Songs like Fisherman's Blues - Alternative Version by The Waterboys
Based on a tempo of (+/- 10%) and a similar genre
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Teddy Thompson
In My Arms
130 bpm • B Maj • 03:12 • -6db
34% Popularity • 51% Danceability • 63% Energy • 10% Liveness
3% Instrumentalness • 75% Positiveness
34% Popularity • 51% Danceability • 63% Energy • 10% Liveness
3% Instrumentalness • 75% Positiveness
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Big Audio Dynamite
E=MC2
130 bpm • D min • 05:54 • -9.72db
46% Popularity • 72% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 72% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Mike Scott
City Full of Ghosts (Dublin)
130 bpm • A Maj • 02:47 • -9db
26% Popularity • 54% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 54% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Prefab Sprout
The King of Rock 'N' Roll
130 bpm • F min • 04:22 • -9.07db
43% Popularity • 82% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
43% Popularity • 82% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Del Amitri
Driving With The Brakes On
130 bpm • D# Maj • 04:44 • -9.6db
40% Popularity • 64% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 64% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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XTC
Senses Working Overtime - Remastered 200...
130 bpm • C Maj • 04:50 • -11.89db
49% Popularity • 68% Danceability • 66% Energy • 66% Liveness
3% Instrumentalness • 86% Positiveness
49% Popularity • 68% Danceability • 66% Energy • 66% Liveness
3% Instrumentalness • 86% Positiveness
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World Party
Put the Message In the Box
130 bpm • G Maj • 04:16 • -6.52db
45% Popularity • 59% Danceability • 84% Energy • 9% Liveness
11% Instrumentalness • 84% Positiveness
45% Popularity • 59% Danceability • 84% Energy • 9% Liveness
11% Instrumentalness • 84% Positiveness
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Sinéad O'Connor
Mandinka
130 bpm • A Maj • 03:47 • -8.43db
57% Popularity • 62% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 62% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Lloyd Cole and the Commotions
Charlotte Street
130 bpm • A Maj • 03:50 • -8.95db
32% Popularity • 68% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 68% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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The Stunning
The Hurt Inside
130 bpm • G Maj • 03:24 • -4.29db
16% Popularity • 36% Danceability • 86% Energy • 94% Liveness
4% Instrumentalness • 53% Positiveness
16% Popularity • 36% Danceability • 86% Energy • 94% Liveness
4% Instrumentalness • 53% Positiveness
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Patti Smith
People Have the Power
130 bpm • D Maj • 05:10 • -9db
47% Popularity • 62% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
47% Popularity • 62% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Hothouse Flowers
Don't Go
130 bpm • A Maj • 03:49 • -9db
49% Popularity • 52% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 52% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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T. Rex
Children of the Revolution - Remaster
130 bpm • E min • 02:27 • -8.61db
52% Popularity • 52% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 52% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Steve Harley
The Best Years of Our Lives
129 bpm • C Maj • 05:44 • -9.72db
30% Popularity • 58% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 58% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Rod Stewart
Maggie May
129 bpm • D Maj • 05:50 • -10.54db
71% Popularity • 60% Danceability • 57% Energy • 7% Liveness
11% Instrumentalness • 54% Positiveness
71% Popularity • 60% Danceability • 57% Energy • 7% Liveness
11% Instrumentalness • 54% Positiveness
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The Stunning
This Happy Girl
130 bpm • G Maj • 03:56 • -3.31db
17% Popularity • 60% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 60% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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The Fat Lady Sings
Arclight
131 bpm • E Maj • 04:08 • -7.5db
17% Popularity • 39% Danceability • 78% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
17% Popularity • 39% Danceability • 78% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
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Phil Lynott
Old Town
129 bpm • C# Maj • 03:25 • -12db
43% Popularity • 63% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 63% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 61% Positiveness
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Lloyd Cole and the Commotions
Perfect Skin
131 bpm • G Maj • 03:16 • -10db
48% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Prefab Sprout
Cars and Girls
131 bpm • A min • 04:25 • -11db
47% Popularity • 71% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
47% Popularity • 71% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Del Amitri
Be My Downfall
129 bpm • G Maj • 03:29 • -12db
