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First of the Tide
Songs like
First of the Tide
by
Erland Cooper
Based on a tempo of (+/- 10%) and a similar genre
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Erland Cooper
First of the Tide
147 bpm • C Maj • 03:36 • -17.01db
33% Popularity • 47% Danceability • 27% Energy • 42% Liveness
84% Instrumentalness • 20% Positiveness
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Benge
1975 Moog Polymoog
147 bpm • C Maj • 02:56 • -22db
20% Popularity • 61% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 48% Positiveness
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Kathryn Joseph
how well you are
148 bpm • A# min • 03:15 • -19.72db
14% Popularity • 33% Danceability • 9% Energy • 8% Liveness
34% Instrumentalness • 9% Positiveness
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Agnes Obel
Promise Keeper
146 bpm • F# min • 04:29 • -16.32db
30% Popularity • 24% Danceability • 18% Energy • 8% Liveness
1% Instrumentalness • 15% Positiveness
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Villagers
A Trick of the Light - Bibio Remix
149 bpm • B Maj • 03:08 • -10db
32% Popularity • 50% Danceability • 52% Energy • 13% Liveness
82% Instrumentalness • 21% Positiveness
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Saint Saviour
Rock Pools
145 bpm • G Maj • 03:58 • -8.89db
42% Popularity • 80% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Vagabon
Every Woman
146 bpm • G# min • 03:27 • -17.36db
30% Popularity • 48% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Ride
Future Love - Reimagined by Pêtr Aleks�...
149 bpm • A# Maj • 03:03 • -19db
41% Popularity • 20% Danceability • 29% Energy • 25% Liveness
50% Instrumentalness • 4% Positiveness
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HTRK
Kiss Kiss and Rhinestones
145 bpm • A min • 02:04 • -19.34db
36% Popularity • 54% Danceability • 20% Energy • 13% Liveness
23% Instrumentalness • 25% Positiveness
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Meursault
Klopfgeist
150 bpm • E Maj • 05:08 • -9db
20% Popularity • 64% Danceability • 60% Energy • 33% Liveness
8% Instrumentalness • 60% Positiveness
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Bibio
Quarters
144 bpm • F# Maj • 03:20 • -9.71db
20% Popularity • 46% Danceability • 50% Energy • 22% Liveness
79% Instrumentalness • 36% Positiveness
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Beirut
Two Blue Eyes - BER-ABQ Version
150 bpm • C Maj • 03:41 • -11db
35% Popularity • 65% Danceability • 44% Energy • 10% Liveness
14% Instrumentalness • 90% Positiveness
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La Force
Mama Papa
144 bpm • D# min • 04:45 • -14.13db
27% Popularity • 66% Danceability • 45% Energy • 10% Liveness
4% Instrumentalness • 26% Positiveness
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King Creosote
Melin Wynt
144 bpm • D# Maj • 05:16 • -9.35db
35% Popularity • 45% Danceability • 66% Energy • 16% Liveness
67% Instrumentalness • 47% Positiveness
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Alice Boman
Feels Like A Dream
144 bpm • D# Maj • 02:52 • -15.82db
20% Popularity • 49% Danceability • 19% Energy • 10% Liveness
26% Instrumentalness • 20% Positiveness
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Maple Glider
As Tradition
144 bpm • D min • 04:00 • -8.57db
31% Popularity • 67% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Sun Kil Moon
Third and Seneca
150 bpm • C Maj • 07:14 • -18.82db
30% Popularity • 40% Danceability • 9% Energy • 11% Liveness
12% Instrumentalness • 36% Positiveness
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Ada Lea
the party
144 bpm • C min • 02:55 • -16.22db
29% Popularity • 59% Danceability • 19% Energy • 48% Liveness
19% Instrumentalness • 24% Positiveness
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Lucinda Chua
Feel Something
151 bpm • A Maj • 03:09 • -12.71db
13% Popularity • 16% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 4% Positiveness
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Kid Koala
Nightfall Pale Blue
143 bpm • C Maj • 02:49 • -19db
29% Popularity • 24% Danceability • 9% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
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Mark Pritchard
Give It Your Choir
143 bpm • D min • 04:25 • -14.1db
27% Popularity • 46% Danceability • 36% Energy • 8% Liveness
38% Instrumentalness • 11% Positiveness
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Interpol
If You Really Love Nothing - Reimagined ...
