Songs like Firefly (For Joni) by Neal Phillips
Based on a tempo of (+/- 10%) and a similar genre
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Herby Hayes
Isla Mujeres
115 bpm • D Maj • 04:34 • -10.02db
7% Popularity • 68% Danceability • 84% Energy • 55% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 68% Danceability • 84% Energy • 55% Liveness
0% Instrumentalness • 59% Positiveness
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Geraldine Obadiah
Cow Boogie
115 bpm • C Maj • 03:56 • -12db
24% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Raquel Hayes
All Things Bright and Beautiful
115 bpm • C# Maj • 02:53 • -7.92db
12% Popularity • 62% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 62% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Laura Da Sousa
Peek
115 bpm • F# Maj • 04:28 • -11.4db
15% Popularity • 68% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 68% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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gearoid mccarthy
Country Roads
115 bpm • A# Maj • 03:02 • -17.82db
21% Popularity • 55% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 55% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Adrian Roper
Don't It Make You Feel
115 bpm • D Maj • 03:15 • -11.91db
13% Popularity • 57% Danceability • 52% Energy • 10% Liveness
42% Instrumentalness • 72% Positiveness
13% Popularity • 57% Danceability • 52% Energy • 10% Liveness
42% Instrumentalness • 72% Positiveness
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Sally Rogers
Lovely Agnes
115 bpm • G Maj • 03:06 • -23.7db
9% Popularity • 68% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 68% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Neal Phillips
Hills of Shiloh
115 bpm • F# min • 03:25 • -14.43db
0% Popularity • 58% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 58% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Luke Brindley
Father And Daughter
115 bpm • E Maj • 03:04 • -11.3db
7% Popularity • 49% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
7% Popularity • 49% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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duarte
Would You Love Me?
116 bpm • A Maj • 03:42 • -10.49db
11% Popularity • 67% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 67% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Douglas P Stoothoff
The Fool's Jest
116 bpm • B min • 01:04 • -32.35db
8% Popularity • 44% Danceability • 3% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 44% Danceability • 3% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Justin Bloss
That's Good Enough
114 bpm • D# Maj • 03:36 • -12.58db
11% Popularity • 59% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 59% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Dave Mallett
Hope For One And All
114 bpm • C Maj • 02:41 • -13.84db
11% Popularity • 57% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 57% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Neal Phillips
Firefly (For Joni)
115 bpm • C# Maj • 03:48 • -12.67db
0% Popularity • 62% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 62% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Sybill Berland
Escape
116 bpm • C min • 04:37 • -18.58db
20% Popularity • 60% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 60% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Jimmy Scott
My Guardian Angel
114 bpm • C Maj • 02:56 • -13.77db
11% Popularity • 80% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 80% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Tom Paxton
My Dog's Bigger Than Your Dog
114 bpm • G Maj • 01:21 • -12db
12% Popularity • 73% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 73% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Dave Boutette
It's Gonna Be All Right
114 bpm • C Maj • 03:29 • -11.75db
12% Popularity • 63% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 63% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Connie Kaldor
Saskatoon Moon
116 bpm • A Maj • 02:32 • -15db
10% Popularity • 50% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 50% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Neal Phillips
Arbutus Rustling
115 bpm • F# Maj • 01:57 • -13.07db
0% Popularity • 55% Danceability • 31% Energy • 9% Liveness
89% Instrumentalness • 31% Positiveness
0% Popularity • 55% Danceability • 31% Energy • 9% Liveness
89% Instrumentalness • 31% Positiveness
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Ad Vanderveen
Rise in Love
116 bpm • C Maj • 02:50 • -8.82db
16% Popularity • 30% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 30% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Lisa Luker
Ice Age
114 bpm • C# Maj • 01:49 • -13.87db
15% Popularity • 63% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 63% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Light
Juice of Burning Meat
116 bpm • C Maj • 01:34 • -13.85db
38% Popularity • 47% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 47% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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David Myles
Cape Breton
114 bpm • F min • 02:55 • -10.13db
13% Popularity • 70% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 70% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Louisa Sadler & SB3
Goalposts - Acoustic
117 bpm • C Maj • 04:07 • -13.77db
9% Popularity • 63% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 63% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Neal Phillips
Firefly (For Joni)
115 bpm • C# Maj • 03:47 • -16.22db
0% Popularity • 65% Danceability • 23% Energy • 11% Liveness
11% Instrumentalness • 44% Positiveness
0% Popularity • 65% Danceability • 23% Energy • 11% Liveness
11% Instrumentalness • 44% Positiveness
