Songs like Five Lessons Learned by Swingin' Utters
Based on a tempo of (+/- 10%) and a similar genre
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88 Fingers Louie
Blink
153 bpm • E Maj • 02:49 • -3.97db
35% Popularity • 38% Danceability • 99% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 38% Danceability • 99% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Swingin' Utters
Five Lessons Learned
153 bpm • E min • 01:55 • -4.37db
48% Popularity • 32% Danceability • 98% Energy • 46% Liveness
1% Instrumentalness • 68% Positiveness
48% Popularity • 32% Danceability • 98% Energy • 46% Liveness
1% Instrumentalness • 68% Positiveness
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Descendents
When I Get Old
152 bpm • C Maj • 02:29 • -6.31db
42% Popularity • 30% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 30% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
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The Distillers
I Am A Revenant
154 bpm • G Maj • 03:29 • -3.95db
40% Popularity • 26% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 26% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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Millencolin
Bullion
152 bpm • D Maj • 02:00 • -8db
50% Popularity • 26% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 26% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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The Offspring
Session - 2008 Remaster
155 bpm • C Maj • 02:32 • -3.3db
47% Popularity • 47% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 47% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Ten Foot Pole
The Getaway
155 bpm • E Maj • 03:40 • -5.52db
34% Popularity • 30% Danceability • 98% Energy • 36% Liveness
18% Instrumentalness • 55% Positiveness
34% Popularity • 30% Danceability • 98% Energy • 36% Liveness
18% Instrumentalness • 55% Positiveness
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Swingin' Utters
Two Jacks Shitty
152 bpm • E Maj • 01:43 • -4.6db
13% Popularity • 33% Danceability • 95% Energy • 6% Liveness
22% Instrumentalness • 83% Positiveness
13% Popularity • 33% Danceability • 95% Energy • 6% Liveness
22% Instrumentalness • 83% Positiveness
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Guttermouth
Asshole
155 bpm • G Maj • 01:39 • -4.47db
39% Popularity • 42% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
39% Popularity • 42% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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The Distillers
Seneca Falls
155 bpm • A Maj • 03:01 • -3.22db
47% Popularity • 19% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 19% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Chixdiggit!
Gettin' Air
151 bpm • C Maj • 01:33 • -5.33db
23% Popularity • 52% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 52% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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The Lillingtons
I Don't Think She Cares
151 bpm • D Maj • 02:09 • -4.48db
26% Popularity • 40% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 40% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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SNFU
A Better Place
150 bpm • B min • 01:45 • -5.47db
23% Popularity • 20% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 20% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Swingin' Utters
London Drunk
154 bpm • D Maj • 02:03 • -7.52db
5% Popularity • 32% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
5% Popularity • 32% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Good Riddance
A Credit to His Gender
156 bpm • A# min • 02:46 • -6db
30% Popularity • 32% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 32% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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AFI
He Who Laughs Last...
