Songs like Fly Back Home by Five Horse Johnson
Based on a tempo of (+/- 10%) and a similar genre
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Phil X & The Drills
Stink
125 bpm • B min • 01:53 • -5.18db
38% Popularity • 58% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 58% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Stoner Train
Cannibal Hobo
125 bpm • A min • 02:37 • -4.12db
10% Popularity • 50% Danceability • 99% Energy • 25% Liveness
2% Instrumentalness • 74% Positiveness
10% Popularity • 50% Danceability • 99% Energy • 25% Liveness
2% Instrumentalness • 74% Positiveness
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Dunsmuir
Hung on the Rocks
125 bpm • E Maj • 03:02 • -5.6db
22% Popularity • 56% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 56% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 62% Positiveness
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Planet of Zeus
Little Deceiver
125 bpm • F# Maj • 03:47 • -5.21db
30% Popularity • 59% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 59% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
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Masters Of Reality
She Got Me (When She Got Her Dress On)
125 bpm • C# Maj • 02:47 • -7.06db
33% Popularity • 52% Danceability • 93% Energy • 37% Liveness
65% Instrumentalness • 79% Positiveness
33% Popularity • 52% Danceability • 93% Energy • 37% Liveness
65% Instrumentalness • 79% Positiveness
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Five Horse Johnson
Fly Back Home
125 bpm • C Maj • 05:16 • -6.89db
20% Popularity • 45% Danceability • 91% Energy • 30% Liveness
13% Instrumentalness • 67% Positiveness
20% Popularity • 45% Danceability • 91% Energy • 30% Liveness
13% Instrumentalness • 67% Positiveness
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Black Spiders
KISS Tried To Kill Me
125 bpm • E Maj • 04:26 • -1.32db
23% Popularity • 43% Danceability • 91% Energy • 72% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 43% Danceability • 91% Energy • 72% Liveness
0% Instrumentalness • 57% Positiveness
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Freedom Hawk
Executioner
126 bpm • C# min • 04:19 • -6.32db
18% Popularity • 34% Danceability • 98% Energy • 37% Liveness
62% Instrumentalness • 6% Positiveness
18% Popularity • 34% Danceability • 98% Energy • 37% Liveness
62% Instrumentalness • 6% Positiveness
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The Blackwater Fever
Crawlin' Skin
125 bpm • G# Maj • 02:34 • -6.74db
18% Popularity • 39% Danceability • 90% Energy • 12% Liveness
2% Instrumentalness • 50% Positiveness
18% Popularity • 39% Danceability • 90% Energy • 12% Liveness
2% Instrumentalness • 50% Positiveness
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Planet of Zeus
Devil Calls My Name
125 bpm • A# min • 03:05 • -5.31db
38% Popularity • 57% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 57% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Lightning Born
Shifting Winds
126 bpm • G# Maj • 04:35 • -5.58db
27% Popularity • 53% Danceability • 75% Energy • 28% Liveness
4% Instrumentalness • 38% Positiveness
27% Popularity • 53% Danceability • 75% Energy • 28% Liveness
4% Instrumentalness • 38% Positiveness
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Five Horse Johnson
Lollipop
124 bpm • G Maj • 04:29 • -4.41db
9% Popularity • 54% Danceability • 90% Energy • 22% Liveness
42% Instrumentalness • 53% Positiveness
9% Popularity • 54% Danceability • 90% Energy • 22% Liveness
42% Instrumentalness • 53% Positiveness
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Brant Bjork
The Future Rock - We Got It
126 bpm • C Maj • 03:56 • -6db
32% Popularity • 52% Danceability • 88% Energy • 10% Liveness
9% Instrumentalness • 43% Positiveness
32% Popularity • 52% Danceability • 88% Energy • 10% Liveness
9% Instrumentalness • 43% Positiveness
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The Muggs
Rollin' B-Side Blues
124 bpm • D Maj • 03:23 • -4.09db
16% Popularity • 40% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 40% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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The Stone Foxes
Rollin' And Tumblin'
124 bpm • G min • 03:41 • -10db
30% Popularity • 40% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 40% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Fireball Ministry
King
124 bpm • B min • 04:32 • -3.45db
34% Popularity • 51% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 51% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Sheavy
What's up Mr. Zero?