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Geraldine Obadiah
Maples Lament
113 bpm • C Maj • 03:33 • -14db
24% Popularity • 42% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 42% Danceability • 17% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Freyda Epstein
Dreams Of Harmony
113 bpm • D Maj • 03:12 • -15.47db
14% Popularity • 57% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 57% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Khristian Leredith
Shine
113 bpm • C Maj • 05:17 • -9.9db
22% Popularity • 64% Danceability • 61% Energy • 61% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 64% Danceability • 61% Energy • 61% Liveness
0% Instrumentalness • 47% Positiveness
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Trailplayer Stew
Take Me Back Home to the Mountains
117 bpm • A min • 02:45 • -15.74db
14% Popularity • 62% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 62% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Deangelo Albertie
Short Moments
113 bpm • C Maj • 02:45 • -14.14db
10% Popularity • 72% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 72% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Neal Phillips
Shiloh - The Lost Verse
117 bpm • F# min • 01:02 • -13.67db
0% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Bygones
The Clover Saloon
113 bpm • A# min • 01:48 • -15.23db
27% Popularity • 90% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 90% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Wade Hemsworth
The Shining Birch Tree
113 bpm • B Maj • 02:43 • -17.73db
9% Popularity • 61% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 61% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Conrad Galsworthy
Bermuda
112 bpm • G Maj • 05:23 • -14.17db
19% Popularity • 65% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 65% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
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Anna Massie
My Life is Over Again
118 bpm • D# Maj • 03:49 • -10.13db
15% Popularity • 70% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 93% Positiveness
15% Popularity • 70% Danceability • 52% Energy • 11% Liveness
1% Instrumentalness • 93% Positiveness
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Jenn Cleary
Families of All Kinds
118 bpm • C Maj • 03:00 • -12.7db
10% Popularity • 75% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 75% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Neal Phillips
Stopping by Woods
118 bpm • C Maj • 02:14 • -12.87db
0% Popularity • 60% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 60% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Garnet Rogers
Seeds Of Hope (the last march)
112 bpm • D Maj • 04:27 • -8.81db
10% Popularity • 67% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 67% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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JEK BON
Will Never Forgotten
112 bpm • E Maj • 01:12 • -13.05db
12% Popularity • 91% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 91% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Wheelwright
Big Iron - Classic
112 bpm • E Maj • 04:05 • -8.5db
8% Popularity • 74% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 74% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Farideh
Diet
118 bpm • C Maj • 01:40 • -15.02db
14% Popularity • 80% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 80% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Geraldine Obadiah
Canyon Call
118 bpm • C Maj • 02:54 • -13.72db
24% Popularity • 53% Danceability • 22% Energy • 42% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 53% Danceability • 22% Energy • 42% Liveness
0% Instrumentalness • 42% Positiveness
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Neal Phillips
The Longest Season
112 bpm • C Maj • 02:26 • -15.78db
0% Popularity • 66% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 66% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Cerys Wilkinson
Life Circle
112 bpm • C# Maj • 03:07 • -13.42db
27% Popularity • 41% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 41% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Roolya Boolya
Little Liza Jane
112 bpm • D Maj • 03:15 • -14.32db
12% Popularity • 55% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 55% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Dave Goulder
The Settle & Carlisle
111 bpm • A# min • 03:43 • -13.06db
10% Popularity • 64% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 64% Danceability • 23% Energy • 39% Liveness
0% Instrumentalness • 55% Positiveness
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Jill Jack
All the Pretty Little Ponies
112 bpm • G min • 03:49 • -12.43db
16% Popularity • 42% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 42% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Mr. Nick Davio
Stealing Summer Feeling
111 bpm • F Maj • 02:59 • -13.85db
8% Popularity • 70% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 70% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Neal Phillips
The Ash Grove
112 bpm • D Maj • 03:12 • -15.52db
0% Popularity • 61% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 61% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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MountainHouse
Beloved Wanderer
119 bpm • G Maj • 02:14 • -13.33db
25% Popularity • 59% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 59% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Tatiana Bookbinder
The Autumn Song
119 bpm • G Maj • 01:56 • -13.88db
8% Popularity • 64% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 64% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Latex Wednesday
I Drank My Tea When It Went Cold and It ...
