Songs like Flash Jack from Gundagai by The Bushwackers
Based on a tempo of (+/- 10%) and a similar genre
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John Clarke
We Don't Know How Lucky We Are
129 bpm • A Maj • 02:49 • -7.94db
22% Popularity • 62% Danceability • 75% Energy • 49% Liveness
0% Instrumentalness • 85% Positiveness
22% Popularity • 62% Danceability • 75% Energy • 49% Liveness
0% Instrumentalness • 85% Positiveness
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The Bushwackers
Flash Jack from Gundagai
129 bpm • E Maj • 02:51 • -7.17db
19% Popularity • 72% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 72% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Chad Morgan
The Shotgun Wedding
130 bpm • A Maj • 02:27 • -16db
28% Popularity • 63% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 63% Danceability • 25% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Troy Cassar-Daley
Chasin' Rodeo
130 bpm • B Maj • 03:16 • -6db
34% Popularity • 64% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
34% Popularity • 64% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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John Schumann and the Vagabond Crew
On Every Anzac Day
128 bpm • C Maj • 06:13 • -8.36db
14% Popularity • 80% Danceability • 57% Energy • 30% Liveness
8% Instrumentalness • 63% Positiveness
14% Popularity • 80% Danceability • 57% Energy • 30% Liveness
8% Instrumentalness • 63% Positiveness
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Simply Bushed
Raise Your Glass
128 bpm • A Maj • 04:29 • -6.96db
15% Popularity • 54% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 54% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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TANIA KERNAGHAN
All Australian Girl
130 bpm • G Maj • 03:25 • -4.88db
24% Popularity • 64% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 64% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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The Bushwackers
This Little Town
130 bpm • D Maj • 04:02 • -4.64db
9% Popularity • 61% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 61% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Michael Waugh
The Weir
128 bpm • D# Maj • 04:14 • -6.02db
8% Popularity • 63% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 63% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Aussie Bush Band
With A Swag All On My Shoulder
130 bpm • F Maj • 02:34 • -13.6db
10% Popularity • 78% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 78% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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John Schumann and the Vagabond Crew
Mothers, Daughters, Wives
128 bpm • D Maj • 04:59 • -10.82db
8% Popularity • 65% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 65% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Dobe Newton
Another of Mitchell's Plans
130 bpm • G min • 04:56 • -20.75db
0% Popularity • 70% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 70% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Neil Murray
Good Light in Broome
128 bpm • D min • 04:33 • -4.87db
40% Popularity • 72% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
40% Popularity • 72% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
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The Bushwackers
The Stockyards
128 bpm • D Maj • 04:04 • -6.57db
4% Popularity • 64% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
4% Popularity • 64% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
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Adam McClure
Snatch It!
130 bpm • G Maj • 04:06 • -6.34db
14% Popularity • 80% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 80% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Aussie Bush Band
The Ryebuck Shearer
130 bpm • D Maj • 03:08 • -7.55db
9% Popularity • 74% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 74% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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Wolverines
Dickhead
130 bpm • D Maj • 01:39 • -13.55db
17% Popularity • 89% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 100% Positiveness
17% Popularity • 89% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 100% Positiveness
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Col Elliott
Never Drop the "F"Word Around a Cop
130 bpm • D Maj • 06:40 • -14.27db
10% Popularity • 55% Danceability • 51% Energy • 45% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 55% Danceability • 51% Energy • 45% Liveness
0% Instrumentalness • 74% Positiveness
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Redgum
The Diamantina Drover
130 bpm • A# Maj • 04:31 • -11db
32% Popularity • 58% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 58% Danceability • 46% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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The Bushwackers
A Shot In The Arm
130 bpm • D Maj • 03:42 • -5.77db
2% Popularity • 62% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
2% Popularity • 62% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Tom Curtain
Never Never Land
128 bpm • C# Maj • 02:48 • -7db
31% Popularity • 60% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 60% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Sara Storer
Whistle as You Go
131 bpm • C# Maj • 02:42 • -7.44db
11% Popularity • 75% Danceability • 76% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 75% Danceability • 76% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
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Chad Morgan
The Chook Song
128 bpm • G Maj • 01:51 • -18.64db
23% Popularity • 56% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 56% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Bullamakanka
Home Among The Gum Trees
127 bpm • B min • 02:45 • -5.88db
