Songs like First Steps Into Sunken Glades by Gareth Coker
Based on a tempo of (+/- 10%) and a similar genre
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Gareth Coker
Rockwell’s Theme
90 bpm • F# Maj • 03:35 • -21.02db
26% Popularity • 20% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
26% Popularity • 20% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
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Halo
Test of Mettle
90 bpm • G Maj • 04:31 • -16.44db
27% Popularity • 61% Danceability • 48% Energy • 8% Liveness
72% Instrumentalness • 36% Positiveness
27% Popularity • 61% Danceability • 48% Energy • 8% Liveness
72% Instrumentalness • 36% Positiveness
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Piotr Musiał
The Moon Over Mount Gorgon
90 bpm • D min • 02:05 • -14db
44% Popularity • 13% Danceability • 34% Energy • 12% Liveness
74% Instrumentalness • 7% Positiveness
44% Popularity • 13% Danceability • 34% Energy • 12% Liveness
74% Instrumentalness • 7% Positiveness
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Mikolai Stroinski
The Tree When We Sat Once
90 bpm • D min • 02:35 • -13.78db
50% Popularity • 15% Danceability • 18% Energy • 13% Liveness
75% Instrumentalness • 10% Positiveness
50% Popularity • 15% Danceability • 18% Energy • 13% Liveness
75% Instrumentalness • 10% Positiveness
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Russell Brower
Garden of Life
90 bpm • E min • 03:28 • -15.28db
36% Popularity • 20% Danceability • 41% Energy • 14% Liveness
24% Instrumentalness • 16% Positiveness
36% Popularity • 20% Danceability • 41% Energy • 14% Liveness
24% Instrumentalness • 16% Positiveness
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Max LL
Jotun
90 bpm • E min • 02:08 • -18.04db
23% Popularity • 16% Danceability • 24% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
23% Popularity • 16% Danceability • 24% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Gareth Coker
Finding Sein
90 bpm • D Maj • 01:44 • -14.88db
39% Popularity • 37% Danceability • 47% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
39% Popularity • 37% Danceability • 47% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
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Halo
Judgment
90 bpm • E min • 04:24 • -17.08db
27% Popularity • 51% Danceability • 36% Energy • 12% Liveness
77% Instrumentalness • 8% Positiveness
27% Popularity • 51% Danceability • 36% Energy • 12% Liveness
77% Instrumentalness • 8% Positiveness
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Borislav Slavov
A Part of Their Story
90 bpm • G min • 04:11 • -14db
34% Popularity • 34% Danceability • 22% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
34% Popularity • 34% Danceability • 22% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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Joel Corelitz
Milton's Tower
90 bpm • C# Maj • 00:56 • -27.57db
46% Popularity • 41% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
46% Popularity • 41% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Daniel Licht
Intro the Return
90 bpm • E min • 01:10 • -16.72db
45% Popularity • 36% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
45% Popularity • 36% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Brad Derrick
Moth, Butterfly, and Torchbug
90 bpm • G Maj • 05:42 • -19db
45% Popularity • 10% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
45% Popularity • 10% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Gareth Coker
First Steps Into Sunken Glades
90 bpm • D min • 04:33 • -24db
39% Popularity • 31% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
39% Popularity • 31% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Halo
Escharum
90 bpm • A min • 04:16 • -18.56db
32% Popularity • 55% Danceability • 33% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
32% Popularity • 55% Danceability • 33% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
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David GarcÃa DÃaz
I'm Here
90 bpm • A min • 01:17 • -16.23db
46% Popularity • 30% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
46% Popularity • 30% Danceability • 14% Energy • 9% Liveness
93% Instrumentalness • 10% Positiveness
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Arnaud Roy
Geology
89 bpm • A min • 04:47 • -18db
24% Popularity • 17% Danceability • 17% Energy • 32% Liveness
85% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 17% Energy • 32% Liveness
85% Instrumentalness • 4% Positiveness
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Oleksa Lozowchuk
