Songs like Flight Song by The Master Chorale of Tampa Bay
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Augustana Choir
Long Road, Eriks Esenvalds
66 bpm • F Maj • 06:14 • -26.41db
11% Popularity • 16% Danceability • 3% Energy • 7% Liveness
77% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 7% Liveness
77% Instrumentalness • 3% Positiveness
► Preview
Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
66 bpm • D# Maj • 03:56 • -24db
22% Popularity • 11% Danceability • 10% Energy • 12% Liveness
62% Instrumentalness • 4% Positiveness
22% Popularity • 11% Danceability • 10% Energy • 12% Liveness
62% Instrumentalness • 4% Positiveness
► Preview
Norman Dello Joio
Come to Me, My love
66 bpm • F Maj • 04:28 • -24db
17% Popularity • 18% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Randall Thompson
The Road Not Taken - Randall Thompson
66 bpm • D min • 05:47 • -24.75db
12% Popularity • 7% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 7% Positiveness
12% Popularity • 7% Danceability • 8% Energy • 8% Liveness
79% Instrumentalness • 7% Positiveness
► Preview
Eric William Barnum
The Stars Stand Up in the Air
66 bpm • G Maj • 05:18 • -14.33db
10% Popularity • 15% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
10% Popularity • 15% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Traditional
Daniel, Daniel, Servant of the Lord (arr...
66 bpm • F# min • 02:14 • -21.61db
6% Popularity • 35% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
6% Popularity • 35% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
66 bpm • D min • 05:51 • -21.13db
14% Popularity • 15% Danceability • 6% Energy • 14% Liveness
80% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 6% Energy • 14% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
The Master Chorale of Tampa Bay
Flight Song
66 bpm • C# Maj • 03:48 • -24.41db
15% Popularity • 10% Danceability • 9% Energy • 13% Liveness
82% Instrumentalness • 18% Positiveness
15% Popularity • 10% Danceability • 9% Energy • 13% Liveness
82% Instrumentalness • 18% Positiveness
► Preview
Batavia Madrigal Singers
Hentakan Jiwa
66 bpm • B min • 03:35 • -18db
13% Popularity • 21% Danceability • 54% Energy • 97% Liveness
22% Instrumentalness • 18% Positiveness
13% Popularity • 21% Danceability • 54% Energy • 97% Liveness
22% Instrumentalness • 18% Positiveness
► Preview
Randall Thompson
Choose Something Like a Star - Randall T...
66 bpm • G Maj • 06:20 • -23db
13% Popularity • 6% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 6% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Salt Lake Vocal Artists
Canticum Novum
66 bpm • G# Maj • 03:12 • -19db
7% Popularity • 28% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 28% Danceability • 20% Energy • 23% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Josiah Kelley Atwood
Unclouded Day (Arr. Shawn Kirchner)
65 bpm • G Maj • 02:20 • -21db
11% Popularity • 35% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 35% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
The Concordia Choir
Praise To The Lord
67 bpm • A Maj • 04:03 • -21.99db
23% Popularity • 21% Danceability • 16% Energy • 11% Liveness
60% Instrumentalness • 9% Positiveness
23% Popularity • 21% Danceability • 16% Energy • 11% Liveness
60% Instrumentalness • 9% Positiveness
► Preview
Tallgrass Chamber Choir
My Song in the Night
67 bpm • C# Maj • 05:00 • -21db
21% Popularity • 9% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 7% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Choral Arts Initiative
In the Middle
65 bpm • A# Maj • 05:12 • -22db
7% Popularity • 14% Danceability • 10% Energy • 10% Liveness
38% Instrumentalness • 6% Positiveness
7% Popularity • 14% Danceability • 10% Energy • 10% Liveness
38% Instrumentalness • 6% Positiveness
► Preview
T. Tertius Noble
Evening Service in B Minor, Op. 6: II. N...
65 bpm • E min • 02:58 • -22db
12% Popularity • 16% Danceability • 18% Energy • 14% Liveness
24% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 18% Energy • 14% Liveness
24% Instrumentalness • 3% Positiveness
► Preview
Ola Gjeilo
Across The Vast, Eternal Sky
67 bpm • B Maj • 04:38 • -17.33db
27% Popularity • 16% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Charles Villiers Stanford
O for a Closer Walk with God
67 bpm • C min • 03:32 • -30.16db
7% Popularity • 20% Danceability • 4% Energy • 10% Liveness
27% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 4% Energy • 10% Liveness
27% Instrumentalness • 4% Positiveness
► Preview
Joseph M. Martin
The Awakening
65 bpm • E Maj • 07:17 • -18.72db
17% Popularity • 20% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
17% Popularity • 20% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 7% Positiveness
► Preview
The Master Chorale of Tampa Bay
The Hope of Loving: V. My Soul Is a Cand...