124 bpm • G min • 03:40 • -9.22db
14% Popularity • 47% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 47% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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The Devil and the Almighty Blues
Neptune Brothers
124 bpm • B Maj • 06:16 • -6.78db
14% Popularity • 50% Danceability • 83% Energy • 10% Liveness
2% Instrumentalness • 71% Positiveness
14% Popularity • 50% Danceability • 83% Energy • 10% Liveness
2% Instrumentalness • 71% Positiveness
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Alabama Thunderpussy
The Cleansing
124 bpm • A# min • 03:58 • -3.9db
21% Popularity • 43% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 43% Danceability • 95% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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20 Watt Tombstone
Shitty Ex Girlfriend
127 bpm • A Maj • 05:02 • -5.42db
21% Popularity • 32% Danceability • 94% Energy • 19% Liveness
3% Instrumentalness • 6% Positiveness
21% Popularity • 32% Danceability • 94% Energy • 19% Liveness
3% Instrumentalness • 6% Positiveness
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Hogjaw
The Smoker
123 bpm • C Maj • 03:34 • -5.39db
8% Popularity • 44% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 44% Danceability • 89% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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The Steepwater Band
Vanishing Girl
127 bpm • A Maj • 04:12 • -4.08db
12% Popularity • 46% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 46% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Nebula
Aphrodite
127 bpm • G# Maj • 04:09 • -4.35db
19% Popularity • 18% Danceability • 94% Energy • 10% Liveness
5% Instrumentalness • 37% Positiveness
19% Popularity • 18% Danceability • 94% Energy • 10% Liveness
5% Instrumentalness • 37% Positiveness
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Nightstalker
Rockaine
123 bpm • A# min • 03:54 • -5.5db
15% Popularity • 53% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 53% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Halfway to Gone
Turnpike
122 bpm • B min • 04:15 • -5.11db
9% Popularity • 35% Danceability • 80% Energy • 5% Liveness
73% Instrumentalness • 24% Positiveness
9% Popularity • 35% Danceability • 80% Energy • 5% Liveness
73% Instrumentalness • 24% Positiveness
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Radio Moscow
So Alone
122 bpm • C Maj • 04:14 • -8db
27% Popularity • 38% Danceability • 87% Energy • 12% Liveness
40% Instrumentalness • 50% Positiveness
27% Popularity • 38% Danceability • 87% Energy • 12% Liveness
40% Instrumentalness • 50% Positiveness
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Ape Machine
Hold Your Tongue
128 bpm • C# Maj • 05:50 • -6.53db
13% Popularity • 35% Danceability • 80% Energy • 23% Liveness
1% Instrumentalness • 67% Positiveness
13% Popularity • 35% Danceability • 80% Energy • 23% Liveness
1% Instrumentalness • 67% Positiveness
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Kamchatka
Made of Gold
128 bpm • G Maj • 04:11 • -5.88db
9% Popularity • 45% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 45% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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Hogjaw
Swamp
128 bpm • C Maj • 06:17 • -4.41db
10% Popularity • 56% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 56% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Truckfighters
Desert Cruiser
122 bpm • C# Maj • 07:29 • -7.04db
46% Popularity • 20% Danceability • 76% Energy • 16% Liveness
72% Instrumentalness • 25% Positiveness
46% Popularity • 20% Danceability • 76% Energy • 16% Liveness
72% Instrumentalness • 25% Positiveness
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Halfway to Gone
Great American Scumbag
122 bpm • C# Maj • 03:15 • -3.2db
15% Popularity • 25% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 25% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Planet of Zeus
Them Nights
122 bpm • G# min • 04:22 • -6.48db
38% Popularity • 69% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 69% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Freedom Hawk
On the Other Side
128 bpm • C# Maj • 04:24 • -7.6db
17% Popularity • 35% Danceability • 86% Energy • 12% Liveness
70% Instrumentalness • 33% Positiveness
17% Popularity • 35% Danceability • 86% Energy • 12% Liveness
70% Instrumentalness • 33% Positiveness
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Kamchatka
Confessions
121 bpm • A min • 05:58 • -6.34db
10% Popularity • 34% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 34% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Albatross Overdrive
Cowboys and Indians
129 bpm • C Maj • 03:25 • -5.01db
16% Popularity • 24% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 24% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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The Heavy Eyes
