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Fingers ‘n’ thumbs
Songs like
Fingers ‘n’ thumbs
by
James Donald Davies
Based on a tempo of (+/- 10%) and a similar genre
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James Donald Davies
Fingers ‘n’ thumbs
100 bpm • A# Maj • 02:31 • -7.03db
14% Popularity • 57% Danceability • 67% Energy • 13% Liveness
94% Instrumentalness • 44% Positiveness
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911 True Crime
Long Way Back
100 bpm • D min • 03:12 • -10.16db
0% Popularity • 56% Danceability • 25% Energy • 11% Liveness
80% Instrumentalness • 17% Positiveness
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Matthew And The Atlas
Into Gold
100 bpm • C# Maj • 03:50 • -11.49db
25% Popularity • 50% Danceability • 46% Energy • 13% Liveness
82% Instrumentalness • 18% Positiveness
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Paul Otten
I'd Like It to Be Me
100 bpm • G# Maj • 03:46 • -14.72db
16% Popularity • 70% Danceability • 56% Energy • 11% Liveness
2% Instrumentalness • 52% Positiveness
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Javier Dunn
Animal
100 bpm • C# min • 03:35 • -16.32db
19% Popularity • 70% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Andy Zipf
Stumble On The Line
100 bpm • E Maj • 03:24 • -12.28db
10% Popularity • 62% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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James Donald Davies
Def Spam
100 bpm • F# Maj • 02:30 • -13.17db
0% Popularity • 53% Danceability • 50% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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911 True Crime
Opioid Sadness
100 bpm • A# Maj • 02:48 • -13.07db
0% Popularity • 49% Danceability • 23% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
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Charles Hedger
Cracking Down
100 bpm • G Maj • 02:22 • -11.82db
0% Popularity • 62% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Joshua Klein
Gumshoe Polish
100 bpm • C min • 02:20 • -15.18db
0% Popularity • 73% Danceability • 41% Energy • 8% Liveness
90% Instrumentalness • 22% Positiveness
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Peter Bradley Adams
From The Sky
100 bpm • G Maj • 04:21 • -14.33db
9% Popularity • 50% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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TMS Underscores
Feel the Gristle
100 bpm • G Maj • 02:52 • -8.51db
0% Popularity • 57% Danceability • 64% Energy • 11% Liveness
84% Instrumentalness • 37% Positiveness
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James Donald Davies
Shadowlands
100 bpm • D Maj • 03:10 • -8.7db
1% Popularity • 44% Danceability • 53% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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911 True Crime
No Way out
100 bpm • D# Maj • 02:15 • -13.93db
0% Popularity • 29% Danceability • 35% Energy • 14% Liveness
84% Instrumentalness • 4% Positiveness
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Tin Sparrow
The Boat
99 bpm • D Maj • 03:34 • -4.16db
26% Popularity • 40% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Aidan Hawken
Into the Sea
99 bpm • A# Maj • 06:05 • -10db
33% Popularity • 42% Danceability • 58% Energy • 17% Liveness
79% Instrumentalness • 36% Positiveness
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Peter Bradley Adams
Full Moon Song
101 bpm • G# Maj • 04:20 • -16.03db
23% Popularity • 63% Danceability • 32% Energy • 11% Liveness
9% Instrumentalness • 30% Positiveness
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Bear Attack!