68 bpm • G# Maj • 03:48 • -24.59db
0% Popularity • 20% Danceability • 8% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 8% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Matthew Harris
Shakespeare Songs, Book 3: I. It was a l...
67 bpm • G# Maj • 02:21 • -27.69db
9% Popularity • 28% Danceability • 5% Energy • 12% Liveness
24% Instrumentalness • 20% Positiveness
9% Popularity • 28% Danceability • 5% Energy • 12% Liveness
24% Instrumentalness • 20% Positiveness
► Preview
Traditional
Lift Every Voice and Sing (arr. C. Court...
64 bpm • C Maj • 04:18 • -15.08db
0% Popularity • 21% Danceability • 44% Energy • 68% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 21% Danceability • 44% Energy • 68% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Christopher Tye
Laudate Nomen
64 bpm • G Maj • 01:17 • -23.02db
25% Popularity • 38% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 38% Danceability • 8% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Philip Silvey
900 Miles
64 bpm • E min • 04:04 • -30db
12% Popularity • 7% Danceability • 6% Energy • 66% Liveness
50% Instrumentalness • 18% Positiveness
12% Popularity • 7% Danceability • 6% Energy • 66% Liveness
50% Instrumentalness • 18% Positiveness
► Preview
Sjaella
Abendliedchen
68 bpm • C Maj • 01:42 • -24.31db
36% Popularity • 32% Danceability • 8% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
36% Popularity • 32% Danceability • 8% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Ola Gjeilo
Northern Lights
68 bpm • C# min • 04:26 • -30db
36% Popularity • 18% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
36% Popularity • 18% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
The Master Chorale of Tampa Bay
Even When He Is Silent
64 bpm • C Maj • 04:33 • -28db
13% Popularity • 7% Danceability • 6% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
13% Popularity • 7% Danceability • 6% Energy • 9% Liveness
2% Instrumentalness • 3% Positiveness
► Preview
Matthew Harris
Shakespeare Songs, Book 2: II. Tell me w...
63 bpm • B min • 01:47 • -28.71db
11% Popularity • 26% Danceability • 5% Energy • 21% Liveness
98% Instrumentalness • 8% Positiveness
11% Popularity • 26% Danceability • 5% Energy • 21% Liveness
98% Instrumentalness • 8% Positiveness
► Preview
Herbert Howells
Requiem: Psalm 121
63 bpm • B min • 02:40 • -28.56db
10% Popularity • 25% Danceability • 4% Energy • 25% Liveness
4% Instrumentalness • 9% Positiveness
10% Popularity • 25% Danceability • 4% Energy • 25% Liveness
4% Instrumentalness • 9% Positiveness
► Preview
Pavel Chesnokov
Come, Let Us Worship, Op. 8, No. 2
63 bpm • D Maj • 01:47 • -20db
12% Popularity • 21% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 21% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Roxanna Panufnik
All Shall be Well
69 bpm • F Maj • 07:26 • -24db
11% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
11% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
► Preview
Ward Swingle
It was a lover and his lass
69 bpm • E Maj • 02:48 • -31.29db
11% Popularity • 30% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 30% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Elaine Hagenberg
I Will Be a Child of Peace (Version for ...
69 bpm • D# Maj • 03:57 • -23.8db
11% Popularity • 20% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 8% Positiveness
11% Popularity • 20% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Thomas Morley
Fyer Fyer
70 bpm • F Maj • 02:50 • -18db
9% Popularity • 17% Danceability • 25% Energy • 16% Liveness
2% Instrumentalness • 31% Positiveness
9% Popularity • 17% Danceability • 25% Energy • 16% Liveness
2% Instrumentalness • 31% Positiveness
► Preview
Gabriel Jackson
O Sacrum Convivium
69 bpm • D# Maj • 06:22 • -36.59db
28% Popularity • 6% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
28% Popularity • 6% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
The Master Chorale of Tampa Bay
Dark Night of the Soul
70 bpm • E min • 13:23 • -24.92db
1% Popularity • 10% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
1% Popularity • 10% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Craig Hella Johnson
Considering Matthew Shepard, Epilogue: N...
