Songs like Flute Sonata, Op. 16: I. Largo - Vivace by Rudolf Escher
Based on a tempo of (+/- 10%) and a similar genre
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A5 Vocal Ensemble
Guerrero: Hic vir
82 bpm • G# min • 04:30 • -20.01db
12% Popularity • 12% Danceability • 13% Energy • 15% Liveness
1% Instrumentalness • 7% Positiveness
12% Popularity • 12% Danceability • 13% Energy • 15% Liveness
1% Instrumentalness • 7% Positiveness
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Wishful Singing
Introitus Iubilate deo omnis terra
82 bpm • D Maj • 03:00 • -17.78db
8% Popularity • 26% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 26% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Ralph Vaughan Williams
In Windsor Forest: No. 4, Wedding Chorus
82 bpm • F min • 05:02 • -22.79db
10% Popularity • 8% Danceability • 12% Energy • 13% Liveness
54% Instrumentalness • 6% Positiveness
10% Popularity • 8% Danceability • 12% Energy • 13% Liveness
54% Instrumentalness • 6% Positiveness
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Jean-Philippe Rameau
Castor et Pollux, RCT 32: Tristes apprê...
82 bpm • D# Maj • 06:26 • -22.57db
13% Popularity • 18% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 4% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
82 bpm • G min • 01:44 • -22.95db
13% Popularity • 20% Danceability • 4% Energy • 13% Liveness
8% Instrumentalness • 4% Positiveness
13% Popularity • 20% Danceability • 4% Energy • 13% Liveness
8% Instrumentalness • 4% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: III....
82 bpm • A min • 03:15 • -17.91db
15% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
15% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Gregorian Chants
A Thousand Regrets
82 bpm • B Maj • 03:01 • -17.22db
12% Popularity • 13% Danceability • 28% Energy • 16% Liveness
30% Instrumentalness • 4% Positiveness
12% Popularity • 13% Danceability • 28% Energy • 16% Liveness
30% Instrumentalness • 4% Positiveness
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Zuzanna Koziej
The Lamb
82 bpm • B min • 03:40 • -22.19db
12% Popularity • 12% Danceability • 8% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 8% Energy • 7% Liveness
4% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Valiant for Truth
82 bpm • E min • 06:06 • -26.69db
8% Popularity • 9% Danceability • 4% Energy • 4% Liveness
1% Instrumentalness • 3% Positiveness
8% Popularity • 9% Danceability • 4% Energy • 4% Liveness
1% Instrumentalness • 3% Positiveness
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William Byrd
Peccantem me quotidie a 5, T. 6 (Cantion...
82 bpm • G min • 05:56 • -21.03db
10% Popularity • 8% Danceability • 14% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 14% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Philippe Verdelot
Ultimi miei sospiri
82 bpm • C min • 03:25 • -21.94db
8% Popularity • 15% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 15% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Heikki Hattunen
Pyhä Jumala
82 bpm • E min • 03:26 • -31.47db
15% Popularity • 10% Danceability • 3% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 3% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
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Undine Smith Moore
We Shall Walk Through The Valley (arr. U...
82 bpm • D# Maj • 02:53 • -27.64db
8% Popularity • 11% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 11% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 2, Op. 75: N...
82 bpm • G min • 03:22 • -35.35db
14% Popularity • 19% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
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Domenico Scarlatti
Missa Breve "La Stella": VI. Agnus Dei
82 bpm • A min • 01:49 • -31.48db
6% Popularity • 18% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
6% Popularity • 18% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 4% Positiveness
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Gerda Blok-Wilson
O Little Rose, O Dark Rose
82 bpm • G Maj • 04:39 • -28.83db
7% Popularity • 8% Danceability • 1% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
7% Popularity • 8% Danceability • 1% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
83 bpm • D min • 05:28 • -22.65db
16% Popularity • 10% Danceability • 7% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
16% Popularity • 10% Danceability • 7% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for Double Choir: Kyrie
81 bpm • A min • 05:55 • -26db
15% Popularity • 14% Danceability • 3% Energy • 5% Liveness
29% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 3% Energy • 5% Liveness
29% Instrumentalness • 4% Positiveness
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Monks Of The Abbey Of Notre Dame
In Your Presence
81 bpm • D Maj • 05:07 • -21.02db
16% Popularity • 17% Danceability • 10% Energy • 12% Liveness
12% Instrumentalness • 3% Positiveness
16% Popularity • 17% Danceability • 10% Energy • 12% Liveness
12% Instrumentalness • 3% Positiveness
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Rudolf Escher
Air pour charmer un lézard
81 bpm • G# Maj • 05:15 • -36.01db
0% Popularity • 24% Danceability • 1% Energy • 10% Liveness
8% Instrumentalness • 7% Positiveness
0% Popularity • 24% Danceability • 1% Energy • 10% Liveness
8% Instrumentalness • 7% Positiveness
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Karl Jenkins
The Armed Man (Ensemble Version): VIII. ...