The Backpack Song
99 bpm • A# Maj • 03:55 • -11.7db
29% Popularity • 68% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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James Donald Davies
Not the End
100 bpm • D Maj • 02:57 • -6.3db
1% Popularity • 54% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 5% Positiveness
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TMS Underscores
Into the Sun
101 bpm • C Maj • 02:40 • -6.8db
0% Popularity • 52% Danceability • 60% Energy • 14% Liveness
85% Instrumentalness • 34% Positiveness
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Cary Brothers
Free Like You Make Me
101 bpm • G Maj • 05:43 • -11.16db
22% Popularity • 54% Danceability • 33% Energy • 9% Liveness
53% Instrumentalness • 5% Positiveness
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Rogue Valley
Icebox
99 bpm • C# Maj • 03:23 • -14.37db
22% Popularity • 58% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Miner
Hey Love
98 bpm • C Maj • 03:40 • -7.72db
28% Popularity • 51% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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A New Normal
I Can Feel Your Heartbeat
102 bpm • F Maj • 03:12 • -7.3db
11% Popularity • 65% Danceability • 73% Energy • 75% Liveness
0% Instrumentalness • 20% Positiveness
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James Donald Davies
Sandy Crack
102 bpm • A Maj • 02:37 • -7.18db
1% Popularity • 48% Danceability • 70% Energy • 15% Liveness
94% Instrumentalness • 39% Positiveness
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The Woodlands
Bronze
98 bpm • B min • 03:53 • -9.28db
15% Popularity • 63% Danceability • 37% Energy • 19% Liveness
16% Instrumentalness • 39% Positiveness
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Amanda Merdzan
Dreams of You and Me
98 bpm • A Maj • 02:44 • -15.68db
16% Popularity • 74% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
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Covenhoven
Young at Heart
102 bpm • D Maj • 04:18 • -10.76db
22% Popularity • 45% Danceability • 30% Energy • 13% Liveness
62% Instrumentalness • 19% Positiveness
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The Wind and The Wave
From the Wreckage Build a Home
98 bpm • D# Maj • 03:33 • -7.05db
31% Popularity • 58% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Joe Banfi
Nomads
103 bpm • D Maj • 05:32 • -16.01db
18% Popularity • 35% Danceability • 38% Energy • 9% Liveness
7% Instrumentalness • 11% Positiveness
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The Native Sibling
Skin and Bone
98 bpm • E Maj • 04:00 • -9.98db
13% Popularity • 31% Danceability • 53% Energy • 10% Liveness
32% Instrumentalness • 41% Positiveness
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The Boxer Rebellion
New York
97 bpm • C# Maj • 02:54 • -8.68db
29% Popularity • 34% Danceability • 63% Energy • 11% Liveness
5% Instrumentalness • 46% Positiveness
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Rogue Valley
Mountain Laurels
97 bpm • G Maj • 04:12 • -13db
20% Popularity • 57% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Joe Gil
Woodblock
97 bpm • F# Maj • 03:52 • -8.57db
17% Popularity • 51% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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Charles William
Starts
97 bpm • D Maj • 03:44 • -5.17db
20% Popularity • 54% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Katie Herzig
Best Day of Your Life
103 bpm • A# Maj • 03:23 • -4.96db
28% Popularity • 61% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Patrick James
All About to Change
97 bpm • A# Maj • 03:34 • -9.84db
17% Popularity • 60% Danceability • 62% Energy • 9% Liveness
13% Instrumentalness • 28% Positiveness
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Angus & Julia Stone
Love Will Take You
103 bpm • D Maj • 04:30 • -9.35db
41% Popularity • 57% Danceability • 53% Energy • 8% Liveness
33% Instrumentalness • 34% Positiveness
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Brooke Waggoner
Heal for the Honey
96 bpm • F# Maj • 04:15 • -13.3db
22% Popularity • 34% Danceability • 11% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
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Howard
Religion
104 bpm • A min • 04:06 • -14.51db
20% Popularity • 50% Danceability • 39% Energy • 10% Liveness
79% Instrumentalness • 14% Positiveness
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Cary Brothers
Run Away
96 bpm • F Maj • 04:29 • -8.26db
27% Popularity • 49% Danceability • 51% Energy • 12% Liveness
40% Instrumentalness • 24% Positiveness
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The Arthouses
Walk in the Trees
104 bpm • E Maj • 01:44 • -18.72db
15% Popularity • 58% Danceability • 16% Energy • 9% Liveness
83% Instrumentalness • 36% Positiveness
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TMS Underscores
Starting Out
105 bpm • D Maj • 03:05 • -7.71db
0% Popularity • 64% Danceability • 48% Energy • 10% Liveness
88% Instrumentalness • 63% Positiveness
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Prince of Spain
Find Love
105 bpm • A# Maj • 04:06 • -12.39db
14% Popularity • 52% Danceability • 52% Energy • 16% Liveness
1% Instrumentalness • 32% Positiveness
