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Fix You
Songs like
Fix You
by
Gregorian
Based on a tempo of (+/- 10%) and a similar genre
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Hans Zimmer
Now We Are Free
138 bpm • A# Maj • 04:09 • -18db
51% Popularity • 20% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Gregorian
Hymn
138 bpm • E Maj • 05:06 • -10.27db
21% Popularity • 33% Danceability • 54% Energy • 15% Liveness
86% Instrumentalness • 7% Positiveness
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Kitaro
Lady Of Dreams
138 bpm • A min • 08:17 • -11.39db
31% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Maksim
Theme
138 bpm • F# min • 03:39 • -10.73db
27% Popularity • 39% Danceability • 50% Energy • 10% Liveness
80% Instrumentalness • 12% Positiveness
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Enya
Fallen Embers
138 bpm • C# Maj • 02:28 • -15.35db
59% Popularity • 23% Danceability • 18% Energy • 11% Liveness
56% Instrumentalness • 5% Positiveness
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Amelia Brightman
Now We Are Free - Live
138 bpm • A# Maj • 03:39 • -7.67db
23% Popularity • 20% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Beautiful World
In the Beginning
137 bpm • D# min • 03:50 • -13.62db
37% Popularity • 49% Danceability • 50% Energy • 14% Liveness
9% Instrumentalness • 39% Positiveness
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Gregorian
Hymn - New Version 2020
138 bpm • E Maj • 05:06 • -10.53db
31% Popularity • 33% Danceability • 50% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Paul Schwartz
Turning To Peace
140 bpm • B min • 05:25 • -10db
28% Popularity • 43% Danceability • 44% Energy • 9% Liveness
13% Instrumentalness • 18% Positiveness
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Spiritus
Heaven
140 bpm • A min • 03:35 • -13.73db
18% Popularity • 54% Danceability • 42% Energy • 11% Liveness
24% Instrumentalness • 34% Positiveness
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Stive Morgan
Magic World of Illusion
140 bpm • C# min • 04:50 • -10.42db
39% Popularity • 63% Danceability • 51% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
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Amelia Brightman
Fix You
140 bpm • D# Maj • 04:57 • -9.73db
18% Popularity • 20% Danceability • 35% Energy • 32% Liveness
3% Instrumentalness • 8% Positiveness
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Méav
The Calling
140 bpm • B min • 03:57 • -14.14db
35% Popularity • 40% Danceability • 28% Energy • 17% Liveness
9% Instrumentalness • 39% Positiveness
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Beautiful World
In the Beginning
137 bpm • C# Maj • 04:00 • -11.29db
21% Popularity • 42% Danceability • 50% Energy • 16% Liveness
27% Instrumentalness • 18% Positiveness
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Mythos
Alchemy
136 bpm • B min • 04:39 • -6.43db
24% Popularity • 61% Danceability • 66% Energy • 13% Liveness
82% Instrumentalness • 40% Positiveness
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Spiritus
Careless Whisper
140 bpm • D# min • 04:57 • -9.6db
9% Popularity • 52% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Elbosco
In excelsis
140 bpm • A# Maj • 05:25 • -8.68db
9% Popularity • 47% Danceability • 54% Energy • 57% Liveness
41% Instrumentalness • 14% Positiveness
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La Música De Los Dioses
Hymn for a New World
140 bpm • D Maj • 05:03 • -6.45db
20% Popularity • 52% Danceability • 80% Energy • 10% Liveness
1% Instrumentalness • 48% Positiveness
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Dagda
Criost Liom
140 bpm • G Maj • 04:12 • -14.28db
13% Popularity • 57% Danceability • 41% Energy • 9% Liveness
40% Instrumentalness • 13% Positiveness
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Enigma
Gravity Of Love
140 bpm • C# min • 03:58 • -10db
54% Popularity • 57% Danceability • 75% Energy • 21% Liveness
35% Instrumentalness • 42% Positiveness
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Asher Quinn
Heal Your Heart
140 bpm • F# Maj • 07:12 • -18.86db
23% Popularity • 59% Danceability • 36% Energy • 13% Liveness
95% Instrumentalness • 66% Positiveness
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Trevor Jones
Last Of The Mohicans
136 bpm • C min • 05:26 • -9.94db
46% Popularity • 15% Danceability • 51% Energy • 12% Liveness
20% Instrumentalness • 5% Positiveness
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Ulrich Herkenhoff
The Lord of the Rings: May It Be (Arr. N...
