Songs like Flesh Walls by Don't Ask What Kind of Music
Based on a tempo of (+/- 10%) and a similar genre
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Don't Ask What Kind of Music
Flesh Walls
131 bpm • C# Maj • 01:18 • -4.9db
0% Popularity • 61% Danceability • 89% Energy • 23% Liveness
5% Instrumentalness • 16% Positiveness
0% Popularity • 61% Danceability • 89% Energy • 23% Liveness
5% Instrumentalness • 16% Positiveness
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Teddy Hyde
Channel 01 Clown
131 bpm • C# min • 04:47 • -5db
27% Popularity • 51% Danceability • 58% Energy • 95% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 51% Danceability • 58% Energy • 95% Liveness
0% Instrumentalness • 26% Positiveness
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Mura Masa
Your Bones (Intermission)
130 bpm • A# min • 01:46 • -21.87db
22% Popularity • 38% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 38% Danceability • 17% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
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Ganjhi
Delusional Demands
131 bpm • A# min • 02:40 • -15.15db
27% Popularity • 80% Danceability • 44% Energy • 13% Liveness
89% Instrumentalness • 38% Positiveness
27% Popularity • 80% Danceability • 44% Energy • 13% Liveness
89% Instrumentalness • 38% Positiveness
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Dorian Concept
A Mother's Lament - Alt Take
130 bpm • G Maj • 02:46 • -12.58db
10% Popularity • 40% Danceability • 20% Energy • 16% Liveness
82% Instrumentalness • 10% Positiveness
10% Popularity • 40% Danceability • 20% Energy • 16% Liveness
82% Instrumentalness • 10% Positiveness
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Sonic Piñotas Music
Banana Cat the Song
130 bpm • A# Maj • 01:26 • -9.35db
13% Popularity • 60% Danceability • 41% Energy • 10% Liveness
43% Instrumentalness • 34% Positiveness
13% Popularity • 60% Danceability • 41% Energy • 10% Liveness
43% Instrumentalness • 34% Positiveness
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Grieves
Cloud Man
132 bpm • G# Maj • 03:12 • -7.5db
10% Popularity • 47% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 47% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 31% Positiveness
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Alex Unknown
Spine
130 bpm • A# min • 02:49 • -16db
18% Popularity • 71% Danceability • 28% Energy • 10% Liveness
48% Instrumentalness • 24% Positiveness
18% Popularity • 71% Danceability • 28% Energy • 10% Liveness
48% Instrumentalness • 24% Positiveness
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LVCK
Nausea
130 bpm • G Maj • 02:42 • -9.03db
27% Popularity • 63% Danceability • 62% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
27% Popularity • 63% Danceability • 62% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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ROCK TNT
Saturday Rose petals
130 bpm • G Maj • 05:43 • -11.81db
10% Popularity • 55% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 55% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Shady Bard
Summer Came When We Were
130 bpm • G Maj • 03:07 • -16.06db
11% Popularity • 79% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
11% Popularity • 79% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 9% Positiveness
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Elliot Moss
I Heard!
130 bpm • C# min • 04:13 • -10.18db
19% Popularity • 80% Danceability • 50% Energy • 10% Liveness
8% Instrumentalness • 81% Positiveness
19% Popularity • 80% Danceability • 50% Energy • 10% Liveness
8% Instrumentalness • 81% Positiveness
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ByTurbo
tape no. 21
130 bpm • F min • 02:07 • -15.35db
27% Popularity • 69% Danceability • 87% Energy • 8% Liveness
84% Instrumentalness • 64% Positiveness
27% Popularity • 69% Danceability • 87% Energy • 8% Liveness
84% Instrumentalness • 64% Positiveness
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Alex Unknown
Backwash
130 bpm • C min • 03:08 • -12.02db
25% Popularity • 79% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
25% Popularity • 79% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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Ryan Hemsworth
Too Long Here
130 bpm • B Maj • 03:26 • -8.07db
25% Popularity • 74% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
25% Popularity • 74% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Nick Das
Eight
132 bpm • C# min • 02:05 • -7.84db
15% Popularity • 75% Danceability • 57% Energy • 24% Liveness
25% Instrumentalness • 67% Positiveness
15% Popularity • 75% Danceability • 57% Energy • 24% Liveness
