Songs like Flute Love by Herbie Mann
Based on a tempo of (+/- 10%) and a similar genre
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The Dave Brubeck Quartet
Bru's Boogie Woogie
108 bpm • G min • 02:27 • -16.67db
39% Popularity • 58% Danceability • 34% Energy • 8% Liveness
94% Instrumentalness • 80% Positiveness
39% Popularity • 58% Danceability • 34% Energy • 8% Liveness
94% Instrumentalness • 80% Positiveness
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Kenny Dorham
Afrodisia - Remastered/Rudy Van Gelder E...
108 bpm • F Maj • 05:06 • -7.13db
32% Popularity • 64% Danceability • 66% Energy • 13% Liveness
46% Instrumentalness • 93% Positiveness
32% Popularity • 64% Danceability • 66% Energy • 13% Liveness
46% Instrumentalness • 93% Positiveness
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The Jazz Crusaders
Thank You
108 bpm • A Maj • 05:32 • -9.94db
21% Popularity • 64% Danceability • 88% Energy • 37% Liveness
96% Instrumentalness • 68% Positiveness
21% Popularity • 64% Danceability • 88% Energy • 37% Liveness
96% Instrumentalness • 68% Positiveness
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O'Donel Levy
Granny
108 bpm • F Maj • 04:25 • -13.62db
26% Popularity • 48% Danceability • 44% Energy • 12% Liveness
89% Instrumentalness • 44% Positiveness
26% Popularity • 48% Danceability • 44% Energy • 12% Liveness
89% Instrumentalness • 44% Positiveness
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Laurindo Almeida
The Color Of Her Hair - Digitally Remast...
108 bpm • C Maj • 01:59 • -15.47db
18% Popularity • 63% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 63% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Lionel Hampton
Vibraphone Blues
108 bpm • G# Maj • 05:07 • -17.22db
27% Popularity • 70% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 70% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Herbie Mann
After Work
108 bpm • F min • 04:05 • -18.32db
7% Popularity • 53% Danceability • 9% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
7% Popularity • 53% Danceability • 9% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
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Blue Mitchell
Fungii Mama - Remastered 2004/Rudy Van G...
109 bpm • D min • 07:48 • -10.1db
21% Popularity • 64% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 64% Positiveness
21% Popularity • 64% Danceability • 50% Energy • 16% Liveness
2% Instrumentalness • 64% Positiveness
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Oliver Nelson
Stolen Moments
107 bpm • C min • 08:45 • -13.08db
52% Popularity • 57% Danceability • 19% Energy • 17% Liveness
88% Instrumentalness • 34% Positiveness
52% Popularity • 57% Danceability • 19% Energy • 17% Liveness
88% Instrumentalness • 34% Positiveness
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Charlie Rouse
Back To The Tropics
108 bpm • F Maj • 03:56 • -10.09db
18% Popularity • 73% Danceability • 61% Energy • 5% Liveness
39% Instrumentalness • 87% Positiveness
18% Popularity • 73% Danceability • 61% Energy • 5% Liveness
39% Instrumentalness • 87% Positiveness
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Jimmy Smith
Back At The Chicken Shack
107 bpm • F Maj • 08:03 • -12.86db
37% Popularity • 71% Danceability • 37% Energy • 11% Liveness
40% Instrumentalness • 63% Positiveness
37% Popularity • 71% Danceability • 37% Energy • 11% Liveness
40% Instrumentalness • 63% Positiveness
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Mankunku Quartet
Yakhal' Inkomo
107 bpm • D# Maj • 08:51 • -11.62db
22% Popularity • 52% Danceability • 34% Energy • 10% Liveness
10% Instrumentalness • 49% Positiveness
22% Popularity • 52% Danceability • 34% Energy • 10% Liveness
10% Instrumentalness • 49% Positiveness
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Walter Wanderley
Os Grilos
109 bpm • G Maj • 04:24 • -17.36db
31% Popularity • 65% Danceability • 53% Energy • 12% Liveness
72% Instrumentalness • 87% Positiveness