38% Popularity • 60% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 60% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Roxy Music
Virginia Plain
131 bpm • F# Maj • 02:58 • -7.82db
49% Popularity • 59% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
49% Popularity • 59% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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The Boomtown Rats
Someone's Looking At You
131 bpm • B Maj • 04:24 • -5db
36% Popularity • 45% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 45% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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The The
Slow Emotion Replay
131 bpm • F Maj • 03:54 • -2.13db
45% Popularity • 62% Danceability • 96% Energy • 17% Liveness
10% Instrumentalness • 85% Positiveness
45% Popularity • 62% Danceability • 96% Energy • 17% Liveness
10% Instrumentalness • 85% Positiveness
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Lloyd Cole and the Commotions
My Bag
129 bpm • D Maj • 03:55 • -13db
34% Popularity • 74% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
34% Popularity • 74% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Mink DeVille
Spanish Stroll
129 bpm • E Maj • 03:39 • -15.04db
47% Popularity • 75% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
47% Popularity • 75% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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A House
Here Come the Good Times
132 bpm • C Maj • 03:33 • -6.64db
20% Popularity • 46% Danceability • 96% Energy • 41% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 46% Danceability • 96% Energy • 41% Liveness
0% Instrumentalness • 32% Positiveness
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Roxy Music
More Than This
129 bpm • F# Maj • 04:30 • -7.81db
70% Popularity • 65% Danceability • 67% Energy • 14% Liveness
5% Instrumentalness • 76% Positiveness
70% Popularity • 65% Danceability • 67% Energy • 14% Liveness
5% Instrumentalness • 76% Positiveness
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The Waterboys
Don't Bang the Drum - 2004 Remaster
132 bpm • E min • 06:46 • -8db
41% Popularity • 48% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 48% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Nick Lowe
Cruel to Be Kind
132 bpm • C Maj • 03:30 • -11db
55% Popularity • 69% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
55% Popularity • 69% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Shane MacGowan & The Popes
Danny Boy
128 bpm • C Maj • 02:31 • -8.29db
32% Popularity • 50% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 50% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Horslips
The Man Who Built America
128 bpm • G Maj • 03:39 • -3.82db
19% Popularity • 47% Danceability • 93% Energy • 5% Liveness
70% Instrumentalness • 64% Positiveness
19% Popularity • 47% Danceability • 93% Energy • 5% Liveness
70% Instrumentalness • 64% Positiveness
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Something Happens
Forget Georgia
132 bpm • A Maj • 03:44 • -10.35db
17% Popularity • 54% Danceability • 79% Energy • 15% Liveness
4% Instrumentalness • 39% Positiveness
17% Popularity • 54% Danceability • 79% Energy • 15% Liveness
4% Instrumentalness • 39% Positiveness
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Lloyd Cole and the Commotions
Mister Malcontent
128 bpm • C Maj • 04:49 • -13.93db
27% Popularity • 58% Danceability • 45% Energy • 23% Liveness
2% Instrumentalness • 40% Positiveness
27% Popularity • 58% Danceability • 45% Energy • 23% Liveness
2% Instrumentalness • 40% Positiveness
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Prefab Sprout
Bonny - 2007 Remastered Version
132 bpm • D# Maj • 03:46 • -9db
47% Popularity • 71% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
47% Popularity • 71% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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The Beautiful South
Prettiest Eyes
128 bpm • E Maj • 03:47 • -13db
42% Popularity • 70% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 70% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Steve Harley & Cockney Rebel
Judy Teen - 2012 Remaster
132 bpm • D Maj • 03:45 • -12db
37% Popularity • 57% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 57% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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The Waterboys
Fisherman's Blues - Piano Version
132 bpm • C Maj • 05:23 • -5.46db
18% Popularity • 38% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 38% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Big Country
Look Away
128 bpm • C# min • 04:24 • -10.32db
44% Popularity • 56% Danceability • 84% Energy • 14% Liveness
60% Instrumentalness • 82% Positiveness
44% Popularity • 56% Danceability • 84% Energy • 14% Liveness
60% Instrumentalness • 82% Positiveness
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The Go-Betweens
Streets Of Your Town
132 bpm • D# Maj • 03:36 • -9.97db
46% Popularity • 61% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
46% Popularity • 61% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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The Divine Comedy