25% Instrumentalness • 67% Positiveness
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Infinite Chariots
Rest
130 bpm • G Maj • 01:20 • -9.92db
9% Popularity • 72% Danceability • 61% Energy • 11% Liveness
59% Instrumentalness • 57% Positiveness
9% Popularity • 72% Danceability • 61% Energy • 11% Liveness
59% Instrumentalness • 57% Positiveness
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James Gruntz
Waves
130 bpm • G min • 03:59 • -15.26db
23% Popularity • 72% Danceability • 16% Energy • 63% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 72% Danceability • 16% Energy • 63% Liveness
0% Instrumentalness • 13% Positiveness
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Kevin Penkin
TOMORROWLAND
130 bpm • D# Maj • 02:52 • -13db
35% Popularity • 44% Danceability • 39% Energy • 14% Liveness
37% Instrumentalness • 8% Positiveness
35% Popularity • 44% Danceability • 39% Energy • 14% Liveness
37% Instrumentalness • 8% Positiveness
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N8NOFACE
Give Me My
130 bpm • A Maj • 01:32 • -17.76db
10% Popularity • 91% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 91% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Thomas Bush
Face in the Water
129 bpm • A min • 05:59 • -9.68db
7% Popularity • 32% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
7% Popularity • 32% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Don't Ask What Kind of Music
Twenty Something Teen
133 bpm • A min • 02:23 • -12.75db
0% Popularity • 59% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 59% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Alain Arrobat
Lost in Space
132 bpm • F Maj • 01:58 • -13.93db
30% Popularity • 78% Danceability • 71% Energy • 11% Liveness
92% Instrumentalness • 70% Positiveness
30% Popularity • 78% Danceability • 71% Energy • 11% Liveness
92% Instrumentalness • 70% Positiveness
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Alberta Cross
Near Misses and Defeats (Interlude) Part...
133 bpm • G min • 01:23 • -9.78db
9% Popularity • 74% Danceability • 55% Energy • 12% Liveness
73% Instrumentalness • 66% Positiveness
9% Popularity • 74% Danceability • 55% Energy • 12% Liveness
73% Instrumentalness • 66% Positiveness
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PAULA PAULA
Shutupandwork
133 bpm • G# Maj • 02:04 • -12.01db
17% Popularity • 78% Danceability • 50% Energy • 10% Liveness
80% Instrumentalness • 71% Positiveness
17% Popularity • 78% Danceability • 50% Energy • 10% Liveness
80% Instrumentalness • 71% Positiveness
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BROCKHAMPTON
LOST IN LOVE
134 bpm • A# Maj • 04:20 • -13.52db
35% Popularity • 40% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
35% Popularity • 40% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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heaven4now
The Way I See Things but Rock
128 bpm • C Maj • 02:00 • -11.22db
13% Popularity • 48% Danceability • 43% Energy • 12% Liveness
60% Instrumentalness • 10% Positiveness
13% Popularity • 48% Danceability • 43% Energy • 12% Liveness
60% Instrumentalness • 10% Positiveness
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DROELOE
SPARK
134 bpm • A# min • 01:11 • -14.95db
40% Popularity • 42% Danceability • 44% Energy • 20% Liveness
60% Instrumentalness • 17% Positiveness
40% Popularity • 42% Danceability • 44% Energy • 20% Liveness
60% Instrumentalness • 17% Positiveness
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LUCY (Cooper B. Handy)
We Love Tomorrow
128 bpm • G# Maj • 02:03 • -12.26db
9% Popularity • 91% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 91% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Not Waving
Fool
134 bpm • F min • 02:44 • -14.31db
13% Popularity • 84% Danceability • 11% Energy • 8% Liveness
3% Instrumentalness • 40% Positiveness
13% Popularity • 84% Danceability • 11% Energy • 8% Liveness
3% Instrumentalness • 40% Positiveness
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NaVy Blu3
of how i came to be,
134 bpm • C# min • 04:32 • -15.09db
13% Popularity • 71% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 71% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Samba Jean-Baptiste
I Could've Cried
134 bpm • D Maj • 01:36 • -21.57db
39% Popularity • 74% Danceability • 14% Energy • 29% Liveness
71% Instrumentalness • 28% Positiveness
39% Popularity • 74% Danceability • 14% Energy • 29% Liveness
71% Instrumentalness • 28% Positiveness
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Joshua Lee Turner
FunkGPT
134 bpm • C Maj • 02:44 • -13.92db
8% Popularity • 87% Danceability • 24% Energy • 12% Liveness
