Songs like Fire in my mouth: I. Immigration by Julia Wolfe
Based on a tempo of (+/- 10%) and a similar genre
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Ezio Bosso
Road Signs Variations: One Way
139 bpm • A min • 05:09 • -14.2db
14% Popularity • 37% Danceability • 51% Energy • 17% Liveness
75% Instrumentalness • 41% Positiveness
14% Popularity • 37% Danceability • 51% Energy • 17% Liveness
75% Instrumentalness • 41% Positiveness
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Anna Thorvaldsdottir
In the Light of Air: III. Existence
139 bpm • C Maj • 03:43 • -36db
23% Popularity • 14% Danceability • 0% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
23% Popularity • 14% Danceability • 0% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Dominik Scherrer
Lsraphm
140 bpm • D min • 03:24 • -18.26db
9% Popularity • 41% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
9% Popularity • 41% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Andrey Dergachev
Exilium
138 bpm • D# min • 03:30 • -30.97db
11% Popularity • 15% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
11% Popularity • 15% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Steve Reich
Duet
140 bpm • F Maj • 04:56 • -20db
31% Popularity • 50% Danceability • 16% Energy • 25% Liveness
7% Instrumentalness • 35% Positiveness
31% Popularity • 50% Danceability • 16% Energy • 25% Liveness
7% Instrumentalness • 35% Positiveness
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Echo Collective
Hunting Bears - Like Spinning Plates
140 bpm • A Maj • 07:11 • -14.92db
23% Popularity • 18% Danceability • 13% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 13% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Heather McIntosh
Compliance Theme
138 bpm • G min • 02:35 • -13.93db
15% Popularity • 53% Danceability • 31% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
15% Popularity • 53% Danceability • 31% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
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Ola Fløttum
Louder Than Bombs
140 bpm • A min • 06:36 • -17.98db
9% Popularity • 28% Danceability • 21% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
9% Popularity • 28% Danceability • 21% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
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Zoë Keating
Optimist
138 bpm • D# Maj • 05:01 • -17db
35% Popularity • 65% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 21% Positiveness
35% Popularity • 65% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 21% Positiveness
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Andrew Hewitt
The Double Theme - Version 2
140 bpm • F# Maj • 03:45 • -11.97db
8% Popularity • 46% Danceability • 35% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
8% Popularity • 46% Danceability • 35% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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James Whitbourn
Luminosity: I. Lux in tenebris
138 bpm • D Maj • 06:55 • -20db
14% Popularity • 16% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Martin Phipps
Monsieur Barre
140 bpm • C min • 02:39 • -22.47db
10% Popularity • 15% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
10% Popularity • 15% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Meredith Monk
Core Chant
138 bpm • D min • 04:43 • -24.34db
21% Popularity • 16% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
21% Popularity • 16% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Erik Satie
3 Gnossiennes: Gnossienne No. 1
137 bpm • F min • 03:40 • -31db
26% Popularity • 41% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
26% Popularity • 41% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
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Lambert
A Thousand Cracks
141 bpm • F min • 02:49 • -18.03db
17% Popularity • 26% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
17% Popularity • 26% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 49% Positiveness
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Andrew Hewitt
The Double Theme - Version 1
140 bpm • F# Maj • 03:45 • -13.94db
16% Popularity • 48% Danceability • 28% Energy • 12% Liveness
82% Instrumentalness • 5% Positiveness
16% Popularity • 48% Danceability • 28% Energy • 12% Liveness
82% Instrumentalness • 5% Positiveness
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Grischa Lichtenberger
0515 Beginning 2 Skl (Last Work)
137 bpm • C# Maj • 07:53 • -23.33db
9% Popularity • 15% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Dominik Scherrer
Lavavoth
141 bpm • A# min • 01:29 • -17.31db
8% Popularity • 16% Danceability • 8% Energy • 16% Liveness
54% Instrumentalness • 3% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 16% Liveness
54% Instrumentalness • 3% Positiveness
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SQÃœRL
Sola Gratia (Pt. 1)
137 bpm • D Maj • 03:24 • -11.68db
33% Popularity • 37% Danceability • 15% Energy • 10% Liveness
36% Instrumentalness • 21% Positiveness
33% Popularity • 37% Danceability • 15% Energy • 10% Liveness
36% Instrumentalness • 21% Positiveness
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Eleuteria
Theme from Symphony No. 7
136 bpm • E min • 02:41 • -20.51db
10% Popularity • 38% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
10% Popularity • 38% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
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Judd Greenstein
A e I O U
136 bpm • G min • 06:17 • -10.38db
12% Popularity • 31% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 31% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Jérôme Rebotier
Urgence
142 bpm • G min • 01:58 • -13.49db
7% Popularity • 30% Danceability • 33% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
7% Popularity • 30% Danceability • 33% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
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David Lang
The Little Match Girl Passion (Version f...