156 bpm • A min • 01:50 • -6db
40% Popularity • 45% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 45% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Diesel Boy
She's My Queen
149 bpm • A# Maj • 02:16 • -5.72db
25% Popularity • 25% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 25% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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The Toy Dolls
Dig That Groove Baby
157 bpm • A Maj • 03:00 • -5.76db
33% Popularity • 41% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 41% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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SNFU
Cockatoo Quill
150 bpm • B min • 02:46 • -2.8db
28% Popularity • 36% Danceability • 97% Energy • 28% Liveness
17% Instrumentalness • 50% Positiveness
28% Popularity • 36% Danceability • 97% Energy • 28% Liveness
17% Instrumentalness • 50% Positiveness
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Swingin' Utters
Glad
156 bpm • F Maj • 02:09 • -3.24db
22% Popularity • 22% Danceability • 99% Energy • 22% Liveness
20% Instrumentalness • 24% Positiveness
22% Popularity • 22% Danceability • 99% Energy • 22% Liveness
20% Instrumentalness • 24% Positiveness
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Good Riddance
Shadows of Defeat
157 bpm • B min • 02:12 • -8.14db
27% Popularity • 39% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 39% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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The Offspring
Blackball
149 bpm • E Maj • 03:24 • -6.64db
39% Popularity • 38% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 38% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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Street Dogs
Not Without a Purpose
157 bpm • C Maj • 03:15 • -2.69db
37% Popularity • 43% Danceability • 99% Energy • 47% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 43% Danceability • 99% Energy • 47% Liveness
0% Instrumentalness • 68% Positiveness
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Mad Caddies
Road Rash
149 bpm • F Maj • 02:01 • -6db
45% Popularity • 57% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 57% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Bombshell Rocks
Microphone
158 bpm • D Maj • 01:47 • -4.34db
35% Popularity • 25% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 25% Danceability • 98% Energy • 44% Liveness
0% Instrumentalness • 57% Positiveness
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Swingin' Utters
Untitled 21
151 bpm • E Maj • 02:36 • -4.91db
17% Popularity • 32% Danceability • 98% Energy • 5% Liveness
1% Instrumentalness • 70% Positiveness
17% Popularity • 32% Danceability • 98% Energy • 5% Liveness
1% Instrumentalness • 70% Positiveness
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Pulley
Gone
149 bpm • A# Maj • 02:22 • -5db
40% Popularity • 28% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 28% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Millencolin
No Cigar
158 bpm • A Maj • 02:43 • -2.8db
62% Popularity • 38% Danceability • 99% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
62% Popularity • 38% Danceability • 99% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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No Fun At All
Spirit
158 bpm • C# Maj • 02:54 • -10db
32% Popularity • 24% Danceability • 89% Energy • 28% Liveness
52% Instrumentalness • 77% Positiveness
32% Popularity • 24% Danceability • 89% Energy • 28% Liveness
52% Instrumentalness • 77% Positiveness
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Mike V & The Rats
The Days
148 bpm • A# Maj • 03:07 • -8db
25% Popularity • 36% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 36% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Guttermouth
1, 2, 3...Slam!
158 bpm • G Maj • 01:45 • -6.31db
37% Popularity • 51% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 51% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Swingin' Utters
Glad
156 bpm • F Maj • 02:11 • -5.79db
6% Popularity • 24% Danceability • 98% Energy • 59% Liveness
1% Instrumentalness • 11% Positiveness
6% Popularity • 24% Danceability • 98% Energy • 59% Liveness
1% Instrumentalness • 11% Positiveness
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Propagandhi
Ska Sucks
148 bpm • D Maj • 01:50 • -5.05db
43% Popularity • 42% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
43% Popularity • 42% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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No Use For A Name
Justified Black Eye
158 bpm • G Maj • 02:38 • -6db
42% Popularity • 38% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
42% Popularity • 38% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Voodoo Glow Skulls
Here Comes The Sun
148 bpm • F Maj • 02:00 • -5db
35% Popularity • 36% Danceability • 94% Energy • 3% Liveness
1% Instrumentalness • 62% Positiveness
35% Popularity • 36% Danceability • 94% Energy • 3% Liveness
1% Instrumentalness • 62% Positiveness
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I Against I
Maybe Tomorrow
159 bpm • F Maj • 02:39 • -4.99db
21% Popularity • 34% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 34% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Guttermouth
I'm Destroying The World
158 bpm • D Maj • 01:59 • -3db
