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 3% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • G min • 02:53 • -21.77db
54% Popularity • 23% Danceability • 7% Energy • 8% Liveness
39% Instrumentalness • 26% Positiveness
54% Popularity • 23% Danceability • 7% Energy • 8% Liveness
39% Instrumentalness • 26% Positiveness
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The City of Prague Philharmonic Orchestra
Across the Stars
78 bpm • E min • 05:43 • -14.92db
21% Popularity • 11% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
21% Popularity • 11% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Zbigniew Preisner
Happily Ever After
83 bpm • E Maj • 02:25 • -15.66db
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
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Max Steiner
Casablanca - Suite
83 bpm • D# Maj • 06:54 • -17db
17% Popularity • 13% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
83 bpm • D# Maj • 03:42 • -23.38db
23% Popularity • 8% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 8% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
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Filharmonie Brno
The Lamb (For String Orchestra)
77 bpm • E min • 03:20 • -27.36db
35% Popularity • 8% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
35% Popularity • 8% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Nikolai Rimsky-Korsakov
Tale of Tsar Saltan, Op. 57: Flight of t...
77 bpm • D min • 01:37 • -31db
48% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
48% Popularity • 44% Danceability • 2% Energy • 36% Liveness
97% Instrumentalness • 44% Positiveness
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The City of Prague Philharmonic Orchestra
Hedwig's Theme
77 bpm • A min • 04:51 • -13db
33% Popularity • 22% Danceability • 21% Energy • 15% Liveness
62% Instrumentalness • 6% Positiveness
33% Popularity • 22% Danceability • 21% Energy • 15% Liveness
62% Instrumentalness • 6% Positiveness
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Yuja Wang
Wallfisch: Gilbert's Theme
83 bpm • F Maj • 01:26 • -19.09db
25% Popularity • 22% Danceability • 11% Energy • 22% Liveness
96% Instrumentalness • 4% Positiveness
25% Popularity • 22% Danceability • 11% Energy • 22% Liveness
96% Instrumentalness • 4% Positiveness
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James Horner
Lookout Point / End Titles
77 bpm • D min • 09:56 • -20.45db
8% Popularity • 8% Danceability • 6% Energy • 8% Liveness
50% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 6% Energy • 8% Liveness
50% Instrumentalness • 4% Positiveness
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Czech Philharmonic
Wonderful Days Theme II - 오케스트�...
77 bpm • D min • 03:18 • -16.03db
30% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
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Harry Gregson-Williams
Fairytale
83 bpm • G# Maj • 01:26 • -18.77db
62% Popularity • 9% Danceability • 16% Energy • 46% Liveness
50% Instrumentalness • 10% Positiveness
62% Popularity • 9% Danceability • 16% Energy • 46% Liveness
50% Instrumentalness • 10% Positiveness
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Ralph Vaughan Williams
Fantasia on a Theme by Thomas Tallis - E...
83 bpm • C min • 05:14 • -19db
29% Popularity • 14% Danceability • 18% Energy • 27% Liveness
78% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 18% Energy • 27% Liveness
78% Instrumentalness • 4% Positiveness
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The City of Prague Philharmonic Orchestra
End Titles
83 bpm • A# Maj • 03:41 • -15.55db
23% Popularity • 14% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Evelyn Goes It Alone
83 bpm • F# min • 02:33 • -25.17db
42% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
42% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
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Ilan Eshkeri
Austenland Symphony: III. Minuet & Waltz
83 bpm • C Maj • 03:54 • -13.63db
15% Popularity • 14% Danceability • 25% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
15% Popularity • 14% Danceability • 25% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
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London Philharmonic Orchestra
Swan Lake Suite, Op. 20: Scène
77 bpm • E min • 03:01 • -13.58db
45% Popularity • 12% Danceability • 26% Energy • 28% Liveness
91% Instrumentalness • 4% Positiveness
45% Popularity • 12% Danceability • 26% Energy • 28% Liveness
91% Instrumentalness • 4% Positiveness
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Milo Paulus
A Simple Gift
77 bpm • B Maj • 04:15 • -20.79db
10% Popularity • 13% Danceability • 11% Energy • 18% Liveness
93% Instrumentalness • 5% Positiveness
10% Popularity • 13% Danceability • 11% Energy • 18% Liveness
93% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Fauré Pavane
83 bpm • F# min • 05:07 • -20.42db
27% Popularity • 14% Danceability • 11% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
27% Popularity • 14% Danceability • 11% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
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The City of Prague Philharmonic Orchestra
Jurassic Park Suite
77 bpm • A# Maj • 06:00 • -12db
27% Popularity • 19% Danceability • 25% Energy • 12% Liveness
56% Instrumentalness • 8% Positiveness
27% Popularity • 19% Danceability • 25% Energy • 12% Liveness
56% Instrumentalness • 8% Positiveness
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James Horner
For the Love of a Princess
84 bpm • A min • 04:15 • -13.53db
23% Popularity • 14% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Ronald Binge
Sailing By
76 bpm • D Maj • 02:37 • -26db
38% Popularity • 16% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
38% Popularity • 16% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 18% Positiveness
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Ludwig van Beethoven
Symphony No. 9 in D Minor, Op. 125 "Chor...
76 bpm • D Maj • 02:32 • -10db
42% Popularity • 23% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 23% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Zbigniew Preisner
Colin Senses Craven
84 bpm • B Maj • 01:33 • -17.53db
27% Popularity • 27% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
27% Popularity • 27% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 15% Positiveness
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Rael Jones
Sunlit Kiss
76 bpm • C Maj • 03:41 • -28db
23% Popularity • 10% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
The City of Prague Philharmonic Orchestra
Mischief Managed / A Window To The Past ...
