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Flanders Fields
Songs like
Flanders Fields
by
Paul Aitken
Based on a tempo of (+/- 10%) and a similar genre
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Amy Beach
Peace I Leave With You
89 bpm • D# Maj • 01:30 • -32.18db
28% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 4. Full fathom ...
89 bpm • G# Maj • 02:22 • -24db
9% Popularity • 15% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 3% Positiveness
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Sarah Quartel
Snow Angel: God Will Give Orders - Sweet...
89 bpm • F Maj • 05:06 • -21.99db
9% Popularity • 25% Danceability • 14% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
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Samuel Barber
A Stopwatch and an Ordnance Map
89 bpm • F min • 05:57 • -21.58db
8% Popularity • 18% Danceability • 8% Energy • 10% Liveness
61% Instrumentalness • 4% Positiveness
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Claude Debussy
3 Chansons de Charles d'Orleans: Trois C...
89 bpm • B Maj • 02:17 • -31db
10% Popularity • 16% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Josquin des Prez
El grillo
89 bpm • E Maj • 01:36 • -13db
12% Popularity • 34% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Majorstua Kammerkor & Tore Erik Mohn
Identity & The Ground
89 bpm • G# Maj • 06:13 • -26.74db
20% Popularity • 10% Danceability • 3% Energy • 20% Liveness
50% Instrumentalness • 3% Positiveness
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Paul Aitken
Flanders Fields
89 bpm • A# min • 03:28 • -28db
12% Popularity • 13% Danceability • 4% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: V. Bendecid su nombre
89 bpm • G Maj • 06:31 • -16.76db
11% Popularity • 11% Danceability • 23% Energy • 14% Liveness
63% Instrumentalness • 10% Positiveness
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The National Lutheran Choir
Now the Green Blade Rises
88 bpm • F min • 05:43 • -24.45db
11% Popularity • 15% Danceability • 2% Energy • 11% Liveness
77% Instrumentalness • 10% Positiveness
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Frank Martin
Mass for Double Choir: II. Gloria
88 bpm • C Maj • 05:28 • -25db
13% Popularity • 13% Danceability • 11% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Phoenix Chamber Choir
Deep in the Night
90 bpm • B Maj • 02:40 • -33.18db
18% Popularity • 24% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Majorstua Kammerkor & Tore Erik Mohn
The City
88 bpm • D# Maj • 10:40 • -20db
14% Popularity • 13% Danceability • 16% Energy • 18% Liveness
29% Instrumentalness • 4% Positiveness
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Herbert Howells
Take Him, Earth, for Cherishing
88 bpm • B Maj • 08:11 • -27.03db
1% Popularity • 12% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
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Cantus
Lift Thine Eyes
90 bpm • D Maj • 02:07 • -26db
12% Popularity • 14% Danceability • 7% Energy • 9% Liveness
7% Instrumentalness • 7% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 3. Double, doub...
88 bpm • F# Maj • 03:28 • -16db
13% Popularity • 42% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Dan Forrest
Requiem for the Living: IV. Sanctus
88 bpm • A min • 07:40 • -15.06db
20% Popularity • 21% Danceability • 33% Energy • 18% Liveness
87% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
Elijah, Op. 70: "Lift Thine Eyes to the ...
88 bpm • D Maj • 01:48 • -32.72db
9% Popularity • 19% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: No. 6, Rejoice,...
88 bpm • F Maj • 03:06 • -28.3db
13% Popularity • 9% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Emma Lou Diemer
Three Madrigals: I. O Mistress mine, whe...
