Songs like Finishing the Hat (from "Sunday in the Park with George") by Josh Groban
Based on a tempo of (+/- 10%) and a similar genre
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The Scarlet Pimpernel
Storybook
100 bpm • G# Maj • 03:08 • -10.25db
22% Popularity • 41% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 41% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Josh Groban
Finishing the Hat
100 bpm • F# Maj • 03:08 • -9.49db
24% Popularity • 37% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 37% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Derek Klena
Come to a Party
101 bpm • C Maj • 04:33 • -8db
32% Popularity • 55% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 55% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Max Von Essen
I Got Rhythm
101 bpm • G# Maj • 04:57 • -10db
21% Popularity • 57% Danceability • 42% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 57% Danceability • 42% Energy • 54% Liveness
0% Instrumentalness • 53% Positiveness
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Adam Pascal
Your Eyes
101 bpm • C Maj • 02:36 • -7db
38% Popularity • 39% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
38% Popularity • 39% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
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Susan Egan
A Change In Me
99 bpm • G# Maj • 03:49 • -18db
26% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
26% Popularity • 25% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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J. Robert Spencer
A Light in the Dark
101 bpm • G Maj • 02:45 • -13.93db
30% Popularity • 40% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
30% Popularity • 40% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Honk! Original Demo Cast
Every Tear a Mother Cries
101 bpm • C# Maj • 03:05 • -18.54db
14% Popularity • 40% Danceability • 8% Energy • 10% Liveness
8% Instrumentalness • 10% Positiveness
14% Popularity • 40% Danceability • 8% Energy • 10% Liveness
8% Instrumentalness • 10% Positiveness
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"Les Misérables Original London Cast" Female Ensemble
Turning
99 bpm • F Maj • 02:05 • -14.26db
30% Popularity • 39% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
30% Popularity • 39% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
Here I Am
102 bpm • C min • 02:44 • -11.02db
30% Popularity • 67% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 67% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Adam Pascal
I Should Tell You
99 bpm • G Maj • 02:52 • -7.89db
40% Popularity • 32% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
40% Popularity • 32% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Kirby Ward
I Can't Be Bothered Now
102 bpm • D Maj • 04:14 • -18.47db
23% Popularity • 60% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 60% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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Josh Groban
You'll Never Walk Alone
102 bpm • F Maj • 04:28 • -7.98db
41% Popularity • 20% Danceability • 42% Energy • 18% Liveness
1% Instrumentalness • 10% Positiveness
41% Popularity • 20% Danceability • 42% Energy • 18% Liveness
1% Instrumentalness • 10% Positiveness
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Deidre Goodwin
At the Ballet
102 bpm • D Maj • 05:49 • -10.89db
36% Popularity • 50% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 50% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Micaela Diamond
You Don’t Know This Man
102 bpm • C Maj • 02:21 • -9.77db
34% Popularity • 34% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 34% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Lea Michele
Mama Who Bore Me (Reprise) - Original Br...
102 bpm • E min • 01:15 • -5db
45% Popularity • 52% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 52% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 60% Positiveness
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Derek Klena
You Shine
98 bpm • E Maj • 03:22 • -9.52db
35% Popularity • 65% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 65% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Lucie Arnaz
If He Really Knew Me - 1979 Original Bro...
97 bpm • G Maj • 03:34 • -19.25db
16% Popularity • 42% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 42% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Judy Holliday
The Party's Over
103 bpm • C# min • 02:39 • -15db
7% Popularity • 34% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 34% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 22% Positiveness
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Jeanine Tesori
Telephone Wire
103 bpm • G Maj • 04:28 • -14.49db
31% Popularity • 51% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
31% Popularity • 51% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Maryann Plunkett
Once You Lose Your Heart - Original Cast...
97 bpm • C# Maj • 03:33 • -20db
17% Popularity • 40% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 40% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Anna Kendrick
Goodbye Until Tomorrow / I Could Never R...