81 bpm • D Maj • 04:27 • -33.27db
11% Popularity • 13% Danceability • 2% Energy • 22% Liveness
0% Instrumentalness • 3% Positiveness
11% Popularity • 13% Danceability • 2% Energy • 22% Liveness
0% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for unaccompanied double choir: V. ...
83 bpm • E min • 05:09 • -28.39db
11% Popularity • 8% Danceability • 4% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 4% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
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Neil Cox
Keep Me as the Apple of an Eye
81 bpm • A# Maj • 03:17 • -23.84db
13% Popularity • 19% Danceability • 6% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 6% Energy • 13% Liveness
86% Instrumentalness • 4% Positiveness
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Michael Haydn
In coena Domini, MH 276: Judas mercator ...
81 bpm • E min • 01:08 • -24.46db
27% Popularity • 19% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
27% Popularity • 19% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
Vespers (All-Night Vigil), Op. 37: V. No...
81 bpm • A# min • 04:03 • -30.34db
11% Popularity • 16% Danceability • 3% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 3% Energy • 8% Liveness
16% Instrumentalness • 4% Positiveness
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Charles Gounod
Les Sept paroles de Notre Seigneur Jésu...
83 bpm • G min • 03:31 • -23.49db
8% Popularity • 18% Danceability • 4% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 4% Energy • 10% Liveness
34% Instrumentalness • 4% Positiveness
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George de La Hèle
Missa Praeter rerum seriem: I. Kyrie
83 bpm • G# min • 05:29 • -18.17db
20% Popularity • 17% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 5% Positiveness
20% Popularity • 17% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 5% Positiveness
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Chamber Choir Of Europe
Weltliche A-Cappella-Gesänge, Secular A...
81 bpm • G Maj • 01:50 • -18db
8% Popularity • 26% Danceability • 18% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
8% Popularity • 26% Danceability • 18% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
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Kastalski Mixed Choir
Triptych 07: Divine Spirit
81 bpm • C Maj • 03:19 • -28.35db
10% Popularity • 8% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Lauri Mäntysaari
Pääsiäisstikiirat: No. 2, Nyt on meil...
81 bpm • E Maj • 04:26 • -23.54db
7% Popularity • 22% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
7% Popularity • 22% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Paweł Łukaszewski
Responsoria Tenebrae: IV. O vos omnes
83 bpm • B Maj • 04:52 • -20.08db
10% Popularity • 8% Danceability • 11% Energy • 10% Liveness
6% Instrumentalness • 3% Positiveness
10% Popularity • 8% Danceability • 11% Energy • 10% Liveness
6% Instrumentalness • 3% Positiveness
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Frank Martin
Mass for unaccompanied double choir: IV....
81 bpm • D Maj • 04:28 • -24db
12% Popularity • 11% Danceability • 13% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 13% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Te deum, LWV 55: XIV. Miserere nostri Do...
83 bpm • A# min • 06:14 • -17.79db
14% Popularity • 10% Danceability • 20% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 10% Danceability • 20% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Eleanor Daley
Requiem: IV. In Remembrance
81 bpm • C# Maj • 02:56 • -25.63db
9% Popularity • 21% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 6% Positiveness
9% Popularity • 21% Danceability • 7% Energy • 11% Liveness
60% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Messa di Gloria: VI. Domine Deus
83 bpm • F Maj • 00:57 • -28.41db
14% Popularity • 8% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 3% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Filipe de Magalhães
Missa Veni Domine: IIb. Qui tollis pecca...
83 bpm • A min • 02:09 • -23.42db
16% Popularity • 13% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 13% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
81 bpm • B Maj • 01:37 • -20.56db
9% Popularity • 19% Danceability • 12% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 12% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Herman Finkers
Panis Angelicus - Bonus Track
81 bpm • F# Maj • 01:56 • -27.49db
9% Popularity • 26% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 26% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Gregorio Allegri
Miserere a 9: No. 1, Miserere mei, Deus
81 bpm • F# min • 01:33 • -27.41db
17% Popularity • 20% Danceability • 5% Energy • 10% Liveness
29% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 5% Energy • 10% Liveness
29% Instrumentalness • 4% Positiveness
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Anton Bruckner
Salvum fac populum tuum, WAB 40
81 bpm • C Maj • 03:23 • -26.26db
14% Popularity • 21% Danceability • 4% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
14% Popularity • 21% Danceability • 4% Energy • 8% Liveness
15% Instrumentalness • 4% Positiveness
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Montjoie !