136 bpm • G# Maj • 02:42 • -26.66db
10% Popularity • 27% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 27% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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David Motion
Eliza
142 bpm • A min • 03:44 • -32.97db
15% Popularity • 14% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 3% Positiveness
15% Popularity • 14% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 3% Positiveness
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Bryce Dessner
Aheym
142 bpm • C min • 09:59 • -10db
20% Popularity • 43% Danceability • 37% Energy • 14% Liveness
91% Instrumentalness • 63% Positiveness
20% Popularity • 43% Danceability • 37% Energy • 14% Liveness
91% Instrumentalness • 63% Positiveness
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VÃg Mihály
Valuska
142 bpm • D# min • 04:13 • -14.45db
31% Popularity • 19% Danceability • 11% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
31% Popularity • 19% Danceability • 11% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
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Ólafur Arnalds
Verses
142 bpm • C# min • 04:03 • -17.85db
42% Popularity • 14% Danceability • 16% Energy • 39% Liveness
92% Instrumentalness • 3% Positiveness
42% Popularity • 14% Danceability • 16% Energy • 39% Liveness
92% Instrumentalness • 3% Positiveness
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Cristobal Tapia De Veer
She Who Brings Gifts
143 bpm • F Maj • 05:52 • -10.19db
14% Popularity • 58% Danceability • 63% Energy • 7% Liveness
86% Instrumentalness • 33% Positiveness
14% Popularity • 58% Danceability • 63% Energy • 7% Liveness
86% Instrumentalness • 33% Positiveness
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Wojciech Kilar
Vadim Dies
136 bpm • E min • 02:46 • -16.23db
11% Popularity • 15% Danceability • 25% Energy • 10% Liveness
66% Instrumentalness • 9% Positiveness
11% Popularity • 15% Danceability • 25% Energy • 10% Liveness
66% Instrumentalness • 9% Positiveness
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Oliver Davis
Flight, Concerto for Violin & Strings: I...
135 bpm • C min • 02:03 • -23.17db
12% Popularity • 78% Danceability • 21% Energy • 10% Liveness
80% Instrumentalness • 73% Positiveness
12% Popularity • 78% Danceability • 21% Energy • 10% Liveness
80% Instrumentalness • 73% Positiveness
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Dominik Scherrer
Xpaxn
135 bpm • G# Maj • 03:30 • -19.78db
9% Popularity • 22% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Somei Satoh
Birds In Warped Time II
135 bpm • B min • 10:24 • -28db
21% Popularity • 16% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
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Benjamin Wallfisch
Hannah and Volmer
134 bpm • B min • 04:34 • -17.82db
23% Popularity • 18% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Michael Nyman Band
Prospero's Magic
144 bpm • A# min • 05:10 • -14.09db
21% Popularity • 42% Danceability • 20% Energy • 21% Liveness
67% Instrumentalness • 24% Positiveness
21% Popularity • 42% Danceability • 20% Energy • 21% Liveness
67% Instrumentalness • 24% Positiveness
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Daniel L.K. Caldwell
Cee
134 bpm • A min • 01:50 • -25.04db
19% Popularity • 18% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
19% Popularity • 18% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Oliver Davis
Morpheus, Cello Concerto: III. Third Mov...
134 bpm • G Maj • 03:12 • -13.47db
11% Popularity • 37% Danceability • 33% Energy • 7% Liveness
93% Instrumentalness • 73% Positiveness
11% Popularity • 37% Danceability • 33% Energy • 7% Liveness
93% Instrumentalness • 73% Positiveness
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Ezio Bosso
Emily Dickinson, Who Cares About the Blu...