97 bpm • F Maj • 08:06 • -8.98db
36% Popularity • 33% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 33% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Mary Elizabeth Mastrantonio
What Does He Want of Me?
96 bpm • F Maj • 02:22 • -14.81db
23% Popularity • 46% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 46% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Alexandra Socha
How Can I Wait?
104 bpm • G# Maj • 04:04 • -9db
11% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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John Cameron Mitchell
Wick
96 bpm • F Maj • 04:11 • -13.67db
22% Popularity • 47% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 47% Danceability • 22% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Victoria Clark
Happy to Keep His Dinner Warm
96 bpm • G# Maj • 02:52 • -14.88db
11% Popularity • 44% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 44% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Vanessa Redgrave
The Simple Joys of Maidenhood - Guenever...
96 bpm • G Maj • 02:01 • -15.78db
19% Popularity • 27% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 27% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Gavin Creel
What Do I Need with Love
95 bpm • G min • 03:03 • -13.72db
32% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 48% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Luke Evans
Stranger in This World
105 bpm • C min • 03:34 • -9.08db
8% Popularity • 32% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 32% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Cast of Ghost - The Musical
Three Little Words
95 bpm • C Maj • 03:40 • -11db
23% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 44% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Soundtrack/Cast Album
It's Not Where You Start
104 bpm • G# Maj • 05:16 • -12.05db
10% Popularity • 58% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 58% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Rita Gardner
They Were You
95 bpm • C Maj • 02:43 • -18db
7% Popularity • 30% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 30% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Lindsay Mendez
First Date / Last Night
95 bpm • D Maj • 03:41 • -8.91db
39% Popularity • 57% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 57% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Brenda Pressley
The World Goes 'Round
105 bpm • B min • 04:08 • -18db
13% Popularity • 42% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 42% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
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James Royal Valcq
Forest for the Trees
106 bpm • D Maj • 02:01 • -9.94db
17% Popularity • 50% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 50% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Gavin Creel
Ilona
106 bpm • C# Maj • 03:04 • -7.74db
30% Popularity • 35% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 35% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Mindi Dickstein
Days of Plenty
95 bpm • G# Maj • 03:26 • -9.12db
26% Popularity • 31% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 31% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Original Broadway Company of Natasha, Pierre and the Great Comet of 1812
Prologue
106 bpm • E min • 04:21 • -8.85db
44% Popularity • 54% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
44% Popularity • 54% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Amanda Seyfried
In My Life / A Heart Full Of Love
94 bpm • D Maj • 03:12 • -18.24db
31% Popularity • 32% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 32% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Daniel Radcliffe
Brotherhood Of Man
94 bpm • F min • 05:07 • -8.15db
31% Popularity • 58% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 58% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Maury Yeston
Overture / Prologue: In Every Age
94 bpm • D Maj • 03:25 • -23.49db
25% Popularity • 25% Danceability • 7% Energy • 56% Liveness
1% Instrumentalness • 7% Positiveness
25% Popularity • 25% Danceability • 7% Energy • 56% Liveness
1% Instrumentalness • 7% Positiveness
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Laura Benanti
Dear Friend
106 bpm • C# Maj • 03:32 • -9.72db
24% Popularity • 36% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 36% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 12% Positiveness
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John Williams
Far From The Home I Love
94 bpm • A Maj • 03:01 • -21db
37% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Stephanie J. Block, Megan Hilty and Allison Janney
I Just Might
94 bpm • A Maj • 03:56 • -9.86db
33% Popularity • 53% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 53% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Susan Egan
Taylor, The Latte Boy
107 bpm • A# Maj • 03:50 • -8.47db
15% Popularity • 60% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 60% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Sara Ramirez
Diva's Lament (What Ever Happened To My ...