Berceuse Cosaque
83 bpm • G# Maj • 03:49 • -16db
15% Popularity • 18% Danceability • 21% Energy • 24% Liveness
18% Instrumentalness • 5% Positiveness
15% Popularity • 18% Danceability • 21% Energy • 24% Liveness
18% Instrumentalness • 5% Positiveness
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Lumen Valo
Pjotr Tsaikovski: Legend (op. 54/5)
81 bpm • E min • 03:04 • -22.64db
15% Popularity • 20% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Gustav Mahler
Rückert Lieder: V. Ich bin der Welt abh...
81 bpm • D# Maj • 07:25 • -31.78db
8% Popularity • 8% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Cristobal de Morales
Missa pro defunctis a 5 "Requiem": VIII....
81 bpm • B Maj • 02:56 • -21.78db
8% Popularity • 18% Danceability • 11% Energy • 11% Liveness
50% Instrumentalness • 6% Positiveness
8% Popularity • 18% Danceability • 11% Energy • 11% Liveness
50% Instrumentalness • 6% Positiveness
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Will C. MacFarlane
Open Our Eyes
80 bpm • F# Maj • 05:53 • -23.17db
13% Popularity • 9% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 1. Bogoroditse devo,...
80 bpm • C min • 01:51 • -38.83db
14% Popularity • 22% Danceability • 2% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
14% Popularity • 22% Danceability • 2% Energy • 8% Liveness
81% Instrumentalness • 4% Positiveness
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Kenneth Tay
Ave Regina caelorum
80 bpm • A Maj • 03:19 • -23.95db
19% Popularity • 13% Danceability • 8% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 8% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
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Anton Bruckner
Os justi, WAB 30
80 bpm • C Maj • 04:10 • -26.02db
17% Popularity • 17% Danceability • 3% Energy • 6% Liveness
33% Instrumentalness • 3% Positiveness
17% Popularity • 17% Danceability • 3% Energy • 6% Liveness
33% Instrumentalness • 3% Positiveness
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Gregorio Allegri
Miserere: VI. Cor mundum crea in me Deus...
80 bpm • B min • 01:20 • -32.13db
18% Popularity • 14% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 1% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
84 bpm • G Maj • 01:30 • -20.42db
15% Popularity • 22% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Alfred Momotenko
3 Sacred Hymns: No. 1, Ave Maria
84 bpm • G Maj • 03:39 • -29.32db
11% Popularity • 9% Danceability • 3% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
11% Popularity • 9% Danceability • 3% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
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The choir of the publishing department of the Moscow Patriarchate
Hymns Of The Russian Orthodox Chuch. We ...
84 bpm • C# min • 04:45 • -24.4db
1% Popularity • 10% Danceability • 12% Energy • 9% Liveness
77% Instrumentalness • 3% Positiveness
1% Popularity • 10% Danceability • 12% Energy • 9% Liveness
77% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: XIII. The Tropa...
84 bpm • C# min • 02:19 • -21.79db
10% Popularity • 15% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
10% Popularity • 15% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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University of King's College Chapel Choir
Alma Redemptoris
84 bpm • D# Maj • 04:05 • -21db
10% Popularity • 9% Danceability • 12% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 12% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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Arautos do Evangelho
Recessit Pastor Noster
80 bpm • F# Maj • 03:32 • -22.21db
12% Popularity • 14% Danceability • 10% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 10% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Rudolf Escher
Songs of Love and Eternity: The Wind Tap...
80 bpm • A min • 03:07 • -38.07db
2% Popularity • 12% Danceability • 0% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
2% Popularity • 12% Danceability • 0% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Jake Runestad
Alleluia
80 bpm • B Maj • 03:36 • -22db
8% Popularity • 18% Danceability • 16% Energy • 32% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 16% Energy • 32% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
LeoRoads
Seraphic Whispers
80 bpm • F# min • 02:11 • -17.28db
11% Popularity • 30% Danceability • 12% Energy • 13% Liveness
53% Instrumentalness • 9% Positiveness
11% Popularity • 30% Danceability • 12% Energy • 13% Liveness
53% Instrumentalness • 9% Positiveness
► Preview
Henryk Górecki
Sicut parvi amplectamur
80 bpm • F Maj • 04:39 • -24.91db
14% Popularity • 23% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
14% Popularity • 23% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
► Preview
Robert Lucas Pearsall
Lay a Garland
80 bpm • D# Maj • 03:06 • -20db
13% Popularity • 11% Danceability • 16% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 16% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Thou Knowest, Lord, the Secrets of Our H...