42% Popularity • 51% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
42% Popularity • 51% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
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Swingin' Utters
Kick It Over
159 bpm • A Maj • 02:31 • -7.19db
6% Popularity • 52% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
6% Popularity • 52% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Propagandhi
I Am a Rifle
148 bpm • C# Maj • 02:16 • -3.34db
49% Popularity • 46% Danceability • 98% Energy • 65% Liveness
0% Instrumentalness • 62% Positiveness
49% Popularity • 46% Danceability • 98% Energy • 65% Liveness
0% Instrumentalness • 62% Positiveness
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Street Dogs
Fading American Dream
160 bpm • D# Maj • 02:54 • -2.75db
38% Popularity • 41% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 41% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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RKL
We're Back We're Pissed
147 bpm • D Maj • 03:39 • -6.83db
29% Popularity • 30% Danceability • 96% Energy • 34% Liveness
13% Instrumentalness • 63% Positiveness
29% Popularity • 30% Danceability • 96% Energy • 34% Liveness
13% Instrumentalness • 63% Positiveness
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Authority Zero
Find Your Way
146 bpm • A Maj • 04:14 • -4.83db
33% Popularity • 55% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 55% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 13% Positiveness
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Strike Anywhere
To The World
161 bpm • D Maj • 03:22 • -4.91db
32% Popularity • 30% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 30% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Swingin' Utters
Five Lessons Learned
157 bpm • B min • 01:54 • -7.33db
19% Popularity • 26% Danceability • 99% Energy • 36% Liveness
1% Instrumentalness • 33% Positiveness
19% Popularity • 26% Danceability • 99% Energy • 36% Liveness
1% Instrumentalness • 33% Positiveness
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One Man Army
It's Empty
161 bpm • F# Maj • 02:10 • -4.57db
15% Popularity • 38% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 38% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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The Offspring
It'll Be a Long Time
161 bpm • G Maj • 02:43 • -6.71db
51% Popularity • 32% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
51% Popularity • 32% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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Voodoo Glow Skulls
El Coo Cooi
145 bpm • C Maj • 02:37 • -6db
37% Popularity • 43% Danceability • 97% Energy • 19% Liveness
70% Instrumentalness • 83% Positiveness
37% Popularity • 43% Danceability • 97% Energy • 19% Liveness
70% Instrumentalness • 83% Positiveness
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The Casualties
R.A.M.O.N.E.S.
145 bpm • C Maj • 01:12 • -5.28db
44% Popularity • 49% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
44% Popularity • 49% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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The Briggs
Back to Higher Ground
162 bpm • C# Maj • 02:46 • -2.75db
33% Popularity • 56% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 56% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Swingin' Utters
Just Like Them
158 bpm • A Maj • 01:48 • -5.84db
7% Popularity • 30% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 30% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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No Use For A Name
Invincible
144 bpm • D Maj • 02:21 • -5.15db
35% Popularity • 30% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 30% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Guttermouth
Hit Machine
162 bpm • F# min • 01:58 • -4.33db
40% Popularity • 30% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 30% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Voodoo Glow Skulls
Closet Monster
144 bpm • D Maj • 02:35 • -5db
27% Popularity • 38% Danceability • 99% Energy • 12% Liveness
1% Instrumentalness • 45% Positiveness
27% Popularity • 38% Danceability • 99% Energy • 12% Liveness
1% Instrumentalness • 45% Positiveness
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PEARS
Sycophant
144 bpm • C Maj • 01:46 • -6.4db
24% Popularity • 43% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 43% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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The Offspring
Genocide
162 bpm • C Maj • 03:33 • -7.43db
53% Popularity • 34% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
53% Popularity • 34% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Swingin' Utters
Mother of the Mad
147 bpm • A Maj • 01:59 • -6.78db
6% Popularity • 40% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
6% Popularity • 40% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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88 Fingers Louie
Holding Back
163 bpm • F# min • 01:40 • -4.24db
40% Popularity • 29% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 29% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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Jughead‘s Revenge
Victims And Volunteers
144 bpm • E Maj • 03:10 • -4.81db
24% Popularity • 39% Danceability • 99% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 39% Danceability • 99% Energy • 28% Liveness