134 bpm • C min • 03:54 • -15.92db
15% Popularity • 36% Danceability • 10% Energy • 7% Liveness
19% Instrumentalness • 33% Positiveness
15% Popularity • 36% Danceability • 10% Energy • 7% Liveness
19% Instrumentalness • 33% Positiveness
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Julia Wolfe
Dark Full Ride: Part I
145 bpm • A Maj • 07:38 • -15.48db
3% Popularity • 64% Danceability • 100% Energy • 26% Liveness
94% Instrumentalness • 2% Positiveness
3% Popularity • 64% Danceability • 100% Energy • 26% Liveness
94% Instrumentalness • 2% Positiveness
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Christian Badzura
847
145 bpm • C min • 04:06 • -12.85db
20% Popularity • 20% Danceability • 42% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
20% Popularity • 20% Danceability • 42% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Jeff Russo
Fargo Main Theme (Choir)
133 bpm • D min • 02:16 • -26.95db
21% Popularity • 24% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
21% Popularity • 24% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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John Adams
China Gates
133 bpm • C# Maj • 05:54 • -33db
9% Popularity • 54% Danceability • 12% Energy • 19% Liveness
93% Instrumentalness • 9% Positiveness
9% Popularity • 54% Danceability • 12% Energy • 19% Liveness
93% Instrumentalness • 9% Positiveness
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David Lang
The Carbon Copy Building: Scene 11: Ther...
146 bpm • F# Maj • 04:20 • -10.07db
0% Popularity • 38% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 38% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Orchestra of the Swan
New Dawn Fades - Arr. for Violin & Orche...
146 bpm • E min • 06:11 • -21.98db
9% Popularity • 27% Danceability • 17% Energy • 8% Liveness
82% Instrumentalness • 18% Positiveness
9% Popularity • 27% Danceability • 17% Energy • 8% Liveness
82% Instrumentalness • 18% Positiveness
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Julia Wolfe
LAD: II. The Slow Melody - arr. Sean Shi...
133 bpm • D Maj • 05:24 • -7.73db
1% Popularity • 16% Danceability • 30% Energy • 32% Liveness
89% Instrumentalness • 3% Positiveness
1% Popularity • 16% Danceability • 30% Energy • 32% Liveness
89% Instrumentalness • 3% Positiveness
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Jozef Van Wissem
Temple Dance of the Soul (The Taste of B...
132 bpm • G# min • 04:35 • -14.36db
14% Popularity • 49% Danceability • 64% Energy • 69% Liveness
88% Instrumentalness • 30% Positiveness
14% Popularity • 49% Danceability • 64% Energy • 69% Liveness
88% Instrumentalness • 30% Positiveness
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Kjartan Sveinsson
Teil III
132 bpm • C Maj • 07:00 • -18.45db
20% Popularity • 16% Danceability • 19% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 19% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
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Anne Müller
Walzer für Robert
132 bpm • B min • 04:11 • -18.54db
30% Popularity • 39% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
30% Popularity • 39% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Julia Kent
Idlewild
132 bpm • C Maj • 03:15 • -17.04db
33% Popularity • 54% Danceability • 36% Energy • 11% Liveness
79% Instrumentalness • 30% Positiveness
33% Popularity • 54% Danceability • 36% Energy • 11% Liveness
79% Instrumentalness • 30% Positiveness
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David Lang
The Carbon Copy Building: Scene 12: Deli...