88 bpm • D# Maj • 01:04 • -25.4db
14% Popularity • 40% Danceability • 7% Energy • 7% Liveness
1% Instrumentalness • 10% Positiveness
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Andrea Ramsey
Truth
90 bpm • C min • 04:01 • -21db
13% Popularity • 33% Danceability • 31% Energy • 10% Liveness
22% Instrumentalness • 23% Positiveness
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Ralph Vaughan Williams
Dona Nobis Pacem: Reconciliation
90 bpm • C Maj • 05:20 • -31.85db
16% Popularity • 13% Danceability • 4% Energy • 13% Liveness
8% Instrumentalness • 4% Positiveness
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Jacob Narverud
Dominus Vobiscum
88 bpm • D# min • 04:09 • -31.43db
15% Popularity • 10% Danceability • 1% Energy • 7% Liveness
14% Instrumentalness • 3% Positiveness
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George Dyson
Magnificat in F Major (1)
88 bpm • G min • 03:42 • -33db
10% Popularity • 12% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Sergey Khvoshchinsky
Bogoroditse Devo, raduysia
87 bpm • D# Maj • 05:18 • -19db
10% Popularity • 14% Danceability • 18% Energy • 16% Liveness
1% Instrumentalness • 6% Positiveness
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Newman Sound Men's Choir
Frobisher Bay
87 bpm • C min • 05:26 • -20.13db
9% Popularity • 21% Danceability • 5% Energy • 13% Liveness
10% Instrumentalness • 8% Positiveness
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Elaine Hagenberg
Song of Miriam (Live)
87 bpm • D# min • 04:33 • -19.87db
11% Popularity • 17% Danceability • 14% Energy • 70% Liveness
0% Instrumentalness • 5% Positiveness
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John Bennet
Weep, Oh Mine Eyes
87 bpm • A# min • 02:39 • -23db
24% Popularity • 14% Danceability • 10% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Morten Lauridsen
Lux aeterna: I. Introitus
91 bpm • D Maj • 07:53 • -23db
21% Popularity • 14% Danceability • 6% Energy • 8% Liveness
7% Instrumentalness • 4% Positiveness
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Samuel Barber
Sure on This Shining Night
91 bpm • A# Maj • 02:18 • -27.29db
13% Popularity • 13% Danceability • 3% Energy • 7% Liveness
99% Instrumentalness • 4% Positiveness
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Hubert Parry
Music, When Soft Voices Die
87 bpm • E Maj • 02:14 • -26db
9% Popularity • 13% Danceability • 7% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Three Elizabethan Partsongs: I. Sweet Da...
91 bpm • E min • 02:01 • -30db
11% Popularity • 15% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 6% Positiveness
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Kim André Arnesen
Flight Song
91 bpm • C# Maj • 04:22 • -27.37db
32% Popularity • 12% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Örebro University Choir
The Hymn of Acxiom (Arr. H. Dahlgren)
87 bpm • C# Maj • 03:54 • -17.8db
11% Popularity • 21% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Nordic Chamber Choir - Nicol Matt
Veni, Sancte Spiritus
87 bpm • A Maj • 02:32 • -18.4db
12% Popularity • 20% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Die Nachtigall
87 bpm • G# Maj • 01:32 • -22.44db
12% Popularity • 19% Danceability • 13% Energy • 12% Liveness
38% Instrumentalness • 4% Positiveness
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Z. Randall Stroope
I Am Not Yours
87 bpm • B Maj • 04:52 • -24.35db
8% Popularity • 18% Danceability • 2% Energy • 9% Liveness
16% Instrumentalness • 3% Positiveness
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Charles Villiers Stanford
The Bluebird
91 bpm • B Maj • 03:13 • -28db
26% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Virgil Thomson
My Shepherd Will Supply My Need
87 bpm • D Maj • 03:29 • -33.96db
8% Popularity • 16% Danceability • 2% Energy • 6% Liveness
3% Instrumentalness • 8% Positiveness
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Phoenix Chamber Choir
Hark I Hear the Harps Eternal
87 bpm • C Maj • 02:10 • -21db
17% Popularity • 31% Danceability • 16% Energy • 15% Liveness
5% Instrumentalness • 19% Positiveness
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Jaakko Mäntyjärvi
Double, Double Toil and Trouble
91 bpm • F# Maj • 03:01 • -23db
13% Popularity • 30% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
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Jacobus Gallus
Pueri concinite
87 bpm • F Maj • 01:51 • -25db
35% Popularity • 14% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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The Concordia Choir
Beautiful Savior
86 bpm • D Maj • 03:53 • -25.27db
21% Popularity • 18% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Knut Nystedt