94 bpm • B min • 02:32 • -4.52db
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Kerry Butler
Fly, Fly Away
94 bpm • F# Maj • 04:48 • -9.41db
37% Popularity • 34% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 34% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Natalie Weiss
How to Return Home
107 bpm • F Maj • 04:02 • -8.86db
27% Popularity • 40% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 40% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Jeffrey Schecter
I Can Do That
107 bpm • D# Maj • 01:26 • -7.2db
31% Popularity • 63% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 63% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Julia Murney
Maybe I Like It This Way
107 bpm • D# min • 02:59 • -9.77db
27% Popularity • 40% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
27% Popularity • 40% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Josh Groban
Pierre
93 bpm • E min • 04:04 • -7.1db
41% Popularity • 48% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 48% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Soundtrack/Cast Album
The Boy Next Door
107 bpm • F# Maj • 03:55 • -17.56db
7% Popularity • 28% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 28% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Mark Harelik
The Light in the Piazza
93 bpm • D Maj • 03:01 • -14.37db
30% Popularity • 29% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 29% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Michel Legrand
Papa Can You Hear Me?
107 bpm • D min • 02:52 • -12.73db
11% Popularity • 33% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 33% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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David Shannon
Till I Hear You Sing
93 bpm • F Maj • 03:07 • -6db
33% Popularity • 27% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 27% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Derek Klena
Dreamer in Disguise
108 bpm • G# Maj • 01:39 • -17.96db
33% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Josh Groban
If I Loved You [with Audra McDonald]
93 bpm • B Maj • 04:16 • -7.42db
27% Popularity • 26% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 26% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Jonathan Groff
Left Behind - Original Broadway Cast Rec...
93 bpm • G Maj • 04:16 • -10.59db
37% Popularity • 26% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
37% Popularity • 26% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Cats Original Broadway Cast
Mr. Mistoffelees
93 bpm • F# Maj • 04:05 • -10.42db
13% Popularity • 71% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 71% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Rose, Herbie and Louise
Together Wherever We Go
108 bpm • A min • 03:51 • -3.73db
18% Popularity • 65% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
18% Popularity • 65% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Meredith Willson
My White Knight
92 bpm • C# Maj • 03:02 • -14.94db
13% Popularity • 27% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 27% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Valarie Pettiford
Life Is Just A Bowl Of Cherries
108 bpm • D Maj • 02:31 • -18db
8% Popularity • 30% Danceability • 9% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 30% Danceability • 9% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
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Margo Seibert
Raining - Rocky Broadway Cast Recording
92 bpm • G Maj • 04:06 • -11db
27% Popularity • 33% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 33% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
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John Williams
Do You Love Me?
108 bpm • B Maj • 03:13 • -19db
37% Popularity • 49% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 49% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Josh Groban
Bells of New York City
109 bpm • G min • 03:49 • -8.18db
26% Popularity • 36% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 36% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Jerry Herman
Mame: If He Walked into My Life
92 bpm • C# Maj • 03:53 • -13.8db
17% Popularity • 34% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 34% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Sherman Edwards
1776: Is Anybody There?
92 bpm • C min • 02:46 • -12.83db
23% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Dee Hoty
No Man Left for Me
92 bpm • A Maj • 03:16 • -10.51db
8% Popularity • 55% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 55% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Carolee Carmello
Once Upon a Dream - Lisa
92 bpm • B Maj • 02:50 • -18.08db
26% Popularity • 22% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 9% Positiveness
26% Popularity • 22% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 9% Positiveness
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Heidi Blickenstaff
This Time
110 bpm • B Maj • 03:58 • -9db
13% Popularity • 36% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 36% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Josh Groban
Home to Stay
91 bpm • D Maj • 04:33 • -11.25db
32% Popularity • 23% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
32% Popularity • 23% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Kooman & Dimond
Lucy's Laugh
91 bpm • A# Maj • 04:54 • -12.38db
16% Popularity • 30% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 30% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Harry Austin Tierney
Irene - A Musical Comedy: The World Must...
110 bpm • D# Maj • 02:16 • -13.77db
15% Popularity • 64% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 64% Danceability • 24% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Peter Allen
Don't Cry Out Loud - The Boy From Oz/Ori...
