Songs like First Light - Remastered 2004 by Harold Budd
Based on a tempo of (+/- 10%) and a similar genre
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Jefre Cantu-Ledesma
Womb Night
71 bpm • A min • 01:05 • -27.51db
40% Popularity • 24% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
40% Popularity • 24% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Laurie Spiegel
The Unquestioned Answer
71 bpm • G# Maj • 06:30 • -26.15db
34% Popularity • 11% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
34% Popularity • 11% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
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Harold Budd
Dark Eyed Sister - 2005 Digital Remaster
71 bpm • F# Maj • 04:42 • -32.14db
33% Popularity • 14% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
33% Popularity • 14% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 8% Positiveness
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Haruomi Hosono
TO THE AIR/空へ
71 bpm • C min • 05:11 • -27.79db
28% Popularity • 15% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 40% Positiveness
28% Popularity • 15% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 40% Positiveness
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A Winged Victory for the Sullen
Aqualung, Motherfucker
71 bpm • E min • 05:19 • -22.1db
32% Popularity • 12% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
32% Popularity • 12% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Brian Eno
Always Returning - Remastered 2005
71 bpm • A# Maj • 04:04 • -24.36db
44% Popularity • 30% Danceability • 11% Energy • 8% Liveness
86% Instrumentalness • 13% Positiveness
44% Popularity • 30% Danceability • 11% Energy • 8% Liveness
86% Instrumentalness • 13% Positiveness
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Robin Guthrie
Coral
71 bpm • E Maj • 04:25 • -21.85db
19% Popularity • 13% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
19% Popularity • 13% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Kyle Bobby Dunn
Variations on a Theme by St-Dipshit
71 bpm • A Maj • 09:22 • -22.42db
28% Popularity • 14% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
28% Popularity • 14% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Harold Budd
The Art of Mirrors (after Derek Jarman)
71 bpm • A# min • 05:58 • -36.39db
19% Popularity • 15% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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John Foxx
Spoken Roses
70 bpm • C# Maj • 06:20 • -29.98db
26% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Tim Hecker
Sketch 7
70 bpm • C Maj • 03:26 • -28.46db
22% Popularity • 26% Danceability • 2% Energy • 6% Liveness
96% Instrumentalness • 8% Positiveness
22% Popularity • 26% Danceability • 2% Energy • 6% Liveness
96% Instrumentalness • 8% Positiveness
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Brian Eno
Signals - Remastered 2005
71 bpm • F# Maj • 02:46 • -41.81db
49% Popularity • 7% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
49% Popularity • 7% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Roger Eno
Burnt Umber
72 bpm • D# Maj • 04:15 • -30.14db
25% Popularity • 22% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 22% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Kyle Bobby Dunn
Diamond Cove (And Its Children Were Watc...
71 bpm • C min • 03:52 • -35.65db
29% Popularity • 21% Danceability • 0% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
29% Popularity • 21% Danceability • 0% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Harold Budd
The Foundry (for Mika Vainio)
70 bpm • A min • 04:44 • -33.23db
14% Popularity • 19% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 20% Positiveness
14% Popularity • 19% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 20% Positiveness
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Christina Vantzou
At Dawn
70 bpm • C Maj • 02:50 • -18.95db
23% Popularity • 21% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
23% Popularity • 21% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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John Foxx
You Again
70 bpm • C Maj • 03:24 • -29.9db
19% Popularity • 20% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
19% Popularity • 20% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Brian Eno
Reflection - Excerpt
70 bpm • F Maj • 04:20 • -25.87db
45% Popularity • 8% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
45% Popularity • 8% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Robert Fripp
Wind On Wind
70 bpm • G# Maj • 03:13 • -26.13db
39% Popularity • 8% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
39% Popularity • 8% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Roger Eno
Cerulean Blue
70 bpm • D# Maj • 04:05 • -32.54db
23% Popularity • 19% Danceability • 0% Energy • 20% Liveness
94% Instrumentalness • 3% Positiveness
23% Popularity • 19% Danceability • 0% Energy • 20% Liveness
94% Instrumentalness • 3% Positiveness
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Harold Budd
First Light - Remastered 2004
71 bpm • C Maj • 07:06 • -32db