3 Motets, Op. 43: No. 2, Peace I Leave w...
86 bpm • C# min • 02:41 • -20.75db
16% Popularity • 16% Danceability • 3% Energy • 28% Liveness
73% Instrumentalness • 3% Positiveness
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George Walker
Canvas: Extract 2: Commentary, "Voices i...
86 bpm • G Maj • 05:02 • -16.78db
0% Popularity • 47% Danceability • 19% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
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Z. Randall Stroope
I Am Not Yours
92 bpm • B Maj • 04:23 • -24.99db
16% Popularity • 11% Danceability • 4% Energy • 61% Liveness
5% Instrumentalness • 4% Positiveness
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Aaron Copland
Zion's Walls
86 bpm • F Maj • 01:54 • -14.92db
9% Popularity • 32% Danceability • 20% Energy • 8% Liveness
14% Instrumentalness • 42% Positiveness
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James Whitbourn
A Prayer of Desmond Tutu
92 bpm • D Maj • 01:37 • -21.35db
27% Popularity • 29% Danceability • 11% Energy • 14% Liveness
2% Instrumentalness • 7% Positiveness
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Yi Chen
A Set of Chinese Folksongs: Mo Li Hua
92 bpm • D Maj • 02:10 • -27.93db
1% Popularity • 19% Danceability • 8% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
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John Tavener
Mother of God
86 bpm • F Maj • 03:01 • -28.8db
12% Popularity • 22% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Millikin University Choir
Stetit Angelus
86 bpm • A min • 04:38 • -24db
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Johannes Brahms
3 Quartets, Op. 64: No. 3, An die Heimat...
86 bpm • G Maj • 05:09 • -26.11db
0% Popularity • 16% Danceability • 12% Energy • 13% Liveness
57% Instrumentalness • 8% Positiveness
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Susan Brumfield
No Time
86 bpm • F Maj • 06:05 • -30.76db
14% Popularity • 17% Danceability • 2% Energy • 68% Liveness
0% Instrumentalness • 4% Positiveness
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Paul Aitken
Hazy Daze
93 bpm • A# Maj • 04:20 • -14.18db
0% Popularity • 62% Danceability • 28% Energy • 18% Liveness
93% Instrumentalness • 52% Positiveness
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Bob Chilcott
Be thou my vision - SATB
86 bpm • G# Maj • 03:20 • -25.32db
13% Popularity • 23% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Reena Esmail
Tuttarana (Version for SATB Choir)
85 bpm • D Maj • 03:01 • -24.28db
12% Popularity • 25% Danceability • 12% Energy • 6% Liveness
3% Instrumentalness • 21% Positiveness
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David Brunner
Yo le Canto todo el Dia
93 bpm • E min • 03:32 • -16db
10% Popularity • 38% Danceability • 39% Energy • 70% Liveness
11% Instrumentalness • 56% Positiveness
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Knut Nystedt
Cry Out and Shout
85 bpm • D min • 01:30 • -16db
23% Popularity • 28% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 5% Positiveness
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Z. Randall Stroope
In Paradisum
85 bpm • G# Maj • 03:57 • -20.69db
13% Popularity • 17% Danceability • 10% Energy • 11% Liveness
48% Instrumentalness • 4% Positiveness
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Lodovico Grossi da Viadana
Exultate Justi!
94 bpm • A Maj • 02:11 • -18db
15% Popularity • 26% Danceability • 24% Energy • 12% Liveness
74% Instrumentalness • 19% Positiveness
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Traditional
The Battle of Jericho (arr. M. Hogan for...
