Songs like First Season by Henry Lindon
Based on a tempo of (+/- 10%) and a similar genre
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Leslie Rossiter Band
Moonlight in Vermont
101 bpm • C min • 04:17 • -17.18db
28% Popularity • 40% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 10% Positiveness
28% Popularity • 40% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 10% Positiveness
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William Carter Band
Peace
101 bpm • A# Maj • 03:13 • -17.51db
36% Popularity • 50% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 17% Positiveness
36% Popularity • 50% Danceability • 15% Energy • 11% Liveness
84% Instrumentalness • 17% Positiveness
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Baker St.
Moving Along
101 bpm • G# Maj • 03:36 • -18.93db
26% Popularity • 50% Danceability • 22% Energy • 12% Liveness
96% Instrumentalness • 10% Positiveness
26% Popularity • 50% Danceability • 22% Energy • 12% Liveness
96% Instrumentalness • 10% Positiveness
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Long Island Quartet
Here´s That Rainy Day
101 bpm • F min • 03:54 • -16.78db
31% Popularity • 38% Danceability • 11% Energy • 9% Liveness
8% Instrumentalness • 28% Positiveness
31% Popularity • 38% Danceability • 11% Energy • 9% Liveness
8% Instrumentalness • 28% Positiveness
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Art Hirahara
Ascent
101 bpm • D min • 04:10 • -23.37db
46% Popularity • 46% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
46% Popularity • 46% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Geeder
Waltz for Viggo
101 bpm • F min • 03:50 • -16.2db
28% Popularity • 38% Danceability • 24% Energy • 22% Liveness
69% Instrumentalness • 20% Positiveness
28% Popularity • 38% Danceability • 24% Energy • 22% Liveness
69% Instrumentalness • 20% Positiveness
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Henry Lindon
First Season
101 bpm • C min • 03:22 • -22.84db
37% Popularity • 53% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
37% Popularity • 53% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
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Vendla
After Winter Comes Spring
101 bpm • G min • 03:31 • -14.69db
48% Popularity • 53% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
48% Popularity • 53% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 26% Positiveness
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Alan Perlman Band
Stolen Moments
101 bpm • C min • 03:14 • -11.5db
30% Popularity • 64% Danceability • 28% Energy • 13% Liveness
73% Instrumentalness • 27% Positiveness
30% Popularity • 64% Danceability • 28% Energy • 13% Liveness
73% Instrumentalness • 27% Positiveness
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Glass Trio
Breathe the Air
101 bpm • C min • 03:45 • -15.64db
55% Popularity • 53% Danceability • 16% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
55% Popularity • 53% Danceability • 16% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Long Island Quartet
Someone To Watch Over Me
101 bpm • D# Maj • 04:08 • -15.39db
31% Popularity • 46% Danceability • 8% Energy • 10% Liveness
39% Instrumentalness • 33% Positiveness
31% Popularity • 46% Danceability • 8% Energy • 10% Liveness
39% Instrumentalness • 33% Positiveness
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Paul Moretti Trio
You Go To My Head
102 bpm • D# Maj • 03:55 • -19.92db
38% Popularity • 60% Danceability • 10% Energy • 13% Liveness
86% Instrumentalness • 25% Positiveness
38% Popularity • 60% Danceability • 10% Energy • 13% Liveness
86% Instrumentalness • 25% Positiveness
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Tom Stills Quartet
For the First Time
100 bpm • F min • 04:34 • -18.37db
45% Popularity • 61% Danceability • 12% Energy • 13% Liveness
56% Instrumentalness • 8% Positiveness
45% Popularity • 61% Danceability • 12% Energy • 13% Liveness
56% Instrumentalness • 8% Positiveness
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Brandon's Three
the point above
100 bpm • D min • 02:48 • -22.48db
43% Popularity • 46% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 17% Positiveness
43% Popularity • 46% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 17% Positiveness
