Songs like Five Flower Songs: The Evening Primrose - studio by The Sixteen
Based on a tempo of (+/- 10%) and a similar genre
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Anton Bruckner
Ave Maria, WAB 6
139 bpm • A min • 03:04 • -27.03db
18% Popularity • 14% Danceability • 3% Energy • 9% Liveness
59% Instrumentalness • 3% Positiveness
18% Popularity • 14% Danceability • 3% Energy • 9% Liveness
59% Instrumentalness • 3% Positiveness
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Herbert Howells
Requiem: Salvator mundi
139 bpm • G Maj • 02:00 • -31.24db
25% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
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The Sixteen
Five Flower Songs: The Evening Primrose ...
139 bpm • B Maj • 02:50 • -38.52db
9% Popularity • 15% Danceability • 1% Energy • 7% Liveness
5% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 1% Energy • 7% Liveness
5% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Hail...
139 bpm • F Maj • 03:06 • -30db
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Vicente Lusitano
Regina caeli
139 bpm • G# Maj • 04:11 • -22.47db
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Tomás Luis de Victoria
Regina Caeli Laetare a 8
139 bpm • G# Maj • 03:30 • -19.28db
12% Popularity • 19% Danceability • 17% Energy • 8% Liveness
19% Instrumentalness • 17% Positiveness
12% Popularity • 19% Danceability • 17% Energy • 8% Liveness
19% Instrumentalness • 17% Positiveness
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William Byrd
Diliges Dominum
140 bpm • G Maj • 03:15 • -24.98db
7% Popularity • 15% Danceability • 8% Energy • 8% Liveness
42% Instrumentalness • 4% Positiveness
7% Popularity • 15% Danceability • 8% Energy • 8% Liveness
42% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
39% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
39% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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James Whitbourn
Son of God Mass: Gloria
138 bpm • D Maj • 03:45 • -20db
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Herr, nun lässest du deinen Diener in F...
138 bpm • A min • 03:18 • -21.46db
17% Popularity • 19% Danceability • 12% Energy • 11% Liveness
53% Instrumentalness • 9% Positiveness
17% Popularity • 19% Danceability • 12% Energy • 11% Liveness
53% Instrumentalness • 9% Positiveness
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Antonio Lotti
Crucifixus
140 bpm • C min • 03:22 • -23.44db
17% Popularity • 14% Danceability • 9% Energy • 12% Liveness
30% Instrumentalness • 3% Positiveness
17% Popularity • 14% Danceability • 9% Energy • 12% Liveness
30% Instrumentalness • 3% Positiveness
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Herbert Sumsion
Magnificat in A Major
137 bpm • F# min • 05:02 • -27db
8% Popularity • 17% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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William Byrd
Miserere mihi, Domine
140 bpm • A# Maj • 02:24 • -22.85db
9% Popularity • 14% Danceability • 20% Energy • 9% Liveness
4% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 20% Energy • 9% Liveness
4% Instrumentalness • 3% Positiveness
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Edward Elgar
As Torrents in Summer
138 bpm • D# Maj • 02:04 • -31db
16% Popularity • 20% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Rejoice, O Virgin
137 bpm • F# Maj • 02:23 • -28.15db
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Francis Poulenc
Salve Regina in G Minor, FP 110
141 bpm • G min • 04:29 • -25.87db
14% Popularity • 20% Danceability • 8% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
14% Popularity • 20% Danceability • 8% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
38% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Agn...
141 bpm • F# min • 03:23 • -19db
19% Popularity • 22% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
19% Popularity • 22% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
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William Byrd
Haec dies
140 bpm • G Maj • 02:27 • -22.03db
7% Popularity • 20% Danceability • 17% Energy • 17% Liveness
3% Instrumentalness • 31% Positiveness
7% Popularity • 20% Danceability • 17% Energy • 17% Liveness
3% Instrumentalness • 31% Positiveness
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Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
137 bpm • D# Maj • 03:38 • -23db
16% Popularity • 20% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 20% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Benjamin Britten
Choral Dances from 'Gloriana': Concord
137 bpm • G min • 02:09 • -29.07db
13% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 2% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Georg Philipp Telemann
Laudate Jehovam omnes gentes (Psalm 117)...
