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Five Three
Songs like
Five Three
by
Max Drazen
Based on a tempo of (+/- 10%) and a similar genre
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Sam MacPherson
Homesick
79 bpm • E Maj • 03:03 • -7.25db
26% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Ori Rose
five year plan
79 bpm • G# min • 02:27 • -6.89db
28% Popularity • 57% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Max Drazen
Five Three
79 bpm • D# Maj • 02:36 • -4.65db
28% Popularity • 35% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Anthony Watts
Woulda Coulda Shoulda
79 bpm • B Maj • 02:41 • -4.88db
38% Popularity • 71% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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Ben Kessler
Just Like Me
79 bpm • C# Maj • 02:50 • -7.72db
27% Popularity • 42% Danceability • 49% Energy • 48% Liveness
0% Instrumentalness • 38% Positiveness
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Alexa Cappelli
Backwards
79 bpm • F# Maj • 03:10 • -4.31db
39% Popularity • 60% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Ruel
LIE
79 bpm • C min • 02:54 • -8.41db
31% Popularity • 48% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Oliver Cronin
Hope you're doing well
80 bpm • G# min • 03:02 • -7.13db
29% Popularity • 52% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Colton Avery
Salt Lake City
78 bpm • F Maj • 02:58 • -7.07db
32% Popularity • 54% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
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young friend
little pieces
80 bpm • C Maj • 02:37 • -9.63db
24% Popularity • 56% Danceability • 58% Energy • 67% Liveness
0% Instrumentalness • 68% Positiveness
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GUNNAR
They Didn't Tell Me
80 bpm • C Maj • 03:04 • -5.02db
17% Popularity • 55% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Austin George
Freak Like That
80 bpm • F# min • 02:15 • -8db
52% Popularity • 63% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Peter Fenn
Who We Love
80 bpm • A Maj • 02:06 • -9.48db
34% Popularity • 75% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Véyah
Almost
78 bpm • D Maj • 02:20 • -6.51db
34% Popularity • 68% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Devin Kennedy
Sundress
80 bpm • D Maj • 02:43 • -9.07db
35% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Christian French
Meet Me At Our Spot
78 bpm • F Maj • 02:17 • -6.45db
52% Popularity • 60% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Aimee Vant
Tylenol
80 bpm • A# Maj • 03:08 • -8.2db
29% Popularity • 60% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Alt Bloom
You Got My Best
80 bpm • C Maj • 02:37 • -4.89db
42% Popularity • 67% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Jenna Marquis
Alcohol Can't Talk
80 bpm • F Maj • 02:55 • -5.73db
33% Popularity • 57% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Ruel
END SCENE
80 bpm • C Maj • 04:50 • -8.75db
43% Popularity • 39% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Nick Hall
DND
80 bpm • G# Maj • 02:16 • -7.85db
29% Popularity • 68% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Forrest Nolan
miss misery
78 bpm • G# Maj • 02:59 • -5.45db
36% Popularity • 61% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Amelia Moore
name everywhere
80 bpm • A# Maj • 03:34 • -7.05db
35% Popularity • 32% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Hastings
Blank Me
78 bpm • D Maj • 03:58 • -4.27db
43% Popularity • 59% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Savanna Leigh
somewhere in between
77 bpm • C# min • 02:52 • -6.28db
25% Popularity • 62% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
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Ruel
IF AND/OR WHEN
81 bpm • C Maj • 02:52 • -8db
46% Popularity • 44% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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John K
U Sometimes
78 bpm • A Maj • 02:48 • -5.1db
33% Popularity • 65% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Eddie Benjamin
Over The Moon
81 bpm • A Maj • 02:41 • -4.91db
33% Popularity • 74% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Wingtip
Down (Exit Song)
81 bpm • F Maj • 03:07 • -8.24db
38% Popularity • 75% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Anthony Russo
the day that u left me
81 bpm • G# Maj • 02:34 • -7db
29% Popularity • 73% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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pj frantz
i can only write songs about u
81 bpm • C min • 02:54 • -8.77db
23% Popularity • 34% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Thomas Day
MASOCHIST - Bedroom Recording
81 bpm • D Maj • 02:43 • -8.85db
33% Popularity • 46% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Joshua Golden
Don't Leave
81 bpm • C# Maj • 02:56 • -8.55db
28% Popularity • 48% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Savana Santos
messy
82 bpm • C# Maj • 02:09 • -10.63db
26% Popularity • 35% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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Quinn Lewis
Credit Card
82 bpm • E Maj • 03:26 • -6.73db
34% Popularity • 71% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Christian French
karma
82 bpm • C# Maj • 02:48 • -4db
38% Popularity • 54% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Alt Bloom
Fine Lines
82 bpm • C# min • 02:27 • -5db
43% Popularity • 66% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Forrest Nolan
Pickup Lines
82 bpm • A Maj • 02:59 • -6.18db
28% Popularity • 57% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Zach Hood
number one fan
82 bpm • D# Maj • 02:57 • -7.87db
30% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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New Rules
Old Days
82 bpm • D Maj • 02:44 • -6.46db
42% Popularity • 62% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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pj frantz
waves
82 bpm • B Maj • 02:05 • -8.46db
40% Popularity • 62% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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RILEY
LAFUCKEDUUP
82 bpm • F# Maj • 03:50 • -4.09db
31% Popularity • 45% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Devin Kennedy
Late Bloomer
83 bpm • F min • 03:01 • -10.74db
21% Popularity • 61% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Cody Lovaas
OH NO!