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Tom Bates
Just a fool
102 bpm • C min • 05:01 • -19.21db
24% Popularity • 39% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
24% Popularity • 39% Danceability • 11% Energy • 12% Liveness
94% Instrumentalness • 16% Positiveness
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Grove Street Quartet
April In Paris
102 bpm • C Maj • 03:59 • -21.06db
34% Popularity • 50% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
34% Popularity • 50% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 15% Positiveness
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Yorkville
Neighbours
100 bpm • G# Maj • 03:06 • -13.93db
25% Popularity • 49% Danceability • 18% Energy • 11% Liveness
53% Instrumentalness • 30% Positiveness
25% Popularity • 49% Danceability • 18% Energy • 11% Liveness
53% Instrumentalness • 30% Positiveness
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Bedford and 7th
A Few Days Ahead
102 bpm • G min • 03:05 • -19.48db
42% Popularity • 55% Danceability • 16% Energy • 9% Liveness
60% Instrumentalness • 21% Positiveness
42% Popularity • 55% Danceability • 16% Energy • 9% Liveness
60% Instrumentalness • 21% Positiveness
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Long Island Quartet
Alfie
102 bpm • G Maj • 03:37 • -16.5db
31% Popularity • 33% Danceability • 14% Energy • 34% Liveness
60% Instrumentalness • 24% Positiveness
31% Popularity • 33% Danceability • 14% Energy • 34% Liveness
60% Instrumentalness • 24% Positiveness
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Chattanooga Trio
Jazzanooga
100 bpm • C# Maj • 02:47 • -20.4db
35% Popularity • 59% Danceability • 5% Energy • 14% Liveness
50% Instrumentalness • 20% Positiveness
35% Popularity • 59% Danceability • 5% Energy • 14% Liveness
50% Instrumentalness • 20% Positiveness
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The Andy Love Band
In The Wee Small Hours of the Morning
100 bpm • C Maj • 04:22 • -21.78db
30% Popularity • 45% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 17% Positiveness
30% Popularity • 45% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 17% Positiveness
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Rachel Silver
Shiny Stockings
102 bpm • G Maj • 04:17 • -13.75db
36% Popularity • 74% Danceability • 23% Energy • 14% Liveness
10% Instrumentalness • 28% Positiveness
36% Popularity • 74% Danceability • 23% Energy • 14% Liveness
10% Instrumentalness • 28% Positiveness
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Morris Valentin
Going Places
100 bpm • F min • 04:18 • -14.14db
21% Popularity • 55% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 55% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
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Charlie James-Walker
At Charlie's
100 bpm • G# Maj • 02:18 • -9.38db
44% Popularity • 78% Danceability • 22% Energy • 32% Liveness
49% Instrumentalness • 33% Positiveness
44% Popularity • 78% Danceability • 22% Energy • 32% Liveness
49% Instrumentalness • 33% Positiveness
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Kevin Waters Group
The Sun Descending
102 bpm • G Maj • 02:18 • -16.68db
43% Popularity • 44% Danceability • 10% Energy • 14% Liveness
30% Instrumentalness • 16% Positiveness
43% Popularity • 44% Danceability • 10% Energy • 14% Liveness
30% Instrumentalness • 16% Positiveness
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Pearl Street Trio
Dreamsville
102 bpm • D min • 04:21 • -21.5db
45% Popularity • 36% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
45% Popularity • 36% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Holborns
Walking on Clouds
102 bpm • F Maj • 02:02 • -14.75db
47% Popularity • 50% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
47% Popularity • 50% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Hara Noda
Field
102 bpm • G min • 02:17 • -8.18db
45% Popularity • 50% Danceability • 36% Energy • 10% Liveness
68% Instrumentalness • 30% Positiveness
45% Popularity • 50% Danceability • 36% Energy • 10% Liveness
68% Instrumentalness • 30% Positiveness
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Daniel Rhodes Trio
Smile