44% Popularity • 12% Danceability • 1% Energy • 6% Liveness
94% Instrumentalness • 16% Positiveness
44% Popularity • 12% Danceability • 1% Energy • 6% Liveness
94% Instrumentalness • 16% Positiveness
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Lawrence English
Watching It Unfold
72 bpm • E Maj • 05:49 • -26.51db
28% Popularity • 16% Danceability • 1% Energy • 9% Liveness
65% Instrumentalness • 3% Positiveness
28% Popularity • 16% Danceability • 1% Energy • 9% Liveness
65% Instrumentalness • 3% Positiveness
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John Foxx
Adult
72 bpm • E min • 03:03 • -23.86db
22% Popularity • 26% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
22% Popularity • 26% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Tim Hecker
Analog Paralysis, 1978
70 bpm • G Maj • 03:51 • -18.71db
29% Popularity • 9% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
29% Popularity • 9% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Bing & Ruth
As Much as Possible
72 bpm • C# Maj • 05:40 • -30.57db
37% Popularity • 13% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
37% Popularity • 13% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Roger Eno
Wintergreen
72 bpm • A# Maj • 04:10 • -30.03db
28% Popularity • 31% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
28% Popularity • 31% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Kyle Bobby Dunn
Meadowfuck (Waltz of the Nobodies)
72 bpm • D# Maj • 08:28 • -21.29db
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Harold Budd
Lost In The Humming Air - 2005 Digital R...
71 bpm • C Maj • 04:21 • -39.94db
38% Popularity • 7% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Robin Guthrie
Southern Shore
70 bpm • A min • 10:00 • -22.3db
17% Popularity • 8% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Roedelius
Brise
70 bpm • E min • 02:52 • -25.03db
32% Popularity • 24% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
32% Popularity • 24% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Stars Of The Lid
Even If You're Never Awake
72 bpm • F# Maj • 09:20 • -24.08db
34% Popularity • 8% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
34% Popularity • 8% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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John Foxx
Here and Now
70 bpm • C Maj • 03:59 • -26db
22% Popularity • 28% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
22% Popularity • 28% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
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A Winged Victory for the Sullen
Our Lord Debussy
70 bpm • C Maj • 09:52 • -19db
32% Popularity • 7% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
32% Popularity • 7% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Harold Budd
A Walk in the Park with Nancy (In Memory...
71 bpm • A# min • 05:57 • -26.39db
23% Popularity • 26% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
23% Popularity • 26% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Loscil
Black Tusk
72 bpm • D min • 10:02 • -30db
29% Popularity • 9% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
29% Popularity • 9% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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His Name Is Alive
Reflection Pool
70 bpm • G min • 04:01 • -20.68db
21% Popularity • 11% Danceability • 16% Energy • 16% Liveness
87% Instrumentalness • 4% Positiveness
21% Popularity • 11% Danceability • 16% Energy • 16% Liveness
87% Instrumentalness • 4% Positiveness
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Bing & Ruth
What Ash it Flow Up
72 bpm • C Maj • 06:12 • -26.16db
17% Popularity • 8% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
17% Popularity • 8% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 3% Positiveness
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Deaf Center
Path To Lucy
70 bpm • G Maj • 04:54 • -19.25db
13% Popularity • 12% Danceability • 9% Energy • 37% Liveness
84% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 9% Energy • 37% Liveness
84% Instrumentalness • 4% Positiveness
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Eraldo Bernocchi
Heavy Heart Some More
72 bpm • G min • 04:45 • -17.9db
16% Popularity • 22% Danceability • 26% Energy • 15% Liveness
85% Instrumentalness • 3% Positiveness
16% Popularity • 22% Danceability • 26% Energy • 15% Liveness
85% Instrumentalness • 3% Positiveness
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Harold Budd
Arabesque 1 - 2013 Remaster
72 bpm • G# min • 01:52 • -20.14db
29% Popularity • 26% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 23% Positiveness
29% Popularity • 26% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 23% Positiveness
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Tim Hecker
Rainbow Blood
70 bpm • G# Maj • 01:52 • -14.07db
33% Popularity • 15% Danceability • 73% Energy • 57% Liveness
92% Instrumentalness • 7% Positiveness
33% Popularity • 15% Danceability • 73% Energy • 57% Liveness
92% Instrumentalness • 7% Positiveness
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Brian McBride
Supposed Essay On the Piano (B Major Pia...