The Profession
129 bpm • C min • 02:54 • -4.79db
26% Popularity • 43% Danceability • 77% Energy • 10% Liveness
8% Instrumentalness • 81% Positiveness
26% Popularity • 43% Danceability • 77% Energy • 10% Liveness
8% Instrumentalness • 81% Positiveness
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Brand New Sin
Wyoming
121 bpm • F Maj • 06:11 • -8.23db
13% Popularity • 30% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 30% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Brant Bjork
Punk Rock Guilt
121 bpm • F min • 04:04 • -9.19db
26% Popularity • 53% Danceability • 86% Energy • 7% Liveness
6% Instrumentalness • 65% Positiveness
26% Popularity • 53% Danceability • 86% Energy • 7% Liveness
6% Instrumentalness • 65% Positiveness
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Fireball Ministry
Sleeping With Angels
121 bpm • F# Maj • 04:14 • -6.13db
21% Popularity • 68% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 68% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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The Fumes
Slay The Lair
121 bpm • A# min • 04:43 • -5.88db
19% Popularity • 33% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 33% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Troubled Horse
Another Mans Name
130 bpm • G Maj • 04:49 • -5.55db
17% Popularity • 54% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 54% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Mothership
Hot Smoke and Heavy Blues
130 bpm • G# Maj • 05:14 • -6.81db
23% Popularity • 26% Danceability • 96% Energy • 14% Liveness
83% Instrumentalness • 38% Positiveness
23% Popularity • 26% Danceability • 96% Energy • 14% Liveness
83% Instrumentalness • 38% Positiveness
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Freedom Hawk
Hollow Caverns
130 bpm • B min • 05:06 • -7.04db
8% Popularity • 34% Danceability • 72% Energy • 10% Liveness
29% Instrumentalness • 29% Positiveness
8% Popularity • 34% Danceability • 72% Energy • 10% Liveness
29% Instrumentalness • 29% Positiveness
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The Company Band
House of Capricorn
130 bpm • C Maj • 04:42 • -3.99db
24% Popularity • 67% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 67% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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The Cold Stares
Jesus' Brother James
120 bpm • G Maj • 03:17 • -4.08db
18% Popularity • 65% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 65% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 84% Positiveness
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John Garcia
Cheyletiella
120 bpm • F Maj • 05:45 • -5.26db
15% Popularity • 33% Danceability • 70% Energy • 11% Liveness
66% Instrumentalness • 46% Positiveness
15% Popularity • 33% Danceability • 70% Energy • 11% Liveness
66% Instrumentalness • 46% Positiveness
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Henry's Funeral Shoe
Be Your Own Invention
130 bpm • G Maj • 05:18 • -6.27db
34% Popularity • 32% Danceability • 79% Energy • 20% Liveness
1% Instrumentalness • 34% Positiveness
34% Popularity • 32% Danceability • 79% Energy • 20% Liveness
1% Instrumentalness • 34% Positiveness
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Mothership
Ride The Sun
120 bpm • G# Maj • 03:58 • -5.55db
22% Popularity • 28% Danceability • 85% Energy • 38% Liveness
2% Instrumentalness • 34% Positiveness
22% Popularity • 28% Danceability • 85% Energy • 38% Liveness
2% Instrumentalness • 34% Positiveness
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Valley of the Sun
Worn Teeth
120 bpm • A min • 03:13 • -7.23db
33% Popularity • 69% Danceability • 43% Energy • 33% Liveness
83% Instrumentalness • 40% Positiveness
33% Popularity • 69% Danceability • 43% Energy • 33% Liveness
83% Instrumentalness • 40% Positiveness
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The Company Band
Heartache & Misery
120 bpm • D min • 04:28 • -4.81db
27% Popularity • 45% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
27% Popularity • 45% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 42% Positiveness
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Rex Brown
Lone Rider
120 bpm • G Maj • 02:39 • -5.1db
20% Popularity • 44% Danceability • 88% Energy • 29% Liveness
2% Instrumentalness • 53% Positiveness
20% Popularity • 44% Danceability • 88% Energy • 29% Liveness
2% Instrumentalness • 53% Positiveness
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Fireball Ministry
End of Story
120 bpm • B Maj • 04:14 • -3.29db
18% Popularity • 66% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 66% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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The Hangmen
The Devil
120 bpm • F# Maj • 02:42 • -3.9db