Something for the Weekend
128 bpm • C min • 04:19 • -7db
37% Popularity • 54% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 54% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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Martin Stephenson
Little Red Bottle
132 bpm • D min • 04:07 • -12db
14% Popularity • 50% Danceability • 53% Energy • 9% Liveness
31% Instrumentalness • 73% Positiveness
14% Popularity • 50% Danceability • 53% Energy • 9% Liveness
31% Instrumentalness • 73% Positiveness
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The Stunning
Heads Are Gonna Roll
128 bpm • D Maj • 03:42 • -5db
30% Popularity • 61% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 61% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Richard Hawley
Tonight the Streets Are Ours
132 bpm • F Maj • 03:42 • -9.04db
46% Popularity • 53% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
46% Popularity • 53% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Lloyd Cole
Myrtle and Rose
128 bpm • C Maj • 05:19 • -10db
20% Popularity • 65% Danceability • 50% Energy • 11% Liveness
3% Instrumentalness • 45% Positiveness
20% Popularity • 65% Danceability • 50% Energy • 11% Liveness
3% Instrumentalness • 45% Positiveness
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Paul Brady
Nobody Knows
132 bpm • D Maj • 04:43 • -13db
33% Popularity • 67% Danceability • 54% Energy • 12% Liveness
4% Instrumentalness • 65% Positiveness
33% Popularity • 67% Danceability • 54% Energy • 12% Liveness
4% Instrumentalness • 65% Positiveness
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The Waterboys
Down Through the Dark Streets
132 bpm • A min • 09:03 • -9.84db
15% Popularity • 63% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 63% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 30% Positiveness
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Joan Armatrading
Drop The Pilot
128 bpm • C# Maj • 03:41 • -15db
51% Popularity • 67% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
51% Popularity • 67% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Hothouse Flowers
Good for You
132 bpm • C Maj • 04:04 • -12.27db
21% Popularity • 39% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 39% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Manic Street Preachers
If You Tolerate This Your Children Will ...
128 bpm • C Maj • 04:50 • -6.19db
58% Popularity • 27% Danceability • 81% Energy • 8% Liveness
2% Instrumentalness • 27% Positiveness
58% Popularity • 27% Danceability • 81% Energy • 8% Liveness
2% Instrumentalness • 27% Positiveness
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World Party
Is It Like Today?
132 bpm • G Maj • 05:11 • -7.48db
48% Popularity • 61% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
48% Popularity • 61% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Thin Lizzy
Whiskey In The Jar
128 bpm • G Maj • 05:45 • -11.04db
59% Popularity • 56% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
59% Popularity • 56% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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The Waterboys
The Thrill Is Gone - 2002 Remaster
128 bpm • A Maj • 05:30 • -9.73db
18% Popularity • 55% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 55% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Joan Armatrading
Me Myself I
132 bpm • E Maj • 03:17 • -15.37db
38% Popularity • 63% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 63% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Roxy Music
Over You
127 bpm • D Maj • 03:27 • -5.21db
46% Popularity • 57% Danceability • 79% Energy • 43% Liveness
5% Instrumentalness • 71% Positiveness
46% Popularity • 57% Danceability • 79% Energy • 43% Liveness
5% Instrumentalness • 71% Positiveness
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In Tua Nua
All I Wanted - 2007 - Remaster
133 bpm • A# Maj • 03:35 • -7.62db
20% Popularity • 42% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 42% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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The Silencers
Razor Blades Of Love
133 bpm • E Maj • 04:50 • -11db
17% Popularity • 50% Danceability • 57% Energy • 13% Liveness
5% Instrumentalness • 35% Positiveness
17% Popularity • 50% Danceability • 57% Energy • 13% Liveness
5% Instrumentalness • 35% Positiveness
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U2
Who's Gonna Ride Your Wild Horses
133 bpm • G Maj • 05:16 • -10.59db
52% Popularity • 43% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
52% Popularity • 43% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
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The Waterboys
On My Way to Heaven
128 bpm • A Maj • 03:41 • -5.7db
17% Popularity • 61% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 61% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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The Blue Nile
Happiness
127 bpm • G Maj • 04:39 • -10.35db
31% Popularity • 55% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
31% Popularity • 55% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Hothouse Flowers
Thing of Beauty