31% Popularity • 65% Danceability • 53% Energy • 12% Liveness
72% Instrumentalness • 87% Positiveness
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Elmo Hope
It's A Lovely Day Today
109 bpm • C Maj • 02:47 • -13db
35% Popularity • 64% Danceability • 46% Energy • 10% Liveness
72% Instrumentalness • 92% Positiveness
35% Popularity • 64% Danceability • 46% Energy • 10% Liveness
72% Instrumentalness • 92% Positiveness
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Sonny Clark
Cool Struttin'
109 bpm • G min • 09:23 • -8db
49% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
49% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Reuben Wilson
Blue Mode
109 bpm • D# Maj • 07:26 • -13.07db
15% Popularity • 54% Danceability • 46% Energy • 9% Liveness
89% Instrumentalness • 86% Positiveness
15% Popularity • 54% Danceability • 46% Energy • 9% Liveness
89% Instrumentalness • 86% Positiveness
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Carla Bley
Sing Me Softly Of The Blues
109 bpm • D Maj • 07:42 • -14.15db
30% Popularity • 62% Danceability • 55% Energy • 84% Liveness
82% Instrumentalness • 56% Positiveness
30% Popularity • 62% Danceability • 55% Energy • 84% Liveness
82% Instrumentalness • 56% Positiveness
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Dave Pike Set
I'm on My Way
107 bpm • D# Maj • 04:34 • -13.25db
8% Popularity • 61% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
8% Popularity • 61% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Baby Face Willette
Face To Face - Remastered 2007/Rudy Van ...
109 bpm • F min • 06:17 • -8.95db
23% Popularity • 65% Danceability • 68% Energy • 15% Liveness
20% Instrumentalness • 79% Positiveness
23% Popularity • 65% Danceability • 68% Energy • 15% Liveness
20% Instrumentalness • 79% Positiveness
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Tubby Hayes
Voodoo
107 bpm • B min • 03:02 • -9.49db
12% Popularity • 62% Danceability • 76% Energy • 22% Liveness
17% Instrumentalness • 94% Positiveness
12% Popularity • 62% Danceability • 76% Energy • 22% Liveness
17% Instrumentalness • 94% Positiveness
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Bobbi Humphrey
It's Too Late
109 bpm • F Maj • 03:08 • -12.64db
26% Popularity • 72% Danceability • 50% Energy • 7% Liveness
82% Instrumentalness • 75% Positiveness
26% Popularity • 72% Danceability • 50% Energy • 7% Liveness
82% Instrumentalness • 75% Positiveness
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Sambalanca Trio
Sam Blues
107 bpm • G# min • 02:13 • -14db
26% Popularity • 42% Danceability • 64% Energy • 9% Liveness
93% Instrumentalness • 90% Positiveness
26% Popularity • 42% Danceability • 64% Energy • 9% Liveness
93% Instrumentalness • 90% Positiveness
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Oliver Nelson
Baja Bossa
107 bpm • D min • 07:22 • -11db
23% Popularity • 39% Danceability • 59% Energy • 12% Liveness
72% Instrumentalness • 55% Positiveness
23% Popularity • 39% Danceability • 59% Energy • 12% Liveness
72% Instrumentalness • 55% Positiveness
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Art Farmer
Killer Joe
109 bpm • F Maj • 05:00 • -16.67db
19% Popularity • 64% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 64% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Mal Waldron
Cat Walk
110 bpm • D min • 06:56 • -25.42db
16% Popularity • 55% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
16% Popularity • 55% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
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Charles Earland
The Mighty Burner - Rudy Van Gelder Rema...
109 bpm • A# Maj • 03:04 • -8.31db
30% Popularity • 65% Danceability • 80% Energy • 13% Liveness
83% Instrumentalness • 70% Positiveness
30% Popularity • 65% Danceability • 80% Energy • 13% Liveness
83% Instrumentalness • 70% Positiveness
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Horace Silver Quintet
Come On Home - Rudy Van Gelder Edition /...
