Songs like Firefall by Bjéar
Based on a tempo of (+/- 10%) and a similar genre
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Bjéar
Firefall
124 bpm • A Maj • 05:58 • -11.04db
28% Popularity • 65% Danceability • 34% Energy • 21% Liveness
8% Instrumentalness • 10% Positiveness
28% Popularity • 65% Danceability • 34% Energy • 21% Liveness
8% Instrumentalness • 10% Positiveness
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All Faces
The Oaks
124 bpm • C Maj • 03:50 • -9.46db
29% Popularity • 52% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 52% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Matthew Pinder
Golden Hour
124 bpm • D Maj • 03:36 • -12.17db
33% Popularity • 49% Danceability • 27% Energy • 7% Liveness
1% Instrumentalness • 19% Positiveness
33% Popularity • 49% Danceability • 27% Energy • 7% Liveness
1% Instrumentalness • 19% Positiveness
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Noah Gundersen
Crystal Creek
124 bpm • A Maj • 02:21 • -9.05db
23% Popularity • 61% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 61% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Chase McBride
Find A Home
124 bpm • C# Maj • 02:54 • -12.13db
18% Popularity • 59% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 59% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Gregory Alan Isakov
If I Go, I'm Goin'
124 bpm • D# Maj • 04:24 • -14.72db
38% Popularity • 57% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
38% Popularity • 57% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Bjéar
Firefall
124 bpm • A Maj • 05:17 • -16db
14% Popularity • 65% Danceability • 24% Energy • 12% Liveness
6% Instrumentalness • 10% Positiveness
14% Popularity • 65% Danceability • 24% Energy • 12% Liveness
6% Instrumentalness • 10% Positiveness
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Phillip LaRue
Memories
124 bpm • D Maj • 03:30 • -9.32db
16% Popularity • 61% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 61% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 19% Positiveness
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Humbear
Take Your Time
124 bpm • G Maj • 03:24 • -12db
35% Popularity • 43% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 43% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Mountain Boy
52
125 bpm • F Maj • 03:30 • -11.12db
24% Popularity • 39% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 39% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
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De Joie
Oslo
123 bpm • B Maj • 03:53 • -8.27db
23% Popularity • 58% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
23% Popularity • 58% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Gregory Alan Isakov
Where You Gonna Go
125 bpm • C min • 04:01 • -12.46db
41% Popularity • 45% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
41% Popularity • 45% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
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Martin Baltser
Hypothermia
125 bpm • E Maj • 03:45 • -9db
21% Popularity • 53% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
21% Popularity • 53% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Bjéar
Nevada
124 bpm • D Maj • 04:40 • -8.41db
28% Popularity • 34% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 34% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Tedious & Brief
Papercuts
125 bpm • F Maj • 04:17 • -9.45db
23% Popularity • 43% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 43% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Oliver Daldry
Darkness
123 bpm • G Maj • 04:02 • -6db
9% Popularity • 49% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
9% Popularity • 49% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
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Ten Towers
Lottery
123 bpm • D Maj • 03:01 • -9.14db
30% Popularity • 85% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 85% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Joel Ansett
Give Our Hearts Some Weight
125 bpm • D# min • 03:50 • -14.96db
32% Popularity • 46% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 46% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Novo Amor
Birthplace
126 bpm • C# Maj • 03:10 • -9.87db
54% Popularity • 74% Danceability • 33% Energy • 10% Liveness
59% Instrumentalness • 39% Positiveness
54% Popularity • 74% Danceability • 33% Energy • 10% Liveness
59% Instrumentalness • 39% Positiveness
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Bjéar
Sierra
125 bpm • A Maj • 05:40 • -11.26db
16% Popularity • 36% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 36% Danceability • 21% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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Black Match
See Through
123 bpm • D Maj • 03:10 • -9.6db
17% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Wild Rivers
Moving Target
126 bpm • B Maj • 03:32 • -8db
41% Popularity • 53% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 53% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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SYML
Everything All At Once
126 bpm • G# Maj • 05:10 • -12db
35% Popularity • 38% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
35% Popularity • 38% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
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Zach Winters
Ocean Sunset Motorcycle
126 bpm • D Maj • 06:35 • -12db
21% Popularity • 25% Danceability • 35% Energy • 9% Liveness
81% Instrumentalness • 7% Positiveness
21% Popularity • 25% Danceability • 35% Energy • 9% Liveness
81% Instrumentalness • 7% Positiveness
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Dalton Day
Believe Me
122 bpm • E min • 03:49 • -10.76db
16% Popularity • 57% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 57% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Jake McMullen
How Do You Get It Back?