80 bpm • A# Maj • 02:20 • -22.74db
11% Popularity • 21% Danceability • 8% Energy • 16% Liveness
73% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 8% Energy • 16% Liveness
73% Instrumentalness • 4% Positiveness
► Preview
Rudolf Escher
I Taste a Liquor Never Brewed
80 bpm • C min • 02:07 • -22.84db
0% Popularity • 30% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
0% Popularity • 30% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
84 bpm • G# Maj • 01:08 • -21.89db
8% Popularity • 24% Danceability • 4% Energy • 9% Liveness
29% Instrumentalness • 4% Positiveness
8% Popularity • 24% Danceability • 4% Energy • 9% Liveness
29% Instrumentalness • 4% Positiveness
► Preview
LeoRoads
Ethereal Resonance
80 bpm • F Maj • 02:23 • -17.82db
7% Popularity • 36% Danceability • 14% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
7% Popularity • 36% Danceability • 14% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
Komitas
Divine Liturgy (Arr. V. Sharafyan for Mi...
84 bpm • G min • 03:14 • -24.32db
8% Popularity • 22% Danceability • 5% Energy • 15% Liveness
9% Instrumentalness • 9% Positiveness
8% Popularity • 22% Danceability • 5% Energy • 15% Liveness
9% Instrumentalness • 9% Positiveness
► Preview
James Whitbourn
Annelies (chamber version): I. Introit -...
84 bpm • C min • 04:33 • -21.96db
11% Popularity • 13% Danceability • 10% Energy • 12% Liveness
61% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 10% Energy • 12% Liveness
61% Instrumentalness • 4% Positiveness
► Preview
Richard Rodney Bennett
A Good-Night
80 bpm • D# min • 03:03 • -26.18db
8% Popularity • 8% Danceability • 8% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 8% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
► Preview
The Choir of the Dormition Church of the Novodevichy Convent
At the Sovereign Command of God
80 bpm • C# Maj • 03:47 • -17.59db
8% Popularity • 17% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
8% Popularity • 17% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Béla Bartók
27 2- and 3- Part Choruses, BB 111, Vol....
80 bpm • C min • 01:36 • -33.48db
24% Popularity • 22% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
24% Popularity • 22% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
► Preview
LeoRoads
Heaven's Lullaby
80 bpm • D Maj • 02:18 • -19.04db
8% Popularity • 37% Danceability • 13% Energy • 10% Liveness
97% Instrumentalness • 7% Positiveness
8% Popularity • 37% Danceability • 13% Energy • 10% Liveness
97% Instrumentalness • 7% Positiveness
► Preview
Edward Elgar
Enigma Variations. Nimrod: Lux Aeterna
79 bpm • C# Maj • 04:11 • -19.5db
12% Popularity • 14% Danceability • 18% Energy • 17% Liveness
47% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 18% Energy • 17% Liveness
47% Instrumentalness • 4% Positiveness
► Preview
Josquin des Prez
Vultum tuum deprecabuntur, NJE 25.14
79 bpm • C min • 03:41 • -20.79db
13% Popularity • 18% Danceability • 20% Energy • 17% Liveness
8% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 20% Energy • 17% Liveness
8% Instrumentalness • 4% Positiveness
► Preview
Amy Beach
Peace I Leave With You
79 bpm • D# Maj • 01:48 • -25.82db
10% Popularity • 8% Danceability • 10% Energy • 15% Liveness
79% Instrumentalness • 4% Positiveness
10% Popularity • 8% Danceability • 10% Energy • 15% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
William Byrd
Mass for Four Voices: I. Kyrie eleison
85 bpm • C# min • 02:24 • -24.42db
12% Popularity • 12% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Zuzanna Koziej
Stabat Mater: O quam tristis et afflicta
85 bpm • D# min • 02:02 • -25.34db
11% Popularity • 19% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 19% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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Pavel Jurkovič
Pro Šimonka Šmehila
85 bpm • C Maj • 01:16 • -20.37db
12% Popularity • 42% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 42% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Rudolf Escher
Arcana: IV. Finale
79 bpm • F min • 08:42 • -19.08db
0% Popularity • 28% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
0% Popularity • 28% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Annibale Padovano
Missa Domine a lingua dolosa: Vb. Agnus ...