110 bpm • D# min • 05:30 • -10.12db
27% Popularity • 58% Danceability • 37% Energy • 8% Liveness
3% Instrumentalness • 55% Positiveness
27% Popularity • 58% Danceability • 37% Energy • 8% Liveness
3% Instrumentalness • 55% Positiveness
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Blue Mitchell
The People In Nassau
110 bpm • G Maj • 05:39 • -9.31db
25% Popularity • 69% Danceability • 55% Energy • 9% Liveness
19% Instrumentalness • 89% Positiveness
25% Popularity • 69% Danceability • 55% Energy • 9% Liveness
19% Instrumentalness • 89% Positiveness
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Mose Allison
I Don't Worry About a Thing
110 bpm • F Maj • 02:17 • -18db
40% Popularity • 76% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 76% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Yusef Lateef
Sea Breeze
106 bpm • F Maj • 03:09 • -20.13db
14% Popularity • 48% Danceability • 17% Energy • 11% Liveness
82% Instrumentalness • 49% Positiveness
14% Popularity • 48% Danceability • 17% Energy • 11% Liveness
82% Instrumentalness • 49% Positiveness
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Jeremy Steig
Howlin' For Judy
110 bpm • D Maj • 04:38 • -12.35db
30% Popularity • 42% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
30% Popularity • 42% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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Charlie Rouse
Samba De Orfeu
106 bpm • F Maj • 06:18 • -10.24db
17% Popularity • 69% Danceability • 60% Energy • 14% Liveness
80% Instrumentalness • 94% Positiveness
17% Popularity • 69% Danceability • 60% Energy • 14% Liveness
80% Instrumentalness • 94% Positiveness
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Herbie Mann
Groovy Samba
110 bpm • F# Maj • 05:07 • -15.56db
10% Popularity • 70% Danceability • 46% Energy • 12% Liveness
91% Instrumentalness • 91% Positiveness
10% Popularity • 70% Danceability • 46% Energy • 12% Liveness
91% Instrumentalness • 91% Positiveness
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Dave Pike Set
Big Schlepp
105 bpm • G min • 04:05 • -15.19db
30% Popularity • 55% Danceability • 36% Energy • 10% Liveness
73% Instrumentalness • 78% Positiveness
30% Popularity • 55% Danceability • 36% Energy • 10% Liveness
73% Instrumentalness • 78% Positiveness
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Galt MacDermot
Lady, You Look Good to Me
111 bpm • A# Maj • 03:03 • -7.23db
32% Popularity • 70% Danceability • 74% Energy • 6% Liveness
81% Instrumentalness • 76% Positiveness
32% Popularity • 70% Danceability • 74% Energy • 6% Liveness
81% Instrumentalness • 76% Positiveness
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Charlie Hunter
Mean Streak
111 bpm • A Maj • 04:51 • -14.5db
12% Popularity • 59% Danceability • 45% Energy • 10% Liveness
84% Instrumentalness • 43% Positiveness
12% Popularity • 59% Danceability • 45% Energy • 10% Liveness
84% Instrumentalness • 43% Positiveness
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Yusef Lateef
Jungle Plum - 1972
111 bpm • A min • 04:33 • -17.34db
22% Popularity • 50% Danceability • 42% Energy • 7% Liveness
60% Instrumentalness • 65% Positiveness
22% Popularity • 50% Danceability • 42% Energy • 7% Liveness
60% Instrumentalness • 65% Positiveness
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Alessandro Alessandroni
Jazz Whistler
112 bpm • G# Maj • 02:45 • -10.11db
33% Popularity • 66% Danceability • 43% Energy • 12% Liveness
5% Instrumentalness • 56% Positiveness
33% Popularity • 66% Danceability • 43% Energy • 12% Liveness
5% Instrumentalness • 56% Positiveness
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Herbie Mann
Creepin'
105 bpm • F Maj • 04:53 • -13.94db
11% Popularity • 65% Danceability • 39% Energy • 17% Liveness
54% Instrumentalness • 44% Positiveness
11% Popularity • 65% Danceability • 39% Energy • 17% Liveness
54% Instrumentalness • 44% Positiveness
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Jack McDuff
Tobacco Road
104 bpm • F min • 02:56 • -16.48db
14% Popularity • 68% Danceability • 17% Energy • 10% Liveness
80% Instrumentalness • 43% Positiveness
14% Popularity • 68% Danceability • 17% Energy • 10% Liveness
80% Instrumentalness • 43% Positiveness
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Abdullah Ibrahim
Cape Town To Congo Square 1: African Str...
