Songs like First Love by Jean-Jacques Schoch
Based on a tempo of (+/- 10%) and a similar genre
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John Baggaley
Fragile
136 bpm • A# Maj • 03:12 • -28.61db
13% Popularity • 30% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
13% Popularity • 30% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
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Jean-Jacques Schoch
First Love
136 bpm • F# Maj • 03:20 • -20.8db
0% Popularity • 41% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
0% Popularity • 41% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Piano Joe
Pachelbel’s Canon in D (long)
137 bpm • D Maj • 02:36 • -20.25db
11% Popularity • 40% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
11% Popularity • 40% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 27% Positiveness
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Danny Wright
Hello in There
137 bpm • F Maj • 03:53 • -15.86db
7% Popularity • 30% Danceability • 23% Energy • 7% Liveness
85% Instrumentalness • 16% Positiveness
7% Popularity • 30% Danceability • 23% Energy • 7% Liveness
85% Instrumentalness • 16% Positiveness
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Steve Rivera
Waves and Particles
137 bpm • E min • 03:35 • -18.74db
8% Popularity • 34% Danceability • 23% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
8% Popularity • 34% Danceability • 23% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
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Neil Patton
Walk With Me
135 bpm • C Maj • 02:28 • -20.54db
11% Popularity • 46% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
11% Popularity • 46% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Debra Shafer
Trust and Obey
135 bpm • F Maj • 01:02 • -14.39db
25% Popularity • 49% Danceability • 24% Energy • 16% Liveness
93% Instrumentalness • 59% Positiveness
25% Popularity • 49% Danceability • 24% Energy • 16% Liveness
93% Instrumentalness • 59% Positiveness
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The Voice Of Reason
Si Tu Veux L'amour - Pt. I
135 bpm • D Maj • 01:12 • -16.71db
15% Popularity • 36% Danceability • 8% Energy • 17% Liveness
79% Instrumentalness • 19% Positiveness
15% Popularity • 36% Danceability • 8% Energy • 17% Liveness
79% Instrumentalness • 19% Positiveness
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Owen Richards
In This I Hope
135 bpm • G Maj • 04:30 • -28.21db
12% Popularity • 36% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
12% Popularity • 36% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Marco Risolino
To The Wonder
135 bpm • D min • 01:18 • -27.28db
8% Popularity • 26% Danceability • 8% Energy • 32% Liveness
87% Instrumentalness • 11% Positiveness
8% Popularity • 26% Danceability • 8% Energy • 32% Liveness
87% Instrumentalness • 11% Positiveness
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Martha Mier
Parisian Waltz
135 bpm • C Maj • 01:24 • -26.79db
12% Popularity • 35% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 30% Positiveness
12% Popularity • 35% Danceability • 5% Energy • 10% Liveness
86% Instrumentalness • 30% Positiveness
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Olivier Goinard
1st Ballade
135 bpm • C Maj • 01:11 • -23.3db
21% Popularity • 52% Danceability • 10% Energy • 6% Liveness
90% Instrumentalness • 51% Positiveness
21% Popularity • 52% Danceability • 10% Energy • 6% Liveness
90% Instrumentalness • 51% Positiveness
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Saulo Amui
O Lar
137 bpm • E Maj • 05:58 • -21.89db
10% Popularity • 36% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
10% Popularity • 36% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Stefano Lacaita
Scenes of a Hidden Self
134 bpm • C Maj • 01:40 • -22.08db
12% Popularity • 59% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
12% Popularity • 59% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Dax Johnson
Song in a Minor II
138 bpm • C Maj • 04:14 • -16.64db
11% Popularity • 32% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
11% Popularity • 32% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
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Caesar Keys
Work of Art
138 bpm • C Maj • 01:17 • -25.66db
23% Popularity • 54% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
23% Popularity • 54% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
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Gregory Lang
Harvest
134 bpm • D Maj • 05:27 • -16.28db
9% Popularity • 42% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
9% Popularity • 42% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 13% Positiveness
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Ivana Soro
Presto Agitato
138 bpm • C Maj • 01:23 • -31.14db
18% Popularity • 59% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 34% Positiveness
18% Popularity • 59% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 34% Positiveness
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Janice Faber
Where Dawn Meets Day
134 bpm • F Maj • 03:12 • -21.62db
10% Popularity • 32% Danceability • 13% Energy • 16% Liveness
91% Instrumentalness • 17% Positiveness
10% Popularity • 32% Danceability • 13% Energy • 16% Liveness
91% Instrumentalness • 17% Positiveness
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William Ogmundson
A Silver Screen Romance (for Dániel and...