142 bpm • G# min • 04:27 • -11.19db
20% Popularity • 29% Danceability • 52% Energy • 46% Liveness
66% Instrumentalness • 13% Positiveness
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Neil Cowley
She Lives in Golden Sands
142 bpm • A min • 05:35 • -18.6db
23% Popularity • 44% Danceability • 28% Energy • 6% Liveness
90% Instrumentalness • 40% Positiveness
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Becca Mancari
Annie
152 bpm • C# Maj • 04:42 • -8.68db
22% Popularity • 23% Danceability • 44% Energy • 10% Liveness
4% Instrumentalness • 26% Positiveness
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This Is The Kit
Slider
142 bpm • C# min • 04:06 • -10.4db
25% Popularity • 50% Danceability • 42% Energy • 12% Liveness
87% Instrumentalness • 45% Positiveness
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Meg Baird
Damaged Sunset
142 bpm • A Maj • 08:05 • -14.5db
9% Popularity • 29% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Lucy Rose
Question It All
141 bpm • C Maj • 04:02 • -11.91db
42% Popularity • 42% Danceability • 40% Energy • 11% Liveness
9% Instrumentalness • 17% Positiveness
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Erland Cooper
Cairn I.
141 bpm • A Maj • 04:10 • -20db
21% Popularity • 18% Danceability • 16% Energy • 16% Liveness
90% Instrumentalness • 3% Positiveness
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Bill Ryder-Jones
Mither - Yawny Yawn
141 bpm • A Maj • 07:20 • -21.94db
11% Popularity • 28% Danceability • 4% Energy • 6% Liveness
79% Instrumentalness • 10% Positiveness
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Yorkston/Thorne/Khan
Westlin Winds
154 bpm • D min • 09:52 • -16.52db
21% Popularity • 24% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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Aloa Input
Atlas Daze
154 bpm • C min • 04:11 • -13db
25% Popularity • 58% Danceability • 42% Energy • 21% Liveness
35% Instrumentalness • 49% Positiveness
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Africa Express
See The World
140 bpm • C Maj • 03:01 • -10.15db
26% Popularity • 46% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Samana
Passing Me By
140 bpm • G# Maj • 04:57 • -13.92db
8% Popularity • 62% Danceability • 30% Energy • 6% Liveness
42% Instrumentalness • 42% Positiveness
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Erland Cooper
Groatie Buckies
141 bpm • F# Maj • 04:21 • -18.17db
18% Popularity • 19% Danceability • 12% Energy • 30% Liveness
59% Instrumentalness • 5% Positiveness
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Hot Chip
Worlds Within Worlds
140 bpm • A min • 05:38 • -12.02db
10% Popularity • 40% Danceability • 30% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
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Loma
Black Willow
140 bpm • D# min • 05:17 • -10.49db
36% Popularity • 68% Danceability • 31% Energy • 10% Liveness
4% Instrumentalness • 30% Positiveness
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Örvar Smárason
Afterparty
140 bpm • A min • 03:54 • -23.35db
11% Popularity • 38% Danceability • 7% Energy • 11% Liveness
3% Instrumentalness • 18% Positiveness
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Hayden Thorpe
The Universe Is Always Right
155 bpm • F# Maj • 04:04 • -11.07db
19% Popularity • 65% Danceability • 57% Energy • 11% Liveness
25% Instrumentalness • 49% Positiveness
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Charles Spearin
Unsolicited Advice
139 bpm • E Maj • 03:11 • -14.27db
22% Popularity • 33% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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This Is The Kit
Was Magician
139 bpm • C min • 04:26 • -11.96db
30% Popularity • 66% Danceability • 28% Energy • 12% Liveness
4% Instrumentalness • 28% Positiveness
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Orlando Weeks
Blame Or Love Or Nothing
139 bpm • D min • 03:08 • -11.22db
16% Popularity • 48% Danceability • 56% Energy • 16% Liveness