70 bpm • C Maj • 02:34 • -34db
13% Popularity • 22% Danceability • 1% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 1% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
► Preview
Blake R. Henson
My Flight for Heaven
70 bpm • C# Maj • 04:48 • -24.87db
18% Popularity • 7% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 3% Positiveness
18% Popularity • 7% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Elaine Hagenberg
When We Love
70 bpm • A Maj • 03:44 • -31.1db
15% Popularity • 6% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
15% Popularity • 6% Danceability • 2% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Daniel Elder
3 Nocturnes: No. 3. Lullaby
70 bpm • E Maj • 04:20 • -26.92db
28% Popularity • 22% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
28% Popularity • 22% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Hildegard von Bingen
Ordo Virtutum: Pt. 4, The Devil Is Bound
70 bpm • A min • 08:44 • -22.43db
5% Popularity • 22% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
5% Popularity • 22% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Leonard Bernstein
Chichester Psalms: I. Psalm 108 vs. 2, P...
70 bpm • D min • 03:39 • -19db
22% Popularity • 24% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 24% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
St. Patrick Orthodox Church Choir
Salvation Is Created
62 bpm • D Maj • 03:27 • -24.57db
14% Popularity • 12% Danceability • 5% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
14% Popularity • 12% Danceability • 5% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Eleanor Daley
Upon Your Heart
71 bpm • E Maj • 03:53 • -22db
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
► Preview
Saunder Choi
Leron, Leron Sinta
70 bpm • F# Maj • 03:36 • -27db
15% Popularity • 24% Danceability • 4% Energy • 11% Liveness
56% Instrumentalness • 4% Positiveness
15% Popularity • 24% Danceability • 4% Energy • 11% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
4 Quartette, Op. 92: I. O schöne Nacht
71 bpm • E Maj • 03:37 • -28.07db
6% Popularity • 12% Danceability • 3% Energy • 8% Liveness
50% Instrumentalness • 6% Positiveness
6% Popularity • 12% Danceability • 3% Energy • 8% Liveness
50% Instrumentalness • 6% Positiveness
► Preview
The Concordia Choir
When Jesus Wept
71 bpm • E min • 01:45 • -30db
35% Popularity • 16% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Antonio Lotti
Vere languores nostros, IAL 32
71 bpm • G# Maj • 02:33 • -30db
31% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
71 bpm • D# Maj • 02:06 • -23.97db
23% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Kim André Arnesen
The Gift I'll Leave You
71 bpm • C# Maj • 05:46 • -26.81db
12% Popularity • 12% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
12% Popularity • 12% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Edward Elgar
Scenes from the Saga of King Olaf, Op. 3...
71 bpm • D# Maj • 02:16 • -28.24db
16% Popularity • 22% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
16% Popularity • 22% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
► Preview
Gerald Finzi
7 Partsongs, Op. 17: No. 3, My Spirit Sa...
71 bpm • G min • 01:49 • -15.92db
9% Popularity • 30% Danceability • 22% Energy • 32% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 30% Danceability • 22% Energy • 32% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Philip Stopford
Do Not Be Afraid
72 bpm • D Maj • 05:11 • -31db
24% Popularity • 14% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
The Master Chorale of Tampa Bay
Ubi Caritas
60 bpm • F# min • 07:02 • -29.54db
0% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
0% Popularity • 20% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
► Preview
Mia Makaroff
Butterfly
72 bpm • C# Maj • 04:11 • -19.27db
20% Popularity • 24% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 21% Positiveness
20% Popularity • 24% Danceability • 17% Energy • 9% Liveness
1% Instrumentalness • 21% Positiveness
► Preview
The Singers - Minnesota Choral Artists
Nocturnes: I. Sa Nuit d’Été (Morten ...
72 bpm • C# Maj • 03:22 • -27.63db
9% Popularity • 13% Danceability • 2% Energy • 12% Liveness
42% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 2% Energy • 12% Liveness
42% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
2 Choral songs, Op. 71: No. 1. The Showe...
72 bpm • D# Maj • 02:39 • -28.13db
17% Popularity • 14% Danceability • 5% Energy • 9% Liveness
40% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 5% Energy • 9% Liveness
40% Instrumentalness • 4% Positiveness
► Preview
Anonymous
'Twas the Moon of Wintertime (Arr. for C...
