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Flatline Fever
Songs like
Flatline Fever
by
The Bones
Based on a tempo of (+/- 10%) and a similar genre
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Turbonegro
Hurry Up & Die
169 bpm • F min • 03:27 • -5.4db
41% Popularity • 43% Danceability • 92% Energy • 31% Liveness
39% Instrumentalness • 66% Positiveness
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The Bones
Flatline Fever
169 bpm • B min • 02:36 • -5.99db
23% Popularity • 52% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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City Saints
Guns of Gothenburg
169 bpm • B Maj • 04:07 • -8.29db
16% Popularity • 40% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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The Baboon Show
We Fight in the Night in the Bushes
169 bpm • D Maj • 01:04 • -3.4db
28% Popularity • 34% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Hardcore Superstar
Have You Been Around
169 bpm • G# Maj • 03:47 • -3.67db
23% Popularity • 35% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 66% Positiveness
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Darkbuster
No Future
169 bpm • A Maj • 01:21 • -2.12db
18% Popularity • 46% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Lars Frederiksen and the Bastards
To Have And To Have Not
168 bpm • G Maj • 02:46 • -2db
47% Popularity • 28% Danceability • 96% Energy • 50% Liveness
0% Instrumentalness • 52% Positiveness
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On The Job
We're Back
170 bpm • D Maj • 02:34 • -5.95db
35% Popularity • 49% Danceability • 92% Energy • 12% Liveness
80% Instrumentalness • 61% Positiveness
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U.S. Bombs
Riot Sirens
170 bpm • C# Maj • 02:41 • -5.15db
29% Popularity • 46% Danceability • 97% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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The Bones
Too Many Miles
170 bpm • G Maj • 03:25 • -6.23db
17% Popularity • 38% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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Gluecifer
Car Full of Stash
168 bpm • D min • 03:15 • -4.16db
24% Popularity • 32% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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Cock Sparrer
Contender
170 bpm • A Maj • 03:34 • -1.21db
21% Popularity • 41% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Death By Horse
Straight Edge
170 bpm • E Maj • 03:30 • -3.63db
28% Popularity • 40% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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The Baboon Show
Class War
170 bpm • A Maj • 01:47 • -3.97db
32% Popularity • 41% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Twopointeight
Guds Hand
170 bpm • C# min • 04:11 • -5.52db
13% Popularity • 39% Danceability • 98% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Whiskey Rebels
Whiskey Rebels
171 bpm • A Maj • 02:06 • -4.02db
10% Popularity • 27% Danceability • 99% Energy • 51% Liveness
0% Instrumentalness • 26% Positiveness
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On The Job
I'm a Skinhead
170 bpm • E Maj • 02:04 • -4.97db
35% Popularity • 52% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Bombshell Rocks
This Time Around
171 bpm • C Maj • 03:25 • -3.23db
17% Popularity • 30% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Smoke Blow
Social Morlock
167 bpm • G min • 03:08 • -3.6db
15% Popularity • 40% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Darkbuster
Skinhead
167 bpm • D Maj • 01:55 • -3.88db
30% Popularity • 40% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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Gatans Lag
Snutbil
167 bpm • A min • 02:38 • -9.09db
9% Popularity • 41% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Tim Steinfort
One More Round
166 bpm • F# Maj • 03:44 • -7.36db
14% Popularity • 38% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Psychopunch
she don't really mind
166 bpm • F# Maj • 03:35 • -3.53db
9% Popularity • 33% Danceability • 98% Energy • 32% Liveness
1% Instrumentalness • 47% Positiveness
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Turbonegro
Boys From Nowhere
167 bpm • F# min • 03:30 • -3db
32% Popularity • 27% Danceability • 97% Energy • 33% Liveness
8% Instrumentalness • 27% Positiveness
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The Headlines
Warpaint/Authority
172 bpm • B Maj • 04:47 • -8.19db
14% Popularity • 44% Danceability • 83% Energy • 35% Liveness
38% Instrumentalness • 89% Positiveness
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Darkbuster
Gurley's Cell Phone Number
171 bpm • B min • 01:50 • -1.96db
14% Popularity • 31% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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TV Smith
Only One Flavour
172 bpm • C Maj • 03:01 • -4.57db
18% Popularity • 35% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Social Distortion
Live Before You Die
173 bpm • G# Maj • 02:47 • -3.77db
41% Popularity • 32% Danceability • 97% Energy • 26% Liveness
3% Instrumentalness • 43% Positiveness
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The Baboon Show
Full Pocket
173 bpm • A Maj • 01:14 • -4.04db
30% Popularity • 38% Danceability • 98% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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En Svensk Tiger
Punkrockarflicka
173 bpm • D Maj • 02:08 • -1.95db
29% Popularity • 46% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Turbonegro
What Is Rock?!
