Songs like Fireheads by Emilíana Torrini
Based on a tempo of (+/- 10%) and a similar genre
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Piers Faccini
Two Grains of Sand
154 bpm • B min • 04:28 • -18.72db
30% Popularity • 59% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 59% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Patrick Watson
Big Bird In A Small Cage
154 bpm • C# Maj • 04:03 • -13.94db
50% Popularity • 43% Danceability • 43% Energy • 9% Liveness
19% Instrumentalness • 34% Positiveness
50% Popularity • 43% Danceability • 43% Energy • 9% Liveness
19% Instrumentalness • 34% Positiveness
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Damien Rice
Volcano
154 bpm • C Maj • 04:38 • -12.93db
50% Popularity • 51% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 51% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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EmilÃana Torrini
Home
154 bpm • C Maj • 03:34 • -9.86db
18% Popularity • 66% Danceability • 54% Energy • 8% Liveness
30% Instrumentalness • 54% Positiveness
18% Popularity • 66% Danceability • 54% Energy • 8% Liveness
30% Instrumentalness • 54% Positiveness
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Thievery Corporation
Heaven's Gonna Burn Your Eyes
152 bpm • A Maj • 04:10 • -10db
53% Popularity • 52% Danceability • 34% Energy • 6% Liveness
52% Instrumentalness • 32% Positiveness
53% Popularity • 52% Danceability • 34% Energy • 6% Liveness
52% Instrumentalness • 32% Positiveness
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Fredrika Stahl
A Drop in the Sea
152 bpm • D Maj • 03:17 • -8.49db
6% Popularity • 62% Danceability • 52% Energy • 7% Liveness
2% Instrumentalness • 23% Positiveness
6% Popularity • 62% Danceability • 52% Energy • 7% Liveness
2% Instrumentalness • 23% Positiveness
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Hindi Zahra
Kiss & Thrills - Remastered Version
152 bpm • B min • 03:51 • -11db
41% Popularity • 62% Danceability • 40% Energy • 10% Liveness
10% Instrumentalness • 80% Positiveness
41% Popularity • 62% Danceability • 40% Energy • 10% Liveness
10% Instrumentalness • 80% Positiveness
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Tricky
Valentine
151 bpm • A# min • 03:16 • -13.3db
29% Popularity • 78% Danceability • 32% Energy • 11% Liveness
58% Instrumentalness • 17% Positiveness
29% Popularity • 78% Danceability • 32% Energy • 11% Liveness
58% Instrumentalness • 17% Positiveness
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Flunk
Play
157 bpm • C Maj • 04:06 • -7.3db
28% Popularity • 51% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 51% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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EmilÃana Torrini
Fireheads
154 bpm • C Maj • 03:44 • -12.41db
28% Popularity • 66% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 66% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Thievery Corporation
Sweet Tides
158 bpm • D Maj • 04:48 • -7.55db
57% Popularity • 42% Danceability • 61% Energy • 15% Liveness
91% Instrumentalness • 15% Positiveness
57% Popularity • 42% Danceability • 61% Energy • 15% Liveness
91% Instrumentalness • 15% Positiveness
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Fever Ray
Keep the Streets Empty for Me
158 bpm • A Maj • 05:39 • -11db
48% Popularity • 58% Danceability • 29% Energy • 9% Liveness
89% Instrumentalness • 31% Positiveness
48% Popularity • 58% Danceability • 29% Energy • 9% Liveness
89% Instrumentalness • 31% Positiveness
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Belle and Sebastian
I Want The World To Stop
150 bpm • C Maj • 03:26 • -7.19db
29% Popularity • 59% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 59% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Agnes Obel
Avenue
150 bpm • A min • 04:07 • -11db
37% Popularity • 54% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
37% Popularity • 54% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 12% Positiveness
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Slovo
Weebles Fall
150 bpm • C Maj • 04:44 • -13.37db
8% Popularity • 56% Danceability • 41% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
8% Popularity • 56% Danceability • 41% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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EmilÃana Torrini
Autumn Sun
157 bpm • F# min • 04:11 • -14.76db
31% Popularity • 56% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
31% Popularity • 56% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Dark Dark Dark
Bright Bright Bright
159 bpm • A min • 04:30 • -14db
24% Popularity • 24% Danceability • 17% Energy • 10% Liveness
43% Instrumentalness • 6% Positiveness
24% Popularity • 24% Danceability • 17% Energy • 10% Liveness
43% Instrumentalness • 6% Positiveness
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Cocosuma
The Servant - Remastered 2021
149 bpm • A Maj • 04:59 • -9.29db
32% Popularity • 62% Danceability • 59% Energy • 8% Liveness
83% Instrumentalness • 60% Positiveness
32% Popularity • 62% Danceability • 59% Energy • 8% Liveness