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Aaron Espe
Hanging By a Thread
105 bpm • F Maj • 03:05 • -11.53db
18% Popularity • 75% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Ariela Jacobs
The Sound
105 bpm • C Maj • 04:10 • -8.56db
11% Popularity • 72% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Matthew Mayfield
Carry You, Carry Me
105 bpm • A Maj • 03:42 • -14.25db
10% Popularity • 58% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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The Boxer Rebellion
Dream
95 bpm • C Maj • 05:10 • -8.64db
25% Popularity • 41% Danceability • 65% Energy • 13% Liveness
91% Instrumentalness • 10% Positiveness
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The Lighthouse And The Whaler
Iron Doors
95 bpm • D Maj • 04:43 • -8.74db
15% Popularity • 51% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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James Donald Davies
Capture Love
95 bpm • D Maj • 02:34 • -8.79db
0% Popularity • 64% Danceability • 68% Energy • 12% Liveness
67% Instrumentalness • 27% Positiveness
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Nick Kingsley
Under the Lights
95 bpm • G min • 03:04 • -5.58db
5% Popularity • 51% Danceability • 83% Energy • 14% Liveness
5% Instrumentalness • 83% Positiveness
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Charles Hedger
Target of Opportunity
95 bpm • G# Maj • 01:57 • -9db
0% Popularity • 61% Danceability • 66% Energy • 33% Liveness
87% Instrumentalness • 23% Positiveness
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Joss Whedon
Heavily
95 bpm • G Maj • 01:58 • -26.74db
16% Popularity • 44% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Madi Diaz
Heavy Heart
106 bpm • E Maj • 03:40 • -12db
20% Popularity • 58% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Distant Cousins
Fly Away
106 bpm • D Maj • 02:10 • -11.04db
32% Popularity • 66% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Eugene Oak & Edward Gorski
Any Door
106 bpm • C# Maj • 02:59 • -7.05db
11% Popularity • 67% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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James Donald Davies
Daze In
106 bpm • F# min • 02:32 • -6.36db
5% Popularity • 68% Danceability • 83% Energy • 8% Liveness
76% Instrumentalness • 34% Positiveness
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A Boy and His Kite
Good Men
106 bpm • E Maj • 04:54 • -8.36db
8% Popularity • 64% Danceability • 64% Energy • 14% Liveness
17% Instrumentalness • 50% Positiveness
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Foy Vance
Be the Song
106 bpm • G Maj • 06:31 • -17.24db
35% Popularity • 50% Danceability • 31% Energy • 14% Liveness
78% Instrumentalness • 13% Positiveness
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The Careful Ones
Lake Winona
94 bpm • C# min • 03:57 • -15.81db
15% Popularity • 51% Danceability • 19% Energy • 18% Liveness
1% Instrumentalness • 22% Positiveness
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Amy Stroup
Sabotage
94 bpm • F Maj • 03:49 • -9db
24% Popularity • 56% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Mindy Smith
Anymore of This
94 bpm • A Maj • 04:02 • -10db
33% Popularity • 61% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
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Dave Thomas Junior
Hymn For The Departed
107 bpm • G Maj • 03:30 • -10.69db
9% Popularity • 54% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Matrimony
See the Light
107 bpm • B Maj • 03:35 • -6.56db
16% Popularity • 60% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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James Donald Davies
Treasure Points
107 bpm • G Maj • 02:20 • -4.88db
1% Popularity • 73% Danceability • 90% Energy • 8% Liveness
87% Instrumentalness • 44% Positiveness
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Neulore
Shadow Of A Man
107 bpm • C Maj • 03:16 • -5.12db
31% Popularity • 52% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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Alexi Murdoch
Towards The Sun
93 bpm • C# Maj • 04:42 • -17.59db
33% Popularity • 40% Danceability • 19% Energy • 19% Liveness
80% Instrumentalness • 18% Positiveness
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Milo Greene
Royal Blue
93 bpm • A# min • 04:25 • -10.48db
19% Popularity • 43% Danceability • 43% Energy • 12% Liveness
19% Instrumentalness • 12% Positiveness
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Adam Agin
Fragile Love
108 bpm • A Maj • 04:17 • -5.7db
21% Popularity • 57% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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John Brazell
City Girl
93 bpm • G Maj • 03:17 • -10.41db
13% Popularity • 61% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Holley Maher
Hiding Place
108 bpm • C Maj • 02:38 • -15db
16% Popularity • 64% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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A.Void
Wistful Thinking
108 bpm • C Maj • 02:14 • -12.38db
22% Popularity • 66% Danceability • 49% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
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Aidan Hawken
It's All in Your Head
108 bpm • C# Maj • 02:28 • -8.46db