137 bpm • A Maj • 05:03 • -20.09db
11% Popularity • 22% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 22% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Johann Hermann Schein
Israelsbrünnlein: No. 3, Die mit Träne...
142 bpm • A min • 03:26 • -25.34db
8% Popularity • 18% Danceability • 4% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 4% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Philip Stopford
Ave verum
142 bpm • F# min • 03:35 • -27.27db
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Liturgy of St John Chrysostom, Op. 31: 1...
136 bpm • D# Maj • 02:23 • -33.77db
8% Popularity • 15% Danceability • 4% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 4% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Josef Rheinberger
Geistliche Chöre, Op. 69: III. Abendlie...
136 bpm • F Maj • 03:21 • -27db
15% Popularity • 18% Danceability • 5% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 5% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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Guillaume Dufay
Isorhythmic Motets: Nuper rosarum flores
136 bpm • D min • 05:44 • -20db
13% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Francis Poulenc
Poulenc: Salve Regina, FP 110
136 bpm • G min • 03:59 • -25.65db
7% Popularity • 22% Danceability • 6% Energy • 22% Liveness
11% Instrumentalness • 4% Positiveness
7% Popularity • 22% Danceability • 6% Energy • 22% Liveness
11% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Angelus Domini descendit
143 bpm • F min • 08:05 • -23.18db
28% Popularity • 17% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 17% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Andrea Gabrieli
Communion: O sacrum convivium à 5
135 bpm • C Maj • 03:59 • -32db
11% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Sergei Rachmaninoff: Bogoróditse Dévo
135 bpm • F Maj • 02:49 • -24db
23% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • C# Maj • 02:53 • -18.05db
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
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James MacMillan
Strathclyde Motets: Factus est repente
135 bpm • C Maj • 02:37 • -24.42db
7% Popularity • 16% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 16% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 8% Positiveness
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Anton Bruckner
Tantum ergo, WAB 43
135 bpm • A Maj • 01:35 • -21.58db
26% Popularity • 22% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 5% Positiveness
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Thomas Morley
The Second Dirge Anthem: Man That Is Bor...
135 bpm • G# min • 05:31 • -21.31db
10% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Vesperae Solennes de Confessore: Beatus ...
143 bpm • G Maj • 04:02 • -23.2db
11% Popularity • 28% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 28% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
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Charles Villiers Stanford
Nunc Dimittis in B-Flat
135 bpm • A# Maj • 03:21 • -29db
9% Popularity • 15% Danceability • 3% Energy • 12% Liveness
58% Instrumentalness • 5% Positiveness
9% Popularity • 15% Danceability • 3% Energy • 12% Liveness
58% Instrumentalness • 5% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
23% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
23% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Johannes Brahms
Drei geistliche Chöre, Op. 37 No. 1: O ...
135 bpm • G min • 01:16 • -26.26db
18% Popularity • 23% Danceability • 6% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
18% Popularity • 23% Danceability • 6% Energy • 11% Liveness
78% Instrumentalness • 3% Positiveness
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Pierre Passereau
ll est bel et bon, commere, mon mary: Il...
135 bpm • C min • 01:01 • -18db
19% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Blackburn Cathedral Choir
Brewer: Nunc Dimittis in D
135 bpm • D Maj • 03:07 • -25db
13% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Benjamin Britten
A Hymn To The Virgin
134 bpm • A min • 03:49 • -27.1db
14% Popularity • 16% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Resu...
134 bpm • C Maj • 03:32 • -24.89db
15% Popularity • 16% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 6% Energy • 6% Liveness
87% Instrumentalness • 3% Positiveness
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Heinrich Schütz
Ich bin die Auferstehung und das Leben, ...
134 bpm • D min • 03:36 • -19.66db
19% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
19% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Pavel Chesnokov
Blagoslovi, dushe moya, Ghospoda (Bless ...
134 bpm • G Maj • 02:27 • -25.37db
16% Popularity • 19% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
16% Popularity • 19% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 6% Positiveness
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Cecilia McDowall
I Know That My Redeemer Liveth
134 bpm • D Maj • 05:28 • -25.34db
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
72% Instrumentalness • 3% Positiveness
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Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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The Sixteen
Organ Concerto in F major, Op. 4, No. 4:...