83% Instrumentalness • 60% Positiveness
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The Colorist Orchestra
Caterpillar
150 bpm • A Maj • 04:41 • -13db
25% Popularity • 43% Danceability • 31% Energy • 68% Liveness
1% Instrumentalness • 25% Positiveness
25% Popularity • 43% Danceability • 31% Energy • 68% Liveness
1% Instrumentalness • 25% Positiveness
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Beirut
The Rip Tide
149 bpm • B Maj • 04:26 • -7.78db
43% Popularity • 39% Danceability • 56% Energy • 16% Liveness
80% Instrumentalness • 35% Positiveness
43% Popularity • 39% Danceability • 56% Energy • 16% Liveness
80% Instrumentalness • 35% Positiveness
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Kings of Convenience
Misread
161 bpm • F# Maj • 03:08 • -10db
63% Popularity • 64% Danceability • 62% Energy • 13% Liveness
51% Instrumentalness • 90% Positiveness
63% Popularity • 64% Danceability • 62% Energy • 13% Liveness
51% Instrumentalness • 90% Positiveness
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EmilÃana Torrini
Nothing Brings Me Down
149 bpm • G Maj • 03:55 • -15.69db
29% Popularity • 45% Danceability • 9% Energy • 11% Liveness
16% Instrumentalness • 11% Positiveness
29% Popularity • 45% Danceability • 9% Energy • 11% Liveness
16% Instrumentalness • 11% Positiveness
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Patrick Watson
Adventures In Your Own Backyard
147 bpm • F min • 04:51 • -10db
4% Popularity • 35% Danceability • 54% Energy • 28% Liveness
9% Instrumentalness • 19% Positiveness
4% Popularity • 35% Danceability • 54% Energy • 28% Liveness
9% Instrumentalness • 19% Positiveness
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Warhaus
Love's a Stranger
162 bpm • A min • 03:26 • -8.82db
56% Popularity • 56% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
56% Popularity • 56% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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The Colorist Orchestra
Serenade
149 bpm • B min • 03:50 • -12.31db
18% Popularity • 45% Danceability • 36% Energy • 70% Liveness
24% Instrumentalness • 35% Positiveness
18% Popularity • 45% Danceability • 36% Energy • 70% Liveness
24% Instrumentalness • 35% Positiveness
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Beirut
A Sunday Smile
162 bpm • F Maj • 03:35 • -9.37db
46% Popularity • 31% Danceability • 43% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
46% Popularity • 31% Danceability • 43% Energy • 37% Liveness
0% Instrumentalness • 45% Positiveness
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José González
Lovestain - Kyss Mig - With Every Heartb...
146 bpm • G# Maj • 02:17 • -15.8db
27% Popularity • 60% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
27% Popularity • 60% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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EmilÃana Torrini
Ha Ha
149 bpm • A min • 03:15 • -9.33db
26% Popularity • 54% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
26% Popularity • 54% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Charlotte Gainsbourg
5:55
146 bpm • C Maj • 04:52 • -8db
33% Popularity • 51% Danceability • 71% Energy • 14% Liveness
79% Instrumentalness • 51% Positiveness
33% Popularity • 51% Danceability • 71% Energy • 14% Liveness
79% Instrumentalness • 51% Positiveness
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Agnes Obel
Philharmonics
163 bpm • F min • 03:33 • -14.1db
33% Popularity • 69% Danceability • 25% Energy • 12% Liveness
12% Instrumentalness • 22% Positiveness
33% Popularity • 69% Danceability • 25% Energy • 12% Liveness
12% Instrumentalness • 22% Positiveness
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The Colorist Orchestra
Thinking Out Loud
148 bpm • C min • 04:13 • -8.74db
13% Popularity • 49% Danceability • 48% Energy • 70% Liveness
1% Instrumentalness • 31% Positiveness
13% Popularity • 49% Danceability • 48% Energy • 70% Liveness
1% Instrumentalness • 31% Positiveness
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Robin Foster
Life & Death
145 bpm • E min • 04:28 • -14.96db
3% Popularity • 26% Danceability • 41% Energy • 11% Liveness
33% Instrumentalness • 16% Positiveness
3% Popularity • 26% Danceability • 41% Energy • 11% Liveness
33% Instrumentalness • 16% Positiveness
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Tindersticks
Another Night In
145 bpm • A# min • 05:12 • -13db
39% Popularity • 30% Danceability • 25% Energy • 39% Liveness
78% Instrumentalness • 33% Positiveness
39% Popularity • 30% Danceability • 25% Energy • 39% Liveness
78% Instrumentalness • 33% Positiveness
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EmilÃana Torrini
Birds
149 bpm • C Maj • 06:23 • -12db
34% Popularity • 57% Danceability • 39% Energy • 10% Liveness
22% Instrumentalness • 8% Positiveness
34% Popularity • 57% Danceability • 39% Energy • 10% Liveness
22% Instrumentalness • 8% Positiveness
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Kristin Hersh
Your Ghost
145 bpm • G Maj • 03:16 • -14.15db
45% Popularity • 44% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 44% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Urban Species