22% Popularity • 82% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 82% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Neil Murray
Menindee
131 bpm • B min • 03:25 • -9.75db
27% Popularity • 79% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 79% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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The Bushwackers
The Lachlan Tigers
130 bpm • E min • 04:01 • -7.45db
13% Popularity • 71% Danceability • 87% Energy • 84% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 71% Danceability • 87% Energy • 84% Liveness
0% Instrumentalness • 90% Positiveness
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James Blundell
Move Into The City
127 bpm • G Maj • 03:48 • -6.95db
25% Popularity • 62% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 62% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
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Dobe Newton
The Man from Snowy River
127 bpm • D Maj • 06:10 • -10.42db
4% Popularity • 52% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
4% Popularity • 52% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
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Ted Egan
The Overlanders
127 bpm • D# Maj • 04:10 • -13.88db
14% Popularity • 63% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 63% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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The Bushwackers Band
The Lime Juice Tub
127 bpm • B min • 02:17 • -11.05db
9% Popularity • 77% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 77% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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The Masterless Men
Nancy Spain
127 bpm • D# Maj • 04:15 • -11.49db
31% Popularity • 64% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 64% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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John Williamson
Old Man Emu
127 bpm • C# Maj • 03:11 • -14.21db
45% Popularity • 70% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
45% Popularity • 70% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Frankie Davidson
The Man From Snowy River
132 bpm • A Maj • 02:55 • -12.58db
21% Popularity • 62% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 62% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Wolverines
Murrumbidgee
126 bpm • G Maj • 02:48 • -5.87db
10% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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John Schumann
Where Ya Gonna Run To?
126 bpm • E min • 03:45 • -9.84db
13% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Bushwackers
All for Me Grog
132 bpm • E Maj • 02:55 • -6.06db
5% Popularity • 79% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
5% Popularity • 79% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Adam McClure
He Shore so Hard He Died
126 bpm • D Maj • 06:14 • -14.43db
19% Popularity • 93% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 93% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Stan Coster
By a Fire of Gidgee Coals
126 bpm • A Maj • 03:08 • -9.67db
14% Popularity • 61% Danceability • 54% Energy • 38% Liveness
1% Instrumentalness • 67% Positiveness
14% Popularity • 61% Danceability • 54% Energy • 38% Liveness
1% Instrumentalness • 67% Positiveness
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Frankie Davidson
G'day
125 bpm • G Maj • 02:59 • -7.05db
10% Popularity • 76% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 76% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Wolverines
Rodeo Song
132 bpm • D Maj • 00:50 • -12.75db
18% Popularity • 83% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 83% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Kevin Bloody Wilson
Mick the Master Farter
125 bpm • A Maj • 04:47 • -15.4db
30% Popularity • 89% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 89% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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The Bushwackers
Leave It in the Ground
132 bpm • C Maj • 03:32 • -4.62db
13% Popularity • 73% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 73% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Luke O'Shea
Long Way 'Round
125 bpm • C# Maj • 03:10 • -5db
34% Popularity • 74% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
34% Popularity • 74% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Sara Storer
Raindance
125 bpm • G Maj • 03:44 • -6db
16% Popularity • 65% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 65% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Frankie Davidson
We've Been Everywhere
125 bpm • D Maj • 02:49 • -9.71db
12% Popularity • 73% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 73% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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Aussie Bush Band
Along The Road To Gundagai
133 bpm • C Maj • 02:10 • -13.24db
20% Popularity • 80% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 80% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
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James Blundell
Time On His Hands
125 bpm • G Maj • 03:43 • -10db
28% Popularity • 65% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 65% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Buddy Williams
The Overlander Trail
125 bpm • E Maj • 02:19 • -8.13db
21% Popularity • 64% Danceability • 49% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 64% Danceability • 49% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
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Luke O'Shea
The Old Man's Shed
125 bpm • C Maj • 04:04 • -10db
32% Popularity • 66% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 66% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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The Australian Pub Band
I've Been Everywhere.