82% Instrumentalness • 81% Positiveness
8% Popularity • 87% Danceability • 24% Energy • 12% Liveness
82% Instrumentalness • 81% Positiveness
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Kid Cudi
MELTING
128 bpm • D Maj • 02:37 • -7.32db
32% Popularity • 68% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 68% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 22% Positiveness
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Mom
Ufo Shit
128 bpm • A min • 02:22 • -14.79db
11% Popularity • 82% Danceability • 30% Energy • 8% Liveness
71% Instrumentalness • 94% Positiveness
11% Popularity • 82% Danceability • 30% Energy • 8% Liveness
71% Instrumentalness • 94% Positiveness
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daniel profeta
Today I Forgot to Keep Myself Alive
128 bpm • C Maj • 01:49 • -11.23db
10% Popularity • 33% Danceability • 48% Energy • 21% Liveness
92% Instrumentalness • 30% Positiveness
10% Popularity • 33% Danceability • 48% Energy • 21% Liveness
92% Instrumentalness • 30% Positiveness
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Lein
Sun Through Smoke
134 bpm • C min • 01:17 • -12.3db
10% Popularity • 28% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 28% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Small Leaks Sink Ships
Waiting On Water
134 bpm • C# min • 05:26 • -9db
22% Popularity • 45% Danceability • 71% Energy • 18% Liveness
8% Instrumentalness • 19% Positiveness
22% Popularity • 45% Danceability • 71% Energy • 18% Liveness
8% Instrumentalness • 19% Positiveness
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Grandaddy
Ghost of 1672
134 bpm • C Maj • 01:35 • -12.6db
33% Popularity • 66% Danceability • 39% Energy • 13% Liveness
30% Instrumentalness • 89% Positiveness
33% Popularity • 66% Danceability • 39% Energy • 13% Liveness
30% Instrumentalness • 89% Positiveness
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Cassy Lambert
Make a Wish
134 bpm • C# Maj • 03:20 • -9.39db
19% Popularity • 83% Danceability • 68% Energy • 24% Liveness
1% Instrumentalness • 70% Positiveness
19% Popularity • 83% Danceability • 68% Energy • 24% Liveness
1% Instrumentalness • 70% Positiveness
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Motifv
Lost but Found
134 bpm • D# Maj • 02:14 • -19.13db
13% Popularity • 51% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
13% Popularity • 51% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Blue Bendy
I'm Sorry I Left Him To Bleed
135 bpm • C Maj • 02:47 • -12db
21% Popularity • 54% Danceability • 50% Energy • 12% Liveness
66% Instrumentalness • 62% Positiveness
21% Popularity • 54% Danceability • 50% Energy • 12% Liveness
66% Instrumentalness • 62% Positiveness
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Herbert Gracie
Tracks Of His Dreams
127 bpm • G Maj • 01:53 • -16.61db
22% Popularity • 56% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 56% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Israel Orbea
Best Mortgage Refinance Rates
135 bpm • F# Maj • 01:35 • -12.8db
26% Popularity • 74% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 74% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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COUCOU CHLOE
BLINK
127 bpm • E min • 03:09 • -12db
17% Popularity • 55% Danceability • 42% Energy • 14% Liveness
8% Instrumentalness • 39% Positiveness
17% Popularity • 55% Danceability • 42% Energy • 14% Liveness
8% Instrumentalness • 39% Positiveness
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Duck Fizz
TAN TAN
135 bpm • G Maj • 03:46 • -7.16db
9% Popularity • 34% Danceability • 58% Energy • 46% Liveness
2% Instrumentalness • 16% Positiveness
9% Popularity • 34% Danceability • 58% Energy • 46% Liveness
2% Instrumentalness • 16% Positiveness
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Chet Faker
Cigarettes & Loneliness
135 bpm • G Maj • 07:52 • -11.56db
26% Popularity • 70% Danceability • 50% Energy • 11% Liveness
15% Instrumentalness • 40% Positiveness
26% Popularity • 70% Danceability • 50% Energy • 11% Liveness
15% Instrumentalness • 40% Positiveness
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Robert Vanguer
Auto Insurance Companies
135 bpm • B min • 01:39 • -12.32db
26% Popularity • 86% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 86% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Yellow Ostrich
Campaign
135 bpm • D Maj • 03:04 • -6.9db
21% Popularity • 62% Danceability • 70% Energy • 11% Liveness
10% Instrumentalness • 47% Positiveness
21% Popularity • 62% Danceability • 70% Energy • 11% Liveness
10% Instrumentalness • 47% Positiveness