Blanket
145 bpm • A min • 05:47 • -8.77db
41% Popularity • 66% Danceability • 42% Energy • 9% Liveness
7% Instrumentalness • 31% Positiveness
41% Popularity • 66% Danceability • 42% Energy • 9% Liveness
7% Instrumentalness • 31% Positiveness
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The Colorist Orchestra
Birds
144 bpm • E min • 07:14 • -11.11db
5% Popularity • 42% Danceability • 44% Energy • 71% Liveness
24% Instrumentalness • 38% Positiveness
5% Popularity • 42% Danceability • 44% Energy • 71% Liveness
24% Instrumentalness • 38% Positiveness
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Dark Dark Dark
The Hand
144 bpm • C Maj • 03:43 • -12db
10% Popularity • 33% Danceability • 32% Energy • 12% Liveness
40% Instrumentalness • 22% Positiveness
10% Popularity • 33% Danceability • 32% Energy • 12% Liveness
40% Instrumentalness • 22% Positiveness
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Massive Attack
Live With Me - Remastered 2006
144 bpm • B min • 04:51 • -6db
38% Popularity • 63% Danceability • 69% Energy • 8% Liveness
19% Instrumentalness • 54% Positiveness
38% Popularity • 63% Danceability • 69% Energy • 8% Liveness
19% Instrumentalness • 54% Positiveness
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EmilÃana Torrini
Blood Red
146 bpm • G min • 05:07 • -11.32db
18% Popularity • 44% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
18% Popularity • 44% Danceability • 32% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
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Aimee Mann
Save Me
143 bpm • A# Maj • 04:34 • -10.44db
55% Popularity • 62% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 62% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Laura Marling
Soothing
143 bpm • D min • 04:16 • -12db
37% Popularity • 68% Danceability • 30% Energy • 11% Liveness
8% Instrumentalness • 53% Positiveness
37% Popularity • 68% Danceability • 30% Energy • 11% Liveness
8% Instrumentalness • 53% Positiveness
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Air
Playground Love
143 bpm • G min • 03:31 • -10.5db
67% Popularity • 33% Danceability • 42% Energy • 35% Liveness
73% Instrumentalness • 12% Positiveness
67% Popularity • 33% Danceability • 42% Energy • 35% Liveness
73% Instrumentalness • 12% Positiveness
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Kid Koala
Nightfall Pale Blue
143 bpm • C Maj • 02:49 • -19db
29% Popularity • 24% Danceability • 9% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
29% Popularity • 24% Danceability • 9% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
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Charlotte Gainsbourg
Hey Joe
143 bpm • C Maj • 04:52 • -7.91db
45% Popularity • 39% Danceability • 49% Energy • 10% Liveness
82% Instrumentalness • 37% Positiveness
45% Popularity • 39% Danceability • 49% Energy • 10% Liveness
82% Instrumentalness • 37% Positiveness
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EmilÃana Torrini
Heard It All Before
146 bpm • F min • 04:13 • -8.53db
23% Popularity • 61% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 61% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Massive Attack
The Spoils
143 bpm • F# min • 05:45 • -15.22db
50% Popularity • 42% Danceability • 17% Energy • 9% Liveness
34% Instrumentalness • 8% Positiveness
50% Popularity • 42% Danceability • 17% Energy • 9% Liveness
34% Instrumentalness • 8% Positiveness
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The Colorist Orchestra
Blood Red
142 bpm • D min • 05:20 • -9.61db
21% Popularity • 54% Danceability • 50% Energy • 71% Liveness
8% Instrumentalness • 66% Positiveness
21% Popularity • 54% Danceability • 50% Energy • 71% Liveness
8% Instrumentalness • 66% Positiveness
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Melissa Laveaux
Needle in the Hay
142 bpm • A min • 03:24 • -6.47db
51% Popularity • 75% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
51% Popularity • 75% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Laura Marling
Ghosts
142 bpm • A Maj • 02:59 • -11.55db
51% Popularity • 46% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
51% Popularity • 46% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Agnes Obel
Stretch Your Eyes
142 bpm • G# min • 05:11 • -16.09db
42% Popularity • 58% Danceability • 31% Energy • 13% Liveness
74% Instrumentalness • 52% Positiveness
42% Popularity • 58% Danceability • 31% Energy • 13% Liveness
74% Instrumentalness • 52% Positiveness
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EmilÃana Torrini
Beggar's Prayer
144 bpm • C# Maj • 02:55 • -15.8db
28% Popularity • 39% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
28% Popularity • 39% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Massive Attack
Karmacoma
141 bpm • B Maj • 05:16 • -14.33db
55% Popularity • 80% Danceability • 54% Energy • 20% Liveness
18% Instrumentalness • 67% Positiveness
55% Popularity • 80% Danceability • 54% Energy • 20% Liveness
18% Instrumentalness • 67% Positiveness
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GusGus
Why?