112 bpm • C# Maj • 07:36 • -17.02db
17% Popularity • 52% Danceability • 57% Energy • 5% Liveness
89% Instrumentalness • 56% Positiveness
17% Popularity • 52% Danceability • 57% Energy • 5% Liveness
89% Instrumentalness • 56% Positiveness
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The Dave Brubeck Quartet
Far More Drums
104 bpm • G# Maj • 03:59 • -18.15db
28% Popularity • 51% Danceability • 48% Energy • 9% Liveness
90% Instrumentalness • 68% Positiveness
28% Popularity • 51% Danceability • 48% Energy • 9% Liveness
90% Instrumentalness • 68% Positiveness
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Yusef Lateef
Ching Miau - Remastered 2023
104 bpm • G min • 03:19 • -12.37db
40% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 39% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Stereolab
One Note Samba / Surfboard
112 bpm • F# Maj • 07:17 • -10.3db
17% Popularity • 57% Danceability • 55% Energy • 37% Liveness
1% Instrumentalness • 40% Positiveness
17% Popularity • 57% Danceability • 55% Energy • 37% Liveness
1% Instrumentalness • 40% Positiveness
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The Blue Mitchell Quintet
Hi-Heel Sneakers - Remastered 2005/Rudy ...
112 bpm • C min • 08:25 • -9db
18% Popularity • 44% Danceability • 68% Energy • 17% Liveness
9% Instrumentalness • 89% Positiveness
18% Popularity • 44% Danceability • 68% Energy • 17% Liveness
9% Instrumentalness • 89% Positiveness
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Machito & His Afro Cubans
Brazilian Soft Shoe
104 bpm • G min • 02:26 • -7.45db
11% Popularity • 47% Danceability • 80% Energy • 10% Liveness
86% Instrumentalness • 65% Positiveness
11% Popularity • 47% Danceability • 80% Energy • 10% Liveness
86% Instrumentalness • 65% Positiveness
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Klaus Doldinger
Fiesta
112 bpm • G min • 04:48 • -7.06db
8% Popularity • 46% Danceability • 68% Energy • 13% Liveness
3% Instrumentalness • 50% Positiveness
8% Popularity • 46% Danceability • 68% Energy • 13% Liveness
3% Instrumentalness • 50% Positiveness
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Herbie Hancock
Fat Mama
104 bpm • E Maj • 03:49 • -13.52db
38% Popularity • 63% Danceability • 71% Energy • 9% Liveness
62% Instrumentalness • 68% Positiveness
38% Popularity • 63% Danceability • 71% Energy • 9% Liveness
62% Instrumentalness • 68% Positiveness
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Coleman Hawkins Quartet
Go Li'l Liza
104 bpm • F Maj • 06:23 • -14db
31% Popularity • 52% Danceability • 41% Energy • 10% Liveness
36% Instrumentalness • 65% Positiveness
31% Popularity • 52% Danceability • 41% Energy • 10% Liveness
36% Instrumentalness • 65% Positiveness
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Mose Allison
It Didn't Turn out That Way
104 bpm • A# Maj • 02:43 • -21db
19% Popularity • 72% Danceability • 20% Energy • 20% Liveness
1% Instrumentalness • 70% Positiveness
19% Popularity • 72% Danceability • 20% Energy • 20% Liveness
1% Instrumentalness • 70% Positiveness
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Gene Harris & The Three Sounds
(Sock It To Me) Harper Valley P.T.A.