0% Instrumentalness • 41% Positiveness
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Dwarves
Everybodies Girl
143 bpm • E Maj • 02:42 • -5db
38% Popularity • 38% Danceability • 96% Energy • 60% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 38% Danceability • 96% Energy • 60% Liveness
0% Instrumentalness • 58% Positiveness
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AFI
The Boy Who Destroyed The World
164 bpm • E min • 03:05 • -5.77db
55% Popularity • 23% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
55% Popularity • 23% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Pulley
Hooray For Me
143 bpm • A# Maj • 02:19 • -4.13db
33% Popularity • 44% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 44% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Swingin' Utters
Napalm South
160 bpm • C Maj • 02:15 • -7.2db
14% Popularity • 54% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 54% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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88 Fingers Louie
I’ve Won
163 bpm • C# min • 01:35 • -4.06db
47% Popularity • 29% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 29% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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The Bouncing Souls
Gone
164 bpm • C# Maj • 04:07 • -5.24db
37% Popularity • 29% Danceability • 88% Energy • 64% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 29% Danceability • 88% Energy • 64% Liveness
0% Instrumentalness • 43% Positiveness
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Guttermouth
She's Got The Look
164 bpm • E Maj • 02:41 • -4db
45% Popularity • 55% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 55% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
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Off With Their Heads
Trying To Breathe
165 bpm • C Maj • 02:49 • -4.35db
31% Popularity • 45% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 45% Danceability • 97% Energy • 38% Liveness
0% Instrumentalness • 70% Positiveness
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The Casualties
We Are All We Have
165 bpm • A Maj • 03:05 • -3.09db
47% Popularity • 36% Danceability • 100% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 36% Danceability • 100% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Swingin' Utters
No Time to Play
144 bpm • D Maj • 02:13 • -6.11db
21% Popularity • 30% Danceability • 95% Energy • 6% Liveness
1% Instrumentalness • 84% Positiveness
21% Popularity • 30% Danceability • 95% Energy • 6% Liveness
1% Instrumentalness • 84% Positiveness
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88 Fingers Louie
I Hate Myself
142 bpm • C Maj • 02:08 • -4db
41% Popularity • 33% Danceability • 99% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 33% Danceability • 99% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Ten Foot Pole
Never Look Back
165 bpm • G# min • 02:20 • -5.8db
34% Popularity • 28% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
34% Popularity • 28% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Bigwig
A War Inside
165 bpm • B min • 02:10 • -5db
35% Popularity • 42% Danceability • 100% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 42% Danceability • 100% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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The Distillers
Sick Of It All
165 bpm • D Maj • 03:10 • -3.29db
39% Popularity • 18% Danceability • 100% Energy • 60% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 18% Danceability • 100% Energy • 60% Liveness
0% Instrumentalness • 35% Positiveness
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The Lillingtons
Invasion Of The Saucermen
166 bpm • C# min • 02:21 • -5.75db
24% Popularity • 40% Danceability • 99% Energy • 10% Liveness
6% Instrumentalness • 44% Positiveness
24% Popularity • 40% Danceability • 99% Energy • 10% Liveness
6% Instrumentalness • 44% Positiveness
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Swingin' Utters
Angels Pissing on Your Head
142 bpm • F# Maj • 02:06 • -6.38db
9% Popularity • 26% Danceability • 94% Energy • 48% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 26% Danceability • 94% Energy • 48% Liveness
0% Instrumentalness • 59% Positiveness
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The Offspring
Cool To Hate
166 bpm • A# min • 02:47 • -3.34db
49% Popularity • 34% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
49% Popularity • 34% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Lars Frederiksen and the Bastards
Wine And Roses
141 bpm • A Maj • 03:21 • -2.38db
28% Popularity • 47% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 47% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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Less Than Jake
Johnny Quest Thinks We're Sellouts
141 bpm • C# Maj • 02:49 • -4db
51% Popularity • 42% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
51% Popularity • 42% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Dwarves
Demonica
140 bpm • E min • 01:57 • -5.56db
28% Popularity • 34% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 34% Danceability • 97% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
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The Lillingtons
Black Hole In My Mind