103 bpm • C Maj • 04:19 • -20.86db
32% Popularity • 51% Danceability • 11% Energy • 17% Liveness
94% Instrumentalness • 19% Positiveness
32% Popularity • 51% Danceability • 11% Energy • 17% Liveness
94% Instrumentalness • 19% Positiveness
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Most Iverson
All I See In You
99 bpm • D Maj • 03:55 • -27.51db
63% Popularity • 53% Danceability • 13% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
63% Popularity • 53% Danceability • 13% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
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LaSalle Street Trio
Everything Happens To Me
103 bpm • A# Maj • 02:41 • -22.27db
46% Popularity • 55% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 20% Positiveness
46% Popularity • 55% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 20% Positiveness
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Sunset Cafe Jazz Band
Body and Soul
99 bpm • A# min • 05:29 • -16.48db
17% Popularity • 41% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
17% Popularity • 41% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
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Andy Miller Group
If You Say Goodbye
103 bpm • C# Maj • 03:00 • -20.17db
45% Popularity • 46% Danceability • 12% Energy • 23% Liveness
92% Instrumentalness • 7% Positiveness
45% Popularity • 46% Danceability • 12% Energy • 23% Liveness
92% Instrumentalness • 7% Positiveness
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James Jackson Jazz Trio
Lady in the Blue Dress
99 bpm • C Maj • 04:07 • -17.38db
31% Popularity • 43% Danceability • 18% Energy • 13% Liveness
4% Instrumentalness • 7% Positiveness
31% Popularity • 43% Danceability • 18% Energy • 13% Liveness
4% Instrumentalness • 7% Positiveness
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Michael Stylez & Co
Love Will Last Forever
103 bpm • F Maj • 03:35 • -18.4db
49% Popularity • 58% Danceability • 9% Energy • 9% Liveness
74% Instrumentalness • 16% Positiveness
49% Popularity • 58% Danceability • 9% Energy • 9% Liveness
74% Instrumentalness • 16% Positiveness
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The Tealeaf Jazz Trio
Galaxy
99 bpm • C# Maj • 03:51 • -26.46db
42% Popularity • 48% Danceability • 3% Energy • 10% Liveness
6% Instrumentalness • 14% Positiveness
42% Popularity • 48% Danceability • 3% Energy • 10% Liveness
6% Instrumentalness • 14% Positiveness
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Jeff Laine & Co
You Confuse Me
103 bpm • A Maj • 03:11 • -15.69db
33% Popularity • 35% Danceability • 8% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
33% Popularity • 35% Danceability • 8% Energy • 11% Liveness
3% Instrumentalness • 8% Positiveness
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Ted Lightfoot
I've Never Been In Love Before
103 bpm • A# Maj • 04:26 • -20.92db
28% Popularity • 59% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
28% Popularity • 59% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
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Carla Anderson
Silent Thunder
99 bpm • D Maj • 04:39 • -14.97db
42% Popularity • 44% Danceability • 17% Energy • 37% Liveness
16% Instrumentalness • 16% Positiveness
42% Popularity • 44% Danceability • 17% Energy • 37% Liveness
16% Instrumentalness • 16% Positiveness
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James Jackson Jazz Trio
On 14th Street
103 bpm • C min • 02:56 • -14.69db
47% Popularity • 51% Danceability • 18% Energy • 12% Liveness
68% Instrumentalness • 14% Positiveness
47% Popularity • 51% Danceability • 18% Energy • 12% Liveness
68% Instrumentalness • 14% Positiveness
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Trio Del Norte
When You're Here
99 bpm • G Maj • 05:21 • -13.28db
45% Popularity • 45% Danceability • 22% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
45% Popularity • 45% Danceability • 22% Energy • 15% Liveness
89% Instrumentalness • 14% Positiveness
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Burt Mitchell
A Certain Sadness
104 bpm • C# Maj • 05:15 • -23.38db
32% Popularity • 45% Danceability • 7% Energy • 11% Liveness
56% Instrumentalness • 14% Positiveness
32% Popularity • 45% Danceability • 7% Energy • 11% Liveness