127 bpm • F Maj • 05:27 • -9db
34% Popularity • 56% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 18% Positiveness
34% Popularity • 56% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 18% Positiveness
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Pulp
Disco 2000
133 bpm • G min • 04:33 • -7.58db
63% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
63% Popularity • 56% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Steve Harley
Here Comes the Sun
133 bpm • B Maj • 02:57 • -8db
41% Popularity • 57% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 57% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Elvis Costello
Watching The Detectives - Single Version
133 bpm • A min • 03:46 • -12.15db
52% Popularity • 79% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
52% Popularity • 79% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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The Waterboys
A Girl Called Johnny - 2002 Remaster
133 bpm • A min • 03:57 • -4db
43% Popularity • 56% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
43% Popularity • 56% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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The Stranglers
Always The Sun - Sunny Side Up Mix
133 bpm • D Maj • 04:03 • -4.15db
54% Popularity • 56% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 80% Positiveness
54% Popularity • 56% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 80% Positiveness
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The Beautiful South
Everybody's Talkin'
133 bpm • E Maj • 02:36 • -15db
47% Popularity • 41% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 41% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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The Stunning
Half Past Two
126 bpm • E Maj • 04:25 • -8.02db
32% Popularity • 83% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 83% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Talking Heads
And She Was - 2005 Remaster
126 bpm • A Maj • 03:39 • -5.47db
60% Popularity • 70% Danceability • 85% Energy • 10% Liveness
3% Instrumentalness • 97% Positiveness
60% Popularity • 70% Danceability • 85% Energy • 10% Liveness
3% Instrumentalness • 97% Positiveness
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Talk Talk
It's My Life - 1997 Remaster
126 bpm • C Maj • 03:52 • -8db
71% Popularity • 63% Danceability • 80% Energy • 40% Liveness
78% Instrumentalness • 87% Positiveness
71% Popularity • 63% Danceability • 80% Energy • 40% Liveness
78% Instrumentalness • 87% Positiveness
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The Waterboys
Church Not Made with Hands - 2002 Remast...
133 bpm • E Maj • 06:02 • -4.47db
29% Popularity • 44% Danceability • 79% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
29% Popularity • 44% Danceability • 79% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
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Julian Cope
World Shut Your Mouth
126 bpm • A min • 03:35 • -6.79db
43% Popularity • 64% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
43% Popularity • 64% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Aztec Camera
Somewhere in My Heart
134 bpm • C Maj • 04:01 • -9.53db
54% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
54% Popularity • 64% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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The Stranglers
Strange Little Girl
126 bpm • C Maj • 02:41 • -13.58db
46% Popularity • 63% Danceability • 38% Energy • 12% Liveness
20% Instrumentalness • 24% Positiveness
46% Popularity • 63% Danceability • 38% Energy • 12% Liveness
20% Instrumentalness • 24% Positiveness
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The Lightning Seeds
Lucky You
134 bpm • E min • 04:19 • -9.85db
35% Popularity • 57% Danceability • 86% Energy • 16% Liveness
1% Instrumentalness • 67% Positiveness
35% Popularity • 57% Danceability • 86% Energy • 16% Liveness
1% Instrumentalness • 67% Positiveness
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Big Country
The Seer
126 bpm • G Maj • 05:25 • -11.83db
34% Popularity • 55% Danceability • 80% Energy • 55% Liveness
28% Instrumentalness • 66% Positiveness
34% Popularity • 55% Danceability • 80% Energy • 55% Liveness
28% Instrumentalness • 66% Positiveness
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The Waterboys
A Man Is in Love - 2008 Remaster
127 bpm • F Maj • 03:18 • -7.55db
34% Popularity • 41% Danceability • 51% Energy • 55% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 41% Danceability • 51% Energy • 55% Liveness
0% Instrumentalness • 41% Positiveness
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Hothouse Flowers
If You Go
134 bpm • E min • 05:00 • -12.69db
24% Popularity • 38% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 38% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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The The
Heartland
126 bpm • A min • 05:07 • -6db
33% Popularity • 63% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 63% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Prefab Sprout
When Love Breaks Down - 2007 Remastered ...
