Songs like First Call by JESSIA
Based on a tempo of (+/- 10%) and a similar genre
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Sofia Quinn
Victim
125 bpm • G min • 02:43 • -8.17db
17% Popularity • 68% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 68% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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JESSIA
First Call
125 bpm • C Maj • 02:21 • -12db
30% Popularity • 58% Danceability • 25% Energy • 42% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 58% Danceability • 25% Energy • 42% Liveness
0% Instrumentalness • 18% Positiveness
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Hannah Trager
Pity Party In A Crowded Room
124 bpm • C Maj • 02:32 • -7.89db
15% Popularity • 60% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
15% Popularity • 60% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Grey Zeigler
Sensitive Subject - Chill Version
124 bpm • G Maj • 02:29 • -8.87db
13% Popularity • 56% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 56% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Sody
Bedroom Ceiling
126 bpm • F# Maj • 03:00 • -7.7db
40% Popularity • 49% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 49% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Valencia Grace
It Was You
126 bpm • B Maj • 02:51 • -11.11db
26% Popularity • 55% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 55% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
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Annika Rose
Bruises
124 bpm • G min • 02:56 • -5.46db
23% Popularity • 72% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 72% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Brynn Cartelli
Imaginary Stranger
124 bpm • D Maj • 03:33 • -7.94db
24% Popularity • 64% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 64% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Meg DeAngelis
Two Sides
126 bpm • C Maj • 02:59 • -5.61db
17% Popularity • 75% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 75% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Jasmine Thompson
already there
126 bpm • D Maj • 02:56 • -7.03db
27% Popularity • 45% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 45% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Julia Michaels
Wrapped Around
124 bpm • B min • 02:43 • -6.3db
31% Popularity • 53% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 53% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Regard
You - Acoustic
123 bpm • C Maj • 03:34 • -8.26db
41% Popularity • 40% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 40% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Jenny Baker
The Things You Saw
124 bpm • D Maj • 03:07 • -11.98db
18% Popularity • 68% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 68% Danceability • 34% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Wafia
How To Lose A Friend
127 bpm • F# Maj • 03:25 • -10.54db
33% Popularity • 44% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 44% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Greyson Chance
Overloved
127 bpm • G Maj • 03:03 • -7.57db
26% Popularity • 47% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 47% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Sasha Alex Sloan
I h8 Myself
127 bpm • A min • 02:48 • -9.85db
37% Popularity • 79% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 79% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Alexa Cappelli
Temporary
123 bpm • E Maj • 02:55 • -5.56db
39% Popularity • 72% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 72% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Ruth B.
Princess Peach
123 bpm • D Maj • 03:32 • -7.06db
38% Popularity • 58% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 58% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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AJA
Fireflies
123 bpm • D Maj • 03:31 • -8.11db
14% Popularity • 54% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 54% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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FLØRE
I’m okay, i’m just a little depresse...
127 bpm • F Maj • 03:38 • -11.57db
25% Popularity • 45% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 45% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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OSTON
leading me on - acoustic
128 bpm • F# Maj • 03:41 • -7.6db
40% Popularity • 66% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 66% Danceability • 33% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Lauren Weintraub
Makeup Is Expensive
128 bpm • F Maj • 03:18 • -5db
21% Popularity • 66% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 66% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Caroline Kole
Ex Best Friend
128 bpm • E Maj • 02:56 • -9db
29% Popularity • 71% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 71% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Marisa Maino
mistake
128 bpm • A Maj • 03:29 • -5db
19% Popularity • 61% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 61% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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GAYLE
ur just horny (emotional)
128 bpm • C# min • 03:24 • -9db
16% Popularity • 48% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 48% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Sasha Alex Sloan
Hardest Thing
128 bpm • A# Maj • 03:42 • -11.57db
34% Popularity • 79% Danceability • 35% Energy • 17% Liveness
2% Instrumentalness • 25% Positiveness
34% Popularity • 79% Danceability • 35% Energy • 17% Liveness
2% Instrumentalness • 25% Positiveness
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Sara Kays
Future Kids
128 bpm • F Maj • 03:11 • -10.28db