91 bpm • C Maj • 02:15 • -8.95db
11% Popularity • 30% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 30% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Judy Kuhn
Oh, What a Beautiful Mornin' / the Call
91 bpm • G Maj • 06:59 • -13.74db
13% Popularity • 30% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 30% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Jekyll
The Way Back
91 bpm • G min • 02:09 • -8.75db
25% Popularity • 21% Danceability • 53% Energy • 13% Liveness
8% Instrumentalness • 35% Positiveness
25% Popularity • 21% Danceability • 53% Energy • 13% Liveness
8% Instrumentalness • 35% Positiveness
► Preview
Josh Groban
All I Ask of You [with Kelly Clarkson]
91 bpm • C# Maj • 03:59 • -9.47db
55% Popularity • 22% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
55% Popularity • 22% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Kooman & Dimond
Blue Horizon
110 bpm • C Maj • 03:25 • -6db
23% Popularity • 54% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 54% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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Corey Cott
Gigi
91 bpm • F Maj • 03:12 • -9.54db
12% Popularity • 27% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 27% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Jerry Herman
Mame: Bosom Buddies
110 bpm • F# Maj • 04:08 • -13db
21% Popularity • 55% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 55% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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David Byrne & Fatboy Slim
Rose of Tacloban
110 bpm • B Maj • 02:55 • -9.23db
14% Popularity • 53% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 53% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Emma, Lucy
In His Eyes
111 bpm • A# Maj • 04:01 • -9db
34% Popularity • 30% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 30% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Josh Groban
Dust and Ashes
91 bpm • G min • 06:23 • -8.76db
17% Popularity • 35% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 35% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Brooks Ashmanskas
She Cries
111 bpm • C Maj • 04:49 • -10.56db
18% Popularity • 50% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 50% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Lucie Arnaz
I Still Believe In Love - 1979 Original ...
111 bpm • A Maj • 03:04 • -13.65db
15% Popularity • 47% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 47% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Rachel Bay Jones
Kind of Woman
90 bpm • D Maj • 02:55 • -9db
32% Popularity • 36% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 36% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Terry Mann
Where's the Girl?
111 bpm • G# min • 03:21 • -12.31db
28% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Matt Doyle
Wanting
111 bpm • D# Maj • 03:14 • -11db
8% Popularity • 43% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 43% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Grace McLean
A Call to Pierre
111 bpm • E min • 02:22 • -7.25db
35% Popularity • 65% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 65% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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The New York Theatre Orchestra - The Broadway Choir
Edelweiss from The Sound Of Music
111 bpm • F Maj • 02:01 • -15.74db
16% Popularity • 57% Danceability • 13% Energy • 12% Liveness
3% Instrumentalness • 32% Positiveness
16% Popularity • 57% Danceability • 13% Energy • 12% Liveness
3% Instrumentalness • 32% Positiveness
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Mindi Dickstein
Astonishing
90 bpm • C# Maj • 04:35 • -7.96db
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Frederick Loewe
Camelot: Guenevere
112 bpm • G Maj • 03:19 • -13db
20% Popularity • 50% Danceability • 40% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 50% Danceability • 40% Energy • 39% Liveness
0% Instrumentalness • 53% Positiveness
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Meredith Willson
Till There Was You
90 bpm • D# Maj • 02:45 • -13.23db
23% Popularity • 18% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 18% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Gilles Chiasson
Will I?
90 bpm • F# Maj • 02:29 • -11.62db
33% Popularity • 36% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 36% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Mary Elizabeth Mastrantonio
It's All the Same
112 bpm • G# min • 03:19 • -10.76db
25% Popularity • 49% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 49% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Danny Kosarin
Lost in the Wilderness
112 bpm • D Maj • 02:28 • -10.29db
33% Popularity • 53% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 53% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Wilson Jermaine Heredia
I'll Cover You
112 bpm • C Maj • 02:29 • -3db
46% Popularity • 62% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
46% Popularity • 62% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Nick Choksi
Preparations
112 bpm • F# Maj • 03:48 • -9.68db
34% Popularity • 74% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 74% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