Rusted Sands
89 bpm • G Maj • 04:18 • -18.73db
31% Popularity • 10% Danceability • 19% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
31% Popularity • 10% Danceability • 19% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Borislav Slavov
Path of the Godwoken - Cello Version
89 bpm • F min • 03:13 • -19db
32% Popularity • 10% Danceability • 14% Energy • 30% Liveness
86% Instrumentalness • 4% Positiveness
32% Popularity • 10% Danceability • 14% Energy • 30% Liveness
86% Instrumentalness • 4% Positiveness
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Gareth Coker
Ash and Bone
90 bpm • D min • 03:40 • -29.45db
31% Popularity • 23% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
31% Popularity • 23% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Halo
Tower
90 bpm • G min • 03:31 • -15.11db
29% Popularity • 65% Danceability • 49% Energy • 24% Liveness
82% Instrumentalness • 29% Positiveness
29% Popularity • 65% Danceability • 49% Energy • 24% Liveness
82% Instrumentalness • 29% Positiveness
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David GarcÃa DÃaz
Arise
89 bpm • A min • 04:30 • -16.16db
23% Popularity • 12% Danceability • 20% Energy • 7% Liveness
47% Instrumentalness • 6% Positiveness
23% Popularity • 12% Danceability • 20% Energy • 7% Liveness
47% Instrumentalness • 6% Positiveness
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Piotr Musiał
Price of Progress
89 bpm • D min • 04:08 • -17.15db
26% Popularity • 19% Danceability • 35% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
26% Popularity • 19% Danceability • 35% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Daniel Licht
The GrandPalace
89 bpm • D# Maj • 02:35 • -31.56db
35% Popularity • 17% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
35% Popularity • 17% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Jeremy Soule
Dawn
89 bpm • A min • 03:57 • -30db
56% Popularity • 13% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
56% Popularity • 13% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Gareth Coker
Lost Homes and Civilizations
90 bpm • F min • 03:58 • -26.11db
21% Popularity • 13% Danceability • 9% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
21% Popularity • 13% Danceability • 9% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Bill Brown
Lovers Reunited
91 bpm • A min • 02:19 • -13.18db
41% Popularity • 11% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
41% Popularity • 11% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Russell Shaw
Nearing Town
88 bpm • A# min • 01:10 • -25.98db
40% Popularity • 17% Danceability • 5% Energy • 16% Liveness
95% Instrumentalness • 9% Positiveness
40% Popularity • 17% Danceability • 5% Energy • 16% Liveness
95% Instrumentalness • 9% Positiveness
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Rik Schaffer
Northpoint Nocturne
88 bpm • F Maj • 05:27 • -24.42db
43% Popularity • 11% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 11% Danceability • 12% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Daniel Licht
Ambients
89 bpm • E min • 02:10 • -25.31db
39% Popularity • 20% Danceability • 12% Energy • 28% Liveness
73% Instrumentalness • 9% Positiveness
39% Popularity • 20% Danceability • 12% Energy • 28% Liveness
73% Instrumentalness • 9% Positiveness
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Patrik Jarlestam
Flight Into Valheim
88 bpm • A Maj • 01:40 • -14.8db
28% Popularity • 9% Danceability • 32% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
28% Popularity • 9% Danceability • 32% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
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Gareth Coker
Overlooking the Mill
90 bpm • B Maj • 03:44 • -25.99db
34% Popularity • 28% Danceability • 10% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
34% Popularity • 28% Danceability • 10% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
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Bill Brown
Crossroad at Dawn
89 bpm • G min • 02:00 • -19.39db
54% Popularity • 12% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
54% Popularity • 12% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
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Jeremy Soule
The City Gates
91 bpm • G min • 03:46 • -18db
57% Popularity • 11% Danceability • 21% Energy • 28% Liveness
82% Instrumentalness • 4% Positiveness
57% Popularity • 11% Danceability • 21% Energy • 28% Liveness
82% Instrumentalness • 4% Positiveness
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Phoenix Glendinning