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Escalrose
So Into You
127 bpm • C min • 01:27 • -10.61db
18% Popularity • 58% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 58% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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cleopatrick
SCARING ME
135 bpm • C# min • 03:51 • -8.08db
37% Popularity • 58% Danceability • 66% Energy • 17% Liveness
1% Instrumentalness • 14% Positiveness
37% Popularity • 58% Danceability • 66% Energy • 17% Liveness
1% Instrumentalness • 14% Positiveness
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The Happy Children
Bubblegum
127 bpm • C Maj • 03:38 • -8.88db
30% Popularity • 82% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 82% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Kim Gordon
Paprika Pony
127 bpm • A min • 04:08 • -9.83db
33% Popularity • 98% Danceability • 66% Energy • 10% Liveness
84% Instrumentalness • 76% Positiveness
33% Popularity • 98% Danceability • 66% Energy • 10% Liveness
84% Instrumentalness • 76% Positiveness
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Don't Ask What Kind of Music
Whonk
127 bpm • C# Maj • 02:34 • -10.5db
0% Popularity • 80% Danceability • 61% Energy • 7% Liveness
3% Instrumentalness • 55% Positiveness
0% Popularity • 80% Danceability • 61% Energy • 7% Liveness
3% Instrumentalness • 55% Positiveness
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Steven Morea
Fast lane
136 bpm • C Maj • 02:52 • -14.54db
12% Popularity • 88% Danceability • 39% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
12% Popularity • 88% Danceability • 39% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
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Gerrá Sales
Get My Shit Going
136 bpm • G Maj • 03:09 • -12.93db
15% Popularity • 66% Danceability • 43% Energy • 13% Liveness
64% Instrumentalness • 10% Positiveness
15% Popularity • 66% Danceability • 43% Energy • 13% Liveness
64% Instrumentalness • 10% Positiveness
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TEMPOREX
Around You
136 bpm • F# Maj • 01:16 • -12.98db
40% Popularity • 78% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 78% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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MARTINHOWER
No Imagination Left
126 bpm • C# Maj • 03:18 • -9.48db
13% Popularity • 35% Danceability • 50% Energy • 38% Liveness
36% Instrumentalness • 10% Positiveness
13% Popularity • 35% Danceability • 50% Energy • 38% Liveness
36% Instrumentalness • 10% Positiveness
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Thomas Flynn
I'm a Bug Now
136 bpm • D Maj • 02:33 • -12.64db
22% Popularity • 67% Danceability • 49% Energy • 10% Liveness
85% Instrumentalness • 27% Positiveness
22% Popularity • 67% Danceability • 49% Energy • 10% Liveness
85% Instrumentalness • 27% Positiveness
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Don't Ask What Kind of Music
Facehead
127 bpm • D Maj • 05:12 • -25.22db
0% Popularity • 33% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
0% Popularity • 33% Danceability • 19% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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The National
Walk It Back
126 bpm • A Maj • 05:59 • -12.47db
37% Popularity • 73% Danceability • 48% Energy • 43% Liveness
89% Instrumentalness • 11% Positiveness
37% Popularity • 73% Danceability • 48% Energy • 43% Liveness
89% Instrumentalness • 11% Positiveness
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Swansea Skag
formaldehyde
136 bpm • C# min • 02:31 • -7.23db
24% Popularity • 70% Danceability • 72% Energy • 14% Liveness
57% Instrumentalness • 60% Positiveness
24% Popularity • 70% Danceability • 72% Energy • 14% Liveness
57% Instrumentalness • 60% Positiveness
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Buzzard Buzzard Buzzard
The Drowning Bell
126 bpm • C min • 04:46 • -9.78db
18% Popularity • 76% Danceability • 34% Energy • 16% Liveness
23% Instrumentalness • 39% Positiveness
18% Popularity • 76% Danceability • 34% Energy • 16% Liveness
23% Instrumentalness • 39% Positiveness
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C'mon Tigre
Paloma
126 bpm • C min • 06:03 • -8.85db
10% Popularity • 39% Danceability • 55% Energy • 11% Liveness
89% Instrumentalness • 20% Positiveness
10% Popularity • 39% Danceability • 55% Energy • 11% Liveness
89% Instrumentalness • 20% Positiveness
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Julian Klincewicz
Pure Michigan
126 bpm • G# Maj • 08:19 • -7.36db
35% Popularity • 34% Danceability • 55% Energy • 10% Liveness
3% Instrumentalness • 39% Positiveness