165 bpm • A# Maj • 03:16 • -5.58db
39% Popularity • 32% Danceability • 93% Energy • 44% Liveness
3% Instrumentalness • 72% Positiveness
39% Popularity • 32% Danceability • 93% Energy • 44% Liveness
3% Instrumentalness • 72% Positiveness
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Millencolin
Material Boy
140 bpm • D Maj • 02:23 • -2.32db
43% Popularity • 36% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 36% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
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Swingin' Utters
Tell Them Told You So
165 bpm • G Maj • 02:32 • -4.39db
27% Popularity • 45% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 45% Danceability • 98% Energy • 30% Liveness
0% Instrumentalness • 81% Positiveness
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Pulley
A Bad Reputation
167 bpm • G Maj • 02:53 • -4.75db
26% Popularity • 47% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 47% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Snuff
Dippy Egg
140 bpm • E min • 02:32 • -12.3db
30% Popularity • 49% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 49% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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The Queers
Fuck the World
140 bpm • C Maj • 02:31 • -4.38db
33% Popularity • 38% Danceability • 94% Energy • 33% Liveness
5% Instrumentalness • 47% Positiveness
33% Popularity • 38% Danceability • 94% Energy • 33% Liveness
5% Instrumentalness • 47% Positiveness
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Voodoo Glow Skulls
Shoot the Moon
139 bpm • C# min • 03:13 • -4.34db
38% Popularity • 34% Danceability • 100% Energy • 31% Liveness
71% Instrumentalness • 64% Positiveness
38% Popularity • 34% Danceability • 100% Energy • 31% Liveness
71% Instrumentalness • 64% Positiveness
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Millencolin
Fox
167 bpm • D Maj • 02:02 • -2.39db
50% Popularity • 34% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
50% Popularity • 34% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Lars Frederiksen and the Bastards
To Have And To Have Not
168 bpm • G Maj • 02:46 • -2db
46% Popularity • 28% Danceability • 96% Energy • 50% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 28% Danceability • 96% Energy • 50% Liveness
0% Instrumentalness • 52% Positiveness
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The Lillingtons
I Came From The Future
169 bpm • C# min • 01:38 • -5.66db
29% Popularity • 14% Danceability • 98% Energy • 26% Liveness
78% Instrumentalness • 56% Positiveness
29% Popularity • 14% Danceability • 98% Energy • 26% Liveness
78% Instrumentalness • 56% Positiveness
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Less Than Jake
That's Why They Call It a Union
139 bpm • D Maj • 03:03 • -1.96db
39% Popularity • 26% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 26% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Teenage Bottlerocket
They Call Me Steve
169 bpm • D Maj • 02:20 • -3.14db
41% Popularity • 42% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 42% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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The Offspring
The Meaning Of Life
169 bpm • C Maj • 02:56 • -2.78db
56% Popularity • 26% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
56% Popularity • 26% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Ten Foot Pole
Racer X
138 bpm • G# Maj • 02:28 • -9.81db
18% Popularity • 30% Danceability • 91% Energy • 5% Liveness
4% Instrumentalness • 71% Positiveness
18% Popularity • 30% Danceability • 91% Energy • 5% Liveness
4% Instrumentalness • 71% Positiveness
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Lars Frederiksen and the Bastards
Little Rude Girl
139 bpm • D Maj • 01:17 • -3.83db
40% Popularity • 39% Danceability • 98% Energy • 48% Liveness
0% Instrumentalness • 77% Positiveness
40% Popularity • 39% Danceability • 98% Energy • 48% Liveness
0% Instrumentalness • 77% Positiveness
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Swingin' Utters
Don't Ask Why
138 bpm • E Maj • 02:11 • -7.31db
15% Popularity • 33% Danceability • 97% Energy • 45% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 33% Danceability • 97% Energy • 45% Liveness
0% Instrumentalness • 67% Positiveness
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Good Riddance
One for the Braves
138 bpm • A Maj • 02:29 • -5db
33% Popularity • 38% Danceability • 98% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 38% Danceability • 98% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Hot Water Music
Wayfarer
170 bpm • D Maj • 02:57 • -5.61db
34% Popularity • 33% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 33% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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The Offspring
Way Down The Line
169 bpm • G Maj • 02:36 • -3.22db
44% Popularity • 43% Danceability • 97% Energy • 3% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 43% Danceability • 97% Energy • 3% Liveness
0% Instrumentalness • 53% Positiveness
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U.S. Bombs
Riot Sirens
170 bpm • C# Maj • 02:41 • -5.15db
29% Popularity • 46% Danceability • 97% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 46% Danceability • 97% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