138 bpm • C Maj • 02:42 • -17.75db
16% Popularity • 41% Danceability • 14% Energy • 13% Liveness
89% Instrumentalness • 21% Positiveness
16% Popularity • 41% Danceability • 14% Energy • 13% Liveness
89% Instrumentalness • 21% Positiveness
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Jeff Kinder
Revive
139 bpm • C Maj • 02:18 • -19.21db
17% Popularity • 46% Danceability • 19% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
17% Popularity • 46% Danceability • 19% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
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Michael Allen Harrison
It's a Small World
134 bpm • C Maj • 03:46 • -22.24db
18% Popularity • 35% Danceability • 12% Energy • 9% Liveness
96% Instrumentalness • 11% Positiveness
18% Popularity • 35% Danceability • 12% Energy • 9% Liveness
96% Instrumentalness • 11% Positiveness
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Janice Lacy
Always True
139 bpm • D Maj • 03:54 • -17.35db
8% Popularity • 29% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
8% Popularity • 29% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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The O'Neill Brothers Group
Let All Mortal Flesh Keep Silence (Instr...
140 bpm • D min • 03:03 • -18.47db
19% Popularity • 57% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
19% Popularity • 57% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Jared Stokes
The Calm
140 bpm • C Maj • 02:17 • -23.42db
18% Popularity • 29% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 21% Positiveness
18% Popularity • 29% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 21% Positiveness
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Paul Cardall
Advent Prayer - Solo Piano Version
132 bpm • D Maj • 03:58 • -20.48db
11% Popularity • 43% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
11% Popularity • 43% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Owen Richards
Winding River
132 bpm • A# Maj • 04:51 • -24db
12% Popularity • 46% Danceability • 4% Energy • 14% Liveness
87% Instrumentalness • 8% Positiveness
12% Popularity • 46% Danceability • 4% Energy • 14% Liveness
87% Instrumentalness • 8% Positiveness
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Henrik Schouw
Åbent Landskab
132 bpm • C Maj • 01:18 • -20db
11% Popularity • 34% Danceability • 13% Energy • 14% Liveness
89% Instrumentalness • 22% Positiveness
11% Popularity • 34% Danceability • 13% Energy • 14% Liveness
89% Instrumentalness • 22% Positiveness
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Marco Risolino
Finale
132 bpm • D Maj • 01:26 • -30.06db
9% Popularity • 48% Danceability • 1% Energy • 6% Liveness
63% Instrumentalness • 31% Positiveness
9% Popularity • 48% Danceability • 1% Energy • 6% Liveness
63% Instrumentalness • 31% Positiveness
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Starr Parodi
The Sleeping And The Waking
140 bpm • C Maj • 03:06 • -23.24db
7% Popularity • 23% Danceability • 2% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
7% Popularity • 23% Danceability • 2% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Kurt Reiman
Feel
140 bpm • D Maj • 04:15 • -22.86db
8% Popularity • 42% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
8% Popularity • 42% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
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Greg Maroney
A Glimpse
132 bpm • E min • 02:33 • -22.76db
9% Popularity • 28% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
9% Popularity • 28% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Danilo Rea
Two kids
140 bpm • C Maj • 01:30 • -20.02db
25% Popularity • 40% Danceability • 17% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
25% Popularity • 40% Danceability • 17% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Jeon Su Yeon
The Blue Sea of Memories
140 bpm • D min • 02:11 • -22.09db
11% Popularity • 35% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
11% Popularity • 35% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Johannes Brahms
Brahms: Wiegenlied, Op. 49, No. 4: "Gute...