85 bpm • F min • 02:07 • -20.25db
10% Popularity • 57% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 13% Positiveness
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Boris Ledkovsky
We Have No Other Help
85 bpm • D min • 05:38 • -28.37db
19% Popularity • 9% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Sarah Quartel
All the way home - Upper Voices
85 bpm • E Maj • 03:33 • -26.33db
10% Popularity • 22% Danceability • 3% Energy • 9% Liveness
5% Instrumentalness • 7% Positiveness
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Laura Farnell
Do Not Stand at My Grave and Weep (Live)
94 bpm • F Maj • 04:37 • -22.79db
8% Popularity • 26% Danceability • 19% Energy • 77% Liveness
3% Instrumentalness • 10% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Hail...
94 bpm • F Maj • 03:06 • -27.35db
0% Popularity • 17% Danceability • 9% Energy • 68% Liveness
83% Instrumentalness • 4% Positiveness
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Augustana Choir
Sit Down Servant, Stacey V. Gibbs
94 bpm • E min • 03:53 • -21.3db
9% Popularity • 22% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 9% Positiveness
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Jaakko Mäntyjärvi
Stuttgarter Psalmen: III. Richte mich, G...
94 bpm • A# Maj • 07:49 • -27.27db
0% Popularity • 15% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 4% Positiveness
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The National Lutheran Choir
E'en So, Lord Jesus, Quickly Come
94 bpm • A# min • 02:36 • -22.61db
20% Popularity • 19% Danceability • 8% Energy • 8% Liveness
74% Instrumentalness • 10% Positiveness
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Eric William Barnum
Dawn
84 bpm • F Maj • 04:18 • -29db
12% Popularity • 9% Danceability • 3% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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George Walker
Canvas: Extract 1: Landscape, "The View ...
84 bpm • A# Maj • 06:58 • -23.83db
0% Popularity • 19% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Hubert Parry
I was glad when they said unto me
84 bpm • A# Maj • 06:48 • -15.83db
9% Popularity • 10% Danceability • 34% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Aaron Copland
Old American Songs I: V. I Bought me a C...
94 bpm • F Maj • 02:26 • -20.89db
18% Popularity • 60% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Reena Esmail
TaReKiTa - SATB
94 bpm • F Maj • 01:58 • -14.09db
14% Popularity • 27% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Ralph Vaughan Williams
Dona Nobis Pacem Cantata: III. Reconcili...
84 bpm • A min • 06:13 • -33.78db
8% Popularity • 9% Danceability • 3% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
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Hyo-Won Woo
Cum Sancto Spiritu - Live
94 bpm • F min • 03:10 • -23.34db
13% Popularity • 29% Danceability • 17% Energy • 12% Liveness
5% Instrumentalness • 16% Positiveness
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Morten Lauridsen
Les Chansons des roses: No. 3. De ton re...
84 bpm • G# min • 02:16 • -27.5db
15% Popularity • 22% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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The Chapel Choir of Pembroke College, Cambridge
Walford Davies: A Short Requiem - De pro...
94 bpm • D Maj • 02:09 • -34.59db
35% Popularity • 20% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Sven-David Sandström
To See a World
84 bpm • G min • 04:01 • -33db
12% Popularity • 8% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
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Karen Linford Robinson
High Flight
84 bpm • C Maj • 05:28 • -22.77db
10% Popularity • 18% Danceability • 8% Energy • 7% Liveness
31% Instrumentalness • 4% Positiveness
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Frank Ticheli
There Will Be Rest
84 bpm • D# Maj • 06:14 • -27.64db
15% Popularity • 10% Danceability • 3% Energy • 12% Liveness
4% Instrumentalness • 3% Positiveness
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The Singers - Minnesota Choral Artists
Nocturnes: IV. Epilogue: Voici Le Soir (...