72 bpm • F# min • 04:16 • -21.88db
1% Popularity • 22% Danceability • 8% Energy • 14% Liveness
72% Instrumentalness • 4% Positiveness
1% Popularity • 22% Danceability • 8% Energy • 14% Liveness
72% Instrumentalness • 4% Positiveness
► Preview
Kelly Oakes
When We Two are Parted
72 bpm • C# min • 05:22 • -24.6db
0% Popularity • 18% Danceability • 14% Energy • 69% Liveness
11% Instrumentalness • 6% Positiveness
0% Popularity • 18% Danceability • 14% Energy • 69% Liveness
11% Instrumentalness • 6% Positiveness
► Preview
The Wartburg Choir
Way Over in Beulah Lan'
72 bpm • D Maj • 02:40 • -19.59db
13% Popularity • 27% Danceability • 22% Energy • 11% Liveness
12% Instrumentalness • 7% Positiveness
13% Popularity • 27% Danceability • 22% Energy • 11% Liveness
12% Instrumentalness • 7% Positiveness
► Preview
Randall Thompson
The Pasture - Randall Thompson
73 bpm • F Maj • 02:59 • -28db
10% Popularity • 8% Danceability • 3% Energy • 10% Liveness
44% Instrumentalness • 9% Positiveness
10% Popularity • 8% Danceability • 3% Energy • 10% Liveness
44% Instrumentalness • 9% Positiveness
► Preview
The Singers - Minnesota Choral Artists
Tonight Eternity Alone
72 bpm • D Maj • 04:00 • -26db
12% Popularity • 7% Danceability • 4% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
12% Popularity • 7% Danceability • 4% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
Kim André Arnesen
Child of Song
73 bpm • C min • 04:51 • -32.13db
18% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
18% Popularity • 7% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
DU Chamber Singers
Salmo 150
73 bpm • A Maj • 01:56 • -18.1db
19% Popularity • 47% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 47% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
► Preview
James Whitbourn
He carried me away in the spirit
73 bpm • C# min • 06:08 • -30db
12% Popularity • 10% Danceability • 2% Energy • 14% Liveness
84% Instrumentalness • 3% Positiveness
12% Popularity • 10% Danceability • 2% Energy • 14% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Michael McGlynn
Where All Roses Go
73 bpm • B min • 04:58 • -22db
13% Popularity • 11% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
The Concordia Choir
Prayer
74 bpm • A Maj • 05:16 • -23.04db
12% Popularity • 8% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
12% Popularity • 8% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Harvard University Choir
For the Splendor of Creation
74 bpm • A# Maj • 02:11 • -14.53db
18% Popularity • 19% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
18% Popularity • 19% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
► Preview
Kim André Arnesen
Pie Jesu
74 bpm • D Maj • 04:16 • -33db
25% Popularity • 19% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
25% Popularity • 19% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
► Preview
John Bennet
Weep, O mine eyes
74 bpm • F min • 02:29 • -15db
11% Popularity • 18% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Jaakko Mäntyjärvi
El Hambo
74 bpm • D Maj • 02:36 • -11.32db
8% Popularity • 35% Danceability • 56% Energy • 27% Liveness
51% Instrumentalness • 26% Positiveness
8% Popularity • 35% Danceability • 56% Energy • 27% Liveness
51% Instrumentalness • 26% Positiveness
► Preview
Dallas Chamber Choir
Gravedigger
74 bpm • A min • 04:53 • -19.93db
8% Popularity • 12% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 12% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Eric William Barnum
The Sweetheart of the Sun
74 bpm • D Maj • 04:59 • -24.06db
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
28% Popularity • 7% Danceability • 5% Energy • 23% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Anton Bruckner: Ave Maria
74 bpm • F Maj • 03:19 • -24db
18% Popularity • 9% Danceability • 5% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
18% Popularity • 9% Danceability • 5% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Atlanta Master Chorale
The Word Was God
74 bpm • A min • 02:18 • -33.13db
17% Popularity • 44% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 44% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Casper Clausen
In Pace
74 bpm • D# Maj • 08:05 • -29.06db
10% Popularity • 8% Danceability • 5% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
10% Popularity • 8% Danceability • 5% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Nikolay Kedrov
Otche Nach
75 bpm • C Maj • 02:03 • -24db
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
The Chapel Choir of University College, Hurham
Stainer: God so loved the world
75 bpm • D Maj • 03:36 • -30db
13% Popularity • 15% Danceability • 6% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 6% Energy • 6% Liveness
67% Instrumentalness • 4% Positiveness