3% Instrumentalness • 43% Positiveness
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Loma
Black Willow - Single Version
140 bpm • D# min • 03:59 • -9.7db
38% Popularity • 67% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Mutual Benefit
Diamond Day
139 bpm • G Maj • 02:24 • -13.66db
29% Popularity • 31% Danceability • 22% Energy • 36% Liveness
95% Instrumentalness • 14% Positiveness
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Hayden Thorpe
Blue Crow
139 bpm • G min • 03:01 • -9.59db
19% Popularity • 72% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Chartreuse
Keep Checking up on Me
139 bpm • C Maj • 04:19 • -10db
35% Popularity • 71% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
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Erland Cooper
Movement 6
138 bpm • C Maj • 03:56 • -10.86db
17% Popularity • 55% Danceability • 41% Energy • 8% Liveness
75% Instrumentalness • 41% Positiveness
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Orlando Weeks
Summer Clothes
156 bpm • C Maj • 03:59 • -16.63db
9% Popularity • 40% Danceability • 29% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
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Caribou
Melody Day (Four Tet Remix Luke Lalonde,...
138 bpm • C# Maj • 04:49 • -19.95db
30% Popularity • 45% Danceability • 27% Energy • 9% Liveness
87% Instrumentalness • 11% Positiveness
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Luluc
Emerald City
138 bpm • A# min • 03:55 • -11.46db
16% Popularity • 63% Danceability • 62% Energy • 11% Liveness
5% Instrumentalness • 35% Positiveness
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Karima Walker
Reconstellated
137 bpm • F min • 04:58 • -17.43db
19% Popularity • 35% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
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Samana
All One Breath
138 bpm • A# min • 03:30 • -13.56db
10% Popularity • 42% Danceability • 16% Energy • 10% Liveness
30% Instrumentalness • 7% Positiveness
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Erland Cooper
Longhope
138 bpm • C# Maj • 04:47 • -13.78db
17% Popularity • 31% Danceability • 37% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
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Pet Deaths
Wind Up Bird
137 bpm • C min • 06:55 • -10.33db
14% Popularity • 41% Danceability • 51% Energy • 8% Liveness
9% Instrumentalness • 15% Positiveness
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Westerman
Float Over
137 bpm • A Maj • 02:20 • -12.93db
34% Popularity • 85% Danceability • 26% Energy • 11% Liveness
84% Instrumentalness • 68% Positiveness
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Benge
1973 Roland SH2000
137 bpm • G Maj • 03:44 • -19.39db
5% Popularity • 75% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 5% Positiveness
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Rozi Plain
Jogalong
158 bpm • F Maj • 03:57 • -13db
24% Popularity • 51% Danceability • 34% Energy • 13% Liveness
5% Instrumentalness • 31% Positiveness
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Lambert
In an Oblique Way
158 bpm • C min • 03:43 • -20.04db
34% Popularity • 28% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 35% Positiveness
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Erland Cooper
Longhope - Edit
137 bpm • F# Maj • 03:31 • -13db
40% Popularity • 28% Danceability • 42% Energy • 13% Liveness
95% Instrumentalness • 10% Positiveness
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HÆLOS
Somnum
136 bpm • C Maj • 07:20 • -21.99db
15% Popularity • 19% Danceability • 11% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Westerman
Mother Song
136 bpm • G Maj • 02:53 • -16.92db
40% Popularity • 57% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Public Service Broadcasting
You + Me
136 bpm • A# Maj • 05:44 • -13.44db
27% Popularity • 51% Danceability • 22% Energy • 3% Liveness
29% Instrumentalness • 39% Positiveness
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Benge