16% Popularity • 46% Danceability • 99% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 46% Danceability • 99% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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John Garcia
Flower
120 bpm • A# Maj • 04:03 • -6.41db
18% Popularity • 63% Danceability • 65% Energy • 34% Liveness
84% Instrumentalness • 41% Positiveness
18% Popularity • 63% Danceability • 65% Energy • 34% Liveness
84% Instrumentalness • 41% Positiveness
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Unida
Left Us To Mold
130 bpm • F min • 05:46 • -3.93db
33% Popularity • 21% Danceability • 94% Energy • 9% Liveness
71% Instrumentalness • 39% Positiveness
33% Popularity • 21% Danceability • 94% Energy • 9% Liveness
71% Instrumentalness • 39% Positiveness
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Moreland & Arbuckle
Mean And Evil
120 bpm • C Maj • 03:17 • -8.04db
40% Popularity • 40% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 40% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Henry's Funeral Shoe
Henry's Funeral Shoe
131 bpm • F# Maj • 04:15 • -8.05db
13% Popularity • 53% Danceability • 86% Energy • 8% Liveness
80% Instrumentalness • 21% Positiveness
13% Popularity • 53% Danceability • 86% Energy • 8% Liveness
80% Instrumentalness • 21% Positiveness
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The Fumes
Down River
131 bpm • G Maj • 04:26 • -5.49db
31% Popularity • 64% Danceability • 88% Energy • 15% Liveness
1% Instrumentalness • 76% Positiveness
31% Popularity • 64% Danceability • 88% Energy • 15% Liveness
1% Instrumentalness • 76% Positiveness
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Karma To Burn
Twenty Nine
120 bpm • G# Maj • 03:03 • -6.42db
37% Popularity • 36% Danceability • 83% Energy • 9% Liveness
85% Instrumentalness • 55% Positiveness
37% Popularity • 36% Danceability • 83% Energy • 9% Liveness
85% Instrumentalness • 55% Positiveness
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The Blackwater Fever
The Blackwater Fever - Better Off Dead
119 bpm • G# Maj • 03:00 • -8.41db
28% Popularity • 57% Danceability • 61% Energy • 4% Liveness
2% Instrumentalness • 67% Positiveness
28% Popularity • 57% Danceability • 61% Energy • 4% Liveness
2% Instrumentalness • 67% Positiveness
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Five Horse Johnson
Roll With You
119 bpm • B min • 05:22 • -11.29db
3% Popularity • 43% Danceability • 55% Energy • 30% Liveness
96% Instrumentalness • 78% Positiveness
3% Popularity • 43% Danceability • 55% Energy • 30% Liveness
96% Instrumentalness • 78% Positiveness
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Alabama Thunderpussy
The Beggar
131 bpm • F min • 05:15 • -2.99db
10% Popularity • 28% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
10% Popularity • 28% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Brant Bjork
Turn Yourself On
131 bpm • G# Maj • 04:27 • -6.23db
15% Popularity • 72% Danceability • 54% Energy • 31% Liveness
4% Instrumentalness • 59% Positiveness
15% Popularity • 72% Danceability • 54% Energy • 31% Liveness
4% Instrumentalness • 59% Positiveness
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20 Watt Tombstone
Wisco Disco
119 bpm • G Maj • 04:50 • -5.74db
18% Popularity • 47% Danceability • 93% Energy • 13% Liveness
3% Instrumentalness • 42% Positiveness
18% Popularity • 47% Danceability • 93% Energy • 13% Liveness
3% Instrumentalness • 42% Positiveness
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Snowy Dunes
Desert Cold
132 bpm • D Maj • 06:13 • -8.93db
28% Popularity • 29% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 29% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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The Blackwater Fever
Better Off Dead (Remixed) - Remastered
119 bpm • G# Maj • 02:59 • -6.3db
13% Popularity • 51% Danceability • 80% Energy • 6% Liveness
18% Instrumentalness • 88% Positiveness
13% Popularity • 51% Danceability • 80% Energy • 6% Liveness
18% Instrumentalness • 88% Positiveness
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Fireball Ministry
The Sinner
132 bpm • E Maj • 03:29 • -5.25db
30% Popularity • 49% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 49% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Alabama Thunderpussy
Whore Adore
132 bpm • G# Maj • 04:39 • -5.05db
17% Popularity • 29% Danceability • 77% Energy • 37% Liveness
32% Instrumentalness • 51% Positiveness
17% Popularity • 29% Danceability • 77% Energy • 37% Liveness
32% Instrumentalness • 51% Positiveness
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1000mods
Modesty
118 bpm • C min • 02:55 • -6.58db
27% Popularity • 43% Danceability • 82% Energy • 13% Liveness
72% Instrumentalness • 43% Positiveness
27% Popularity • 43% Danceability • 82% Energy • 13% Liveness
72% Instrumentalness • 43% Positiveness
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Blind Dog
There must be better ways of loosing you...