37% Popularity • 66% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 66% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Alexa Cappelli
broke & lonely
128 bpm • E Maj • 02:45 • -5db
37% Popularity • 84% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 84% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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JESSIA
But I Don'T
122 bpm • C Maj • 02:17 • -10db
41% Popularity • 89% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 89% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Kyd the Band
Real Problems
122 bpm • A# Maj • 03:13 • -5db
29% Popularity • 79% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 79% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Grey Zeigler
Sensitive Subject
128 bpm • G Maj • 02:22 • -5.92db
41% Popularity • 58% Danceability • 71% Energy • 46% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 58% Danceability • 71% Energy • 46% Liveness
0% Instrumentalness • 39% Positiveness
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Sody
butterfly
122 bpm • C Maj • 03:09 • -9.5db
40% Popularity • 59% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
40% Popularity • 59% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Sara Kays
Traffic Lights
122 bpm • B Maj • 03:24 • -7.63db
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Frawley
Ain't Nobody's Baby
121 bpm • B Maj • 02:29 • -5.12db
34% Popularity • 86% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 86% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Kylie Muse
No More
130 bpm • F# min • 02:17 • -13.28db
39% Popularity • 48% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 48% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Not a Fox
Close
130 bpm • D Maj • 02:52 • -5.53db
2% Popularity • 43% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
2% Popularity • 43% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Jamie Fine
Confessions
130 bpm • A# Maj • 02:59 • -9.07db
31% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Kimmie Devereux
Normal
130 bpm • E Maj • 03:33 • -8.65db
11% Popularity • 57% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 57% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Tedy
I Wanted My Heart to Break
130 bpm • C Maj • 03:47 • -6.71db
34% Popularity • 60% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 60% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Ber
Same Effect
130 bpm • G# Maj • 02:42 • -10.26db
29% Popularity • 53% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 53% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Lily Kincade
distracting myself
130 bpm • B min • 03:46 • -9.34db
10% Popularity • 63% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 63% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Sara Kays
When You Look at Me
130 bpm • D Maj • 02:50 • -10.71db
40% Popularity • 64% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 64% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Sody
scary part of me
130 bpm • G# Maj • 03:10 • -11db
23% Popularity • 45% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 45% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
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Cate
Sad Song
130 bpm • D Maj • 03:10 • -4db
25% Popularity • 70% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 70% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Marina Lin
anxiety attack
130 bpm • B Maj • 02:49 • -8.96db
21% Popularity • 74% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 37% Positiveness
21% Popularity • 74% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 37% Positiveness
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JORDY
South Dakota
130 bpm • A Maj • 03:11 • -8.35db
34% Popularity • 68% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 68% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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Andrea Russett
Back To Black
120 bpm • E min • 03:11 • -9.93db
22% Popularity • 73% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 73% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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JESSIA
I Should Quit
130 bpm • A Maj • 02:30 • -7.1db
33% Popularity • 76% Danceability • 54% Energy • 45% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 76% Danceability • 54% Energy • 45% Liveness
0% Instrumentalness • 72% Positiveness
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Frawley
No One Can Fix Me
120 bpm • G Maj • 03:26 • -8.82db
52% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Austin Giorgio
I Forget
120 bpm • G# Maj • 03:20 • -9db
33% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Suriel Hess
Hurt Me
120 bpm • G# Maj • 03:02 • -9.65db
43% Popularity • 77% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 77% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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JORDY
Sticks and Stones
130 bpm • C# Maj • 03:06 • -6db
35% Popularity • 65% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 65% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Mike Taveira
Fuck Everyone
120 bpm • G# Maj • 02:46 • -6.17db
20% Popularity • 61% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 61% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Camylio
unbreak
130 bpm • B min • 03:18 • -7.35db
45% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
45% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Alexa Cappelli
Body Language
120 bpm • C# min • 02:53 • -5db
51% Popularity • 87% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 87% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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FLØRE
Another year like that and we'd all be d...