85 bpm • G# Maj • 02:21 • -20.77db
21% Popularity • 11% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
21% Popularity • 11% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Patrick Cassidy
The Mass: Et Incarnatus Est
79 bpm • C Maj • 02:57 • -21.15db
15% Popularity • 16% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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A5 Vocal Ensemble
Guerrero: Ave virgo sanctissima
85 bpm • G# min • 03:45 • -20.45db
13% Popularity • 10% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
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Bob Chilcott
The Lord's my shepherd - SABar
85 bpm • F Maj • 02:47 • -29.38db
8% Popularity • 21% Danceability • 3% Energy • 6% Liveness
15% Instrumentalness • 10% Positiveness
8% Popularity • 21% Danceability • 3% Energy • 6% Liveness
15% Instrumentalness • 10% Positiveness
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Paul Smith
Heaven-Haven
85 bpm • C min • 03:46 • -27.77db
7% Popularity • 13% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 13% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Domenico Scarlatti
Stabat Mater: IV. Sancta Mater, istud ag...
85 bpm • A# Maj • 03:14 • -19.6db
17% Popularity • 15% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 16% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
85 bpm • B Maj • 01:01 • -26.52db
13% Popularity • 16% Danceability • 5% Energy • 23% Liveness
3% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 5% Energy • 23% Liveness
3% Instrumentalness • 4% Positiveness
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Kenneth Leighton
An Easter Sequence
85 bpm • G Maj • 00:58 • -18.52db
12% Popularity • 20% Danceability • 18% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 18% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Douglas Guest
For the Fallen
79 bpm • D# Maj • 01:28 • -31.78db
10% Popularity • 12% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 3% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Edward Elgar
The Music Makers, Op. 69: IV. We, in the...
79 bpm • F Maj • 04:17 • -20.02db
9% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
9% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Bent Sørensen
St Matthew Passion: I. In veils of mist
79 bpm • A min • 10:52 • -28.36db
8% Popularity • 8% Danceability • 5% Energy • 9% Liveness
70% Instrumentalness • 3% Positiveness
8% Popularity • 8% Danceability • 5% Energy • 9% Liveness
70% Instrumentalness • 3% Positiveness
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George de La Hèle
Missa Praeter rerum seriem: VI. Agnus De...
79 bpm • G# min • 02:46 • -20.2db
8% Popularity • 21% Danceability • 14% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 14% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Miserere: VII. Redde mihi laetitiam ; Do...
86 bpm • B min • 01:04 • -22.54db
20% Popularity • 23% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 23% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
William Byrd
Ne irascaris, Domine
79 bpm • F Maj • 03:59 • -19.43db
10% Popularity • 9% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Holy Spirit Mass: Fount of Life: Mercy
86 bpm • A min • 01:30 • -25db
16% Popularity • 16% Danceability • 7% Energy • 43% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 16% Danceability • 7% Energy • 43% Liveness
0% Instrumentalness • 14% Positiveness
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Frank La Rocca
Mass of the Americas: VII. Ave verum cor...
86 bpm • G min • 05:36 • -21.52db
3% Popularity • 15% Danceability • 20% Energy • 26% Liveness
31% Instrumentalness • 3% Positiveness
3% Popularity • 15% Danceability • 20% Energy • 26% Liveness
31% Instrumentalness • 3% Positiveness
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Josu Elberdin
Ave Maria, Gratia Plena
78 bpm • D Maj • 04:21 • -27.73db
13% Popularity • 7% Danceability • 5% Energy • 19% Liveness
4% Instrumentalness • 3% Positiveness
13% Popularity • 7% Danceability • 5% Energy • 19% Liveness
4% Instrumentalness • 3% Positiveness
► Preview
Maurice Duruflé
Requiem, Op. 9: II. Kyrie eléison
86 bpm • F Maj • 03:32 • -16.44db
10% Popularity • 9% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Krzysztof Borek
Missa Mater Matris (After Des Prez's NJE...
78 bpm • C# min • 05:08 • -22.26db
12% Popularity • 10% Danceability • 27% Energy • 16% Liveness
25% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 27% Energy • 16% Liveness
25% Instrumentalness • 4% Positiveness
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John Sheppard
Libera nos, salva nos I
78 bpm • F Maj • 03:59 • -19.18db
8% Popularity • 7% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
8% Popularity • 7% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Rudolf Escher
Sonata concertante: I. Allegro agitato
78 bpm • E min • 07:16 • -22.07db
0% Popularity • 18% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness
0% Popularity • 18% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 6% Positiveness