126 bpm • F# Maj • 05:04 • -14.27db
21% Popularity • 52% Danceability • 31% Energy • 11% Liveness
72% Instrumentalness • 27% Positiveness
21% Popularity • 52% Danceability • 31% Energy • 11% Liveness
72% Instrumentalness • 27% Positiveness
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Bjéar
Cold
126 bpm • A min • 04:32 • -9.67db
8% Popularity • 58% Danceability • 39% Energy • 40% Liveness
1% Instrumentalness • 17% Positiveness
8% Popularity • 58% Danceability • 39% Energy • 40% Liveness
1% Instrumentalness • 17% Positiveness
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Sami Simon
Bombs
122 bpm • F# Maj • 04:26 • -14db
32% Popularity • 66% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
32% Popularity • 66% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
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Lewis Watson
hello hello
126 bpm • D# Maj • 04:10 • -10.72db
23% Popularity • 40% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 40% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Jake Etheridge
I Can Take It
126 bpm • F Maj • 03:39 • -10.72db
29% Popularity • 69% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 69% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Brolly
They Run, They Hide
122 bpm • C min • 04:32 • -8db
21% Popularity • 51% Danceability • 67% Energy • 37% Liveness
3% Instrumentalness • 30% Positiveness
21% Popularity • 51% Danceability • 67% Energy • 37% Liveness
3% Instrumentalness • 30% Positiveness
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Katie Ruvane
True
126 bpm • D Maj • 04:23 • -11.64db
24% Popularity • 60% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 60% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Bjéar
" Limbo "
122 bpm • C Maj • 04:54 • -8.83db
4% Popularity • 41% Danceability • 41% Energy • 18% Liveness
1% Instrumentalness • 22% Positiveness
4% Popularity • 41% Danceability • 41% Energy • 18% Liveness
1% Instrumentalness • 22% Positiveness
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Old Sea Brigade
Laying Here
126 bpm • C# Maj • 03:38 • -12.42db
30% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Talos
In Time
122 bpm • C# Maj • 04:38 • -13.71db
37% Popularity • 50% Danceability • 34% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
37% Popularity • 50% Danceability • 34% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
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Frances Cone
Wide Awake
121 bpm • G Maj • 03:37 • -8.57db
31% Popularity • 39% Danceability • 28% Energy • 9% Liveness
5% Instrumentalness • 8% Positiveness
31% Popularity • 39% Danceability • 28% Energy • 9% Liveness
5% Instrumentalness • 8% Positiveness
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Edward + Jane
Please Don't Leave Me Like This
122 bpm • C# Maj • 04:49 • -8.93db
24% Popularity • 42% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 42% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Phillip LaRue
The Chasers
127 bpm • G Maj • 03:51 • -14.14db
10% Popularity • 62% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
10% Popularity • 62% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Bjéar
Pilgrimage
122 bpm • F min • 04:46 • -10.89db
5% Popularity • 56% Danceability • 36% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
5% Popularity • 56% Danceability • 36% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
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Benjamin Francis Leftwich
I Got You
127 bpm • C# Maj • 03:56 • -9.4db
10% Popularity • 68% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 68% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 83% Positiveness
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Sleeping At Last
Taste
127 bpm • D Maj • 04:24 • -6.16db
35% Popularity • 52% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 52% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Frances Cone
Unraveling
127 bpm • E Maj • 03:20 • -6.38db
33% Popularity • 53% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
33% Popularity • 53% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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William Wild
Sleeptalk
127 bpm • A Maj • 03:59 • -9.73db
23% Popularity • 58% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 58% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Lily Kershaw
Now & Then
121 bpm • C Maj • 03:19 • -11.69db
38% Popularity • 69% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
38% Popularity • 69% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Bjéar
Nell
122 bpm • D Maj • 05:56 • -10.06db