56% Instrumentalness • 14% Positiveness
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Theo Rollins
Moment To Moment
104 bpm • A min • 02:57 • -20.08db
41% Popularity • 48% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
41% Popularity • 48% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
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Three Four Trio
Slippers and Cocoa
104 bpm • G# Maj • 03:27 • -17.38db
40% Popularity • 41% Danceability • 24% Energy • 12% Liveness
3% Instrumentalness • 18% Positiveness
40% Popularity • 41% Danceability • 24% Energy • 12% Liveness
3% Instrumentalness • 18% Positiveness
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Portraits in Jazz
Largo
104 bpm • G min • 04:22 • -16.72db
45% Popularity • 44% Danceability • 18% Energy • 19% Liveness
28% Instrumentalness • 23% Positiveness
45% Popularity • 44% Danceability • 18% Energy • 19% Liveness
28% Instrumentalness • 23% Positiveness
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Lydia Baskow Trio
Nuages ​​Creux
98 bpm • C Maj • 02:37 • -21.25db
40% Popularity • 28% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 21% Positiveness
40% Popularity • 28% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 21% Positiveness
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Low City Trio
Copley Plaza
104 bpm • B min • 05:06 • -16.87db
16% Popularity • 37% Danceability • 25% Energy • 22% Liveness
55% Instrumentalness • 6% Positiveness
16% Popularity • 37% Danceability • 25% Energy • 22% Liveness
55% Instrumentalness • 6% Positiveness
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Keanan Field Group
I Loves You, Porgy
104 bpm • G min • 03:30 • -22.36db
50% Popularity • 56% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
50% Popularity • 56% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
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Glass Trio
Last Call
104 bpm • F# Maj • 02:49 • -15.78db
60% Popularity • 51% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
60% Popularity • 51% Danceability • 19% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
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Stephen Stevens Quartet
All Of Me
98 bpm • C Maj • 04:02 • -18.43db
27% Popularity • 60% Danceability • 14% Energy • 9% Liveness
32% Instrumentalness • 21% Positiveness
27% Popularity • 60% Danceability • 14% Energy • 9% Liveness
32% Instrumentalness • 21% Positiveness
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Red Rose Jazz Trio
Polka Dots and Moonbeams
104 bpm • F Maj • 05:03 • -15.7db
34% Popularity • 44% Danceability • 19% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
34% Popularity • 44% Danceability • 19% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
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Nick Osman Trio
Baubles, Bangles & Beads
104 bpm • G# Maj • 03:22 • -19.54db
49% Popularity • 59% Danceability • 17% Energy • 23% Liveness
88% Instrumentalness • 19% Positiveness
49% Popularity • 59% Danceability • 17% Energy • 23% Liveness
88% Instrumentalness • 19% Positiveness
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Meadow Park
When I Fall In Love
104 bpm • D# Maj • 04:49 • -18.28db
39% Popularity • 42% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
39% Popularity • 42% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Eli Starr Trio
I Mean You
105 bpm • C Maj • 03:29 • -16.12db
28% Popularity • 77% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 25% Positiveness
28% Popularity • 77% Danceability • 13% Energy • 10% Liveness
84% Instrumentalness • 25% Positiveness
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Brandon's Three
desire strongly
98 bpm • A min • 02:59 • -23.57db
43% Popularity • 38% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
43% Popularity • 38% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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The Red Robin Quartet
Come Rain or Come Shine
97 bpm • A min • 04:17 • -18.44db
35% Popularity • 54% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
35% Popularity • 54% Danceability • 16% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
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Baker St.