141 bpm • D Maj • 04:04 • -18db
33% Popularity • 69% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 69% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Nadine Shah
Ville morose
169 bpm • C# Maj • 03:23 • -10.22db
37% Popularity • 36% Danceability • 32% Energy • 11% Liveness
10% Instrumentalness • 13% Positiveness
37% Popularity • 36% Danceability • 32% Energy • 11% Liveness
10% Instrumentalness • 13% Positiveness
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Emily Wells
Symphony 2 & the Click Boom Boom
169 bpm • D Maj • 04:48 • -9.83db
21% Popularity • 71% Danceability • 42% Energy • 55% Liveness
72% Instrumentalness • 46% Positiveness
21% Popularity • 71% Danceability • 42% Energy • 55% Liveness
72% Instrumentalness • 46% Positiveness
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Patrick Watson
Lighthouse
140 bpm • D min • 04:46 • -14db
16% Popularity • 28% Danceability • 17% Energy • 15% Liveness
38% Instrumentalness • 17% Positiveness
16% Popularity • 28% Danceability • 17% Energy • 15% Liveness
38% Instrumentalness • 17% Positiveness
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EmilÃana Torrini
Serenade
142 bpm • D Maj • 03:37 • -20db
33% Popularity • 36% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 36% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Dea Li
Cat People (Putting on Fire)
140 bpm • F min • 02:51 • -4.86db
8% Popularity • 44% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 44% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Laura Marling
What He Wrote
140 bpm • A min • 04:07 • -16.02db
58% Popularity • 46% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
58% Popularity • 46% Danceability • 10% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Fredrika Stahl
Willow
140 bpm • C min • 04:14 • -9.9db
5% Popularity • 61% Danceability • 61% Energy • 32% Liveness
9% Instrumentalness • 24% Positiveness
5% Popularity • 61% Danceability • 61% Energy • 32% Liveness
9% Instrumentalness • 24% Positiveness
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Shivaree
The Snake
140 bpm • F# Maj • 03:08 • -11db
39% Popularity • 70% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 70% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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James Blake
Limit To Your Love
140 bpm • A# min • 04:36 • -10.22db
53% Popularity • 78% Danceability • 28% Energy • 9% Liveness
24% Instrumentalness • 4% Positiveness
53% Popularity • 78% Danceability • 28% Energy • 9% Liveness
24% Instrumentalness • 4% Positiveness
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EmilÃana Torrini
Thinking Out Loud
141 bpm • C min • 03:21 • -18.26db
23% Popularity • 45% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 45% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Skye
Call Me
140 bpm • D min • 03:08 • -6.48db
40% Popularity • 73% Danceability • 60% Energy • 37% Liveness
3% Instrumentalness • 55% Positiveness
40% Popularity • 73% Danceability • 60% Energy • 37% Liveness
3% Instrumentalness • 55% Positiveness
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Moloko
Statues
140 bpm • D min • 05:26 • -15.02db
28% Popularity • 31% Danceability • 29% Energy • 5% Liveness
35% Instrumentalness • 16% Positiveness
28% Popularity • 31% Danceability • 29% Energy • 5% Liveness
35% Instrumentalness • 16% Positiveness
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Oren Lavie
The Man Who Isn't There
140 bpm • C Maj • 03:35 • -10.5db
26% Popularity • 24% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
26% Popularity • 24% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Sarah Blasko
God-Fearing
140 bpm • F min • 04:29 • -6.71db
18% Popularity • 49% Danceability • 60% Energy • 7% Liveness
15% Instrumentalness • 56% Positiveness
18% Popularity • 49% Danceability • 60% Energy • 7% Liveness
15% Instrumentalness • 56% Positiveness
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Kid Koala
Beneath The Heat
170 bpm • A min • 05:04 • -13.81db
12% Popularity • 23% Danceability • 30% Energy • 7% Liveness
17% Instrumentalness • 4% Positiveness
12% Popularity • 23% Danceability • 30% Energy • 7% Liveness
17% Instrumentalness • 4% Positiveness