10% Popularity • 31% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 31% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Harrison Storm
Broken Feather
121 bpm • G Maj • 04:33 • -12.02db
26% Popularity • 32% Danceability • 26% Energy • 6% Liveness
32% Instrumentalness • 9% Positiveness
26% Popularity • 32% Danceability • 26% Energy • 6% Liveness
32% Instrumentalness • 9% Positiveness
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Branches
After the War
127 bpm • E Maj • 05:39 • -12.22db
31% Popularity • 36% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 36% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Yoke Lore
Safe and Sound - Mahogany Sessions
121 bpm • G Maj • 05:04 • -10.67db
13% Popularity • 59% Danceability • 46% Energy • 15% Liveness
2% Instrumentalness • 25% Positiveness
13% Popularity • 59% Danceability • 46% Energy • 15% Liveness
2% Instrumentalness • 25% Positiveness
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Family and Friends
Ouroboros
127 bpm • C# Maj • 05:08 • -10.06db
24% Popularity • 31% Danceability • 68% Energy • 8% Liveness
2% Instrumentalness • 16% Positiveness
24% Popularity • 31% Danceability • 68% Energy • 8% Liveness
2% Instrumentalness • 16% Positiveness
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Little May
Seven Hours
121 bpm • D# Maj • 03:41 • -8db
38% Popularity • 32% Danceability • 65% Energy • 7% Liveness
14% Instrumentalness • 34% Positiveness
38% Popularity • 32% Danceability • 65% Energy • 7% Liveness
14% Instrumentalness • 34% Positiveness
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Talos
This Is Us Colliding
121 bpm • A Maj • 03:54 • -8.23db
34% Popularity • 40% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
34% Popularity • 40% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Harrison Storm
Change It All
121 bpm • A# Maj • 04:07 • -13db
55% Popularity • 45% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
55% Popularity • 45% Danceability • 30% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Roo Panes
Cub
120 bpm • D# Maj • 03:32 • -11.23db
28% Popularity • 61% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
28% Popularity • 61% Danceability • 40% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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Milo Greene
Afraid of Everything - Acoustic
128 bpm • C Maj • 03:02 • -15.73db
19% Popularity • 47% Danceability • 21% Energy • 39% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 47% Danceability • 21% Energy • 39% Liveness
0% Instrumentalness • 22% Positiveness
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Vacation Manor
Hourglass
120 bpm • E Maj • 03:44 • -13db
29% Popularity • 54% Danceability • 22% Energy • 36% Liveness
2% Instrumentalness • 10% Positiveness
29% Popularity • 54% Danceability • 22% Energy • 36% Liveness
2% Instrumentalness • 10% Positiveness
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Mountain Boy
From the Dust
128 bpm • C Maj • 05:40 • -13.05db
33% Popularity • 24% Danceability • 48% Energy • 14% Liveness
37% Instrumentalness • 7% Positiveness
33% Popularity • 24% Danceability • 48% Energy • 14% Liveness
37% Instrumentalness • 7% Positiveness
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sød ven
catacombs
128 bpm • G# min • 03:27 • -17db
39% Popularity • 28% Danceability • 19% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
39% Popularity • 28% Danceability • 19% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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John Vincent III
Slow Song
120 bpm • A# Maj • 04:51 • -7db
46% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
46% Popularity • 50% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Novo Amor
Anatome
128 bpm • G# Maj • 05:19 • -11.6db
36% Popularity • 56% Danceability • 45% Energy • 22% Liveness
55% Instrumentalness • 15% Positiveness
36% Popularity • 56% Danceability • 45% Energy • 22% Liveness
55% Instrumentalness • 15% Positiveness
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Covenhoven
Past Life
128 bpm • G# min • 03:27 • -9.84db
31% Popularity • 56% Danceability • 43% Energy • 16% Liveness
17% Instrumentalness • 13% Positiveness
31% Popularity • 56% Danceability • 43% Energy • 16% Liveness
17% Instrumentalness • 13% Positiveness
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Mantaraybryn
Stand Tall the Four of Us
120 bpm • F min • 03:14 • -8db
31% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 65% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Bjéar
Orange Juice
120 bpm • D Maj • 01:11 • -15.54db
4% Popularity • 52% Danceability • 42% Energy • 50% Liveness
87% Instrumentalness • 44% Positiveness