Slow Walk
97 bpm • B Maj • 04:26 • -18.49db
34% Popularity • 53% Danceability • 16% Energy • 36% Liveness
89% Instrumentalness • 11% Positiveness
34% Popularity • 53% Danceability • 16% Energy • 36% Liveness
89% Instrumentalness • 11% Positiveness
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Paul Moretti Trio
Maybe We Should Dance
97 bpm • F# Maj • 03:26 • -17.01db
51% Popularity • 47% Danceability • 12% Energy • 11% Liveness
73% Instrumentalness • 18% Positiveness
51% Popularity • 47% Danceability • 12% Energy • 11% Liveness
73% Instrumentalness • 18% Positiveness
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Alexis Cohen
Infant Eyes
97 bpm • F# Maj • 04:33 • -20.76db
33% Popularity • 56% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 19% Positiveness
33% Popularity • 56% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 19% Positiveness
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Lauren Richardson
Isfahan
105 bpm • G# Maj • 03:42 • -12.88db
42% Popularity • 55% Danceability • 22% Energy • 11% Liveness
63% Instrumentalness • 24% Positiveness
42% Popularity • 55% Danceability • 22% Energy • 11% Liveness
63% Instrumentalness • 24% Positiveness
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The Central Park North
All the Time
97 bpm • G Maj • 02:55 • -22.71db
35% Popularity • 51% Danceability • 6% Energy • 10% Liveness
69% Instrumentalness • 26% Positiveness
35% Popularity • 51% Danceability • 6% Energy • 10% Liveness
69% Instrumentalness • 26% Positiveness
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Rossdale Junction
Sleeper
105 bpm • B Maj • 03:45 • -17.33db
28% Popularity • 56% Danceability • 13% Energy • 13% Liveness
62% Instrumentalness • 10% Positiveness
28% Popularity • 56% Danceability • 13% Energy • 13% Liveness
62% Instrumentalness • 10% Positiveness
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Vernon Sanders
Everytime around
105 bpm • F min • 05:25 • -19.39db
38% Popularity • 33% Danceability • 8% Energy • 16% Liveness
57% Instrumentalness • 10% Positiveness
38% Popularity • 33% Danceability • 8% Energy • 16% Liveness
57% Instrumentalness • 10% Positiveness
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Brandon's Three
turned or twisted
97 bpm • G# Maj • 02:27 • -22.94db
43% Popularity • 45% Danceability • 4% Energy • 9% Liveness
63% Instrumentalness • 17% Positiveness
43% Popularity • 45% Danceability • 4% Energy • 9% Liveness
63% Instrumentalness • 17% Positiveness
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Norberg
Abisko
105 bpm • D Maj • 02:48 • -19.96db
37% Popularity • 55% Danceability • 6% Energy • 10% Liveness
55% Instrumentalness • 13% Positiveness
37% Popularity • 55% Danceability • 6% Energy • 10% Liveness
55% Instrumentalness • 13% Positiveness
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Jenny Jones
I'll Be Seeing You
105 bpm • F min • 03:33 • -18.9db
46% Popularity • 53% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
46% Popularity • 53% Danceability • 9% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
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Foster Davies
Tell Me
97 bpm • F Maj • 04:24 • -20.22db
37% Popularity • 53% Danceability • 12% Energy • 9% Liveness
60% Instrumentalness • 8% Positiveness
37% Popularity • 53% Danceability • 12% Energy • 9% Liveness
60% Instrumentalness • 8% Positiveness
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Sara Florence
Blue In Green
97 bpm • D min • 02:47 • -18.37db
29% Popularity • 40% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
29% Popularity • 40% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 26% Positiveness
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Thomas Agergaard
The Great Belonging
97 bpm • C# Maj • 06:11 • -16db
44% Popularity • 36% Danceability • 6% Energy • 11% Liveness
57% Instrumentalness • 17% Positiveness
44% Popularity • 36% Danceability • 6% Energy • 11% Liveness
57% Instrumentalness • 17% Positiveness
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KTZ Players
Stillness
97 bpm • A Maj • 02:47 • -19.52db
43% Popularity • 53% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
43% Popularity • 53% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 17% Positiveness