132 bpm • C Maj • 03:25 • -23.31db
13% Popularity • 55% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
13% Popularity • 55% Danceability • 2% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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Pearlsha Abubakar
1992
131 bpm • D Maj • 04:14 • -19.26db
9% Popularity • 48% Danceability • 20% Energy • 9% Liveness
84% Instrumentalness • 28% Positiveness
9% Popularity • 48% Danceability • 20% Energy • 9% Liveness
84% Instrumentalness • 28% Positiveness
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James Hawken
The Golden Hues of Eythin
131 bpm • D min • 03:35 • -15.95db
8% Popularity • 38% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
8% Popularity • 38% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
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The O'Neill Brothers Group
Taste and See (Instrumental Version)
131 bpm • F Maj • 03:30 • -19.71db
12% Popularity • 43% Danceability • 22% Energy • 9% Liveness
83% Instrumentalness • 32% Positiveness
12% Popularity • 43% Danceability • 22% Energy • 9% Liveness
83% Instrumentalness • 32% Positiveness
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Joshua Rinne
Oh Come, Oh Come, Emmanuel / What Child ...
131 bpm • G min • 03:04 • -28.87db
22% Popularity • 45% Danceability • 3% Energy • 17% Liveness
85% Instrumentalness • 13% Positiveness
22% Popularity • 45% Danceability • 3% Energy • 17% Liveness
85% Instrumentalness • 13% Positiveness
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Brian Tunstall
With Assurance
131 bpm • F Maj • 01:41 • -18.6db
22% Popularity • 46% Danceability • 17% Energy • 13% Liveness
93% Instrumentalness • 35% Positiveness
22% Popularity • 46% Danceability • 17% Energy • 13% Liveness
93% Instrumentalness • 35% Positiveness
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許惠鈞
古老的大鐘
131 bpm • A# Maj • 04:13 • -21.7db
8% Popularity • 46% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
8% Popularity • 46% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
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Denise Young
Livia's Song
141 bpm • G Maj • 03:12 • -24.41db
11% Popularity • 47% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
11% Popularity • 47% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
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Christopher Boscole
Polyana
130 bpm • D min • 05:45 • -19.58db
9% Popularity • 30% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 9% Positiveness
9% Popularity • 30% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 9% Positiveness
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Piano Joe
If Ever Again
130 bpm • D# Maj • 01:08 • -23.6db
20% Popularity • 42% Danceability • 7% Energy • 13% Liveness
92% Instrumentalness • 20% Positiveness
20% Popularity • 42% Danceability • 7% Energy • 13% Liveness
92% Instrumentalness • 20% Positiveness
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Terry
Vigor
142 bpm • D# Maj • 02:04 • -34.98db
12% Popularity • 32% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
12% Popularity • 32% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
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Janice Lacy
A Beautiful Light
130 bpm • C Maj • 03:13 • -17.82db
11% Popularity • 36% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 21% Positiveness
11% Popularity • 36% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 21% Positiveness
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Greg Maroney
The Looking Glass
130 bpm • E min • 03:17 • -17.53db
9% Popularity • 35% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
9% Popularity • 35% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
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Frederike Neubacher
Memory of u
142 bpm • C min • 02:00 • -27.72db
9% Popularity • 52% Danceability • 0% Energy • 17% Liveness
87% Instrumentalness • 11% Positiveness
9% Popularity • 52% Danceability • 0% Energy • 17% Liveness
87% Instrumentalness • 11% Positiveness
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Pianembrase
Nocturnal Serenade
130 bpm • A Maj • 01:40 • -19.92db
9% Popularity • 52% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 47% Positiveness
9% Popularity • 52% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 47% Positiveness
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Animalisa Keys
Crimson Loftwing
142 bpm • E Maj • 04:06 • -20.44db
16% Popularity • 29% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
16% Popularity • 29% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 32% Positiveness
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Brian Hagen