4% Popularity • 52% Danceability • 42% Energy • 50% Liveness
87% Instrumentalness • 44% Positiveness
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Garrett Kato
I Wonder Why
120 bpm • C# Maj • 03:40 • -10.89db
21% Popularity • 58% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 58% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Old Sea Brigade
Towns
120 bpm • B Maj • 04:01 • -14.17db
29% Popularity • 62% Danceability • 15% Energy • 9% Liveness
5% Instrumentalness • 7% Positiveness
29% Popularity • 62% Danceability • 15% Energy • 9% Liveness
5% Instrumentalness • 7% Positiveness
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Jake Etheridge
What You Want To
120 bpm • C Maj • 02:40 • -9.85db
27% Popularity • 57% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 57% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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Secret Nation
Love You Well
120 bpm • C Maj • 04:16 • -13.12db
33% Popularity • 51% Danceability • 62% Energy • 7% Liveness
45% Instrumentalness • 6% Positiveness
33% Popularity • 51% Danceability • 62% Energy • 7% Liveness
45% Instrumentalness • 6% Positiveness
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Family and Friends
Better Days
128 bpm • A Maj • 04:54 • -8.42db
18% Popularity • 55% Danceability • 72% Energy • 22% Liveness
28% Instrumentalness • 56% Positiveness
18% Popularity • 55% Danceability • 72% Energy • 22% Liveness
28% Instrumentalness • 56% Positiveness
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Folly and the Hunter
Travelling
120 bpm • B Maj • 05:05 • -10.79db
9% Popularity • 33% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 33% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Novo Amor
Silvery
120 bpm • C# Maj • 03:52 • -11db
49% Popularity • 54% Danceability • 36% Energy • 33% Liveness
8% Instrumentalness • 10% Positiveness
49% Popularity • 54% Danceability • 36% Energy • 33% Liveness
8% Instrumentalness • 10% Positiveness
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Francesca Blanchard
Free
120 bpm • C Maj • 03:30 • -12.7db
26% Popularity • 56% Danceability • 36% Energy • 10% Liveness
4% Instrumentalness • 8% Positiveness
26% Popularity • 56% Danceability • 36% Energy • 10% Liveness
4% Instrumentalness • 8% Positiveness
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Bjéar
Going to the Sun
120 bpm • D Maj • 03:44 • -11db
25% Popularity • 75% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 75% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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The Careful Ones
Stronger Love
120 bpm • A# min • 04:02 • -17.14db
12% Popularity • 37% Danceability • 21% Energy • 12% Liveness
11% Instrumentalness • 14% Positiveness
12% Popularity • 37% Danceability • 21% Energy • 12% Liveness
11% Instrumentalness • 14% Positiveness
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Old Sea Brigade
Seen a Ghost
120 bpm • G Maj • 03:54 • -13.79db
35% Popularity • 75% Danceability • 39% Energy • 12% Liveness
14% Instrumentalness • 30% Positiveness
35% Popularity • 75% Danceability • 39% Energy • 12% Liveness
14% Instrumentalness • 30% Positiveness
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Spectre Jones
Fire in the Dust
120 bpm • C# Maj • 04:33 • -11.56db
14% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Hailaker
Wavepool
120 bpm • C Maj • 03:38 • -10.34db
29% Popularity • 60% Danceability • 40% Energy • 8% Liveness
15% Instrumentalness • 22% Positiveness
29% Popularity • 60% Danceability • 40% Energy • 8% Liveness
15% Instrumentalness • 22% Positiveness
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Toby Johnson
One Mississippi
120 bpm • E Maj • 03:41 • -11.15db
30% Popularity • 71% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 71% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Bjéar
Hymn - Lifted
128 bpm • D Maj • 04:41 • -11.43db
17% Popularity • 26% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
17% Popularity • 26% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Twiceyoung
Night Drive - Deconstructed
120 bpm • F# min • 04:12 • -13db
30% Popularity • 27% Danceability • 34% Energy • 29% Liveness
33% Instrumentalness • 19% Positiveness
30% Popularity • 27% Danceability • 34% Energy • 29% Liveness
33% Instrumentalness • 19% Positiveness
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The Careful Ones
Fall Apart
128 bpm • E Maj • 02:48 • -11.22db
34% Popularity • 59% Danceability • 34% Energy • 14% Liveness
3% Instrumentalness • 25% Positiveness
34% Popularity • 59% Danceability • 34% Energy • 14% Liveness
3% Instrumentalness • 25% Positiveness