Wires and Dots
136 bpm • E Maj • 04:17 • -22.76db
7% Popularity • 44% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 37% Positiveness
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Uly
that's no way to fly
160 bpm • C# min • 03:14 • -17db
22% Popularity • 49% Danceability • 14% Energy • 23% Liveness
83% Instrumentalness • 35% Positiveness
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Erland Cooper
Hether Blether
136 bpm • C# Maj • 04:18 • -10.87db
12% Popularity • 35% Danceability • 37% Energy • 11% Liveness
69% Instrumentalness • 9% Positiveness
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EERA
Reflection of Youth
135 bpm • F min • 03:44 • -16.82db
32% Popularity • 33% Danceability • 10% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
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Bonnie Prince Billy
Beast For Thee
160 bpm • B Maj • 05:24 • -17.87db
29% Popularity • 32% Danceability • 18% Energy • 8% Liveness
67% Instrumentalness • 35% Positiveness
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Angelo De Augustine
Blue
160 bpm • D Maj • 02:36 • -15db
40% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Benge
Texas Instruments
135 bpm • C# Maj • 04:36 • -13.16db
0% Popularity • 74% Danceability • 60% Energy • 10% Liveness
15% Instrumentalness • 15% Positiveness
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Participant
Coast
135 bpm • A Maj • 03:55 • -12.77db
22% Popularity • 55% Danceability • 17% Energy • 11% Liveness
9% Instrumentalness • 25% Positiveness
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Erland Cooper
Cairn IV.
136 bpm • C Maj • 03:11 • -25.09db
10% Popularity • 18% Danceability • 14% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Ishmael Ensemble
Morning Chorus
160 bpm • A# Maj • 05:29 • -16db
29% Popularity • 60% Danceability • 51% Energy • 14% Liveness
85% Instrumentalness • 33% Positiveness
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Loma
Elliptical Days
160 bpm • G min • 04:30 • -13.66db
22% Popularity • 51% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
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Hypnotic Brass Ensemble
Soon It Will Be Fire
135 bpm • B min • 09:29 • -13.74db
31% Popularity • 35% Danceability • 30% Energy • 10% Liveness
81% Instrumentalness • 15% Positiveness
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Bibio
Oakmoss
160 bpm • G Maj • 03:41 • -9.84db
39% Popularity • 48% Danceability • 39% Energy • 14% Liveness
90% Instrumentalness • 84% Positiveness
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Helena Deland
Swimmer
135 bpm • F Maj • 03:33 • -15.27db
37% Popularity • 51% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
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Benge
Thub
134 bpm • C Maj • 02:53 • -28.69db
1% Popularity • 16% Danceability • 1% Energy • 11% Liveness
70% Instrumentalness • 8% Positiveness
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The Chemical Brothers
The State We're In
134 bpm • A Maj • 06:26 • -8.31db
39% Popularity • 31% Danceability • 56% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
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Keeley Forsyth
Photograph
134 bpm • A# Maj • 03:50 • -21.52db
24% Popularity • 21% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Alabaster DePlume
Is It Enough
134 bpm • C Maj • 04:05 • -10db
31% Popularity • 41% Danceability • 47% Energy • 11% Liveness
12% Instrumentalness • 42% Positiveness
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King Creosote
You Just Want
162 bpm • A# min • 07:25 • -10.51db
30% Popularity • 41% Danceability • 54% Energy • 11% Liveness
28% Instrumentalness • 74% Positiveness
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Danika
Suit of Armour
133 bpm • E min • 03:48 • -12.89db
31% Popularity • 69% Danceability • 43% Energy • 5% Liveness
10% Instrumentalness • 87% Positiveness
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Erland Cooper
Sillocks
133 bpm • C Maj • 03:27 • -17.84db