83 bpm • G min • 02:51 • -5.47db
51% Popularity • 72% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Alt Bloom
Precious
83 bpm • G# Maj • 02:29 • -7.42db
29% Popularity • 71% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Llunr
im not important
83 bpm • A Maj • 02:05 • -6.24db
34% Popularity • 71% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Rence
TREBUCHET
83 bpm • F# Maj • 02:35 • -6.03db
28% Popularity • 51% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Christian French
golden years
75 bpm • C# Maj • 02:49 • -7.81db
45% Popularity • 55% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Manny Torres
Celebrate My Life
75 bpm • G# Maj • 03:02 • -10.2db
23% Popularity • 69% Danceability • 52% Energy • 42% Liveness
0% Instrumentalness • 46% Positiveness
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Joseph Tilley
Okay
75 bpm • G Maj • 02:49 • -12.48db
32% Popularity • 73% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Véyah
h8 u
84 bpm • A min • 02:30 • -5.12db
38% Popularity • 65% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Nova Moura
Touched by Fire
84 bpm • F# min • 04:32 • -14db
23% Popularity • 53% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Chris James
With or Without You
84 bpm • E Maj • 02:31 • -8.49db
58% Popularity • 77% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Joshua Golden
My Person x
84 bpm • E Maj • 02:29 • -10.71db
31% Popularity • 69% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Alt Bloom
Waste More Time
85 bpm • D# Maj • 02:15 • -7.1db
48% Popularity • 52% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Harry Hudson
Emotional Hangover
74 bpm • G# min • 02:22 • -5.67db
31% Popularity • 77% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Ryan Mack
Fling for the Summer
85 bpm • G min • 02:06 • -11.1db
48% Popularity • 76% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Toby Hobart
Off The Edge
85 bpm • F Maj • 03:37 • -6.53db
20% Popularity • 69% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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CAL
Roll the Credits
85 bpm • A Maj • 02:19 • -6.75db
41% Popularity • 79% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Ally Salort
Stranger Things
73 bpm • A# Maj • 03:04 • -9.39db
30% Popularity • 57% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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sakharii
Why Do You Care?
86 bpm • A# Maj • 02:39 • -10.47db
29% Popularity • 52% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Bazzi
Staying Up Late
86 bpm • A Maj • 02:15 • -6.56db
34% Popularity • 47% Danceability • 59% Energy • 60% Liveness
0% Instrumentalness • 29% Positiveness
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Wingtip
Goodbye
86 bpm • F Maj • 03:02 • -7.48db
39% Popularity • 68% Danceability • 68% Energy • 59% Liveness
0% Instrumentalness • 76% Positiveness
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New Rules
Lucky Me
86 bpm • G# Maj • 02:38 • -5.19db
32% Popularity • 45% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Quinn XCII
Black Porsche
72 bpm • F min • 03:06 • -9.54db
42% Popularity • 59% Danceability • 46% Energy • 50% Liveness
0% Instrumentalness • 51% Positiveness
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Ruel
SOMEONE ELSE'S PROBLEM
86 bpm • A Maj • 02:40 • -6db
47% Popularity • 64% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Christian French
butterfly fields
72 bpm • A# Maj • 03:28 • -7.5db
40% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Landon Conrath
Already Dead
87 bpm • B Maj • 02:39 • -6.25db
37% Popularity • 64% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Daniel Seavey
Can We Pretend That We’re Good? - Pian...