13% Popularity • 60% Danceability • 51% Energy • 14% Liveness
34% Instrumentalness • 55% Positiveness
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Early Winters
Turn Around
92 bpm • C Maj • 04:04 • -14db
21% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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James Donald Davies
Party Life
92 bpm • B min • 03:10 • -11.82db
0% Popularity • 59% Danceability • 63% Energy • 11% Liveness
2% Instrumentalness • 42% Positiveness
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Libby Kash
We'll Grow
92 bpm • C# Maj • 02:48 • -13.71db
14% Popularity • 65% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Chris Arena
Yes It Do
92 bpm • A# Maj • 03:11 • -13.49db
10% Popularity • 64% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Peter Broderick
With The Notes In My Ears
92 bpm • D# Maj • 02:40 • -13.48db
29% Popularity • 56% Danceability • 30% Energy • 12% Liveness
36% Instrumentalness • 69% Positiveness
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Sara Jackson-Holman
Freight Train
110 bpm • E min • 03:34 • -15db
34% Popularity • 33% Danceability • 21% Energy • 13% Liveness
42% Instrumentalness • 6% Positiveness
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Roo Panes
Glory Days - EP Version
91 bpm • G Maj • 05:16 • -9.84db
25% Popularity • 47% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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James Donald Davies
Model Citizen
109 bpm • C# Maj • 02:26 • -7.47db
5% Popularity • 54% Danceability • 89% Energy • 10% Liveness
89% Instrumentalness • 28% Positiveness
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Milo Greene
Son My Son
91 bpm • F Maj • 03:32 • -10.45db
26% Popularity • 49% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Secret sun
Cold Coast
91 bpm • G min • 03:53 • -9.21db
10% Popularity • 55% Danceability • 68% Energy • 10% Liveness
1% Instrumentalness • 66% Positiveness
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The Boxer Rebellion
You Belong to Me
110 bpm • A# Maj • 03:35 • -11.47db
19% Popularity • 48% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 12% Positiveness
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Amy Stroup
Wait for the Morning
110 bpm • D Maj • 03:52 • -11.49db
24% Popularity • 48% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Aidan Hawken
What's the Wait
110 bpm • G Maj • 03:25 • -11.3db
21% Popularity • 52% Danceability • 39% Energy • 12% Liveness
41% Instrumentalness • 41% Positiveness
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James Donald Davies
I’m Done
110 bpm • C Maj • 02:23 • -7.65db
4% Popularity • 80% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 48% Positiveness
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Wait. Think. Fast.
Look Alive
110 bpm • F Maj • 03:30 • -10db
20% Popularity • 66% Danceability • 59% Energy • 9% Liveness
37% Instrumentalness • 28% Positiveness
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A Boy and His Kite
It's Racing
110 bpm • C# min • 03:34 • -10.55db
9% Popularity • 71% Danceability • 45% Energy • 10% Liveness
87% Instrumentalness • 34% Positiveness
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The Rigs
We All Fall Down
110 bpm • D Maj • 04:58 • -13.3db
19% Popularity • 59% Danceability • 44% Energy • 12% Liveness
63% Instrumentalness • 20% Positiveness
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Dan Gautreau
With You
110 bpm • B min • 02:11 • -11db
28% Popularity • 60% Danceability • 66% Energy • 9% Liveness
47% Instrumentalness • 52% Positiveness
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Daniel Ahearn
The End of Romance
110 bpm • C Maj • 04:51 • -15.1db
14% Popularity • 41% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 9% Positiveness
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James Donald Davies
Cruel to Be Kind
110 bpm • A Maj • 02:43 • -4.32db
0% Popularity • 46% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Odessa
For Granted
90 bpm • C Maj • 03:41 • -10.66db
10% Popularity • 53% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Sleeping At Last
Next to Me
111 bpm • G Maj • 03:56 • -9db
25% Popularity • 55% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Sanders Bohlke
My Baby
111 bpm • D min • 02:51 • -9.09db
23% Popularity • 49% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 39% Positiveness
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The Woodlands
Can We Stay
111 bpm • F# Maj • 03:49 • -13.79db
14% Popularity • 53% Danceability • 23% Energy • 7% Liveness
17% Instrumentalness • 15% Positiveness
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Aron Wright
And Still, the Darkness Comes
111 bpm • D Maj • 03:26 • -8.14db
17% Popularity • 39% Danceability • 47% Energy • 9% Liveness
4% Instrumentalness • 20% Positiveness
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James Donald Davies
Time to Rise Up
90 bpm • D Maj • 02:28 • -5.9db
1% Popularity • 46% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Martin Jackson
Love Is Temple
90 bpm • B min • 04:21 • -12.42db
0% Popularity • 66% Danceability • 46% Energy • 14% Liveness
5% Instrumentalness • 85% Positiveness
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Fingers ‘n’ thumbs