134 bpm • C# min • 01:07 • -27.68db
10% Popularity • 16% Danceability • 2% Energy • 14% Liveness
85% Instrumentalness • 13% Positiveness
10% Popularity • 16% Danceability • 2% Energy • 14% Liveness
85% Instrumentalness • 13% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
Justorum Animae
145 bpm • G Maj • 03:55 • -30.94db
10% Popularity • 13% Danceability • 3% Energy • 7% Liveness
25% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 3% Energy • 7% Liveness
25% Instrumentalness • 4% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Edgar Leslie Bainton
And I Saw A New Heaven
133 bpm • G Maj • 05:14 • -23db
15% Popularity • 16% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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The Sixteen
Organ Concerto in F major, Op. 4, No. 4:...
133 bpm • A Maj • 05:29 • -28.75db
4% Popularity • 16% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
4% Popularity • 16% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
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Josef Rheinberger
Hymnen, Op. 140: I. Tribulationes
133 bpm • F Maj • 03:27 • -24.18db
9% Popularity • 18% Danceability • 11% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 11% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Vesperae Solennes de Confessore: Dixit D...
132 bpm • C Maj • 03:54 • -21db
13% Popularity • 41% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 41% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Than...
132 bpm • C Maj • 01:34 • -16.66db
23% Popularity • 22% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
23% Popularity • 22% Danceability • 29% Energy • 12% Liveness
92% Instrumentalness • 24% Positiveness
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Michael Haydn
Missa Sanctae Crucis, MH 56: Sanctus
132 bpm • D# Maj • 01:23 • -19.76db
27% Popularity • 22% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 22% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Francesco Durante
Magnificat (Formerly Attrib. Pergolesi):...
132 bpm • C Maj • 01:50 • -22.8db
7% Popularity • 24% Danceability • 17% Energy • 41% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 24% Danceability • 17% Energy • 41% Liveness
0% Instrumentalness • 26% Positiveness
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The Sixteen
Agnus Dei from Missa Puer Natus
132 bpm • G# Maj • 08:59 • -27db
2% Popularity • 16% Danceability • 6% Energy • 8% Liveness
40% Instrumentalness • 4% Positiveness
2% Popularity • 16% Danceability • 6% Energy • 8% Liveness
40% Instrumentalness • 4% Positiveness
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Thomas Morley
April is in My Mistress’ Face
132 bpm • F min • 01:22 • -28.57db
16% Popularity • 21% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 21% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
131 bpm • C# Maj • 04:00 • -30.61db
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Charles Villiers Stanford
Magnificat in B-Flat
131 bpm • A# Maj • 03:58 • -26db
12% Popularity • 19% Danceability • 6% Energy • 24% Liveness
47% Instrumentalness • 7% Positiveness
12% Popularity • 19% Danceability • 6% Energy • 24% Liveness
47% Instrumentalness • 7% Positiveness
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William Henry Harris
Holy is the True Light
130 bpm • A# Maj • 01:53 • -30.82db
8% Popularity • 18% Danceability • 3% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
8% Popularity • 18% Danceability • 3% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
► Preview
Alexander Dmitriyevich Kastalsky
Znamenny Chant: Today the Virgin, Op. 7b
131 bpm • A# Maj • 01:53 • -24.06db
9% Popularity • 18% Danceability • 15% Energy • 15% Liveness
84% Instrumentalness • 15% Positiveness
9% Popularity • 18% Danceability • 15% Energy • 15% Liveness
84% Instrumentalness • 15% Positiveness
► Preview
The Sixteen
Organ Concerto in F major, Op. 4, No. 4:...
131 bpm • E Maj • 05:09 • -20.23db
5% Popularity • 23% Danceability • 10% Energy • 32% Liveness
22% Instrumentalness • 37% Positiveness
5% Popularity • 23% Danceability • 10% Energy • 32% Liveness
22% Instrumentalness • 37% Positiveness
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Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
12% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
12% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
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Henry Purcell
Evening Service in G Minor (Z. 231): Nun...
130 bpm • G# min • 03:43 • -25.34db
9% Popularity • 24% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Arvo Pärt
The Deer’s Cry
130 bpm • A min • 04:23 • -23.73db
12% Popularity • 18% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
12% Popularity • 18% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Carlo Gesualdo
Moro, lasso, al mio duolo, madrigal for ...