112 bpm • G Maj • 02:45 • -9.26db
28% Popularity • 80% Danceability • 71% Energy • 11% Liveness
35% Instrumentalness • 95% Positiveness
28% Popularity • 80% Danceability • 71% Energy • 11% Liveness
35% Instrumentalness • 95% Positiveness
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Jack McDuff
It's All A Joke
112 bpm • A# min • 03:48 • -9.96db
11% Popularity • 75% Danceability • 64% Energy • 12% Liveness
89% Instrumentalness • 86% Positiveness
11% Popularity • 75% Danceability • 64% Energy • 12% Liveness
89% Instrumentalness • 86% Positiveness
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Bob Brookmeyer
Samba De Orfeu
113 bpm • F Maj • 04:08 • -17.81db
22% Popularity • 62% Danceability • 40% Energy • 12% Liveness
69% Instrumentalness • 36% Positiveness
22% Popularity • 62% Danceability • 40% Energy • 12% Liveness
69% Instrumentalness • 36% Positiveness
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Charlie Rouse
Merci Bon Dieu
113 bpm • B min • 05:57 • -13.03db
30% Popularity • 83% Danceability • 35% Energy • 11% Liveness
93% Instrumentalness • 82% Positiveness
30% Popularity • 83% Danceability • 35% Energy • 11% Liveness
93% Instrumentalness • 82% Positiveness
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Herbie Mann
Memphis Underground
113 bpm • F Maj • 07:09 • -17.37db
38% Popularity • 78% Danceability • 41% Energy • 8% Liveness
85% Instrumentalness • 94% Positiveness
38% Popularity • 78% Danceability • 41% Energy • 8% Liveness
85% Instrumentalness • 94% Positiveness
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Hank Mobley
Recado Bossa Nova - Remastered 2005/Rudy...
103 bpm • C min • 08:11 • -7.86db
45% Popularity • 65% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
45% Popularity • 65% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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Big John Patton
The Shadow Of Your Smile
103 bpm • B min • 06:55 • -14db
13% Popularity • 66% Danceability • 29% Energy • 11% Liveness
49% Instrumentalness • 30% Positiveness
13% Popularity • 66% Danceability • 29% Energy • 11% Liveness
49% Instrumentalness • 30% Positiveness
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Randy Weston
Marrakech Blues
103 bpm • F min • 06:14 • -16db
23% Popularity • 51% Danceability • 52% Energy • 10% Liveness
92% Instrumentalness • 52% Positiveness
23% Popularity • 51% Danceability • 52% Energy • 10% Liveness
92% Instrumentalness • 52% Positiveness
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Mose Allison
That's All Right
103 bpm • A# Maj • 02:25 • -15db
36% Popularity • 75% Danceability • 22% Energy • 13% Liveness
3% Instrumentalness • 58% Positiveness
36% Popularity • 75% Danceability • 22% Energy • 13% Liveness
3% Instrumentalness • 58% Positiveness
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Charlie Rouse
Meci Bon Dieu
113 bpm • B min • 05:53 • -11db
29% Popularity • 81% Danceability • 43% Energy • 13% Liveness
93% Instrumentalness • 82% Positiveness
29% Popularity • 81% Danceability • 43% Energy • 13% Liveness
93% Instrumentalness • 82% Positiveness
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Bobby Hutcherson
Love Song
114 bpm • F Maj • 05:37 • -14.84db
17% Popularity • 54% Danceability • 30% Energy • 7% Liveness
84% Instrumentalness • 25% Positiveness
17% Popularity • 54% Danceability • 30% Energy • 7% Liveness
84% Instrumentalness • 25% Positiveness
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Herbie Mann
Influenza De Jazz
103 bpm • G# Maj • 05:38 • -12.07db
28% Popularity • 69% Danceability • 51% Energy • 37% Liveness
63% Instrumentalness • 86% Positiveness
28% Popularity • 69% Danceability • 51% Energy • 37% Liveness