132 bpm • C Maj • 03:20 • -8.12db
0% Popularity • 72% Danceability • 53% Energy • 11% Liveness
87% Instrumentalness • 84% Positiveness
0% Popularity • 72% Danceability • 53% Energy • 11% Liveness
87% Instrumentalness • 84% Positiveness
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Julia Wolfe
Cruel Sister: Part I
132 bpm • G Maj • 05:16 • -21.54db
0% Popularity • 35% Danceability • 9% Energy • 15% Liveness
75% Instrumentalness • 8% Positiveness
0% Popularity • 35% Danceability • 9% Energy • 15% Liveness
75% Instrumentalness • 8% Positiveness
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Warren Ellis
Time To Run, Time To Drive
132 bpm • A# Maj • 04:00 • -15.13db
9% Popularity • 16% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Jeremy Zuckerman
The Rules
147 bpm • G min • 03:49 • -15.31db
31% Popularity • 76% Danceability • 26% Energy • 12% Liveness
74% Instrumentalness • 72% Positiveness
31% Popularity • 76% Danceability • 26% Energy • 12% Liveness
74% Instrumentalness • 72% Positiveness
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Anne Nikitin
Flamingo
147 bpm • A min • 01:46 • -13.59db
9% Popularity • 13% Danceability • 28% Energy • 10% Liveness
73% Instrumentalness • 3% Positiveness
9% Popularity • 13% Danceability • 28% Energy • 10% Liveness
73% Instrumentalness • 3% Positiveness
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Christina Vantzou
Going Backwards to Recover That Which Wa...
147 bpm • B Maj • 04:23 • -14.76db
19% Popularity • 13% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
19% Popularity • 13% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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George Frideric Handel
Scherza infida
147 bpm • F# min • 04:55 • -23.62db
15% Popularity • 23% Danceability • 8% Energy • 11% Liveness
65% Instrumentalness • 7% Positiveness
15% Popularity • 23% Danceability • 8% Energy • 11% Liveness
65% Instrumentalness • 7% Positiveness
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Julia Wolfe
Compassion
132 bpm • D min • 07:42 • -11.23db
1% Popularity • 35% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
1% Popularity • 35% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Zoë Keating
The Path
131 bpm • F# Maj • 05:42 • -17db
33% Popularity • 68% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 13% Positiveness
33% Popularity • 68% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 13% Positiveness
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Martin Kohlstedt
TARLEH
148 bpm • C min • 06:02 • -11.89db
16% Popularity • 20% Danceability • 32% Energy • 9% Liveness
56% Instrumentalness • 9% Positiveness
16% Popularity • 20% Danceability • 32% Energy • 9% Liveness
56% Instrumentalness • 9% Positiveness
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Michael Galasso
Scene 2
131 bpm • G# Maj • 02:49 • -16.35db
22% Popularity • 32% Danceability • 8% Energy • 13% Liveness
68% Instrumentalness • 4% Positiveness
22% Popularity • 32% Danceability • 8% Energy • 13% Liveness
68% Instrumentalness • 4% Positiveness
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Henryk Górecki
3 Utwory w dawnym stylu (3 Pieces in Old...
130 bpm • A min • 04:27 • -22db
23% Popularity • 16% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Julia Kent
Invitation to the Voyage
148 bpm • C min • 05:29 • -10.73db
34% Popularity • 24% Danceability • 29% Energy • 9% Liveness
87% Instrumentalness • 15% Positiveness
34% Popularity • 24% Danceability • 29% Energy • 9% Liveness
87% Instrumentalness • 15% Positiveness
► Preview
Julia Wolfe
Cruel Sister: Part IV
132 bpm • G min • 05:09 • -19.56db
0% Popularity • 44% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
0% Popularity • 44% Danceability • 3% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
► Preview
Kristian Eidnes Andersen
Lascia Ch'io Pianga Prologue
130 bpm • E Maj • 05:18 • -9.35db
22% Popularity • 26% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 26% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Michael Gordon
Trance: Trance 4
130 bpm • C# min • 07:23 • -6.49db
10% Popularity • 49% Danceability • 44% Energy • 16% Liveness
81% Instrumentalness • 74% Positiveness
10% Popularity • 49% Danceability • 44% Energy • 16% Liveness
81% Instrumentalness • 74% Positiveness
► Preview
Ingram Marshall
Ingram Marshall: Fog Tropes
130 bpm • D Maj • 10:05 • -29db
14% Popularity • 16% Danceability • 7% Energy • 20% Liveness
94% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 7% Energy • 20% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Zoë Keating