125 bpm • D Maj • 02:50 • -13db
12% Popularity • 76% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 76% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Richie Kavanagh
Aon Focal Eile, Pt. 2
125 bpm • C Maj • 03:24 • -7.17db
8% Popularity • 89% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 89% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Troy Cassar-Daley
Born to Survive
125 bpm • A Maj • 04:27 • -8.21db
28% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 60% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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James Blundell
This Road
124 bpm • A Maj • 03:47 • -8db
30% Popularity • 60% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 60% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Colin Buchanan
Tough Job
134 bpm • F# Maj • 03:22 • -14db
13% Popularity • 74% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
13% Popularity • 74% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Luke O'Shea
The Drovers Wife
124 bpm • B min • 03:56 • -6.54db
26% Popularity • 42% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 42% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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The Bushwackers
Overlanders
134 bpm • D min • 03:30 • -7.27db
4% Popularity • 70% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
4% Popularity • 70% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Buddy Goode
Back in the Bush
134 bpm • G# Maj • 01:55 • -4db
20% Popularity • 72% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
20% Popularity • 72% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
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Frankie Davidson
Come On Aussie
124 bpm • D Maj • 02:18 • -7db
22% Popularity • 75% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 75% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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James Blundell
Way Out West
124 bpm • G Maj • 03:58 • -3.89db
21% Popularity • 64% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 64% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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John Schumann and the Vagabond Crew
Safe Behind the Wire
134 bpm • D Maj • 03:36 • -11.4db
11% Popularity • 65% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 65% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Matt Scullion
Big
124 bpm • C Maj • 04:05 • -6db
25% Popularity • 76% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 76% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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The Bushwackers
The Woolloomooloo Lair
134 bpm • G Maj • 03:33 • -7.52db
6% Popularity • 68% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
6% Popularity • 68% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Col Elliott
Bruce Went Down to Sydney
135 bpm • G Maj • 04:09 • -10.25db
15% Popularity • 52% Danceability • 71% Energy • 96% Liveness
0% Instrumentalness • 44% Positiveness
15% Popularity • 52% Danceability • 71% Energy • 96% Liveness
0% Instrumentalness • 44% Positiveness
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Frankie Davidson
The Girl Behind The Bar
135 bpm • G Maj • 02:24 • -7.4db
12% Popularity • 64% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 64% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
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James Blundell
Hard Times / Way Out West
124 bpm • G Maj • 07:29 • -7.63db
16% Popularity • 39% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 39% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Hubert Jr Strickland
If You Ain't a Newfie
135 bpm • F min • 02:50 • -9.67db
21% Popularity • 76% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 76% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Dick Nolan
Piece Of Baloney
123 bpm • D Maj • 01:49 • -7db
17% Popularity • 63% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 63% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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The Bushwackers
The Hungry Mile
124 bpm • A min • 03:36 • -3.32db
4% Popularity • 65% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
4% Popularity • 65% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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John McSweeney
Give Me Forty Acres
123 bpm • A Maj • 02:24 • -16.13db
20% Popularity • 78% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 78% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Errol Gray
I'm A Bloke
123 bpm • G Maj • 03:14 • -7db
26% Popularity • 77% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 77% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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James Blundell
Way Out West
123 bpm • G Maj • 04:02 • -6.87db
52% Popularity • 62% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
52% Popularity • 62% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Johnny Chester
My Ding-A-Ling
123 bpm • G# Maj • 04:26 • -11.09db
11% Popularity • 75% Danceability • 57% Energy • 89% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 75% Danceability • 57% Energy • 89% Liveness
0% Instrumentalness • 94% Positiveness
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Chad Morgan
You're Getting Old Son
123 bpm • G Maj • 02:15 • -11db
16% Popularity • 60% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 60% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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The Bushwackers
Poor Ned Kelly
124 bpm • D Maj • 03:00 • -5.22db
5% Popularity • 60% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