The First Eclipse
88 bpm • C Maj • 01:17 • -17.22db
25% Popularity • 21% Danceability • 25% Energy • 14% Liveness
80% Instrumentalness • 2% Positiveness
25% Popularity • 21% Danceability • 25% Energy • 14% Liveness
80% Instrumentalness • 2% Positiveness
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Daniel Licht
The Dreadful Wale
88 bpm • C# Maj • 01:08 • -28db
46% Popularity • 19% Danceability • 2% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
46% Popularity • 19% Danceability • 2% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Sam Cardon
Passages
92 bpm • E min • 02:41 • -20.56db
33% Popularity • 21% Danceability • 15% Energy • 57% Liveness
87% Instrumentalness • 4% Positiveness
33% Popularity • 21% Danceability • 15% Energy • 57% Liveness
87% Instrumentalness • 4% Positiveness
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Gareth Coker
Baur's Reach
90 bpm • D min • 05:07 • -27.12db
31% Popularity • 27% Danceability • 5% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
31% Popularity • 27% Danceability • 5% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Arnaud Roy
Pierre de Lune
88 bpm • C min • 04:19 • -15.85db
27% Popularity • 51% Danceability • 24% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
27% Popularity • 51% Danceability • 24% Energy • 11% Liveness
96% Instrumentalness • 13% Positiveness
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Hyperduck Soundworks
Beyond The Imperial Prison (Oblivion Med...
88 bpm • D min • 07:26 • -21.06db
26% Popularity • 10% Danceability • 15% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 10% Danceability • 15% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
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Jeremy Soule
Under an Ancient Sun
88 bpm • F min • 03:41 • -26db
54% Popularity • 10% Danceability • 15% Energy • 18% Liveness
82% Instrumentalness • 3% Positiveness
54% Popularity • 10% Danceability • 15% Energy • 18% Liveness
82% Instrumentalness • 3% Positiveness
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Grant Kirkhope
Dalentarth
92 bpm • E min • 04:09 • -21db
30% Popularity • 18% Danceability • 10% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 10% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
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Max LL
Thunder Harvest
87 bpm • G Maj • 01:37 • -12db
40% Popularity • 40% Danceability • 46% Energy • 11% Liveness
82% Instrumentalness • 14% Positiveness
40% Popularity • 40% Danceability • 46% Energy • 11% Liveness
82% Instrumentalness • 14% Positiveness
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Gareth Coker
Up the Spirit Caverns Walls
90 bpm • A Maj • 05:36 • -19db
44% Popularity • 32% Danceability • 29% Energy • 21% Liveness
88% Instrumentalness • 14% Positiveness
44% Popularity • 32% Danceability • 29% Energy • 21% Liveness
88% Instrumentalness • 14% Positiveness
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Two Worlds II
Green Fields Of Antaloor
87 bpm • D min • 04:38 • -20.74db
27% Popularity • 29% Danceability • 8% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
27% Popularity • 29% Danceability • 8% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Petri Alanko
Welcome to Bright Falls
93 bpm • G min • 04:25 • -19db
29% Popularity • 18% Danceability • 6% Energy • 5% Liveness
91% Instrumentalness • 3% Positiveness
29% Popularity • 18% Danceability • 6% Energy • 5% Liveness
91% Instrumentalness • 3% Positiveness
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Aakaash Rao
Reflection
87 bpm • D# min • 01:38 • -18db
46% Popularity • 20% Danceability • 7% Energy • 38% Liveness
55% Instrumentalness • 4% Positiveness
46% Popularity • 20% Danceability • 7% Energy • 38% Liveness
55% Instrumentalness • 4% Positiveness
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Grant Kirkhope
The Plains of Erathell
88 bpm • F Maj • 03:59 • -21.29db
23% Popularity • 9% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
23% Popularity • 9% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Daniel Ran
Maker of Worlds
87 bpm • E min • 05:55 • -18db
33% Popularity • 11% Danceability • 18% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
33% Popularity • 11% Danceability • 18% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Gareth Coker
Kuro's Tale II - Her Pain
90 bpm • C# min • 01:56 • -16.99db
32% Popularity • 23% Danceability • 24% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
32% Popularity • 23% Danceability • 24% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Joris de Man
Motherless - Part 1 - Motherland