119 bpm • B min • 01:42 • -15.4db
7% Popularity • 63% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 63% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Virginia Richards
The Osprey Park
111 bpm • C# Maj • 02:38 • -16.38db
26% Popularity • 53% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 53% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Jimmy Scott
You Are
120 bpm • F Maj • 02:12 • -13.14db
20% Popularity • 68% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 68% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Neal Phillips
Over the Mountains
118 bpm • D Maj • 02:29 • -13.89db
0% Popularity • 60% Danceability • 21% Energy • 14% Liveness
5% Instrumentalness • 72% Positiveness
0% Popularity • 60% Danceability • 21% Energy • 14% Liveness
5% Instrumentalness • 72% Positiveness
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Tique Lewis
We Are Who We Are
120 bpm • D Maj • 03:19 • -6.98db
8% Popularity • 50% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 50% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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David Mallett
Summer of My Dreams
110 bpm • F Maj • 03:08 • -13.94db
13% Popularity • 48% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 48% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Peter Himmelman
Dixie the Tiny Dog
110 bpm • A Maj • 02:14 • -17.82db
10% Popularity • 48% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 48% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Gianmarco Gisi
The Grandmas House
120 bpm • D Maj • 03:44 • -13.49db
26% Popularity • 61% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 61% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Jack Henry
Beautiful People
120 bpm • F Maj • 04:27 • -12.82db
19% Popularity • 64% Danceability • 45% Energy • 10% Liveness
3% Instrumentalness • 50% Positiveness
19% Popularity • 64% Danceability • 45% Energy • 10% Liveness
3% Instrumentalness • 50% Positiveness
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Neal Phillips
Circle
118 bpm • C Maj • 04:04 • -16.14db
0% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Tique Lewis
Extraterrestrial Highway
120 bpm • A Maj • 03:38 • -6.95db
32% Popularity • 47% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 47% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 54% Positiveness
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Bobby Jo Valentine
Another Pulse
120 bpm • A# Maj • 03:03 • -16.18db
18% Popularity • 79% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 79% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Victor Hafichuk
To Do or Not to Do
120 bpm • F# Maj • 03:31 • -11.13db
10% Popularity • 58% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 58% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Seth Newell
Good Old Days
120 bpm • G Maj • 05:19 • -15.31db
19% Popularity • 62% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 62% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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Lars Palmér
Talented Guy
120 bpm • A Maj • 02:25 • -6.98db
14% Popularity • 82% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 82% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Flamy Grant
Everything's Made Up
110 bpm • D Maj • 01:15 • -7.81db
15% Popularity • 70% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 70% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Brother Sea
All As One
120 bpm • G# Maj • 03:53 • -8.09db
12% Popularity • 47% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 47% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Neal Phillips
John of Dreams
120 bpm • E Maj • 03:40 • -13.94db
0% Popularity • 54% Danceability • 22% Energy • 11% Liveness
4% Instrumentalness • 34% Positiveness
0% Popularity • 54% Danceability • 22% Energy • 11% Liveness
4% Instrumentalness • 34% Positiveness
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Kira Rappaport
Sing Together
110 bpm • F# Maj • 00:56 • -8.45db
8% Popularity • 77% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 77% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Dave Carter
Gentle Arms of Eden
110 bpm • C Maj • 03:03 • -10db
32% Popularity • 60% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 60% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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steve moore thirst
God made mountains
121 bpm • G Maj • 02:58 • -10.29db
7% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 64% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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James Chapeau
Diamond Of Truth
121 bpm • C# min • 02:50 • -17.1db
10% Popularity • 63% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 63% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Albert Kuhlman
The Pocahontas
109 bpm • G Maj • 03:32 • -19.82db
26% Popularity • 69% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 69% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Neal Phillips
But for the Sun