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Tommy Ashby
Getting Started
120 bpm • B Maj • 02:46 • -12db
16% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 55% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Dave Thomas Junior
Making Mistakes & Wasting Time
120 bpm • C# Maj • 03:32 • -13.26db
25% Popularity • 64% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 64% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Wilderado
Favors - Acoustic
129 bpm • A Maj • 02:59 • -9.52db
16% Popularity • 45% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 45% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Bjéar
Fall Down
120 bpm • D Maj • 04:54 • -11.24db
3% Popularity • 32% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
3% Popularity • 32% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Indolore
Let Me Find Out
129 bpm • A Maj • 04:23 • -10.51db
28% Popularity • 51% Danceability • 36% Energy • 12% Liveness
42% Instrumentalness • 18% Positiveness
28% Popularity • 51% Danceability • 36% Energy • 12% Liveness
42% Instrumentalness • 18% Positiveness
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Phillip LaRue
Chasing Stars
129 bpm • B Maj • 03:53 • -10db
22% Popularity • 69% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 69% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Western Den
I Still Remain
119 bpm • C# Maj • 04:29 • -11.38db
34% Popularity • 53% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
34% Popularity • 53% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Black Match
Alive
130 bpm • G Maj • 04:02 • -10.21db
24% Popularity • 50% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 50% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Brolly
White Out Days
130 bpm • G min • 02:57 • -10db
13% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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SAILR
The Watchmaker
130 bpm • G Maj • 03:41 • -12.47db
24% Popularity • 59% Danceability • 36% Energy • 11% Liveness
20% Instrumentalness • 19% Positiveness
24% Popularity • 59% Danceability • 36% Energy • 11% Liveness
20% Instrumentalness • 19% Positiveness
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Amber Run
I Dare You - Unplugged
130 bpm • A min • 03:10 • -9.67db
20% Popularity • 52% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
20% Popularity • 52% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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LOS LEO
Friend Of A Friend
130 bpm • G# Maj • 02:56 • -9.76db
5% Popularity • 69% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
5% Popularity • 69% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Rococo Disco
Lemon Drop
130 bpm • G# Maj • 04:55 • -9.13db
17% Popularity • 52% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
17% Popularity • 52% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Jack Bradley Vaught
Overlook
130 bpm • B Maj • 02:41 • -10.71db
33% Popularity • 53% Danceability • 51% Energy • 31% Liveness
71% Instrumentalness • 19% Positiveness
33% Popularity • 53% Danceability • 51% Energy • 31% Liveness
71% Instrumentalness • 19% Positiveness
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VVE
Leave to Love You More
130 bpm • D# Maj • 03:22 • -10db
18% Popularity • 61% Danceability • 52% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
18% Popularity • 61% Danceability • 52% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
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Brolly
Son
130 bpm • E Maj • 03:42 • -10.65db
19% Popularity • 50% Danceability • 67% Energy • 32% Liveness
9% Instrumentalness • 33% Positiveness
19% Popularity • 50% Danceability • 67% Energy • 32% Liveness
9% Instrumentalness • 33% Positiveness
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Old Sea Brigade
Cover My Own - Acoustic
130 bpm • G Maj • 03:53 • -15.91db
35% Popularity • 76% Danceability • 14% Energy • 11% Liveness
9% Instrumentalness • 27% Positiveness
35% Popularity • 76% Danceability • 14% Energy • 11% Liveness
9% Instrumentalness • 27% Positiveness
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George Ogilvie
Tremosine
130 bpm • F# Maj • 05:43 • -11.82db
19% Popularity • 32% Danceability • 30% Energy • 39% Liveness
46% Instrumentalness • 14% Positiveness
19% Popularity • 32% Danceability • 30% Energy • 39% Liveness
46% Instrumentalness • 14% Positiveness
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Hazlett
Couldn't Be Done
118 bpm • G# Maj • 04:16 • -12.24db
33% Popularity • 62% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
33% Popularity • 62% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