Dizziness (Piano)
130 bpm • C# Maj • 03:26 • -22.03db
14% Popularity • 36% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
14% Popularity • 36% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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sayabird
菩提樹の下で
129 bpm • G Maj • 04:01 • -24.08db
14% Popularity • 29% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 23% Positiveness
14% Popularity • 29% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 23% Positiveness
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Christian Housel
Alma
130 bpm • A min • 03:35 • -15.36db
9% Popularity • 49% Danceability • 29% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
9% Popularity • 49% Danceability • 29% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
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The O'Neill Brothers Group
I Come With Joy (Instrumental Version)
129 bpm • F Maj • 02:59 • -20.26db
14% Popularity • 50% Danceability • 16% Energy • 14% Liveness
90% Instrumentalness • 43% Positiveness
14% Popularity • 50% Danceability • 16% Energy • 14% Liveness
90% Instrumentalness • 43% Positiveness
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Mark Pinkus
Simple Music for Complex People
129 bpm • A Maj • 03:19 • -19.95db
11% Popularity • 40% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
11% Popularity • 40% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
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John-William Gambrell
Ten (breathe)
129 bpm • A# Maj • 03:46 • -24.01db
8% Popularity • 41% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 5% Positiveness
8% Popularity • 41% Danceability • 2% Energy • 6% Liveness
94% Instrumentalness • 5% Positiveness
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Sergio Romano
My Blue Side
143 bpm • C Maj • 04:04 • -19db
14% Popularity • 30% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
14% Popularity • 30% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
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Alexander S.
Walking In Memphis
129 bpm • C Maj • 01:07 • -19.01db
20% Popularity • 53% Danceability • 32% Energy • 14% Liveness
95% Instrumentalness • 80% Positiveness
20% Popularity • 53% Danceability • 32% Energy • 14% Liveness
95% Instrumentalness • 80% Positiveness
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Jeremy Hababou
Un amour éternel
144 bpm • D min • 02:27 • -22.19db
12% Popularity • 29% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
12% Popularity • 29% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Vincent Corver
In the Clouds III
144 bpm • D min • 01:10 • -27.26db
32% Popularity • 45% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 20% Positiveness
32% Popularity • 45% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 20% Positiveness
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Mark Pinkus
The Path
128 bpm • F Maj • 04:39 • -15.27db
8% Popularity • 38% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
8% Popularity • 38% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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James Malikey
About Rain and Moondust
128 bpm • C# Maj • 03:39 • -22.43db
8% Popularity • 29% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
8% Popularity • 29% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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Jeon Su Yeon
The Night The Sun Falls Asleep
144 bpm • A min • 02:13 • -18.94db
12% Popularity • 46% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
12% Popularity • 46% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
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Beautiful Life
For Always and Forever
144 bpm • D# Maj • 02:52 • -20.34db
16% Popularity • 64% Danceability • 7% Energy • 22% Liveness
83% Instrumentalness • 24% Positiveness
16% Popularity • 64% Danceability • 7% Energy • 22% Liveness
83% Instrumentalness • 24% Positiveness
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Aaron Cousland
Another New Beginning
128 bpm • F# Maj • 01:29 • -22db
18% Popularity • 33% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 54% Positiveness
18% Popularity • 33% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 54% Positiveness
► Preview
Michele McLaughlin
Forever Yours
128 bpm • C Maj • 02:46 • -22.03db
10% Popularity • 37% Danceability • 13% Energy • 15% Liveness
91% Instrumentalness • 32% Positiveness
10% Popularity • 37% Danceability • 13% Energy • 15% Liveness
91% Instrumentalness • 32% Positiveness
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Steven C
Did She Mention My Name (Instrumental Ve...