110 bpm • F# Maj • 03:33 • -16.46db
0% Popularity • 64% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
0% Popularity • 64% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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The Lost Trades
Down to the River
121 bpm • B Maj • 03:17 • -15.62db
12% Popularity • 54% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 54% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Marcel Victor
Violinist Heritage
121 bpm • C Maj • 05:12 • -14db
22% Popularity • 68% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 68% Danceability • 27% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Lars Palmér
This Aint a Happy Song
108 bpm • G Maj • 02:52 • -17.12db
9% Popularity • 49% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 49% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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KombalStarc
Table Rock
108 bpm • G Maj • 02:55 • -6.27db
33% Popularity • 67% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 67% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Nathan Rogers
Hold the Line
122 bpm • C Maj • 03:00 • -13.92db
9% Popularity • 44% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 44% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Neal Phillips
Sonnet 29
121 bpm • D# Maj • 02:05 • -14.33db
0% Popularity • 54% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 54% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Dominik Fickel
White Feather
108 bpm • C Maj • 03:58 • -20.17db
20% Popularity • 52% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 52% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Martin Simpson
Ridgeway - Live Bonus Track
122 bpm • C Maj • 03:22 • -9.06db
11% Popularity • 52% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 52% Danceability • 57% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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Conrad Galsworthy
Crazy Blue Sky
122 bpm • D Maj • 04:12 • -14.61db
19% Popularity • 68% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 68% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Dominic Longman
Misfortune In Love
123 bpm • F Maj • 05:10 • -17.05db
25% Popularity • 51% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 51% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Bertha Faraday
Streetlight
123 bpm • C Maj • 05:28 • -8.98db
23% Popularity • 48% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 48% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 38% Positiveness
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Neal Phillips
The Ballad of Roy G Biv
121 bpm • B Maj • 03:28 • -13.44db
0% Popularity • 54% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 54% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Stephen Moore
you can have love
123 bpm • D Maj • 01:59 • -12.34db
21% Popularity • 42% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 42% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Stu Weaver
She Sings To Me
123 bpm • G# Maj • 05:43 • -10.04db
9% Popularity • 51% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 51% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Mary Frohman
Iron Mistress
108 bpm • E Maj • 01:59 • -11.96db
12% Popularity • 53% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 53% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Jessamine Barham
Puppet Girl
123 bpm • G min • 01:24 • -12.88db
9% Popularity • 84% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 84% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Noel Locke
Years Ago
107 bpm • B min • 03:36 • -11.21db
24% Popularity • 52% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 52% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
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Neal Phillips
Winter Wonderland
108 bpm • B Maj • 02:27 • -15.32db
0% Popularity • 66% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 66% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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MountainHouse
I Can See Forever
123 bpm • C Maj • 02:23 • -12.86db
16% Popularity • 57% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
16% Popularity • 57% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
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David Francey
Torn Screen Door
123 bpm • E Maj • 01:38 • -7.77db
36% Popularity • 71% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 68% Positiveness
36% Popularity • 71% Danceability • 28% Energy • 38% Liveness
0% Instrumentalness • 68% Positiveness
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Roolya Boolya
The Beauty of Taking a Back Seat
124 bpm • D Maj • 03:04 • -15.25db
12% Popularity • 68% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 68% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Oscar Butler
Island
107 bpm • D Maj • 03:27 • -18.33db
9% Popularity • 83% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 83% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