87 bpm • D min • 01:41 • -20.61db
35% Popularity • 13% Danceability • 18% Energy • 58% Liveness
87% Instrumentalness • 12% Positiveness
35% Popularity • 13% Danceability • 18% Energy • 58% Liveness
87% Instrumentalness • 12% Positiveness
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Piotr Musiał
The Darkest of Days
87 bpm • F min • 04:41 • -14.11db
39% Popularity • 9% Danceability • 32% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
39% Popularity • 9% Danceability • 32% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Jeremy Soule
Sky Above, Voice Within
86 bpm • A min • 03:56 • -27.39db
52% Popularity • 9% Danceability • 11% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
52% Popularity • 9% Danceability • 11% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Christopher Larkin
Resting Grounds
86 bpm • C min • 02:12 • -22.5db
52% Popularity • 16% Danceability • 9% Energy • 13% Liveness
91% Instrumentalness • 14% Positiveness
52% Popularity • 16% Danceability • 9% Energy • 13% Liveness
91% Instrumentalness • 14% Positiveness
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Russell Shaw
Albion Awaits
86 bpm • D# min • 02:06 • -19.51db
37% Popularity • 19% Danceability • 11% Energy • 50% Liveness
96% Instrumentalness • 7% Positiveness
37% Popularity • 19% Danceability • 11% Energy • 50% Liveness
96% Instrumentalness • 7% Positiveness
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Gareth Coker
A Yearning for the Sky
90 bpm • A min • 03:31 • -25.76db
36% Popularity • 22% Danceability • 3% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
36% Popularity • 22% Danceability • 3% Energy • 10% Liveness
45% Instrumentalness • 4% Positiveness
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Brad Derrick
Greenheart
86 bpm • A min • 05:01 • -18db
37% Popularity • 16% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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SIE Sound Team
Moonlit Melody
86 bpm • F Maj • 03:29 • -28.92db
48% Popularity • 9% Danceability • 2% Energy • 12% Liveness
19% Instrumentalness • 4% Positiveness
48% Popularity • 9% Danceability • 2% Energy • 12% Liveness
19% Instrumentalness • 4% Positiveness
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Piotr Musiał
The Last Autumn Theme
86 bpm • F min • 02:44 • -13.36db
35% Popularity • 29% Danceability • 41% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
35% Popularity • 29% Danceability • 41% Energy • 12% Liveness
90% Instrumentalness • 18% Positiveness
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Berlinist
Chiasm
94 bpm • D min • 01:01 • -20db
50% Popularity • 31% Danceability • 19% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
50% Popularity • 31% Danceability • 19% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
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Arnaud Roy
Zolya (Vaulters Prologue)
86 bpm • G Maj • 00:57 • -17.01db
31% Popularity • 29% Danceability • 38% Energy • 13% Liveness
93% Instrumentalness • 7% Positiveness
31% Popularity • 29% Danceability • 38% Energy • 13% Liveness
93% Instrumentalness • 7% Positiveness
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Gareth Coker
The Die is Cast
92 bpm • G# min • 04:05 • -12.83db
22% Popularity • 21% Danceability • 43% Energy • 15% Liveness
78% Instrumentalness • 11% Positiveness
22% Popularity • 21% Danceability • 43% Energy • 15% Liveness
78% Instrumentalness • 11% Positiveness
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Joey Newman
Cave of Silence
86 bpm • D# Maj • 01:08 • -13.97db
41% Popularity • 13% Danceability • 31% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
41% Popularity • 13% Danceability • 31% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Brad Derrick
Ascadian Idyll
95 bpm • G min • 04:57 • -17.12db
40% Popularity • 12% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
40% Popularity • 12% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Piotr Musiał
The Banks Of The Sansretour
95 bpm • C Maj • 03:58 • -15.39db
47% Popularity • 12% Danceability • 26% Energy • 18% Liveness
17% Instrumentalness • 7% Positiveness
47% Popularity • 12% Danceability • 26% Energy • 18% Liveness
17% Instrumentalness • 7% Positiveness
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Berlinist
Karasu
85 bpm • E min • 05:10 • -15db
33% Popularity • 12% Danceability • 33% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
33% Popularity • 12% Danceability • 33% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Chris Tilton
Versailles for Sore Eyes
86 bpm • A min • 02:50 • -26db