5% Popularity • 60% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
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Frankie Davidson
Old Man Emu
123 bpm • E min • 02:37 • -10.67db
22% Popularity • 60% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 60% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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Reg Poole
Clancy of the Overflow
136 bpm • E Maj • 04:09 • -8db
14% Popularity • 60% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 60% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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James Blundell
Rain On A Tin Roof
135 bpm • A Maj • 05:03 • -13.21db
23% Popularity • 59% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 59% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Luke O'Shea
Wayne And Wanita
122 bpm • E Maj • 04:05 • -6.27db
28% Popularity • 66% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 66% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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Fred Smith
Dust of Uruzgan
122 bpm • G Maj • 06:55 • -8.52db
17% Popularity • 68% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 68% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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The Bushwackers
The Good Old Days
135 bpm • D Maj • 03:40 • -7.7db
9% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Frankie Davidson
Give Me A Home Among The Gum Trees
136 bpm • D Maj • 02:39 • -13db
20% Popularity • 68% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 68% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
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Aussie Bush Band
Bound For South Australia
122 bpm • D Maj • 02:33 • -14.46db
14% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 72% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Michael English
The Blacksmith And The Barman
122 bpm • B Maj • 03:26 • -4.98db
28% Popularity • 67% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
28% Popularity • 67% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Nev Nicholls
The Men Who Dare To Drive The Interstate
136 bpm • C Maj • 01:59 • -17.01db
23% Popularity • 77% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 77% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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Chad Morgan
Black Man Jacky Jacky
137 bpm • D Maj • 02:21 • -22.27db
14% Popularity • 58% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 58% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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The Bushwackers
Limejuice Tub
122 bpm • A Maj • 03:36 • -7.33db
15% Popularity • 70% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 70% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Dick Nolan
Aunt Martha's Sheep - Remastered 2005
137 bpm • A Maj • 02:47 • -9.95db
10% Popularity • 70% Danceability • 49% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 70% Danceability • 49% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Frankie Davidson
You Gotta 'Ave A Beer Mate
122 bpm • A Maj • 02:41 • -7.45db
10% Popularity • 69% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 69% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Buddy Wasisname & The Other Fellers
Is You Happy
122 bpm • G Maj • 02:57 • -8.25db
28% Popularity • 72% Danceability • 58% Energy • 95% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 72% Danceability • 58% Energy • 95% Liveness
0% Instrumentalness • 94% Positiveness
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Reg Poole
Goin' Rodeoin'
122 bpm • A Maj • 02:37 • -7.5db
29% Popularity • 59% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 59% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Chad Morgan
How Dare You Go to Bed
122 bpm • G Maj • 01:31 • -11.71db
21% Popularity • 66% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 66% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Ray Lake
The Boys Are Comin' In
137 bpm • D Maj • 03:33 • -5.25db
20% Popularity • 73% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 73% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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Redgum
The Diamantina Drover - Live Version
122 bpm • D min • 05:24 • -15db
17% Popularity • 50% Danceability • 41% Energy • 97% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 50% Danceability • 41% Energy • 97% Liveness
0% Instrumentalness • 32% Positiveness
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The Bushwackers
Stringybark Creek
121 bpm • B min • 03:25 • -5.56db
6% Popularity • 53% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
6% Popularity • 53% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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The Wayfarers
I’ve Been Everywhere
137 bpm • G Maj • 02:09 • -13.78db
24% Popularity • 65% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 65% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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The Bushwackers Band
Lachlan Tigers
137 bpm • C min • 03:16 • -11.29db
11% Popularity • 73% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 73% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Graham Rodger
Sequel to the Old Landcruiser
121 bpm • A Maj • 03:54 • -7.02db
16% Popularity • 76% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 76% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Pete Denahy
Sort of Dunno Nothin'
121 bpm • C Maj • 02:11 • -5.79db
31% Popularity • 71% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
31% Popularity • 71% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