87 bpm • C Maj • 02:49 • -10.02db
28% Popularity • 66% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Justus Bennetts
Tom Brady
87 bpm • A min • 02:16 • -2.52db
42% Popularity • 73% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Chris James
12 Hours
88 bpm • D# Maj • 02:13 • -7db
59% Popularity • 83% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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AJA
Mental Breakup
88 bpm • F min • 03:13 • -4.6db
34% Popularity • 72% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Christian French
more of it
88 bpm • G Maj • 02:38 • -6.46db
34% Popularity • 71% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Sam MacPherson
Play Dumb
89 bpm • C Maj • 02:53 • -8.22db
40% Popularity • 44% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Maya Manuela
Way It Was
89 bpm • F Maj • 02:45 • -9db
30% Popularity • 63% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Justus Bennetts
Better When I'm Crazy
88 bpm • A Maj • 02:28 • -5.32db
34% Popularity • 71% Danceability • 82% Energy • 56% Liveness
0% Instrumentalness • 94% Positiveness
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Austin George
Good Time
70 bpm • C min • 02:44 • -4db
42% Popularity • 30% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Cooper Hill
Best Song I Never Wrote
90 bpm • B Maj • 02:12 • -5db
34% Popularity • 51% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Valley
Throwback Tears
90 bpm • C# Maj • 01:57 • -5.61db
48% Popularity • 64% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Cely
On Me
90 bpm • G# Maj • 02:43 • -8db
32% Popularity • 58% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Jordan James
no one knows
90 bpm • A# Maj • 02:29 • -8db
30% Popularity • 70% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Delanie Leclerc
happy now
90 bpm • C Maj • 02:43 • -8.04db
17% Popularity • 62% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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edwin
Minute
90 bpm • E min • 03:04 • -5.67db
25% Popularity • 67% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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MICO
m.i.a.
90 bpm • C# Maj • 02:32 • -5.63db
42% Popularity • 64% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Alt Bloom
So Glad
90 bpm • A Maj • 02:23 • -4.16db
39% Popularity • 67% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Hastings
Blame The Brakes
90 bpm • F# Maj • 03:26 • -4.04db
34% Popularity • 59% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Jack Gray
AdaLINE
90 bpm • A# min • 02:45 • -6.79db
31% Popularity • 72% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Anthony Russo
Keep It Simple
90 bpm • A min • 02:24 • -7.78db
39% Popularity • 66% Danceability • 69% Energy • 10% Liveness
3% Instrumentalness • 68% Positiveness
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The Astronomers
Talk About It
90 bpm • C Maj • 02:59 • -10.44db
27% Popularity • 69% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Jaylon Ashaun
Summertime Love - Acoustic
91 bpm • D Maj • 01:19 • -3.98db
37% Popularity • 81% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Alt Bloom
Get Back
90 bpm • F# Maj • 02:51 • -6db
30% Popularity • 78% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Social House
Mine
91 bpm • C# Maj • 02:49 • -8.23db
22% Popularity • 74% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Mason Murphy
Fix Myself
92 bpm • B Maj • 03:18 • -7.37db
37% Popularity • 58% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Allegra Miles
City Limits
92 bpm • F min • 02:26 • -4.38db
32% Popularity • 48% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Max Drazen
Caffeine
92 bpm • B Maj • 02:26 • -6.09db
52% Popularity • 81% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Ruel
GO ON WITHOUT ME
92 bpm • B Maj • 02:42 • -6.29db
46% Popularity • 75% Danceability • 55% Energy • 47% Liveness
0% Instrumentalness • 50% Positiveness
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Alt Bloom
Girl Walks Into A Bar
90 bpm • F# Maj • 02:43 • -5.83db
29% Popularity • 80% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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David Alexander
Worst Case
92 bpm • F# Maj • 02:31 • -6.92db
34% Popularity • 65% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Francis Karel
Handle with Care
92 bpm • C Maj • 02:38 • -4.59db
36% Popularity • 63% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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KAIRO
Anymore Anyway
92 bpm • D Maj • 02:42 • -9.61db
25% Popularity • 54% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Five Three