29% Popularity • 17% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Gareth Coker
Naru, Embracing the Light
88 bpm • D Maj • 01:24 • -15.72db
49% Popularity • 32% Danceability • 29% Energy • 23% Liveness
93% Instrumentalness • 35% Positiveness
49% Popularity • 32% Danceability • 29% Energy • 23% Liveness
93% Instrumentalness • 35% Positiveness
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The Flight
The Hills of Attika
95 bpm • E min • 02:35 • -19.93db
35% Popularity • 56% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
35% Popularity • 56% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Brad Derrick
Yearning for Moonshadow
85 bpm • F Maj • 06:17 • -18.7db
40% Popularity • 9% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
40% Popularity • 9% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Bill Brown
Knighting Ceremony
95 bpm • D min • 02:08 • -11.62db
40% Popularity • 14% Danceability • 38% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 38% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Adam Skorupa
Blue Mountains - Edit Version
85 bpm • F# Maj • 03:44 • -13.15db
36% Popularity • 10% Danceability • 25% Energy • 15% Liveness
44% Instrumentalness • 5% Positiveness
36% Popularity • 10% Danceability • 25% Energy • 15% Liveness
44% Instrumentalness • 5% Positiveness
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Piotr Musiał
The Shepherd
85 bpm • A min • 04:04 • -15.55db
34% Popularity • 13% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
34% Popularity • 13% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Gareth Coker
Awakening
87 bpm • F min • 02:23 • -14.67db
32% Popularity • 14% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
32% Popularity • 14% Danceability • 21% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Halo
There Will Be Consequences
96 bpm • A min • 02:16 • -24.73db
24% Popularity • 18% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Brad Derrick
Dawn Gleams on Cyrodiil
95 bpm • A min • 05:21 • -18.87db
37% Popularity • 12% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
37% Popularity • 12% Danceability • 14% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Bill Brown
Deep Shadows
85 bpm • C# Maj • 02:02 • -14.16db
44% Popularity • 14% Danceability • 32% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
44% Popularity • 14% Danceability • 32% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Mikko Tarmia
Back Hall
85 bpm • D min • 01:22 • -23.41db
49% Popularity • 24% Danceability • 10% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
49% Popularity • 24% Danceability • 10% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Jason Graves
Legends Old and New
96 bpm • C Maj • 05:54 • -15db
20% Popularity • 26% Danceability • 36% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
20% Popularity • 26% Danceability • 36% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
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Gareth Coker
A Shine Upon Inkwater Marsh
94 bpm • G# min • 03:06 • -31db
47% Popularity • 24% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
47% Popularity • 24% Danceability • 2% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Will Savino
Midvale Moonrise
84 bpm • A Maj • 03:45 • -17.51db
26% Popularity • 10% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
26% Popularity • 10% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Ben Prunty
Don't Forget What I Taught You
96 bpm • A min • 01:42 • -21.7db
39% Popularity • 45% Danceability • 16% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
39% Popularity • 45% Danceability • 16% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Jonathan Geer
Owlboy Main Title
84 bpm • G Maj • 01:17 • -13db
42% Popularity • 11% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
42% Popularity • 11% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Oleksa Lozowchuk
Whatever Comes
96 bpm • G min • 03:09 • -16.66db
41% Popularity • 15% Danceability • 48% Energy • 24% Liveness
65% Instrumentalness • 8% Positiveness
41% Popularity • 15% Danceability • 48% Energy • 24% Liveness
65% Instrumentalness • 8% Positiveness
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Aakaash Rao
Proving Grounds
96 bpm • C min • 02:53 • -10.11db
29% Popularity • 53% Danceability • 68% Energy • 17% Liveness
92% Instrumentalness • 28% Positiveness
29% Popularity • 53% Danceability • 68% Energy • 17% Liveness
92% Instrumentalness • 28% Positiveness
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Gareth Coker
Now Use the Light, We Want to See!