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Billy Hicks Quartet
The Party's Over
97 bpm • G# Maj • 03:09 • -18.8db
32% Popularity • 35% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 30% Positiveness
32% Popularity • 35% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 30% Positiveness
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Saginaw Society
Close Your Eyes
105 bpm • D# Maj • 03:46 • -17.59db
37% Popularity • 54% Danceability • 17% Energy • 13% Liveness
85% Instrumentalness • 20% Positiveness
37% Popularity • 54% Danceability • 17% Energy • 13% Liveness
85% Instrumentalness • 20% Positiveness
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Hector Milo Trio
Spring Waltz
97 bpm • C# Maj • 03:57 • -19.8db
24% Popularity • 32% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
24% Popularity • 32% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
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Bill Parker
Look For The Silver Lining
106 bpm • D# Maj • 03:46 • -18.48db
46% Popularity • 50% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
46% Popularity • 50% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Duponte et Duponte
Chimes
97 bpm • A# min • 02:43 • -20.47db
36% Popularity • 46% Danceability • 5% Energy • 11% Liveness
11% Instrumentalness • 18% Positiveness
36% Popularity • 46% Danceability • 5% Energy • 11% Liveness
11% Instrumentalness • 18% Positiveness
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Peter Sandberg
My Heart Is For You
106 bpm • C# Maj • 05:34 • -19.83db
42% Popularity • 42% Danceability • 7% Energy • 33% Liveness
60% Instrumentalness • 10% Positiveness
42% Popularity • 42% Danceability • 7% Energy • 33% Liveness
60% Instrumentalness • 10% Positiveness
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High North Trio
At Last
106 bpm • G# Maj • 04:53 • -17.57db
47% Popularity • 51% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
47% Popularity • 51% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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Carl Bagge Trio
Con Alma
96 bpm • F# Maj • 05:30 • -18.5db
26% Popularity • 53% Danceability • 30% Energy • 6% Liveness
88% Instrumentalness • 58% Positiveness
26% Popularity • 53% Danceability • 30% Energy • 6% Liveness
88% Instrumentalness • 58% Positiveness
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Eugene Lambert
House Of Jade
106 bpm • F min • 05:40 • -9.7db
23% Popularity • 52% Danceability • 43% Energy • 12% Liveness
61% Instrumentalness • 31% Positiveness
23% Popularity • 52% Danceability • 43% Energy • 12% Liveness
61% Instrumentalness • 31% Positiveness
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Billy Charlotte
Everytime We Say Goodbye
96 bpm • F min • 04:05 • -16.81db
34% Popularity • 46% Danceability • 22% Energy • 12% Liveness
77% Instrumentalness • 20% Positiveness
34% Popularity • 46% Danceability • 22% Energy • 12% Liveness
77% Instrumentalness • 20% Positiveness
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Newington Green
In the Days of our Love
106 bpm • A min • 03:40 • -20.82db
45% Popularity • 52% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
45% Popularity • 52% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 13% Positiveness
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Wildflower Trio
The Wind
106 bpm • D# Maj • 03:57 • -17.65db
43% Popularity • 61% Danceability • 16% Energy • 11% Liveness
79% Instrumentalness • 12% Positiveness
43% Popularity • 61% Danceability • 16% Energy • 11% Liveness
79% Instrumentalness • 12% Positiveness
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Tyrone Coates & Friends
Turn Out the Stars
96 bpm • G Maj • 03:23 • -19.53db
35% Popularity • 48% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
35% Popularity • 48% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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The Blue Room Band
Emily
106 bpm • C Maj • 04:53 • -15.37db
30% Popularity • 52% Danceability • 26% Energy • 19% Liveness
89% Instrumentalness • 22% Positiveness
30% Popularity • 52% Danceability • 26% Energy • 19% Liveness
89% Instrumentalness • 22% Positiveness