63% Instrumentalness • 86% Positiveness
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Big John Patton
Latona
103 bpm • E Maj • 07:23 • -9db
17% Popularity • 43% Danceability • 76% Energy • 12% Liveness
2% Instrumentalness • 67% Positiveness
17% Popularity • 43% Danceability • 76% Energy • 12% Liveness
2% Instrumentalness • 67% Positiveness
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Benny Golson
Stacatto Swing
114 bpm • C# Maj • 04:50 • -15db
38% Popularity • 59% Danceability • 33% Energy • 11% Liveness
19% Instrumentalness • 74% Positiveness
38% Popularity • 59% Danceability • 33% Energy • 11% Liveness
19% Instrumentalness • 74% Positiveness
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Ray Bryant
The Blue Scimitar
103 bpm • G# Maj • 04:19 • -9db
14% Popularity • 46% Danceability • 62% Energy • 22% Liveness
81% Instrumentalness • 62% Positiveness
14% Popularity • 46% Danceability • 62% Energy • 22% Liveness
81% Instrumentalness • 62% Positiveness
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Ralph Thomas
Muscavado
103 bpm • F min • 04:01 • -13.68db
8% Popularity • 50% Danceability • 58% Energy • 13% Liveness
34% Instrumentalness • 80% Positiveness
8% Popularity • 50% Danceability • 58% Energy • 13% Liveness
34% Instrumentalness • 80% Positiveness
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Sahib Shihab
Seeds
103 bpm • F# Maj • 04:13 • -22db
22% Popularity • 67% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 89% Positiveness
22% Popularity • 67% Danceability • 38% Energy • 10% Liveness
4% Instrumentalness • 89% Positiveness
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Yusef Lateef
Sun Dog - Remastered
114 bpm • C# Maj • 03:04 • -9.46db
20% Popularity • 51% Danceability • 49% Energy • 32% Liveness
46% Instrumentalness • 75% Positiveness
20% Popularity • 51% Danceability • 49% Energy • 32% Liveness
46% Instrumentalness • 75% Positiveness
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Bobby Hutcherson
Little Angel
114 bpm • C# Maj • 03:54 • -12db
19% Popularity • 68% Danceability • 36% Energy • 12% Liveness
86% Instrumentalness • 16% Positiveness
19% Popularity • 68% Danceability • 36% Energy • 12% Liveness
86% Instrumentalness • 16% Positiveness
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Baby Face Willette
Swingin' At Sugar Ray's - Remastered 200...
114 bpm • C# Maj • 06:35 • -8.18db
15% Popularity • 64% Danceability • 76% Energy • 20% Liveness
59% Instrumentalness • 83% Positiveness
15% Popularity • 64% Danceability • 76% Energy • 20% Liveness
59% Instrumentalness • 83% Positiveness
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Blue Mitchell
Good Humor Man
114 bpm • C min • 05:38 • -8.91db
23% Popularity • 64% Danceability • 65% Energy • 10% Liveness
35% Instrumentalness • 76% Positiveness
23% Popularity • 64% Danceability • 65% Energy • 10% Liveness
35% Instrumentalness • 76% Positiveness
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Gene Harris & The Three Sounds
Your Love Is Just Too Much
114 bpm • A min • 02:42 • -10.64db
28% Popularity • 67% Danceability • 80% Energy • 12% Liveness
1% Instrumentalness • 93% Positiveness
28% Popularity • 67% Danceability • 80% Energy • 12% Liveness
1% Instrumentalness • 93% Positiveness
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Oscar Peterson Quartet
Teenager
114 bpm • C Maj • 05:47 • -12.69db
13% Popularity • 52% Danceability • 61% Energy • 14% Liveness
16% Instrumentalness • 97% Positiveness
13% Popularity • 52% Danceability • 61% Energy • 14% Liveness
16% Instrumentalness • 97% Positiveness
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Ike Quebec
Blue Samba