94 bpm • C# min • 05:25 • -25.45db
36% Popularity • 28% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
36% Popularity • 28% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
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Maclaine Diemer
Path of Fire
96 bpm • A Maj • 02:42 • -19.04db
24% Popularity • 34% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
24% Popularity • 34% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Alex Moukala
Terra's Theme
84 bpm • G# min • 03:17 • -14.48db
35% Popularity • 15% Danceability • 24% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
35% Popularity • 15% Danceability • 24% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
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Bill Brown
Dance at the Festival
84 bpm • D Maj • 02:11 • -12.95db
40% Popularity • 22% Danceability • 34% Energy • 9% Liveness
87% Instrumentalness • 47% Positiveness
40% Popularity • 22% Danceability • 34% Energy • 9% Liveness
87% Instrumentalness • 47% Positiveness
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Max LL
Spiritfarer
84 bpm • C Maj • 03:17 • -16db
43% Popularity • 16% Danceability • 24% Energy • 9% Liveness
88% Instrumentalness • 16% Positiveness
43% Popularity • 16% Danceability • 24% Energy • 9% Liveness
88% Instrumentalness • 16% Positiveness
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David GarcÃa DÃaz
Promenade
84 bpm • D min • 04:17 • -29.66db
32% Popularity • 14% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
32% Popularity • 14% Danceability • 1% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
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Gareth Coker
Meiyin’s Theme
95 bpm • D min • 01:47 • -17.42db
20% Popularity • 21% Danceability • 14% Energy • 11% Liveness
98% Instrumentalness • 20% Positiveness
20% Popularity • 21% Danceability • 14% Energy • 11% Liveness
98% Instrumentalness • 20% Positiveness
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Maclaine Diemer
Glint's Legacy
96 bpm • A Maj • 03:02 • -21.26db
26% Popularity • 13% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Arnaud Roy
The Forest Spirit (Wild Walkers Theme)
84 bpm • A min • 03:10 • -17.53db
26% Popularity • 21% Danceability • 14% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
26% Popularity • 21% Danceability • 14% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Jason Graves
The Clearing
84 bpm • C Maj • 06:00 • -17.23db
31% Popularity • 33% Danceability • 10% Energy • 21% Liveness
32% Instrumentalness • 12% Positiveness
31% Popularity • 33% Danceability • 10% Energy • 21% Liveness
32% Instrumentalness • 12% Positiveness
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Daniel Licht
Streets of Karnaca (Ambient)
84 bpm • G min • 02:31 • -28db
38% Popularity • 21% Danceability • 7% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
38% Popularity • 21% Danceability • 7% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
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Russell Shaw
Cloaked In Darkness
84 bpm • D# min • 03:03 • -32.87db
29% Popularity • 9% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
29% Popularity • 9% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Gareth Coker
A Keepsake from the Past
84 bpm • A min • 02:22 • -35.23db
36% Popularity • 11% Danceability • 1% Energy • 9% Liveness
36% Instrumentalness • 4% Positiveness
36% Popularity • 11% Danceability • 1% Energy • 9% Liveness
36% Instrumentalness • 4% Positiveness
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Maclaine Diemer
The Jungle Provides
84 bpm • G min • 02:16 • -23.44db
35% Popularity • 37% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 15% Positiveness
35% Popularity • 37% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 15% Positiveness