120 bpm • E Maj • 04:36 • -13.56db
3% Popularity • 52% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
3% Popularity • 52% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
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OSTON
How to Feel Human
120 bpm • C# Maj • 03:31 • -7.75db
17% Popularity • 67% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 67% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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JORDY
Till It Hurts (Acoustic)
130 bpm • G Maj • 03:21 • -7.28db
13% Popularity • 66% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 66% Danceability • 51% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
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Britton
DECLINED
120 bpm • G# min • 04:16 • -9db
48% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Andrea Russett
Stranger
120 bpm • A min • 02:54 • -7.15db
26% Popularity • 70% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 70% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Nightly
a million pretty pieces
120 bpm • D Maj • 03:05 • -11.81db
31% Popularity • 68% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 68% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Lexi Jayde
walkin away
120 bpm • F# Maj • 03:06 • -6db
28% Popularity • 60% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 60% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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CATTY
can't hate you yet
120 bpm • F# Maj • 03:22 • -4.33db
29% Popularity • 60% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 60% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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GAYLE
kiddie pool
120 bpm • E Maj • 03:20 • -9.08db
19% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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maryjo
Carpet
120 bpm • D# Maj • 02:58 • -6db
36% Popularity • 72% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 72% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Cassidy King
Four in the Morning
120 bpm • F# Maj • 02:50 • -4.7db
24% Popularity • 56% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 56% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Jillian Rossi
Fever Dream
120 bpm • D Maj • 02:51 • -8.47db
51% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Leyla Blue
It Still Rains in Paradise
120 bpm • D Maj • 02:42 • -10.01db
23% Popularity • 59% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 59% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Grace Grundy
Wish I Could Stay
120 bpm • A Maj • 03:33 • -8.82db
13% Popularity • 47% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 47% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Rosie Darling
Witness - Rajiv Dhall
120 bpm • D Maj • 03:33 • -10.46db
42% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
42% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Lindsey Lomis
Magic in the Madness
120 bpm • G# min • 03:30 • -12db
27% Popularity • 41% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 41% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Ashley Kutcher
Lust
119 bpm • C Maj • 03:30 • -8.6db
36% Popularity • 50% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 50% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Lillian Hepler
Moody Girl
119 bpm • A min • 02:38 • -3.06db
23% Popularity • 81% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 81% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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morgxn
HOW DO YOU HOLD WHAT HURTS
119 bpm • D# Maj • 03:09 • -8.44db
22% Popularity • 41% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 41% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Sam DeRosa
The Medicine
132 bpm • C Maj • 02:51 • -7.67db
21% Popularity • 60% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 60% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Charlotte Sands
I Don't Care
132 bpm • E Maj • 03:45 • -9.94db
40% Popularity • 75% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 75% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Sasha Alex Sloan
New Normal
132 bpm • A Maj • 03:07 • -10db
34% Popularity • 71% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 71% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Carlie Hanson
Minnesota
132 bpm • G# Maj • 03:12 • -8.26db
16% Popularity • 68% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 68% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Marisa Maino
growing up can go to hell
132 bpm • A Maj • 03:55 • -8db
36% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Modslee
Don't Really Wanna Know
132 bpm • C min • 02:41 • -8.41db
19% Popularity • 62% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 62% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Andi
Wish We Were Strangers
132 bpm • E Maj • 02:48 • -6.7db
32% Popularity • 70% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 70% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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Clinton Kane
KEEP IT TO YOURSELF
132 bpm • C Maj • 02:54 • -7.04db
43% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Cate
Manic Pixie Dream Girl
118 bpm • D Maj • 03:05 • -5.26db
24% Popularity • 80% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 80% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Lennon Stella
Bubble
118 bpm • C min • 03:45 • -6.59db
33% Popularity • 77% Danceability • 56% Energy • 10% Liveness
8% Instrumentalness • 24% Positiveness
33% Popularity • 77% Danceability • 56% Energy • 10% Liveness
8% Instrumentalness • 24% Positiveness
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Mimi Webb
I'll Break My Heart Again
118 bpm • G# Maj • 03:35 • -8.53db
44% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Sara Kays
Watching TV
118 bpm • A Maj • 02:40 • -7db
38% Popularity • 58% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 58% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Munn
maybe we're both right
118 bpm • F Maj • 02:41 • -7.6db
28% Popularity • 61% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 61% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Carlie Hanson
walk away as the door slams
133 bpm • B Maj • 02:56 • -9.32db
18% Popularity • 73% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 73% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Avenue Beat
happy for you
117 bpm • C Maj • 02:04 • -11.29db
20% Popularity • 58% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 58% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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ROSIE
Next Life
117 bpm • F# Maj • 03:07 • -7db
34% Popularity • 66% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 66% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Charlotte Sands
Dress - Acoustic
117 bpm • B min • 02:56 • -6.64db
20% Popularity • 51% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 51% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Jenny Baker
Trial Run
134 bpm • D Maj • 03:29 • -9.51db
33% Popularity • 69% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 69% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Marisa Maino
i sleep fine
134 bpm • C Maj • 02:55 • -7db
21% Popularity • 62% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 62% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Cian Ducrot
Know Me Again
134 bpm • E Maj • 04:15 • -10.36db
36% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 55% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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HAVEN
Different People
134 bpm • D# min • 02:54 • -6.86db
36% Popularity • 57% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 57% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Thomston
Sooner
135 bpm • G Maj • 02:38 • -13.39db
12% Popularity • 32% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 32% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Beth McCarthy
If You Loved Me Right
116 bpm • E Maj • 03:15 • -6db
37% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Jillian Steele
Dead to You
116 bpm • D Maj • 03:28 • -5db
8% Popularity • 65% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 65% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