► Preview
György Orbán
Chiaro
75 bpm • D Maj • 02:26 • -24.28db
9% Popularity • 21% Danceability • 12% Energy • 9% Liveness
76% Instrumentalness • 7% Positiveness
9% Popularity • 21% Danceability • 12% Energy • 9% Liveness
76% Instrumentalness • 7% Positiveness
► Preview
Stacey V. Gibbs
Didn't My Lord Deliver Daniel
75 bpm • F# min • 04:07 • -12.56db
8% Popularity • 13% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 13% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Atlanta Master Chorale
There Will Come Soft Rains
74 bpm • G Maj • 05:45 • -28.38db
21% Popularity • 8% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
21% Popularity • 8% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Millikin University Choir
Exsultate
75 bpm • D min • 03:15 • -20.51db
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 10% Energy • 8% Liveness
41% Instrumentalness • 4% Positiveness
► Preview
Chris Massa
All Flesh is Grass
75 bpm • A Maj • 04:35 • -31.22db
11% Popularity • 8% Danceability • 3% Energy • 10% Liveness
34% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 3% Energy • 10% Liveness
34% Instrumentalness • 3% Positiveness
► Preview
Stephen Paulus
Pilgrims' Hymn
75 bpm • F# Maj • 03:48 • -24.06db
14% Popularity • 7% Danceability • 3% Energy • 9% Liveness
46% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 3% Energy • 9% Liveness
46% Instrumentalness • 3% Positiveness
► Preview
Sjaella
Morgengesang
75 bpm • F# Maj • 03:25 • -24db
30% Popularity • 22% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 6% Energy • 9% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
The Wartburg Choir
Only in Sleep
75 bpm • G Maj • 04:48 • -21.22db
25% Popularity • 23% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
25% Popularity • 23% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Dolly Parton
Light of a Clear Blue Morning (Arr. John...
75 bpm • B Maj • 04:32 • -22.23db
19% Popularity • 18% Danceability • 14% Energy • 67% Liveness
2% Instrumentalness • 7% Positiveness
19% Popularity • 18% Danceability • 14% Energy • 67% Liveness
2% Instrumentalness • 7% Positiveness
► Preview
Edgar Leslie Bainton
And I Saw a New Heaven
75 bpm • G Maj • 05:20 • -23.58db
8% Popularity • 8% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Gyorgy Deak-Bardos
Eli, Eli
75 bpm • C min • 03:46 • -23db
9% Popularity • 10% Danceability • 5% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
9% Popularity • 10% Danceability • 5% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
Stephen Paulus
The Road Home
75 bpm • F# Maj • 03:55 • -28.06db
13% Popularity • 14% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
13% Popularity • 14% Danceability • 5% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
► Preview
Elaine Hagenberg
There Was a Time (Live)
58 bpm • D Maj • 05:51 • -25.91db
8% Popularity • 16% Danceability • 8% Energy • 97% Liveness
3% Instrumentalness • 6% Positiveness
8% Popularity • 16% Danceability • 8% Energy • 97% Liveness
3% Instrumentalness • 6% Positiveness
► Preview
Hans Bridger Heruth
Joy (Live)
75 bpm • D Maj • 05:31 • -21db
3% Popularity • 13% Danceability • 17% Energy • 68% Liveness
86% Instrumentalness • 4% Positiveness
3% Popularity • 13% Danceability • 17% Energy • 68% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Anonymous
I Saw Three Ships (Arr. for Choir by Edw...
75 bpm • G# Maj • 02:20 • -20.79db
1% Popularity • 27% Danceability • 15% Energy • 15% Liveness
5% Instrumentalness • 18% Positiveness
1% Popularity • 27% Danceability • 15% Energy • 15% Liveness
5% Instrumentalness • 18% Positiveness
► Preview
Thomas Attwood Walmisley
Magnificat in D Minor
75 bpm • D min • 05:44 • -27db
8% Popularity • 9% Danceability • 5% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 5% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
The Singers - Minnesota Choral Artists
Les Chansons Des Roses: V. Dirait-On (Mo...
75 bpm • C# Maj • 05:01 • -28.06db
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
► Preview
Ivo Antognini
Come to Me
76 bpm • F Maj • 05:26 • -23.99db
17% Popularity • 12% Danceability • 9% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
17% Popularity • 12% Danceability • 9% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
James MacMillan
St Anne’s Mass: III. Sanctus
76 bpm • D Maj • 01:43 • -25.98db
39% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
39% Popularity • 17% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 5% Positiveness
► Preview
Samuel Barber
Under the Willow Tree
76 bpm • A Maj • 03:09 • -27.79db
7% Popularity • 25% Danceability • 5% Energy • 16% Liveness
48% Instrumentalness • 14% Positiveness
7% Popularity • 25% Danceability • 5% Energy • 16% Liveness
48% Instrumentalness • 14% Positiveness