130 bpm • F min • 04:10 • -23.4db
7% Popularity • 19% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
7% Popularity • 19% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
James MacMillan
Strathclyde Motets: Benedicimus Deum cae...
130 bpm • C Maj • 02:28 • -25.44db
7% Popularity • 18% Danceability • 5% Energy • 9% Liveness
7% Instrumentalness • 6% Positiveness
7% Popularity • 18% Danceability • 5% Energy • 9% Liveness
7% Instrumentalness • 6% Positiveness
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The Sixteen
Missa Alma Redemptoris Mater a 8: Kyrie
130 bpm • D# Maj • 02:45 • -25.73db
4% Popularity • 16% Danceability • 13% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
4% Popularity • 16% Danceability • 13% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Michael Praetorius
Terpsichore*: Volte
149 bpm • C Maj • 01:30 • -13.7db
24% Popularity • 56% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 47% Positiveness
24% Popularity • 56% Danceability • 39% Energy • 10% Liveness
56% Instrumentalness • 47% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 2. Lullaby
130 bpm • F# Maj • 03:01 • -27db
11% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
11% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Giovanni Gabrieli
Canzona Seconda (a 6), C196
129 bpm • A min • 04:06 • -25.69db
5% Popularity • 30% Danceability • 4% Energy • 25% Liveness
93% Instrumentalness • 15% Positiveness
5% Popularity • 30% Danceability • 4% Energy • 25% Liveness
93% Instrumentalness • 15% Positiveness
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Anton Bruckner
Locus iste
129 bpm • C Maj • 03:41 • -27.37db
14% Popularity • 16% Danceability • 5% Energy • 6% Liveness
3% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 5% Energy • 6% Liveness
3% Instrumentalness • 3% Positiveness
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The Sixteen
Jephtha, HWV70: Overture
150 bpm • F# min • 05:51 • -21.21db
4% Popularity • 26% Danceability • 14% Energy • 8% Liveness
66% Instrumentalness • 19% Positiveness
4% Popularity • 26% Danceability • 14% Energy • 8% Liveness
66% Instrumentalness • 19% Positiveness
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Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
21% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Alfred Deller
If Music Be The Food Of Love
129 bpm • D min • 02:38 • -22.62db
24% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Luca Marenzio
Euridice, Prologo: Sinfonia a 5
129 bpm • F Maj • 01:37 • -27db
11% Popularity • 30% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 30% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Wolfgang Amadeus Mozart
Mass brevis in C major, K.220 "Sparrow M...
129 bpm • G Maj • 02:51 • -20.71db
19% Popularity • 30% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
19% Popularity • 30% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
129 bpm • D min • 06:04 • -28db
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
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Giacomo Carissimi
Jephte: Plorate filii Israel plorate (Ch...
129 bpm • F# Maj • 04:49 • -25db
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Tomás Luis de Victoria
Vere languores
129 bpm • A# min • 04:52 • -29.51db
12% Popularity • 17% Danceability • 3% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
12% Popularity • 17% Danceability • 3% Energy • 10% Liveness
2% Instrumentalness • 3% Positiveness
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William Walton
A Litany: Drop, Drop Slow Tears
128 bpm • C Maj • 03:12 • -29.79db
8% Popularity • 17% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Resu...
128 bpm • D min • 01:35 • -22.99db
26% Popularity • 19% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
26% Popularity • 19% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Johann Michael Bach
Herr, wenn ich nur dich habe
128 bpm • A# Maj • 03:14 • -24db
11% Popularity • 29% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 29% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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AntonÃn Dvořák
Mass in D major, Op. 86: 2. Gloria
128 bpm • D Maj • 08:39 • -19.93db
16% Popularity • 20% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Motet for five Voices: Psalm 3: Jehova, ...
127 bpm • G# min • 06:16 • -23.61db
8% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 27% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Vesperae Solennes de Confessore: Laudate...
127 bpm • F Maj • 04:00 • -32.08db
11% Popularity • 19% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
33% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Antonio Lotti
Crucifixus
127 bpm • C min • 03:29 • -25.68db
21% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
21% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
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Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