136 bpm • A Maj • 03:39 • -19.22db
41% Popularity • 22% Danceability • 10% Energy • 10% Liveness
42% Instrumentalness • 7% Positiveness
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La Música De Los Dioses
Glory
140 bpm • D# Maj • 03:47 • -8.52db
26% Popularity • 52% Danceability • 44% Energy • 9% Liveness
28% Instrumentalness • 39% Positiveness
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2002
Éamonn an Chnoic
140 bpm • G Maj • 03:51 • -16db
37% Popularity • 24% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Cecilia
Love of a Silent Moon
135 bpm • C min • 04:13 • -10.35db
15% Popularity • 30% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Arielle Dombasle
Adagio For Strings - Agnus Dei Edit
135 bpm • A min • 03:56 • -9.43db
24% Popularity • 19% Danceability • 54% Energy • 12% Liveness
47% Instrumentalness • 4% Positiveness
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Kitaro
キャラバン Pages with KITARO
142 bpm • G# Maj • 04:57 • -12db
38% Popularity • 46% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 9% Positiveness
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Vanessa-Mae
Storm
142 bpm • C min • 03:43 • -12.12db
42% Popularity • 49% Danceability • 82% Energy • 33% Liveness
76% Instrumentalness • 36% Positiveness
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Yakuro
Constellation of Tatyana
142 bpm • D# min • 05:20 • -9.58db
25% Popularity • 55% Danceability • 57% Energy • 18% Liveness
94% Instrumentalness • 34% Positiveness
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Alborada
White Buffalo
142 bpm • D min • 05:28 • -13.32db
28% Popularity • 45% Danceability • 30% Energy • 14% Liveness
75% Instrumentalness • 14% Positiveness
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Avscvltate
The Power of Love
142 bpm • G# Maj • 05:32 • -8.59db
22% Popularity • 49% Danceability • 65% Energy • 18% Liveness
39% Instrumentalness • 53% Positiveness
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Enya
Flora's Secret
142 bpm • B Maj • 04:07 • -12.72db
58% Popularity • 57% Danceability • 25% Energy • 11% Liveness
43% Instrumentalness • 60% Positiveness
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Enam
The Wherryman
134 bpm • C Maj • 02:39 • -13db
40% Popularity • 49% Danceability • 41% Energy • 9% Liveness
45% Instrumentalness • 25% Positiveness
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Shinnobu
Return to Myself
134 bpm • F# min • 05:00 • -17.69db
29% Popularity • 65% Danceability • 32% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Conjure One
Premonition - Reprise
142 bpm • E min • 03:05 • -10.24db
38% Popularity • 14% Danceability • 35% Energy • 43% Liveness
80% Instrumentalness • 4% Positiveness
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2002
Buachaill Ón Éirne
143 bpm • F Maj • 05:17 • -15.92db
28% Popularity • 14% Danceability • 21% Energy • 12% Liveness
97% Instrumentalness • 8% Positiveness
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Avscvltate
Angels
134 bpm • E Maj • 04:50 • -7.48db
24% Popularity • 50% Danceability • 48% Energy • 40% Liveness
0% Instrumentalness • 21% Positiveness
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Enya
Enya, Ryan: May It Be/Fellowship of The ...
133 bpm • A Maj • 04:22 • -17db
29% Popularity • 22% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Sky
Out of the Blue
133 bpm • G Maj • 04:37 • -14.51db
17% Popularity • 21% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 5% Positiveness
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Nicholas Gunn
Flight over North Rim
143 bpm • C Maj • 04:27 • -13.2db
26% Popularity • 56% Danceability • 71% Energy • 29% Liveness
62% Instrumentalness • 33% Positiveness
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Petruta Küpper
Fly The Lonely Shepherd
133 bpm • D min • 04:12 • -8.88db
33% Popularity • 39% Danceability • 43% Energy • 6% Liveness
43% Instrumentalness • 26% Positiveness
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Gregorian
Nothing Else Matters
144 bpm • A min • 06:17 • -13.28db
41% Popularity • 37% Danceability • 37% Energy • 11% Liveness
61% Instrumentalness • 11% Positiveness
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R Armando Morabito
One More Time
144 bpm • G Maj • 06:47 • -12.85db
30% Popularity • 55% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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La Música De Los Dioses
Voice of the Heart
144 bpm • G min • 04:55 • -7.1db
30% Popularity • 55% Danceability • 50% Energy • 34% Liveness
48% Instrumentalness • 67% Positiveness
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Peak's Forest
Falling
144 bpm • F Maj • 03:23 • -16.88db
18% Popularity • 24% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
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Darby DeVon
Daydreams
144 bpm • D Maj • 03:50 • -11.84db
24% Popularity • 48% Danceability • 49% Energy • 11% Liveness
68% Instrumentalness • 72% Positiveness
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Lesiem
Liberta
144 bpm • D# Maj • 04:28 • -11.35db
27% Popularity • 24% Danceability • 45% Energy • 11% Liveness
66% Instrumentalness • 15% Positiveness
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Avscvltate
Nights in White Satin
144 bpm • D min • 05:09 • -9.46db
22% Popularity • 29% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Maurice Ravel
Never Say Goodbye (Adapted From "Pavane,...