114 bpm • A# min • 05:17 • -20db
31% Popularity • 60% Danceability • 13% Energy • 11% Liveness
75% Instrumentalness • 51% Positiveness
31% Popularity • 60% Danceability • 13% Energy • 11% Liveness
75% Instrumentalness • 51% Positiveness
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Sonny Rollins
God Bless the Child
102 bpm • D Maj • 07:27 • -18db
48% Popularity • 49% Danceability • 4% Energy • 8% Liveness
17% Instrumentalness • 17% Positiveness
48% Popularity • 49% Danceability • 4% Energy • 8% Liveness
17% Instrumentalness • 17% Positiveness
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The Howard Roberts Quartet
One Note Samba
114 bpm • C Maj • 02:34 • -17.73db
29% Popularity • 49% Danceability • 28% Energy • 15% Liveness
77% Instrumentalness • 50% Positiveness
29% Popularity • 49% Danceability • 28% Energy • 15% Liveness
77% Instrumentalness • 50% Positiveness
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Richard "Groove" Holmes
Song For My Father
114 bpm • A# min • 06:04 • -13.22db
21% Popularity • 78% Danceability • 48% Energy • 9% Liveness
91% Instrumentalness • 67% Positiveness
21% Popularity • 78% Danceability • 48% Energy • 9% Liveness
91% Instrumentalness • 67% Positiveness
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Herbie Mann
Man's Hope
115 bpm • C min • 06:58 • -23.93db
14% Popularity • 49% Danceability • 28% Energy • 9% Liveness
73% Instrumentalness • 38% Positiveness
14% Popularity • 49% Danceability • 28% Energy • 9% Liveness
73% Instrumentalness • 38% Positiveness
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Jack McDuff
Flat Backin'
114 bpm • A# Maj • 10:23 • -10.8db
15% Popularity • 51% Danceability • 57% Energy • 17% Liveness
74% Instrumentalness • 39% Positiveness
15% Popularity • 51% Danceability • 57% Energy • 17% Liveness
74% Instrumentalness • 39% Positiveness
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Hank Mobley
Soul Station - Remastered 1999/Rudy Van ...
102 bpm • G# Maj • 09:07 • -9.3db
37% Popularity • 74% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 74% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Phil Woods
Bohemia After Dark
102 bpm • G min • 04:13 • -12.39db
3% Popularity • 62% Danceability • 34% Energy • 9% Liveness
2% Instrumentalness • 56% Positiveness
3% Popularity • 62% Danceability • 34% Energy • 9% Liveness
2% Instrumentalness • 56% Positiveness
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Junior Mance
Don't Cha Hear Me Callin' to Ya
101 bpm • D min • 05:06 • -11db
25% Popularity • 41% Danceability • 69% Energy • 10% Liveness
78% Instrumentalness • 80% Positiveness
25% Popularity • 41% Danceability • 69% Energy • 10% Liveness
78% Instrumentalness • 80% Positiveness
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Dave Pike Set
Regards from Freddie Horrowitz
115 bpm • G Maj • 04:40 • -9.5db
17% Popularity • 42% Danceability • 54% Energy • 10% Liveness
9% Instrumentalness • 45% Positiveness
17% Popularity • 42% Danceability • 54% Energy • 10% Liveness
9% Instrumentalness • 45% Positiveness
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Mose Allison
Night Club
115 bpm • C Maj • 02:35 • -14.33db
14% Popularity • 58% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 58% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Airto
Lucky Southern
115 bpm • D Maj • 02:34 • -12.67db
16% Popularity • 59% Danceability • 50% Energy • 9% Liveness
14% Instrumentalness • 76% Positiveness
16% Popularity • 59% Danceability • 50% Energy • 9% Liveness
14% Instrumentalness • 76% Positiveness
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Richard "Groove" Holmes
Groove's Groove - Rudy Van Gelder Remast...