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Martin Hoper
La Libertad
96 bpm • F Maj • 03:21 • -19.78db
44% Popularity • 58% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
44% Popularity • 58% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
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Hunter Paige
i've got a crush on you
107 bpm • G min • 03:36 • -16.21db
53% Popularity • 58% Danceability • 12% Energy • 12% Liveness
59% Instrumentalness • 8% Positiveness
53% Popularity • 58% Danceability • 12% Energy • 12% Liveness
59% Instrumentalness • 8% Positiveness
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Dusty Diamond Trio
Going Our Separate Ways
96 bpm • A# min • 04:08 • -18db
43% Popularity • 48% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 8% Positiveness
43% Popularity • 48% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 8% Positiveness
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The Three Queens
Muddy Trail
107 bpm • G Maj • 03:40 • -18.12db
51% Popularity • 35% Danceability • 16% Energy • 11% Liveness
97% Instrumentalness • 29% Positiveness
51% Popularity • 35% Danceability • 16% Energy • 11% Liveness
97% Instrumentalness • 29% Positiveness
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Billy Hicks Quartet
Monk's Mood
107 bpm • F Maj • 05:00 • -19.55db
28% Popularity • 40% Danceability • 8% Energy • 15% Liveness
94% Instrumentalness • 11% Positiveness
28% Popularity • 40% Danceability • 8% Energy • 15% Liveness
94% Instrumentalness • 11% Positiveness
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Mitchell Jackson Quartet
Alfie
107 bpm • C Maj • 03:21 • -15.87db
31% Popularity • 42% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
31% Popularity • 42% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Kuipers & Winter
Maybe We'll Meet Again
107 bpm • F Maj • 03:37 • -11.48db
42% Popularity • 58% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 24% Positiveness
42% Popularity • 58% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 24% Positiveness
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The Groove Trio
Life in Space
107 bpm • G min • 02:47 • -15.94db
43% Popularity • 44% Danceability • 13% Energy • 13% Liveness
68% Instrumentalness • 10% Positiveness
43% Popularity • 44% Danceability • 13% Energy • 13% Liveness
68% Instrumentalness • 10% Positiveness
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Tom Lewis Band
Dream A Little Dream
107 bpm • G Maj • 03:44 • -14.2db
34% Popularity • 71% Danceability • 24% Energy • 11% Liveness
68% Instrumentalness • 29% Positiveness
34% Popularity • 71% Danceability • 24% Energy • 11% Liveness
68% Instrumentalness • 29% Positiveness
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4th Street Trio
I Fall in Love Too Easily
107 bpm • A min • 03:56 • -18.99db
20% Popularity • 47% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
20% Popularity • 47% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
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South North
I've Never Been in Love Before
107 bpm • A# Maj • 03:46 • -21.36db
46% Popularity • 51% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
46% Popularity • 51% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
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Louis Silva Band
Pretty Ballad
95 bpm • D Maj • 03:26 • -15.43db
42% Popularity • 42% Danceability • 17% Energy • 37% Liveness
93% Instrumentalness • 9% Positiveness
42% Popularity • 42% Danceability • 17% Energy • 37% Liveness
93% Instrumentalness • 9% Positiveness
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Milo Oliver Band
Out of a misty dream
107 bpm • F min • 03:12 • -20.4db
33% Popularity • 61% Danceability • 8% Energy • 12% Liveness
82% Instrumentalness • 15% Positiveness
33% Popularity • 61% Danceability • 8% Energy • 12% Liveness
82% Instrumentalness • 15% Positiveness
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Sweet Nothings Band
I Fall In Love Too Easily
95 bpm • G Maj • 04:47 • -17.7db
40% Popularity • 39% Danceability • 15% Energy • 23% Liveness
86% Instrumentalness • 11% Positiveness
40% Popularity • 39% Danceability • 15% Energy • 23% Liveness
86% Instrumentalness • 11% Positiveness