35% Popularity • 34% Danceability • 55% Energy • 10% Liveness
3% Instrumentalness • 39% Positiveness
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Bumcello
In the Nude for Love
126 bpm • F Maj • 02:52 • -6.51db
16% Popularity • 90% Danceability • 65% Energy • 23% Liveness
3% Instrumentalness • 92% Positiveness
16% Popularity • 90% Danceability • 65% Energy • 23% Liveness
3% Instrumentalness • 92% Positiveness
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ghost orchard
ride
125 bpm • C# Maj • 02:06 • -11.59db
10% Popularity • 72% Danceability • 76% Energy • 47% Liveness
91% Instrumentalness • 38% Positiveness
10% Popularity • 72% Danceability • 76% Energy • 47% Liveness
91% Instrumentalness • 38% Positiveness
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John Roseboro
Human Nature
125 bpm • G Maj • 03:55 • -10.51db
13% Popularity • 51% Danceability • 34% Energy • 15% Liveness
1% Instrumentalness • 44% Positiveness
13% Popularity • 51% Danceability • 34% Energy • 15% Liveness
1% Instrumentalness • 44% Positiveness
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Topeka Clementine
Muse - demo
125 bpm • D Maj • 02:21 • -10.83db
11% Popularity • 41% Danceability • 57% Energy • 44% Liveness
3% Instrumentalness • 32% Positiveness
11% Popularity • 41% Danceability • 57% Energy • 44% Liveness
3% Instrumentalness • 32% Positiveness
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Sokora Violetov
Qewl
125 bpm • G# Maj • 02:36 • -11.43db
13% Popularity • 90% Danceability • 34% Energy • 26% Liveness
71% Instrumentalness • 79% Positiveness
13% Popularity • 90% Danceability • 34% Energy • 26% Liveness
71% Instrumentalness • 79% Positiveness
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EL VY
Need a Friend - Wye Oak Remix
125 bpm • G# Maj • 03:22 • -8db
18% Popularity • 76% Danceability • 46% Energy • 55% Liveness
13% Instrumentalness • 62% Positiveness
18% Popularity • 76% Danceability • 46% Energy • 55% Liveness
13% Instrumentalness • 62% Positiveness
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Убей меня, Эйс!
The Happiest Idiot - Remastered 2022
125 bpm • C Maj • 02:05 • -8.72db
8% Popularity • 78% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 78% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Tom Odell
country star
125 bpm • D min • 01:36 • -7.08db
29% Popularity • 83% Danceability • 33% Energy • 11% Liveness
27% Instrumentalness • 52% Positiveness
29% Popularity • 83% Danceability • 33% Energy • 11% Liveness
27% Instrumentalness • 52% Positiveness
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Triad God
So Pay La
137 bpm • C# min • 02:29 • -21.79db
19% Popularity • 28% Danceability • 2% Energy • 8% Liveness
50% Instrumentalness • 7% Positiveness
19% Popularity • 28% Danceability • 2% Energy • 8% Liveness
50% Instrumentalness • 7% Positiveness
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Street Joy
Do a Thing
125 bpm • E Maj • 03:35 • -5.2db
19% Popularity • 70% Danceability • 58% Energy • 43% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 70% Danceability • 58% Energy • 43% Liveness
0% Instrumentalness • 75% Positiveness
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Islet
River Body
138 bpm • E min • 03:10 • -10.99db
15% Popularity • 38% Danceability • 65% Energy • 17% Liveness
14% Instrumentalness • 39% Positiveness
15% Popularity • 38% Danceability • 65% Energy • 17% Liveness
14% Instrumentalness • 39% Positiveness
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Ugly (UK)
I'm Happy You're Here
138 bpm • G Maj • 08:01 • -8.06db
26% Popularity • 28% Danceability • 53% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
26% Popularity • 28% Danceability • 53% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
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Don't Ask What Kind of Music
Afraid
125 bpm • A Maj • 04:37 • -17.59db
0% Popularity • 57% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 57% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Young Cesa
fly night
138 bpm • G# Maj • 02:07 • -13.64db
17% Popularity • 81% Danceability • 28% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
17% Popularity • 81% Danceability • 28% Energy • 9% Liveness
94% Instrumentalness • 18% Positiveness
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Tek lintowe
Things fall apart
124 bpm • A# Maj • 03:35 • -7.87db
13% Popularity • 53% Danceability • 82% Energy • 65% Liveness
62% Instrumentalness • 39% Positiveness
13% Popularity • 53% Danceability • 82% Energy • 65% Liveness
62% Instrumentalness • 39% Positiveness
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pigbaby
Life moves fast, so take my hand.