115 bpm • C min • 07:03 • -11.97db
15% Popularity • 66% Danceability • 42% Energy • 7% Liveness
72% Instrumentalness • 27% Positiveness
15% Popularity • 66% Danceability • 42% Energy • 7% Liveness
72% Instrumentalness • 27% Positiveness
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Larry Young
Plaza De Toros
115 bpm • D Maj • 09:38 • -14.3db
14% Popularity • 48% Danceability • 47% Energy • 19% Liveness
1% Instrumentalness • 56% Positiveness
14% Popularity • 48% Danceability • 47% Energy • 19% Liveness
1% Instrumentalness • 56% Positiveness
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The Montgomery Brothers
Groove Yard
115 bpm • A# min • 03:01 • -19.07db
46% Popularity • 59% Danceability • 22% Energy • 8% Liveness
56% Instrumentalness • 54% Positiveness
46% Popularity • 59% Danceability • 22% Energy • 8% Liveness
56% Instrumentalness • 54% Positiveness
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I Marc 4
Andrè
101 bpm • D# Maj • 02:58 • -14db
40% Popularity • 48% Danceability • 43% Energy • 11% Liveness
95% Instrumentalness • 92% Positiveness
40% Popularity • 48% Danceability • 43% Energy • 11% Liveness
95% Instrumentalness • 92% Positiveness
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Gerald Wilson
Blues For Yna Yna
116 bpm • D min • 06:52 • -14.84db
13% Popularity • 43% Danceability • 35% Energy • 8% Liveness
12% Instrumentalness • 32% Positiveness
13% Popularity • 43% Danceability • 35% Energy • 8% Liveness
12% Instrumentalness • 32% Positiveness
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Charlie Rouse
Aconteceu
116 bpm • A# min • 02:58 • -17.65db
40% Popularity • 83% Danceability • 19% Energy • 12% Liveness
51% Instrumentalness • 70% Positiveness
40% Popularity • 83% Danceability • 19% Energy • 12% Liveness
51% Instrumentalness • 70% Positiveness
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Kenny Barron
Fungii Mama - Remastered
116 bpm • C# Maj • 05:44 • -14.12db
36% Popularity • 47% Danceability • 45% Energy • 9% Liveness
91% Instrumentalness • 73% Positiveness
36% Popularity • 47% Danceability • 45% Energy • 9% Liveness
91% Instrumentalness • 73% Positiveness
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Bobby Timmons Trio
Samba Triste
116 bpm • G min • 03:19 • -16.82db
45% Popularity • 57% Danceability • 39% Energy • 14% Liveness
84% Instrumentalness • 58% Positiveness
45% Popularity • 57% Danceability • 39% Energy • 14% Liveness
84% Instrumentalness • 58% Positiveness
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Sergio Mendes & Brasil '66
After Midnight
116 bpm • C min • 03:54 • -10.79db
16% Popularity • 55% Danceability • 76% Energy • 6% Liveness
10% Instrumentalness • 85% Positiveness
16% Popularity • 55% Danceability • 76% Energy • 6% Liveness
10% Instrumentalness • 85% Positiveness
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Herbie Hancock
Cantaloupe Island - Remastered 1999/Rudy...
116 bpm • C min • 05:33 • -8.18db
62% Popularity • 52% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
62% Popularity • 52% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Junior Mance
Jubilation
100 bpm • C Maj • 03:29 • -18.09db
41% Popularity • 63% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 69% Positiveness
41% Popularity • 63% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 69% Positiveness
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Arnett Cobb
Blues Around Dusk
100 bpm • G Maj • 08:18 • -19.5db
20% Popularity • 73% Danceability • 12% Energy • 18% Liveness
66% Instrumentalness • 51% Positiveness
20% Popularity • 73% Danceability • 12% Energy • 18% Liveness
66% Instrumentalness • 51% Positiveness
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Wes Montgomery Trio
Geno
116 bpm • D min • 02:55 • -19db
51% Popularity • 37% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 76% Positiveness
51% Popularity • 37% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 76% Positiveness