72 bpm • B Maj • 04:10 • -20.96db
19% Popularity • 15% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
19% Popularity • 15% Danceability • 19% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Roger Eno
Verdigris
72 bpm • D# Maj • 04:03 • -32.42db
30% Popularity • 20% Danceability • 0% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 0% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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John Foxx
Subtext
72 bpm • A min • 05:59 • -32.67db
36% Popularity • 11% Danceability • 0% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
36% Popularity • 11% Danceability • 0% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Jonny Nash
Photo With Grey Sky, White Clouds
72 bpm • A min • 08:29 • -27db
46% Popularity • 18% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
46% Popularity • 18% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Harold Budd
Olancha Farewell
72 bpm • G Maj • 02:18 • -34db
40% Popularity • 20% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
40% Popularity • 20% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Suso Saiz
Healthy Digestion
72 bpm • D Maj • 03:05 • -29.69db
38% Popularity • 21% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
38% Popularity • 21% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 3% Positiveness
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Brian McBride
Theguilt of Uncomplicated Thoughts
70 bpm • D# Maj • 07:51 • -18.89db
18% Popularity • 18% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Jefre Cantu-Ledesma
Joy
70 bpm • F Maj • 05:00 • -20.28db
17% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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A Winged Victory for the Sullen
The Rhythm Of A Dividing Pair
70 bpm • D Maj • 04:52 • -18.69db
35% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 11% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Aphex Twin
#20
70 bpm • A min • 04:15 • -26db
53% Popularity • 11% Danceability • 4% Energy • 5% Liveness
91% Instrumentalness • 4% Positiveness
53% Popularity • 11% Danceability • 4% Energy • 5% Liveness
91% Instrumentalness • 4% Positiveness
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Harold Budd
Against The Sky - 2005 Digital Remaster
70 bpm • A# min • 04:52 • -37db
46% Popularity • 12% Danceability • 0% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
46% Popularity • 12% Danceability • 0% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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John Foxx
Momentary Architecture
69 bpm • G min • 01:40 • -37.07db
26% Popularity • 20% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
26% Popularity • 20% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Tim Hecker
Harmony in Blue III
73 bpm • F min • 02:41 • -24.55db
31% Popularity • 14% Danceability • 27% Energy • 20% Liveness
91% Instrumentalness • 5% Positiveness
31% Popularity • 14% Danceability • 27% Energy • 20% Liveness
91% Instrumentalness • 5% Positiveness
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Roger Eno
Blonde
69 bpm • D Maj • 04:10 • -26.29db
30% Popularity • 35% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
30% Popularity • 35% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 5% Positiveness
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Morton Feldman
Rothko Chapel 5
69 bpm • A min • 02:52 • -40db
36% Popularity • 17% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
36% Popularity • 17% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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William Basinski
Melancholia II
73 bpm • D# Maj • 06:49 • -31db
44% Popularity • 18% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 7% Positiveness
44% Popularity • 18% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 7% Positiveness
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Harold Budd
Nove Alberi
70 bpm • D Maj • 06:00 • -39.06db
27% Popularity • 25% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
27% Popularity • 25% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Brian Eno
Drift - Remastered 2005
69 bpm • F Maj • 03:09 • -29.31db
42% Popularity • 26% Danceability • 12% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
42% Popularity • 26% Danceability • 12% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Celer
Mouthfeels of Capreae
69 bpm • A min • 03:03 • -30.41db
31% Popularity • 18% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
31% Popularity • 18% Danceability • 1% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Brian McBride
Prelude
69 bpm • F Maj • 01:44 • -30.36db
28% Popularity • 23% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 8% Positiveness