20% Popularity • 21% Danceability • 8% Energy • 26% Liveness
63% Instrumentalness • 14% Positiveness
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Marcus Hamblett
Lost At Sea
132 bpm • C Maj • 06:43 • -14.03db
15% Popularity • 63% Danceability • 46% Energy • 9% Liveness
80% Instrumentalness • 10% Positiveness
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Anna Mieke
Creature
132 bpm • F Maj • 04:45 • -18.31db
16% Popularity • 38% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Martyn Heyne
Carry
132 bpm • E Maj • 06:55 • -16.79db
29% Popularity • 37% Danceability • 38% Energy • 10% Liveness
96% Instrumentalness • 24% Positiveness
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Loma
I Fix My Gaze
131 bpm • A min • 03:10 • -25db
19% Popularity • 23% Danceability • 6% Energy • 61% Liveness
0% Instrumentalness • 5% Positiveness
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Orlando Weeks
Milk Breath
131 bpm • G# min • 03:16 • -11.94db
20% Popularity • 57% Danceability • 44% Energy • 18% Liveness
82% Instrumentalness • 12% Positiveness
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Benoît Pioulard
Margin - Zachary Gray Remix
165 bpm • G Maj • 03:44 • -12db
27% Popularity • 48% Danceability • 60% Energy • 34% Liveness
25% Instrumentalness • 26% Positiveness
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Bent
King Wisp
131 bpm • C# Maj • 05:10 • -11.56db
24% Popularity • 34% Danceability • 46% Energy • 44% Liveness
77% Instrumentalness • 10% Positiveness
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Kelly Lee Owens
Wake-Up
165 bpm • E min • 04:26 • -11.92db
23% Popularity • 49% Danceability • 42% Energy • 12% Liveness
50% Instrumentalness • 12% Positiveness
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Erland Cooper
Haar over Hamnavoe - Bill Ryder-Jones Re...
165 bpm • G# Maj • 03:53 • -24.39db
37% Popularity • 9% Danceability • 8% Energy • 6% Liveness
93% Instrumentalness • 8% Positiveness
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The Cinematic Orchestra
Wait For Now - Mary Lattimore Rework
131 bpm • D# Maj • 06:50 • -16.29db
39% Popularity • 36% Danceability • 28% Energy • 15% Liveness
42% Instrumentalness • 13% Positiveness
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Pictish Trail
Slow Memories
130 bpm • G min • 03:49 • -9.62db
8% Popularity • 46% Danceability • 35% Energy • 10% Liveness
11% Instrumentalness • 21% Positiveness
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Foreign Fields
Rose Colored
130 bpm • A min • 05:03 • -19.38db
26% Popularity • 56% Danceability • 7% Energy • 8% Liveness
33% Instrumentalness • 9% Positiveness
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Malena Zavala
Moon Song
130 bpm • C min • 02:48 • -11.73db
31% Popularity • 64% Danceability • 50% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
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Hayden Thorpe
Love Crimes
130 bpm • E Maj • 03:55 • -13.57db
31% Popularity • 59% Danceability • 43% Energy • 14% Liveness
18% Instrumentalness • 16% Positiveness
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Erland Cooper
Linga Holm
165 bpm • G# min • 02:56 • -9.47db
13% Popularity • 50% Danceability • 52% Energy • 28% Liveness
97% Instrumentalness • 45% Positiveness
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Kelly Lee Owens
Corner Of My Sky
130 bpm • A Maj • 07:27 • -15.27db
28% Popularity • 66% Danceability • 23% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
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Deradoorian
Monk's Robes
130 bpm • A min • 04:46 • -14.37db
30% Popularity • 40% Danceability • 27% Energy • 11% Liveness
31% Instrumentalness • 10% Positiveness
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sir Was
Flyder
130 bpm • A# min • 04:48 • -11.94db
24% Popularity • 65% Danceability • 48% Energy • 23% Liveness
62% Instrumentalness • 36% Positiveness
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First of the Tide