132 bpm • G Maj • 03:13 • -14db
39% Popularity • 43% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Lichtmond
Early Dew - Morgenrot
132 bpm • C min • 04:54 • -6.43db
38% Popularity • 44% Danceability • 77% Energy • 8% Liveness
3% Instrumentalness • 28% Positiveness
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Karl Jenkins
Kayama
145 bpm • A Maj • 07:56 • -17db
38% Popularity • 34% Danceability • 25% Energy • 16% Liveness
26% Instrumentalness • 17% Positiveness
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Eleni Violaris
A Lover's Tale
146 bpm • D min • 03:10 • -10.74db
25% Popularity • 32% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Mohicans
Main Title
146 bpm • C Maj • 04:29 • -14.5db
28% Popularity • 51% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Avscvltate
Hard to Say I'm Sorry
132 bpm • C Maj • 04:02 • -8db
18% Popularity • 53% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 21% Positiveness
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Alborada
The Last Mohican
146 bpm • D min • 04:30 • -8.52db
32% Popularity • 43% Danceability • 50% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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Mehdi
Rays of Love
146 bpm • D min • 04:30 • -10.41db
36% Popularity • 59% Danceability • 42% Energy • 8% Liveness
96% Instrumentalness • 77% Positiveness
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Yanni Voices
1001
146 bpm • G min • 03:52 • -5.54db
37% Popularity • 57% Danceability • 91% Energy • 34% Liveness
92% Instrumentalness • 86% Positiveness
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Indians
The Last Of The Mohicans
146 bpm • A# Maj • 04:47 • -7.7db
36% Popularity • 67% Danceability • 76% Energy • 37% Liveness
33% Instrumentalness • 56% Positiveness
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Gregorian
My Immortal
146 bpm • D Maj • 05:26 • -10.74db
39% Popularity • 29% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Jan Garbarek
Molde Canticle - US Album
130 bpm • C min • 03:26 • -13.87db
32% Popularity • 51% Danceability • 34% Energy • 12% Liveness
68% Instrumentalness • 14% Positiveness
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Magna Canta
Credo
130 bpm • A min • 04:06 • -9db
32% Popularity • 52% Danceability • 83% Energy • 7% Liveness
33% Instrumentalness • 12% Positiveness
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Solyma
Tres Armenii
130 bpm • C# min • 05:41 • -7.71db
11% Popularity • 54% Danceability • 69% Energy • 52% Liveness
0% Instrumentalness • 63% Positiveness
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Mehdi
Guiding Light
130 bpm • C min • 05:40 • -12db
38% Popularity • 63% Danceability • 55% Energy • 11% Liveness
90% Instrumentalness • 51% Positiveness
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2002
Bí Thusa Mo Shúile
130 bpm • D# Maj • 04:01 • -15.97db
37% Popularity • 16% Danceability • 17% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
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Gregorian
Sebastian
130 bpm • D min • 03:40 • -12.59db
26% Popularity • 25% Danceability • 36% Energy • 20% Liveness
90% Instrumentalness • 8% Positiveness
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Karl Jenkins
Isle Of The Mystic Lake
130 bpm • E Maj • 03:16 • -12.2db
14% Popularity • 52% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Magna Canta
Celestia Organa
130 bpm • C Maj • 04:07 • -10db
29% Popularity • 50% Danceability • 80% Energy • 12% Liveness
21% Instrumentalness • 13% Positiveness
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Enya
If I Could Be Where You Are
129 bpm • F Maj • 04:01 • -15.94db
57% Popularity • 28% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Lesiem
Humilitas
148 bpm • C Maj • 04:09 • -10db
38% Popularity • 57% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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2002
Into the Light
148 bpm • C min • 03:19 • -11.76db
23% Popularity • 14% Danceability • 45% Energy • 22% Liveness
65% Instrumentalness • 4% Positiveness
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Gregorian
Blowing in the Wind
130 bpm • F Maj • 04:40 • -9.34db
26% Popularity • 36% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Karl Jenkins
Zarabanda (Saraband)
130 bpm • A Maj • 04:39 • -16db
26% Popularity • 38% Danceability • 26% Energy • 14% Liveness
1% Instrumentalness • 11% Positiveness
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Arielle Dombasle
Just Close Your Eyes
148 bpm • G Maj • 04:15 • -6.07db
18% Popularity • 61% Danceability • 89% Energy • 14% Liveness
2% Instrumentalness • 8% Positiveness
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Amethystium
Mono No Aware (Opening)
128 bpm • G min • 02:23 • -12.93db
49% Popularity • 27% Danceability • 20% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