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EmilÃana Torrini
Bleeder
141 bpm • B Maj • 04:50 • -19.17db
22% Popularity • 26% Danceability • 7% Energy • 11% Liveness
35% Instrumentalness • 9% Positiveness
22% Popularity • 26% Danceability • 7% Energy • 11% Liveness
35% Instrumentalness • 9% Positiveness
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Angela McCluskey
Somebody Got Lucky
170 bpm • A Maj • 03:26 • -7.49db
14% Popularity • 47% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 47% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Goldfrapp
Eat Yourself
139 bpm • D min • 04:06 • -10.77db
34% Popularity • 48% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
34% Popularity • 48% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 15% Positiveness
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Melanie De Biasio
I Feel You - Eels Remix
138 bpm • G min • 02:49 • -14.08db
26% Popularity • 22% Danceability • 21% Energy • 12% Liveness
32% Instrumentalness • 10% Positiveness
26% Popularity • 22% Danceability • 21% Energy • 12% Liveness
32% Instrumentalness • 10% Positiveness
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Gry
Summer Wine
139 bpm • A min • 04:52 • -7.48db
10% Popularity • 66% Danceability • 71% Energy • 9% Liveness
2% Instrumentalness • 51% Positiveness
10% Popularity • 66% Danceability • 71% Energy • 9% Liveness
2% Instrumentalness • 51% Positiveness
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Waldeck
Addicted
138 bpm • A min • 03:56 • -5db
25% Popularity • 85% Danceability • 64% Energy • 8% Liveness
2% Instrumentalness • 74% Positiveness
25% Popularity • 85% Danceability • 64% Energy • 8% Liveness
2% Instrumentalness • 74% Positiveness
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EmilÃana Torrini
At Least It Was
140 bpm • D Maj • 04:18 • -17.91db
23% Popularity • 52% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 52% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Moriarty
Cottonflower
172 bpm • F# min • 05:04 • -9.51db
36% Popularity • 44% Danceability • 47% Energy • 12% Liveness
8% Instrumentalness • 19% Positiveness
36% Popularity • 44% Danceability • 47% Energy • 12% Liveness
8% Instrumentalness • 19% Positiveness
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The Colorist Orchestra
When We Dance - Dan Carey Remix
172 bpm • C Maj • 04:24 • -6.65db
5% Popularity • 52% Danceability • 74% Energy • 10% Liveness
80% Instrumentalness • 29% Positiveness
5% Popularity • 52% Danceability • 74% Energy • 10% Liveness
80% Instrumentalness • 29% Positiveness
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Flunk
On My Balcony
172 bpm • C Maj • 03:10 • -9db
21% Popularity • 55% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 55% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Agnes Obel
Familiar
137 bpm • E Maj • 03:55 • -12.25db
62% Popularity • 56% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
62% Popularity • 56% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
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The Chemical Brothers
Asleep From Day
137 bpm • E Maj • 04:47 • -9.8db
47% Popularity • 52% Danceability • 57% Energy • 18% Liveness
57% Instrumentalness • 27% Positiveness
47% Popularity • 52% Danceability • 57% Energy • 18% Liveness
57% Instrumentalness • 27% Positiveness
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EmilÃana Torrini
Sunny Road - Manasseh Mix
169 bpm • C Maj • 05:47 • -8.09db
14% Popularity • 68% Danceability • 55% Energy • 12% Liveness
18% Instrumentalness • 53% Positiveness
14% Popularity • 68% Danceability • 55% Energy • 12% Liveness
18% Instrumentalness • 53% Positiveness
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Sophie Zelmani
Free Now
173 bpm • D min • 03:37 • -15.52db
17% Popularity • 69% Danceability • 29% Energy • 11% Liveness
56% Instrumentalness • 84% Positiveness
17% Popularity • 69% Danceability • 29% Energy • 11% Liveness
56% Instrumentalness • 84% Positiveness
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The Colorist Orchestra
Nightfall
173 bpm • C Maj • 03:14 • -10.46db
13% Popularity • 12% Danceability • 34% Energy • 70% Liveness
30% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 34% Energy • 70% Liveness
30% Instrumentalness • 4% Positiveness
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Dear Reader
Bend
174 bpm • F Maj • 03:37 • -9.16db
14% Popularity • 54% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 45% Positiveness
14% Popularity • 54% Danceability • 49% Energy • 9% Liveness
1% Instrumentalness • 45% Positiveness
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Isbells
Reunite
136 bpm • C# min • 03:55 • -12.78db
45% Popularity • 42% Danceability • 47% Energy • 12% Liveness
21% Instrumentalness • 56% Positiveness
45% Popularity • 42% Danceability • 47% Energy • 12% Liveness
21% Instrumentalness • 56% Positiveness
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Bat For Lashes
Glass
136 bpm • F# Maj • 04:32 • -8db
33% Popularity • 31% Danceability • 80% Energy • 34% Liveness
2% Instrumentalness • 28% Positiveness
33% Popularity • 31% Danceability • 80% Energy • 34% Liveness
2% Instrumentalness • 28% Positiveness
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EmilÃana Torrini
Gun
169 bpm • D Maj • 05:45 • -8.27db
37% Popularity • 37% Danceability • 55% Energy • 10% Liveness
35% Instrumentalness • 36% Positiveness
37% Popularity • 37% Danceability • 55% Energy • 10% Liveness
35% Instrumentalness • 36% Positiveness
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Lou Doillon
Defiant
136 bpm • A# min • 03:15 • -6.91db
26% Popularity • 64% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 64% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Keren Ann
Run with You
135 bpm • F min • 03:45 • -10.61db
18% Popularity • 31% Danceability • 39% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
18% Popularity • 31% Danceability • 39% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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I Monster
Daydream in Blue - BBC Radio 2 Session
135 bpm • F min • 03:58 • -14.84db
51% Popularity • 85% Danceability • 18% Energy • 8% Liveness
46% Instrumentalness • 32% Positiveness
51% Popularity • 85% Danceability • 18% Energy • 8% Liveness
46% Instrumentalness • 32% Positiveness
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Yann Tiersen
A Secret Place
176 bpm • F Maj • 03:26 • -12db
28% Popularity • 47% Danceability • 49% Energy • 25% Liveness
85% Instrumentalness • 64% Positiveness
28% Popularity • 47% Danceability • 49% Energy • 25% Liveness
85% Instrumentalness • 64% Positiveness
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Bat For Lashes
Daniel
135 bpm • G# min • 04:11 • -8.39db
51% Popularity • 59% Danceability • 66% Energy • 14% Liveness
2% Instrumentalness • 42% Positiveness
51% Popularity • 59% Danceability • 66% Energy • 14% Liveness
2% Instrumentalness • 42% Positiveness
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J. Ralph
Manta Ray
135 bpm • D# min • 05:18 • -18.82db
35% Popularity • 26% Danceability • 5% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
35% Popularity • 26% Danceability • 5% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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EmilÃana Torrini
Dead Duck
170 bpm • C Maj • 05:36 • -9.72db
20% Popularity • 48% Danceability • 65% Energy • 13% Liveness
92% Instrumentalness • 25% Positiveness
20% Popularity • 48% Danceability • 65% Energy • 13% Liveness
92% Instrumentalness • 25% Positiveness
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Lhasa De Sela
My Name
176 bpm • E min • 04:17 • -13.63db
28% Popularity • 41% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 41% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Dillon
Tip Tapping
134 bpm • A min • 03:06 • -12.59db
29% Popularity • 78% Danceability • 30% Energy • 42% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 78% Danceability • 30% Energy • 42% Liveness
0% Instrumentalness • 66% Positiveness
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The Colorist Orchestra
Gun
177 bpm • D Maj • 06:34 • -9.6db
13% Popularity • 44% Danceability • 80% Energy • 97% Liveness
27% Instrumentalness • 68% Positiveness
13% Popularity • 44% Danceability • 80% Energy • 97% Liveness
27% Instrumentalness • 68% Positiveness