144 bpm • G Maj • 03:15 • -17.1db
9% Popularity • 34% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
9% Popularity • 34% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
► Preview
Wayne Burton
There Is Hope
128 bpm • F Maj • 03:41 • -15.43db
11% Popularity • 41% Danceability • 21% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
11% Popularity • 41% Danceability • 21% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
► Preview
Deborah Offenhauser
Country Road
144 bpm • E Maj • 01:06 • -22.47db
29% Popularity • 31% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
29% Popularity • 31% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
► Preview
Ulvi Gurbanov Piano
Whispering Willows Sonata
128 bpm • C Maj • 01:38 • -26.04db
7% Popularity • 42% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 26% Positiveness
7% Popularity • 42% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 26% Positiveness
► Preview
Suzanne Grosvenor
Waltz for Anna
145 bpm • G Maj • 02:52 • -16.12db
10% Popularity • 26% Danceability • 23% Energy • 18% Liveness
82% Instrumentalness • 25% Positiveness
10% Popularity • 26% Danceability • 23% Energy • 18% Liveness
82% Instrumentalness • 25% Positiveness
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Beyond the Notes
More Holiness Give Me
127 bpm • D Maj • 03:32 • -23.41db
10% Popularity • 48% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
10% Popularity • 48% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
► Preview
Jason Wright
Long Journey Home (Instrumental)
127 bpm • G# Maj • 03:29 • -25.22db
9% Popularity • 48% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 27% Positiveness
9% Popularity • 48% Danceability • 0% Energy • 7% Liveness
88% Instrumentalness • 27% Positiveness
► Preview
Janice Faber
This Side of Heaven
128 bpm • A Maj • 04:17 • -16.51db
8% Popularity • 39% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
8% Popularity • 39% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
► Preview
AJ Hickling
Like Water - Piano Busker
146 bpm • A# Maj • 03:06 • -22.42db
12% Popularity • 32% Danceability • 9% Energy • 8% Liveness
88% Instrumentalness • 18% Positiveness
12% Popularity • 32% Danceability • 9% Energy • 8% Liveness
88% Instrumentalness • 18% Positiveness
► Preview
Robin Spielberg
Goodnight Irene
146 bpm • G Maj • 01:50 • -18.27db
8% Popularity • 40% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 47% Positiveness
8% Popularity • 40% Danceability • 13% Energy • 9% Liveness
89% Instrumentalness • 47% Positiveness
► Preview
Mihail Tarlev
Daylight
127 bpm • D Maj • 02:01 • -20.71db
12% Popularity • 29% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 35% Positiveness
12% Popularity • 29% Danceability • 18% Energy • 10% Liveness
89% Instrumentalness • 35% Positiveness
► Preview
Piano House
Morning in The Garden
146 bpm • G# Maj • 01:34 • -24.17db
28% Popularity • 33% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 18% Positiveness
28% Popularity • 33% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 18% Positiveness
► Preview
Michael Schlierf
Unendlich sanft in seinen Händen
126 bpm • G min • 03:03 • -17.19db
7% Popularity • 48% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 27% Positiveness
7% Popularity • 48% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 27% Positiveness
► Preview
Richard Laurence
The Unused Name
126 bpm • B Maj • 03:02 • -34.56db
12% Popularity • 41% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 37% Positiveness
12% Popularity • 41% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 37% Positiveness
► Preview
Tərlan Məmmədli
Le Moral
147 bpm • D# Maj • 01:32 • -15.8db
12% Popularity • 26% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 7% Positiveness
12% Popularity • 26% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 7% Positiveness
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Laura Sullivan
Pictograph Cave - Remaster
147 bpm • E min • 04:12 • -22db
11% Popularity • 39% Danceability • 11% Energy • 8% Liveness
86% Instrumentalness • 21% Positiveness
11% Popularity • 39% Danceability • 11% Energy • 8% Liveness
86% Instrumentalness • 21% Positiveness
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The O'Neill Brothers Group
Come to the Table (Instrumental Version)
126 bpm • F Maj • 03:35 • -18.86db
18% Popularity • 47% Danceability • 24% Energy • 9% Liveness
90% Instrumentalness • 34% Positiveness
18% Popularity • 47% Danceability • 24% Energy • 9% Liveness
90% Instrumentalness • 34% Positiveness