83 bpm • A min • 06:59 • -15.24db
18% Popularity • 20% Danceability • 21% Energy • 12% Liveness
58% Instrumentalness • 6% Positiveness
18% Popularity • 20% Danceability • 21% Energy • 12% Liveness
58% Instrumentalness • 6% Positiveness
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Bournemouth Symphony Orchestra, George Hurst
The Planets, Suite for Large Orchestra, ...
84 bpm • G# Maj • 07:12 • -14db
21% Popularity • 14% Danceability • 45% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
21% Popularity • 14% Danceability • 45% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Isobel Waller-Bridge
Harriet Smith And Robert Martin Meet On ...
76 bpm • G Maj • 01:09 • -19.5db
34% Popularity • 34% Danceability • 4% Energy • 15% Liveness
36% Instrumentalness • 13% Positiveness
34% Popularity • 34% Danceability • 4% Energy • 15% Liveness
36% Instrumentalness • 13% Positiveness
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Basil Poledouris
End Titles
76 bpm • G# Maj • 04:24 • -11.44db
26% Popularity • 44% Danceability • 22% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
26% Popularity • 44% Danceability • 22% Energy • 9% Liveness
85% Instrumentalness • 16% Positiveness
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Howard Shore
The Shadow of the Past / A Knife in the ...
76 bpm • E min • 07:26 • -14.12db
26% Popularity • 11% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
26% Popularity • 11% Danceability • 23% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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London Philharmonic Orchestra
Swan Lake - Waltz
76 bpm • A Maj • 05:41 • -15.38db
31% Popularity • 22% Danceability • 11% Energy • 11% Liveness
57% Instrumentalness • 8% Positiveness
31% Popularity • 22% Danceability • 11% Energy • 11% Liveness
57% Instrumentalness • 8% Positiveness
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Dan Redfeld & Elizabeth Hedman
The Patriot: Main Theme
76 bpm • C Maj • 04:20 • -17db
24% Popularity • 20% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
24% Popularity • 20% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
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Armand Amar
Amar: Faces
76 bpm • E min • 04:12 • -14.1db
30% Popularity • 12% Danceability • 19% Energy • 11% Liveness
11% Instrumentalness • 7% Positiveness
30% Popularity • 12% Danceability • 19% Energy • 11% Liveness
11% Instrumentalness • 7% Positiveness
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Isobel Waller-Bridge
The Proposal (Under The Horse Chestnut T...
85 bpm • C Maj • 03:35 • -19.99db
30% Popularity • 22% Danceability • 6% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 6% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
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Hans Zimmer
I See Dead People in Boats
76 bpm • D min • 05:36 • -17.91db
17% Popularity • 12% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 12% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Howard Shore
Gollum's Song
84 bpm • G Maj • 05:47 • -15.1db
25% Popularity • 9% Danceability • 22% Energy • 9% Liveness
76% Instrumentalness • 3% Positiveness
25% Popularity • 9% Danceability • 22% Energy • 9% Liveness
76% Instrumentalness • 3% Positiveness
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Tim Fain
Swan Lake, Op. 20
85 bpm • F# min • 05:26 • -18.49db
30% Popularity • 22% Danceability • 15% Energy • 12% Liveness
20% Instrumentalness • 22% Positiveness
30% Popularity • 22% Danceability • 15% Energy • 12% Liveness
20% Instrumentalness • 22% Positiveness
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The City of Prague Philharmonic Orchestra
Gabriel's Oboe
75 bpm • D Maj • 02:21 • -19.93db
34% Popularity • 11% Danceability • 18% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
34% Popularity • 11% Danceability • 18% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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I Salonisti
Orpheus
85 bpm • D Maj • 08:40 • -14.83db
19% Popularity • 30% Danceability • 22% Energy • 5% Liveness
7% Instrumentalness • 12% Positiveness
19% Popularity • 30% Danceability • 22% Energy • 5% Liveness
7% Instrumentalness • 12% Positiveness
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An Eligible Quartet
Mr. Knightley Returns
75 bpm • G min • 01:52 • -16.99db
27% Popularity • 25% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
27% Popularity • 25% Danceability • 9% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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Jóhann Jóhannsson
The Origins of Time
75 bpm • C Maj • 02:21 • -27.17db
41% Popularity • 7% Danceability • 3% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
41% Popularity • 7% Danceability • 3% Energy • 21% Liveness
92% Instrumentalness • 4% Positiveness
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Howard Shore
Evenstar
85 bpm • E min • 03:38 • -19db
31% Popularity • 13% Danceability • 9% Energy • 13% Liveness
58% Instrumentalness • 3% Positiveness
31% Popularity • 13% Danceability • 9% Energy • 13% Liveness
58% Instrumentalness • 3% Positiveness
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Craig Armstrong
Time Moves On
75 bpm • A Maj • 01:08 • -20.72db
42% Popularity • 21% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
42% Popularity • 21% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 5, A Crock of ...
75 bpm • E min • 01:21 • -22.6db
29% Popularity • 20% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
29% Popularity • 20% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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The City of Prague Philharmonic Orchestra
A Prayer for Peace
85 bpm • E min • 04:19 • -15.88db
14% Popularity • 10% Danceability • 19% Energy • 13% Liveness
86% Instrumentalness • 5% Positiveness
14% Popularity • 10% Danceability • 19% Energy • 13% Liveness
86% Instrumentalness • 5% Positiveness
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Anonymous
Turandot, Act III: Nessun dorma (arr. fo...
85 bpm • D Maj • 03:14 • -23db
28% Popularity • 20% Danceability • 6% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 6% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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London Philharmonic Orchestra
Symphony No. 5 in C-Sharp Minor: IV. Ada...
85 bpm • F Maj • 11:00 • -17.06db
28% Popularity • 17% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
28% Popularity • 17% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