28% Popularity • 23% Danceability • 1% Energy • 13% Liveness
95% Instrumentalness • 8% Positiveness
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Deaf Center
Movements / The Ascent
73 bpm • C Maj • 06:19 • -20db
31% Popularity • 8% Danceability • 41% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
31% Popularity • 8% Danceability • 41% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Roger Eno
Desert Sand
69 bpm • A Maj • 04:50 • -29.02db
20% Popularity • 30% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
20% Popularity • 30% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Harold Budd
An Arc Of Doves - Remastered 2004
69 bpm • C Maj • 06:29 • -35db
44% Popularity • 9% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
44% Popularity • 9% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Olan Mill
A Heavy Leg Cycle
69 bpm • C# Maj • 02:01 • -26.11db
32% Popularity • 20% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Robin Guthrie
A Formless Path
69 bpm • A min • 04:23 • -32.83db
21% Popularity • 16% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
21% Popularity • 16% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Tim Hecker
Sketch 3
69 bpm • C Maj • 01:20 • -24db
45% Popularity • 33% Danceability • 9% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
45% Popularity • 33% Danceability • 9% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Keith Fullerton Whitman
Track3a (2waynice)
69 bpm • E Maj • 05:30 • -32.41db
29% Popularity • 29% Danceability • 0% Energy • 8% Liveness
13% Instrumentalness • 81% Positiveness
29% Popularity • 29% Danceability • 0% Energy • 8% Liveness
13% Instrumentalness • 81% Positiveness
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Kara-Lis Coverdale
Moments In Love
73 bpm • C min • 09:23 • -28.43db
37% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
37% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
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Harold Budd
The Room of Ancillary Dreams
73 bpm • C# Maj • 06:08 • -28.65db
17% Popularity • 13% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 13% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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H.Takahashi
Wurzel
69 bpm • F Maj • 07:23 • -28.99db
30% Popularity • 51% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
30% Popularity • 51% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 59% Positiveness
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Deaf Center
Lobby
73 bpm • F# Maj • 03:01 • -26.58db
21% Popularity • 17% Danceability • 8% Energy • 13% Liveness
63% Instrumentalness • 11% Positiveness
21% Popularity • 17% Danceability • 8% Energy • 13% Liveness
63% Instrumentalness • 11% Positiveness
► Preview
Brian Eno
Emerald and Stone (Arr. Lawson)
73 bpm • D Maj • 02:16 • -18.82db
19% Popularity • 12% Danceability • 2% Energy • 7% Liveness
56% Instrumentalness • 3% Positiveness
19% Popularity • 12% Danceability • 2% Energy • 7% Liveness
56% Instrumentalness • 3% Positiveness
► Preview
David Behrman
On the Other Ocean
73 bpm • C Maj • 06:50 • -14.73db
30% Popularity • 7% Danceability • 9% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 7% Danceability • 9% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
John Foxx
Long Light
69 bpm • A min • 03:54 • -27.96db
20% Popularity • 27% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
20% Popularity • 27% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Harold Budd
Arabesque 2 - 2013 Remaster
69 bpm • D# min • 03:00 • -18.51db
25% Popularity • 38% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
25% Popularity • 38% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Pieter Nooten And Michael Brook
Finally II
73 bpm • D# min • 01:53 • -35.07db
32% Popularity • 15% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Sarah Davachi
Gilded
69 bpm • E min • 03:30 • -21.18db
34% Popularity • 24% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 24% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Robert Fripp
Tarazed
73 bpm • B min • 05:03 • -31.88db
20% Popularity • 17% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 12% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Brian Eno
Weightless - Remastered 2005
69 bpm • C# min • 04:35 • -22.24db
40% Popularity • 38% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
40% Popularity • 38% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 11% Positiveness
► Preview
Roger Eno
Iris
69 bpm • G Maj • 02:53 • -29.58db
46% Popularity • 29% Danceability • 0% Energy • 13% Liveness
92% Instrumentalness • 40% Positiveness
46% Popularity • 29% Danceability • 0% Energy • 13% Liveness