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Owen Richards
The Solstice
125 bpm • F min • 04:32 • -27.9db
12% Popularity • 37% Danceability • 3% Energy • 9% Liveness
48% Instrumentalness • 16% Positiveness
12% Popularity • 37% Danceability • 3% Energy • 9% Liveness
48% Instrumentalness • 16% Positiveness
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Alberto Bevilacqua
La Califfa (Adage)
125 bpm • D Maj • 02:20 • -19.4db
16% Popularity • 54% Danceability • 11% Energy • 14% Liveness
86% Instrumentalness • 31% Positiveness
16% Popularity • 54% Danceability • 11% Energy • 14% Liveness
86% Instrumentalness • 31% Positiveness
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Riccardo Rossini
The Rest of the Dogs - Pt. 2
148 bpm • A Maj • 02:59 • -32.73db
11% Popularity • 43% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
11% Popularity • 43% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
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Gordon Matthew Thomas Sumner
Fields Of Gold
125 bpm • D Maj • 03:08 • -23.96db
22% Popularity • 33% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 13% Positiveness
22% Popularity • 33% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 13% Positiveness
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Nate Fifield
Hold My Hand (ronds de jambe en l'air)
149 bpm • G Maj • 01:33 • -19.88db
26% Popularity • 39% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
26% Popularity • 39% Danceability • 12% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
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Steven C
Carefree Highway (Instrumental Version)
125 bpm • F Maj • 04:07 • -18.19db
9% Popularity • 46% Danceability • 21% Energy • 18% Liveness
91% Instrumentalness • 25% Positiveness
9% Popularity • 46% Danceability • 21% Energy • 18% Liveness
91% Instrumentalness • 25% Positiveness
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Ingo Höricht
Wishing Well
124 bpm • G min • 01:44 • -23.44db
14% Popularity • 39% Danceability • 10% Energy • 14% Liveness
90% Instrumentalness • 18% Positiveness
14% Popularity • 39% Danceability • 10% Energy • 14% Liveness
90% Instrumentalness • 18% Positiveness
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Ninebarrow
Kitty's Song
124 bpm • A min • 02:14 • -21.25db
10% Popularity • 36% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 32% Positiveness
10% Popularity • 36% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 32% Positiveness
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Friedrich Burgmüller
18 Études, op.109: No.5 The Source
124 bpm • G Maj • 01:52 • -25.41db
7% Popularity • 24% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 43% Positiveness
7% Popularity • 24% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 43% Positiveness
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Michael Martinez
The Feather
124 bpm • G Maj • 03:23 • -17.9db
9% Popularity • 44% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
9% Popularity • 44% Danceability • 18% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Jon Sarta
Just the Way You Are
124 bpm • D Maj • 03:42 • -27.83db
15% Popularity • 39% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 18% Positiveness
15% Popularity • 39% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 18% Positiveness
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Steven C
First (Instrumental Version)
123 bpm • A min • 03:04 • -16.83db
10% Popularity • 52% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 11% Positiveness
10% Popularity • 52% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 11% Positiveness
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Silvard
Soulmates
123 bpm • D Maj • 03:39 • -17.63db
9% Popularity • 42% Danceability • 17% Energy • 8% Liveness
86% Instrumentalness • 27% Positiveness
9% Popularity • 42% Danceability • 17% Energy • 8% Liveness
86% Instrumentalness • 27% Positiveness
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Luca Bartolucci
Shapes
123 bpm • C Maj • 02:44 • -25.75db
16% Popularity • 26% Danceability • 8% Energy • 15% Liveness
90% Instrumentalness • 10% Positiveness
16% Popularity • 26% Danceability • 8% Energy • 15% Liveness
90% Instrumentalness • 10% Positiveness
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Lucia Montagnana
Jean Carl Emilio
123 bpm • C Maj • 02:22 • -19.5db
13% Popularity • 28% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
13% Popularity • 28% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