165 bpm • C# min • 07:49 • -2.86db
21% Popularity • 19% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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On The Job
Ready To Riot
165 bpm • D Maj • 03:02 • -7.36db
20% Popularity • 51% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Cockney Rejects
I Love Being Me
164 bpm • E Maj • 03:57 • -5.78db
26% Popularity • 39% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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The Drowns
Them Rats
174 bpm • F Maj • 02:55 • -4.57db
30% Popularity • 46% Danceability • 100% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
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Randy
Me and the Boys
174 bpm • C Maj • 03:15 • -5.65db
15% Popularity • 27% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 55% Positiveness
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Cock Sparrer
Gonna Be Alright
174 bpm • A Maj • 03:37 • -1.98db
30% Popularity • 36% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Warner Drive
Metal Bridge
164 bpm • A min • 03:46 • -1.39db
21% Popularity • 24% Danceability • 97% Energy • 24% Liveness
1% Instrumentalness • 39% Positiveness
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Scorefor
Moonlight Shadow
174 bpm • C Maj • 02:18 • -4.62db
7% Popularity • 17% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Bad Religion
In Their Hearts is Right
164 bpm • A min • 01:59 • -2.74db
27% Popularity • 49% Danceability • 99% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Blood For Blood
A Rock N' Roll Song
164 bpm • D Maj • 02:49 • -3.03db
16% Popularity • 46% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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The Headlines
Blown to Bits
164 bpm • A Maj • 01:59 • -7.2db
19% Popularity • 43% Danceability • 87% Energy • 26% Liveness
1% Instrumentalness • 85% Positiveness
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Social Distortion
Nickels And Dimes
164 bpm • G# Maj • 03:05 • -4.15db
48% Popularity • 33% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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Turbonegro
Part II: Well Hello
175 bpm • E min • 01:53 • -4.44db
37% Popularity • 30% Danceability • 98% Energy • 53% Liveness
71% Instrumentalness • 45% Positiveness
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Sex Slaves
We're Going out Tonight
175 bpm • C# Maj • 02:55 • -2.58db
14% Popularity • 44% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Bad Religion
Dept. of False Hope
175 bpm • D Maj • 02:40 • -4.21db
27% Popularity • 38% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Cock Sparrer
Suicide Girls
162 bpm • E Maj • 03:02 • -4db
38% Popularity • 43% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Bombshell Rocks
Without Destination
162 bpm • A Maj • 03:56 • -2.91db
15% Popularity • 41% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Social Distortion
I Wasn't Born To Follow
176 bpm • F Maj • 02:55 • -3db
36% Popularity • 28% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Turbonegro
Rendezvous With Anus
162 bpm • C Maj • 01:58 • -3.16db
31% Popularity • 37% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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The Old Firm Casuals
Victory
162 bpm • G Maj • 04:15 • -4.81db
20% Popularity • 24% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 63% Positiveness
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Bad Religion
Pride and the Pallor
162 bpm • A Maj • 02:59 • -2.95db
30% Popularity • 48% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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The Briggs
Back to Higher Ground
162 bpm • C# Maj • 02:46 • -2.75db
34% Popularity • 56% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Sex Slaves
Thank God for Jack Daniels
162 bpm • C Maj • 03:32 • -4db
35% Popularity • 45% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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The Baboon Show
Me, Myself and I
177 bpm • B Maj • 03:22 • -3.83db
32% Popularity • 34% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Social Distortion
Alone And Forsaken
177 bpm • C Maj • 04:02 • -4.61db
36% Popularity • 35% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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The Old Firm Casuals
This Means War
162 bpm • F# min • 01:24 • -5.59db
36% Popularity • 26% Danceability • 89% Energy • 48% Liveness
0% Instrumentalness • 58% Positiveness
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Pennywise
Stand Strong
177 bpm • D Maj • 03:10 • -4.31db
34% Popularity • 20% Danceability • 96% Energy • 12% Liveness
8% Instrumentalness • 76% Positiveness
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The Headlines
High Heels
177 bpm • B Maj • 01:39 • -4.37db
25% Popularity • 36% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Rancid
If The Kids Are United
161 bpm • D Maj • 02:41 • -5.61db
28% Popularity • 44% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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The Bones
She Hates Me (Yeah Yeah Yeah)
177 bpm • G# Maj • 01:49 • -6.97db
12% Popularity • 45% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Marky Ramones Blitzkrieg
When We Were Angels
177 bpm • D Maj • 04:02 • -4.25db
28% Popularity • 27% Danceability • 96% Energy • 29% Liveness
2% Instrumentalness • 50% Positiveness
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The Reapers
From the Gutter
178 bpm • F# Maj • 04:27 • -4.45db
15% Popularity • 35% Danceability • 96% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Gluecifer
Put Me on a Plate
178 bpm • F Maj • 02:44 • -1.7db
28% Popularity • 26% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Turbonegro
Wasted Again
160 bpm • E Maj • 03:09 • -0.68db
33% Popularity • 22% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Darkbuster
Stand And Deliver
178 bpm • D Maj • 01:23 • -1.7db
27% Popularity • 17% Danceability • 99% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The Bones
Not a Lovesong
160 bpm • D Maj • 03:01 • -4db
23% Popularity • 42% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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The Agitators
Marjan
160 bpm • G# Maj • 03:55 • -4.27db
15% Popularity • 42% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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The Black Pacific
Living With Ghosts
160 bpm • A# min • 03:03 • -5db
38% Popularity • 43% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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The Prosecution
A New Sensation
160 bpm • G min • 04:06 • -5.65db
17% Popularity • 59% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Pennywise
Something To Live For
160 bpm • C Maj • 02:38 • -4.63db
25% Popularity • 43% Danceability • 97% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
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On The Job
Two Faced Masterminds
160 bpm • C Maj • 03:13 • -6.33db
20% Popularity • 51% Danceability • 84% Energy • 46% Liveness
0% Instrumentalness • 67% Positiveness
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Psychopunch
Love
160 bpm • D# min • 03:24 • -2.34db
15% Popularity • 34% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
► Preview
Rancid
An Intimate Close Up Of A Street Punk Tr...