We Insist
130 bpm • C Maj • 03:46 • -14db
28% Popularity • 74% Danceability • 38% Energy • 11% Liveness
83% Instrumentalness • 50% Positiveness
28% Popularity • 74% Danceability • 38% Energy • 11% Liveness
83% Instrumentalness • 50% Positiveness
► Preview
Shigeru Umebayashi
Pianosa
130 bpm • F Maj • 01:43 • -17.83db
10% Popularity • 53% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
10% Popularity • 53% Danceability • 21% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
► Preview
Julia Wolfe
East Broadway
131 bpm • F Maj • 03:32 • -15.23db
0% Popularity • 38% Danceability • 96% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
0% Popularity • 38% Danceability • 96% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Johann Sebastian Bach
Minim
130 bpm • C min • 02:30 • -17db
31% Popularity • 49% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 7% Positiveness
31% Popularity • 49% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 7% Positiveness
► Preview
Thomas Adès
Asyla, Op. 17: III. Ecstasio
130 bpm • G Maj • 06:34 • -25.81db
12% Popularity • 34% Danceability • 28% Energy • 37% Liveness
33% Instrumentalness • 11% Positiveness
12% Popularity • 34% Danceability • 28% Energy • 37% Liveness
33% Instrumentalness • 11% Positiveness
► Preview
Luca D'Alberto
Start Again
129 bpm • G min • 03:19 • -12.93db
26% Popularity • 38% Danceability • 29% Energy • 17% Liveness
78% Instrumentalness • 32% Positiveness
26% Popularity • 38% Danceability • 29% Energy • 17% Liveness
78% Instrumentalness • 32% Positiveness
► Preview
Lele Marchitelli
Fear of God
150 bpm • B min • 02:47 • -21.46db
18% Popularity • 18% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Julia Kent
Tramontana
150 bpm • A# Maj • 03:58 • -9.67db
16% Popularity • 13% Danceability • 38% Energy • 16% Liveness
74% Instrumentalness • 6% Positiveness
16% Popularity • 13% Danceability • 38% Energy • 16% Liveness
74% Instrumentalness • 6% Positiveness
► Preview
Julia Wolfe
Steel Hammer: Mountain
130 bpm • C min • 08:50 • -10.49db
1% Popularity • 38% Danceability • 64% Energy • 10% Liveness
15% Instrumentalness • 5% Positiveness
1% Popularity • 38% Danceability • 64% Energy • 10% Liveness
15% Instrumentalness • 5% Positiveness
► Preview
Johann Sebastian Bach
Minim (Version)
130 bpm • G# Maj • 03:07 • -14.89db
11% Popularity • 41% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
11% Popularity • 41% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Para One
La Jeune Fille en Feu (Bande originale d...
150 bpm • C Maj • 03:03 • -18.08db
36% Popularity • 27% Danceability • 10% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
36% Popularity • 27% Danceability • 10% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Kjartan Sveinsson
Teil II
129 bpm • G min • 08:21 • -23db
23% Popularity • 17% Danceability • 6% Energy • 11% Liveness
31% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 6% Energy • 11% Liveness
31% Instrumentalness • 4% Positiveness
► Preview
Cristobal Tapia De Veer
Marie
128 bpm • F# Maj • 02:43 • -12db
16% Popularity • 68% Danceability • 51% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
16% Popularity • 68% Danceability • 51% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
► Preview
Julia Kent
Imbalance
150 bpm • G min • 04:14 • -12.49db
15% Popularity • 34% Danceability • 61% Energy • 48% Liveness
94% Instrumentalness • 6% Positiveness
15% Popularity • 34% Danceability • 61% Energy • 48% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Julia Wolfe
my lips from speaking: II. —
150 bpm • G# Maj • 03:54 • -7.15db
0% Popularity • 48% Danceability • 38% Energy • 28% Liveness
93% Instrumentalness • 6% Positiveness
0% Popularity • 48% Danceability • 38% Energy • 28% Liveness
93% Instrumentalness • 6% Positiveness
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Ezio Bosso
Exit, Run 44
128 bpm • C Maj • 03:46 • -11.7db
18% Popularity • 42% Danceability • 38% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
18% Popularity • 42% Danceability • 38% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Nicholas Britell
Redemption at the Roulette Table
151 bpm • A# min • 01:43 • -18db
33% Popularity • 61% Danceability • 37% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
33% Popularity • 61% Danceability • 37% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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David Lang
The Carbon Copy Building: Scene 4: Oh, I...