92% Instrumentalness • 40% Positiveness
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Harold Budd
Jane 16 (For Pale Saints)
69 bpm • C Maj • 03:24 • -36.83db
24% Popularity • 13% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
24% Popularity • 13% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
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Tim Hecker
Dungeoneering
73 bpm • G# min • 05:24 • -8db
36% Popularity • 17% Danceability • 66% Energy • 16% Liveness
88% Instrumentalness • 7% Positiveness
36% Popularity • 17% Danceability • 66% Energy • 16% Liveness
88% Instrumentalness • 7% Positiveness
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Slow Attack Ensemble
Melting Ice
69 bpm • B min • 01:52 • -18.53db
44% Popularity • 24% Danceability • 10% Energy • 7% Liveness
65% Instrumentalness • 7% Positiveness
44% Popularity • 24% Danceability • 10% Energy • 7% Liveness
65% Instrumentalness • 7% Positiveness
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Shiho Yabuki
Samadhi
73 bpm • B min • 09:42 • -25.01db
19% Popularity • 10% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
19% Popularity • 10% Danceability • 8% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Constance Demby
Om Mani Padme Hum
69 bpm • B min • 09:57 • -23.14db
29% Popularity • 18% Danceability • 11% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 11% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Fennesz
Onsay
69 bpm • D Maj • 01:08 • -20.4db
32% Popularity • 7% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 2% Positiveness
32% Popularity • 7% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 2% Positiveness
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Harold Budd
Wanderer
73 bpm • A min • 04:15 • -27.46db
21% Popularity • 16% Danceability • 0% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
21% Popularity • 16% Danceability • 0% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Peter Michael Hamel
Einklang
69 bpm • D# Maj • 10:04 • -33.47db
29% Popularity • 8% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
29% Popularity • 8% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Tim Hecker
Chimeras
69 bpm • C# min • 03:13 • -15db
34% Popularity • 18% Danceability • 35% Energy • 61% Liveness
91% Instrumentalness • 10% Positiveness
34% Popularity • 18% Danceability • 35% Energy • 61% Liveness
91% Instrumentalness • 10% Positiveness
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John Foxx
Someone Almost There
69 bpm • D Maj • 01:33 • -34.77db
24% Popularity • 19% Danceability • 4% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
24% Popularity • 19% Danceability • 4% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Roger Eno
Ultramarine
69 bpm • G Maj • 02:27 • -27.76db
27% Popularity • 46% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
27% Popularity • 46% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
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Cluster
Wehrmut
69 bpm • A min • 05:04 • -24db
28% Popularity • 23% Danceability • 8% Energy • 8% Liveness
84% Instrumentalness • 5% Positiveness
28% Popularity • 23% Danceability • 8% Energy • 8% Liveness
84% Instrumentalness • 5% Positiveness
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Harold Budd
How Vacantly You Stare at Me - 2013 Rema...
69 bpm • A min • 03:56 • -24.22db
25% Popularity • 32% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
25% Popularity • 32% Danceability • 5% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Christina Vantzou
11: 11
73 bpm • C Maj • 04:05 • -22.15db
21% Popularity • 16% Danceability • 10% Energy • 22% Liveness
90% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 10% Energy • 22% Liveness
90% Instrumentalness • 3% Positiveness
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Tim Hecker
Harmony in Blue I
73 bpm • G# min • 01:31 • -27.04db
39% Popularity • 18% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 9% Positiveness
39% Popularity • 18% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 9% Positiveness
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A Winged Victory for the Sullen
Steep Hills of Vicodin Tears
74 bpm • B Maj • 04:26 • -21.96db
40% Popularity • 10% Danceability • 8% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
40% Popularity • 10% Danceability • 8% Energy • 12% Liveness
83% Instrumentalness • 5% Positiveness
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Jon Hassell
Rising Thermal 14° 16' N; 32° 28' E
74 bpm • D# Maj • 03:08 • -35.06db
27% Popularity • 9% Danceability • 1% Energy • 7% Liveness
54% Instrumentalness • 25% Positiveness
27% Popularity • 9% Danceability • 1% Energy • 7% Liveness
54% Instrumentalness • 25% Positiveness