160 bpm • G Maj • 02:34 • -3.18db
29% Popularity • 35% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 36% Positiveness
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The Baboon Show
You Got a Problem Without Knowing It
179 bpm • A Maj • 02:03 • -3.27db
41% Popularity • 23% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Hank von Hell
Dirty Money
179 bpm • E min • 03:34 • -3.88db
15% Popularity • 44% Danceability • 94% Energy • 59% Liveness
0% Instrumentalness • 47% Positiveness
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Discipline
Hooligans Heaven
179 bpm • C# Maj • 02:58 • -7.76db
24% Popularity • 18% Danceability • 94% Energy • 34% Liveness
1% Instrumentalness • 42% Positiveness
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Cock Sparrer
A.U - Remastered
179 bpm • G Maj • 03:51 • -4.77db
26% Popularity • 33% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 40% Positiveness
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The Generators
Here I Go
180 bpm • D Maj • 03:00 • -6.36db
5% Popularity • 30% Danceability • 88% Energy • 10% Liveness
1% Instrumentalness • 63% Positiveness
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Oslo Ess
Kakerlakkene
180 bpm • F# min • 01:47 • -2.37db
29% Popularity • 35% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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The Bones
Zero to Ten
180 bpm • G Maj • 03:16 • -7.49db
7% Popularity • 36% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Hank von Hell
Bombwalk Chic
180 bpm • E min • 03:11 • -3.79db
17% Popularity • 44% Danceability • 90% Energy • 7% Liveness
3% Instrumentalness • 69% Positiveness
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Death By Horse
Burning the Witches
180 bpm • D Maj • 03:41 • -8.24db
19% Popularity • 51% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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Discipline
Red & White Army
180 bpm • B Maj • 02:43 • -6.43db
18% Popularity • 41% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Trubbel
Inget har hänt sedan sjuttiosju
180 bpm • B min • 03:06 • -3.02db
32% Popularity • 37% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
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Cock Sparrer
Every Step of the Way
180 bpm • C# min • 03:37 • -1.81db
32% Popularity • 35% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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The Ducky Boys
Alone Tonight
180 bpm • C# Maj • 01:50 • -2.3db
18% Popularity • 31% Danceability • 97% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Hank von Hell
Bum to Bum
180 bpm • C Maj • 03:23 • -4.06db
29% Popularity • 39% Danceability • 93% Energy • 33% Liveness
8% Instrumentalness • 54% Positiveness
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The Bones
Casino Knockout
180 bpm • C Maj • 02:54 • -7.28db
12% Popularity • 32% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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The Old Firm Casuals
Pendulum
180 bpm • F# Maj • 02:28 • -3.47db
26% Popularity • 18% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
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4 Promille
Porn Star
180 bpm • A min • 02:42 • -5.2db
9% Popularity • 39% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Discipline
Forever
181 bpm • E Maj • 03:44 • -5.46db
14% Popularity • 20% Danceability • 94% Energy • 43% Liveness
0% Instrumentalness • 47% Positiveness
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The Generators
Smoke & Mirrors
158 bpm • C min • 02:41 • -3.9db
15% Popularity • 50% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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The Rabble
Start Again
158 bpm • D Maj • 04:39 • -3.06db
17% Popularity • 43% Danceability • 93% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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Darkbuster
Shoulda Known Better
181 bpm • B Maj • 02:22 • -2.03db
17% Popularity • 29% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Ninja Dolls
Who Am I Fooling?
158 bpm • C Maj • 02:18 • -1.92db
21% Popularity • 31% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Lars Frederiksen and the Bastards
Marie Marie
181 bpm • G Maj • 01:55 • -3.24db
30% Popularity • 33% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
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Social Distortion
Don't Take Me For Granted
182 bpm • F Maj • 03:47 • -3.69db
47% Popularity • 27% Danceability • 97% Energy • 76% Liveness
1% Instrumentalness • 35% Positiveness
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Ignite
Begin Again
182 bpm • G Maj • 03:22 • -4.05db
28% Popularity • 38% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Oldfashioned Ideas
We Are What We Are
157 bpm • G Maj • 03:07 • -4.88db
29% Popularity • 24% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
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The Baboon Show
The Shame
183 bpm • E Maj • 03:04 • -3.34db
30% Popularity • 26% Danceability • 98% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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Flatline Fever