84 bpm • F# Maj • 02:26 • -38db
10% Popularity • 13% Danceability • 0% Energy • 10% Liveness
55% Instrumentalness • 4% Positiveness
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Sofia Vokalensemble
Trilo (Arr. B. Ollén)
84 bpm • A# Maj • 05:21 • -26.82db
11% Popularity • 8% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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The St. Olaf Choir
Ain'a That Good News (Arr. W.L. Dawson f...
84 bpm • F# Maj • 02:08 • -22.6db
16% Popularity • 25% Danceability • 11% Energy • 11% Liveness
13% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
Beati Mortui
95 bpm • C Maj • 03:14 • -19.56db
10% Popularity • 23% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Joshua Rist
Invictus
84 bpm • B Maj • 04:57 • -23db
15% Popularity • 12% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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The Concordia Choir
John Saw Duh Numbuh
95 bpm • B Maj • 02:19 • -22db
20% Popularity • 19% Danceability • 14% Energy • 11% Liveness
3% Instrumentalness • 13% Positiveness
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Hudie Leadbelly Ledbetter
Bring Me a Little Water, Sylvie (Arr. M....
95 bpm • F Maj • 02:47 • -26.32db
6% Popularity • 31% Danceability • 22% Energy • 68% Liveness
0% Instrumentalness • 14% Positiveness
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Michael Ostrzyga
Iuppiter
83 bpm • E min • 04:27 • -18db
10% Popularity • 18% Danceability • 12% Energy • 14% Liveness
28% Instrumentalness • 4% Positiveness
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Yevhen Savchuk
Vespers, Op. 37: Bless The Lord, O My So...
83 bpm • C# Maj • 04:51 • -23db
5% Popularity • 20% Danceability • 15% Energy • 9% Liveness
28% Instrumentalness • 6% Positiveness
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Emma Lou Diemer
3 Madrigals: No. 3. Sigh No More, Ladies...
95 bpm • G Maj • 01:17 • -21.91db
4% Popularity • 52% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Gwyneth Van Anden Walker
I Thank You God
95 bpm • G min • 06:36 • -17.91db
9% Popularity • 17% Danceability • 21% Energy • 68% Liveness
0% Instrumentalness • 5% Positiveness
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Jacob Narverud
Lunar Lullaby
95 bpm • D Maj • 04:01 • -23.98db
11% Popularity • 18% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
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Nicolas Fayolle
Evry Stone Crys
95 bpm • A# Maj • 03:39 • -22.94db
28% Popularity • 20% Danceability • 12% Energy • 11% Liveness
77% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Regina coeli, K. 276
95 bpm • C Maj • 06:41 • -14.76db
14% Popularity • 34% Danceability • 33% Energy • 15% Liveness
4% Instrumentalness • 39% Positiveness
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Nordic Chamber Choir - Nicol Matt
In Te, Domine, Spreavi
83 bpm • D min • 04:28 • -36db
4% Popularity • 12% Danceability • 1% Energy • 10% Liveness
73% Instrumentalness • 3% Positiveness
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Herbert Brewer
Magnificat in D Major
95 bpm • D Maj • 03:59 • -24.78db
8% Popularity • 20% Danceability • 10% Energy • 20% Liveness
95% Instrumentalness • 4% Positiveness
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Daniel Elder
3 Nocturnes: No. 2. Star Sonnet
83 bpm • B min • 04:52 • -31db
15% Popularity • 8% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
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Z. Randall Stroope
The Conversion of Saul
83 bpm • F# Maj • 03:41 • -26.41db
8% Popularity • 17% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
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Cantus
Loch Lomond
96 bpm • F# Maj • 03:43 • -27.11db
16% Popularity • 20% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Kammerkoor Head Ööd Vend
Muusika
83 bpm • F Maj • 02:37 • -30.67db
31% Popularity • 22% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Flanders Fields