134 bpm • C# Maj • 04:05 • -8.09db
49% Popularity • 45% Danceability • 57% Energy • 2% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 45% Danceability • 57% Energy • 2% Liveness
0% Instrumentalness • 34% Positiveness
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Lloyd Cole and the Commotions
Jennifer She Said
134 bpm • A Maj • 03:01 • -9.65db
39% Popularity • 65% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 65% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Fun Boy Three
Our Lips Are Sealed
126 bpm • C Maj • 02:51 • -11db
49% Popularity • 72% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
49% Popularity • 72% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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The Waterboys
How Long Will I Love You - 2008 Remaster
126 bpm • G Maj • 03:38 • -8db
48% Popularity • 61% Danceability • 70% Energy • 76% Liveness
0% Instrumentalness • 45% Positiveness
48% Popularity • 61% Danceability • 70% Energy • 76% Liveness
0% Instrumentalness • 45% Positiveness
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Texas
Halo
126 bpm • G Maj • 04:10 • -6db
45% Popularity • 46% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
45% Popularity • 46% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 44% Positiveness
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Stereophonics
Handbags And Gladrags
135 bpm • D# Maj • 04:37 • -3.94db
58% Popularity • 33% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
58% Popularity • 33% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Goodbye Mr MacKenzie
The Rattler
125 bpm • F Maj • 04:00 • -7.99db
20% Popularity • 59% Danceability • 84% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 59% Danceability • 84% Energy • 40% Liveness
0% Instrumentalness • 57% Positiveness
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Lloyd Cole and the Commotions
Down On Mission Street
125 bpm • D Maj • 03:45 • -11db
30% Popularity • 58% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 35% Positiveness
30% Popularity • 58% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 35% Positiveness
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David Gray
Sail Away
135 bpm • C min • 05:15 • -8db
62% Popularity • 66% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
62% Popularity • 66% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
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Lloyd Cole
Like Lovers Do
135 bpm • D Maj • 03:58 • -10.38db
28% Popularity • 57% Danceability • 75% Energy • 32% Liveness
7% Instrumentalness • 91% Positiveness
28% Popularity • 57% Danceability • 75% Energy • 32% Liveness
7% Instrumentalness • 91% Positiveness
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Kirsty MacColl
Caroline
135 bpm • A Maj • 02:56 • -6.24db
24% Popularity • 53% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
24% Popularity • 53% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Levellers
Carry Me
135 bpm • A min • 04:56 • -9.55db
31% Popularity • 46% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 46% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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World Party
Sweet Soul Dream
135 bpm • A Maj • 04:39 • -8.3db
35% Popularity • 51% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 51% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Lloyd Cole and the Commotions
Brand New Friend
125 bpm • D Maj • 04:52 • -13db
37% Popularity • 76% Danceability • 52% Energy • 5% Liveness
1% Instrumentalness • 75% Positiveness
37% Popularity • 76% Danceability • 52% Energy • 5% Liveness
1% Instrumentalness • 75% Positiveness
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Bell X1
The Great Defector
135 bpm • G Maj • 04:40 • -4.91db
43% Popularity • 63% Danceability • 91% Energy • 18% Liveness
1% Instrumentalness • 70% Positiveness
43% Popularity • 63% Danceability • 91% Energy • 18% Liveness
1% Instrumentalness • 70% Positiveness
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Suzanne Vega
Luka
125 bpm • F# Maj • 03:51 • -10.65db
64% Popularity • 63% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
64% Popularity • 63% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Martin Stephenson
Big Sky New Light
135 bpm • C Maj • 03:55 • -12.29db
8% Popularity • 50% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 50% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Richard Thompson
I Feel So Good
125 bpm • C Maj • 03:21 • -12db
33% Popularity • 59% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 59% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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World Party
Kingdom Come
125 bpm • C Maj • 05:27 • -8.34db
30% Popularity • 41% Danceability • 66% Energy • 53% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 41% Danceability • 66% Energy • 53% Liveness
0% Instrumentalness • 65% Positiveness