127 bpm • D# min • 04:32 • -6.7db
0% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Judd Greenstein
Clearing, Dawn, Dance
128 bpm • F# min • 10:15 • -10.64db
19% Popularity • 41% Danceability • 29% Energy • 12% Liveness
82% Instrumentalness • 30% Positiveness
19% Popularity • 41% Danceability • 29% Energy • 12% Liveness
82% Instrumentalness • 30% Positiveness
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Julia Kent
Gardermoen
128 bpm • G min • 04:10 • -20.67db
46% Popularity • 43% Danceability • 15% Energy • 13% Liveness
87% Instrumentalness • 9% Positiveness
46% Popularity • 43% Danceability • 15% Energy • 13% Liveness
87% Instrumentalness • 9% Positiveness
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Timo-Veikko Valve
Gods And Monsters
127 bpm • C Maj • 02:47 • -26db
8% Popularity • 17% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Julia Wolfe
Earring
129 bpm • C Maj • 01:48 • -10.62db
1% Popularity • 55% Danceability • 62% Energy • 8% Liveness
90% Instrumentalness • 30% Positiveness
1% Popularity • 55% Danceability • 62% Energy • 8% Liveness
90% Instrumentalness • 30% Positiveness
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Atli Örvarsson
Into the Highlands
127 bpm • A min • 02:57 • -13db
12% Popularity • 16% Danceability • 0% Energy • 8% Liveness
70% Instrumentalness • 9% Positiveness
12% Popularity • 16% Danceability • 0% Energy • 8% Liveness
70% Instrumentalness • 9% Positiveness
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Michael Harrison
Just Constellations: No. 4, The Acoustic...
127 bpm • B min • 02:58 • -19.37db
21% Popularity • 19% Danceability • 20% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
21% Popularity • 19% Danceability • 20% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Agnes Obel
Broken Sleep
127 bpm • E min • 04:55 • -14.72db
48% Popularity • 57% Danceability • 27% Energy • 10% Liveness
3% Instrumentalness • 20% Positiveness
48% Popularity • 57% Danceability • 27% Energy • 10% Liveness
3% Instrumentalness • 20% Positiveness
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Benjamin Wallfisch
Nobody Ever Leaves
127 bpm • D# Maj • 01:49 • -13.69db
24% Popularity • 17% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
24% Popularity • 17% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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David Lang
Remix IV
152 bpm • F# min • 01:19 • -23.26db
1% Popularity • 16% Danceability • 54% Energy • 62% Liveness
98% Instrumentalness • 4% Positiveness
1% Popularity • 16% Danceability • 54% Energy • 62% Liveness
98% Instrumentalness • 4% Positiveness
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Julia Wolfe
Into the Clouds
150 bpm • F min • 06:10 • -5.71db
1% Popularity • 30% Danceability • 66% Energy • 32% Liveness
10% Instrumentalness • 8% Positiveness
1% Popularity • 30% Danceability • 66% Energy • 32% Liveness
10% Instrumentalness • 8% Positiveness
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Meredith Monk
Atlas - Part 3: Invisible Light: Earth S...
126 bpm • G# Maj • 07:34 • -23.99db
10% Popularity • 19% Danceability • 3% Energy • 10% Liveness
9% Instrumentalness • 3% Positiveness
10% Popularity • 19% Danceability • 3% Energy • 10% Liveness
9% Instrumentalness • 3% Positiveness
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Bryce Dessner
Pulsing
126 bpm • G min • 09:27 • -14.65db
14% Popularity • 48% Danceability • 43% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
14% Popularity • 48% Danceability • 43% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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Soap&Skin
Safe With Me - Instrumental
126 bpm • G# Maj • 03:15 • -17.1db
14% Popularity • 42% Danceability • 23% Energy • 9% Liveness
91% Instrumentalness • 30% Positiveness
14% Popularity • 42% Danceability • 23% Energy • 9% Liveness
91% Instrumentalness • 30% Positiveness
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Adam Taylor
He's Alive
153 bpm • A# Maj • 02:23 • -23.95db
26% Popularity • 12% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
26% Popularity • 12% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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David Lang
The Carbon Copy Building: Scene 13: Oh, ...
126 bpm • A# Maj • 05:29 • -6.06db
0% Popularity • 54% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 54% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