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Candice Night
Annie's Song
149 bpm • D Maj • 02:26 • -11.18db
12% Popularity • 33% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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2002
Chain of Life
148 bpm • A# Maj • 05:06 • -12.96db
22% Popularity • 18% Danceability • 46% Energy • 11% Liveness
83% Instrumentalness • 13% Positiveness
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Terry Oldfield
Dreamer
128 bpm • E min • 06:16 • -12.03db
36% Popularity • 51% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Philip Riley
Pictish Girl
128 bpm • A# Maj • 04:35 • -13.07db
36% Popularity • 40% Danceability • 19% Energy • 12% Liveness
2% Instrumentalness • 11% Positiveness
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Darby DeVon
Highlands
149 bpm • B min • 05:42 • -9.13db
15% Popularity • 47% Danceability • 63% Energy • 18% Liveness
97% Instrumentalness • 21% Positiveness
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The Gardyne Chamber Ensemble
Braveheart Theme
127 bpm • D Maj • 02:34 • -9.66db
50% Popularity • 17% Danceability • 29% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Beautiful World
Spoken Word
150 bpm • D Maj • 07:36 • -17.06db
17% Popularity • 41% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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2002
Away from the Roll of the Sea
148 bpm • G Maj • 03:27 • -17db
41% Popularity • 14% Danceability • 19% Energy • 7% Liveness
97% Instrumentalness • 18% Positiveness
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Terry Oldfield
Shadow Dancer
127 bpm • G Maj • 06:02 • -9db
34% Popularity • 38% Danceability • 43% Energy • 36% Liveness
2% Instrumentalness • 22% Positiveness
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Mission
On Earth as is in Heaven
150 bpm • D Maj • 03:17 • -13db
22% Popularity • 28% Danceability • 34% Energy • 9% Liveness
78% Instrumentalness • 9% Positiveness
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Solyma
Laila Leil
127 bpm • C# min • 04:43 • -7.92db
10% Popularity • 64% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Emma Shapplin
Nothing Wrong
127 bpm • C min • 03:06 • -8.66db
21% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Dagda
Druids In The Glen
150 bpm • G Maj • 03:54 • -17.43db
27% Popularity • 53% Danceability • 37% Energy • 12% Liveness
86% Instrumentalness • 37% Positiveness
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Karl Jenkins
Adiemus
150 bpm • E min • 03:57 • -17db
61% Popularity • 30% Danceability • 41% Energy • 16% Liveness
15% Instrumentalness • 16% Positiveness
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Miriam Stockley
Adiemus
151 bpm • G Maj • 04:00 • -8.35db
36% Popularity • 36% Danceability • 61% Energy • 12% Liveness
6% Instrumentalness • 15% Positiveness
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Arielle Dombasle
After Time
126 bpm • A# min • 03:53 • -6.02db
29% Popularity • 54% Danceability • 67% Energy • 9% Liveness
1% Instrumentalness • 27% Positiveness
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Solyma
Karamane
127 bpm • C# min • 01:27 • -11.16db
27% Popularity • 50% Danceability • 36% Energy • 32% Liveness
44% Instrumentalness • 48% Positiveness
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Bond
Zadok the Priestess
126 bpm • G Maj • 02:38 • -7.01db
38% Popularity • 45% Danceability • 78% Energy • 11% Liveness
90% Instrumentalness • 50% Positiveness
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Fairlight
Oxigene
126 bpm • F Maj • 04:12 • -13.42db
19% Popularity • 48% Danceability • 47% Energy • 8% Liveness
87% Instrumentalness • 38% Positiveness
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Órla Fallon
She Moved Thro' the Fair
126 bpm • D Maj • 03:56 • -18.03db
20% Popularity • 28% Danceability • 14% Energy • 8% Liveness
34% Instrumentalness • 4% Positiveness
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Avscvltate
Lady in Red
126 bpm • G# Maj • 04:58 • -9.61db
25% Popularity • 49% Danceability • 49% Energy • 13% Liveness
5% Instrumentalness • 28% Positiveness
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ERA
Don't You Forget
126 bpm • B Maj • 03:41 • -11.67db
48% Popularity • 69% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Amalunai
Ilumbarada Eja
152 bpm • C# min • 05:45 • -17.71db
15% Popularity • 44% Danceability • 26% Energy • 7% Liveness
18% Instrumentalness • 23% Positiveness
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Terry Oldfield
Guardian Angel
125 bpm • D# Maj • 06:17 • -13.01db
21% Popularity • 37% Danceability • 31% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Gregorian
Stay
152 bpm • A# Maj • 03:59 • -8.8db
14% Popularity • 33% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Fix You