138 bpm • A min • 03:19 • -12.44db
32% Popularity • 71% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
32% Popularity • 71% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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HOMESHAKE
Careful
124 bpm • F Maj • 03:38 • -15.51db
19% Popularity • 75% Danceability • 29% Energy • 10% Liveness
43% Instrumentalness • 14% Positiveness
19% Popularity • 75% Danceability • 29% Energy • 10% Liveness
43% Instrumentalness • 14% Positiveness
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Dorian Concept
Promises
124 bpm • A# min • 03:57 • -9.35db
16% Popularity • 62% Danceability • 68% Energy • 35% Liveness
3% Instrumentalness • 32% Positiveness
16% Popularity • 62% Danceability • 68% Energy • 35% Liveness
3% Instrumentalness • 32% Positiveness
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Bj Rodriguez
Starlet
124 bpm • C Maj • 03:41 • -8.18db
10% Popularity • 83% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 23% Positiveness
10% Popularity • 83% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 23% Positiveness
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Sorry
Things To Hold Onto
124 bpm • A# min • 01:57 • -3.95db
15% Popularity • 77% Danceability • 65% Energy • 12% Liveness
12% Instrumentalness • 53% Positiveness
15% Popularity • 77% Danceability • 65% Energy • 12% Liveness
12% Instrumentalness • 53% Positiveness
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Don't Ask What Kind of Music
I Don't Believe in Them
124 bpm • D Maj • 03:50 • -16.38db
0% Popularity • 79% Danceability • 13% Energy • 9% Liveness
68% Instrumentalness • 41% Positiveness
0% Popularity • 79% Danceability • 13% Energy • 9% Liveness
68% Instrumentalness • 41% Positiveness
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ammar
holy silence, interlude
124 bpm • C# Maj • 01:50 • -8.81db
12% Popularity • 68% Danceability • 60% Energy • 12% Liveness
3% Instrumentalness • 67% Positiveness
12% Popularity • 68% Danceability • 60% Energy • 12% Liveness
3% Instrumentalness • 67% Positiveness
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Arn Anirut
Light
123 bpm • D min • 02:40 • -8.31db
17% Popularity • 77% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 77% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Damon Albarn
Everyday Robots
139 bpm • C Maj • 03:59 • -12.3db
39% Popularity • 62% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 62% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Sheep, Dog & Wolf
Fades
140 bpm • D Maj • 03:21 • -6.09db
14% Popularity • 46% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 46% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Bjørn Tomren
Fracking Company Blues (Monroe County, J...
140 bpm • C Maj • 04:15 • -11.02db
11% Popularity • 48% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 48% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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MC's Zaac
hace mucho tiempo
140 bpm • E Maj • 01:33 • -9.68db
28% Popularity • 37% Danceability • 46% Energy • 17% Liveness
68% Instrumentalness • 53% Positiveness
28% Popularity • 37% Danceability • 46% Energy • 17% Liveness
68% Instrumentalness • 53% Positiveness
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Son Lux
All the Right Things
140 bpm • F# Maj • 03:51 • -8.92db
25% Popularity • 59% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 59% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Lil Trophy
Brand New Hold On
140 bpm • G# min • 03:17 • -12.9db
39% Popularity • 39% Danceability • 73% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
39% Popularity • 39% Danceability • 73% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Gablé
SHaReD
140 bpm • D# min • 03:38 • -11.18db
19% Popularity • 59% Danceability • 44% Energy • 14% Liveness
9% Instrumentalness • 36% Positiveness
19% Popularity • 59% Danceability • 44% Energy • 14% Liveness
9% Instrumentalness • 36% Positiveness
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Seth Parker
Mothza Supreme Descends
140 bpm • E Maj • 03:45 • -14.68db
21% Popularity • 53% Danceability • 55% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
21% Popularity • 53% Danceability • 55% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
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TheosHardstyle
No one like me, I’m better
140 bpm • D min • 01:29 • -15.94db
9% Popularity • 72% Danceability • 26% Energy • 33% Liveness
32% Instrumentalness • 29% Positiveness
9% Popularity • 72% Danceability • 26% Energy • 33% Liveness
32% Instrumentalness • 29% Positiveness
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Dead Templeton
Left Turn
140 bpm • C# Maj • 02:49 • -10.32db
11% Popularity • 55% Danceability • 54% Energy • 29% Liveness
48% Instrumentalness • 6% Positiveness
11% Popularity • 55% Danceability • 54% Energy • 29% Liveness
48% Instrumentalness • 6% Positiveness