132 bpm • F Maj • 05:46 • -6.14db
12% Popularity • 35% Danceability • 90% Energy • 4% Liveness
56% Instrumentalness • 60% Positiveness
12% Popularity • 35% Danceability • 90% Energy • 4% Liveness
56% Instrumentalness • 60% Positiveness
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Gluecifer
Automatic Thrill
132 bpm • A# Maj • 03:26 • -3db
30% Popularity • 49% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 49% Danceability • 99% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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20 Watt Tombstone
Untitled
118 bpm • D Maj • 03:05 • -5.58db
19% Popularity • 46% Danceability • 95% Energy • 79% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 46% Danceability • 95% Energy • 79% Liveness
0% Instrumentalness • 23% Positiveness
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Trapdoor
Witches
118 bpm • G Maj • 03:48 • -7.4db
19% Popularity • 48% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 48% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Five Horse Johnson
Hard Times
132 bpm • C Maj • 04:08 • -6.71db
8% Popularity • 50% Danceability • 96% Energy • 8% Liveness
54% Instrumentalness • 77% Positiveness
8% Popularity • 50% Danceability • 96% Energy • 8% Liveness
54% Instrumentalness • 77% Positiveness
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Slow Season
Damascus
133 bpm • A Maj • 05:37 • -5.55db
13% Popularity • 40% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 40% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Mos Generator
Dirty Women
118 bpm • D# Maj • 05:54 • -6.06db
11% Popularity • 32% Danceability • 88% Energy • 16% Liveness
9% Instrumentalness • 51% Positiveness
11% Popularity • 32% Danceability • 88% Energy • 16% Liveness
9% Instrumentalness • 51% Positiveness
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Fireball Ministry
The Man
133 bpm • F min • 02:30 • -4.46db
31% Popularity • 30% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 30% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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John Garcia
My Mind
133 bpm • F# min • 04:01 • -6.2db
22% Popularity • 52% Danceability • 80% Energy • 28% Liveness
83% Instrumentalness • 41% Positiveness
22% Popularity • 52% Danceability • 80% Energy • 28% Liveness
83% Instrumentalness • 41% Positiveness
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Radio Moscow
Driftin'
117 bpm • A min • 02:51 • -4db
18% Popularity • 28% Danceability • 96% Energy • 3% Liveness
1% Instrumentalness • 43% Positiveness
18% Popularity • 28% Danceability • 96% Energy • 3% Liveness
1% Instrumentalness • 43% Positiveness
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Rex Brown
Train Song
117 bpm • F Maj • 02:36 • -6.13db
32% Popularity • 39% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 39% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Henry's Funeral Shoe
Love Is a Fever
134 bpm • C min • 03:28 • -5.82db
8% Popularity • 38% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 38% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
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Mos Generator
Stolen Ages
133 bpm • A min • 07:26 • -7.68db
13% Popularity • 40% Danceability • 82% Energy • 10% Liveness
21% Instrumentalness • 46% Positiveness
13% Popularity • 40% Danceability • 82% Energy • 10% Liveness
21% Instrumentalness • 46% Positiveness
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Scorpion Child
Acid Roulette
134 bpm • C Maj • 05:49 • -4db
32% Popularity • 19% Danceability • 94% Energy • 23% Liveness
19% Instrumentalness • 42% Positiveness
32% Popularity • 19% Danceability • 94% Energy • 23% Liveness
19% Instrumentalness • 42% Positiveness
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John Garcia
My Everything
133 bpm • F Maj • 03:36 • -4.63db
24% Popularity • 41% Danceability • 88% Energy • 30% Liveness
65% Instrumentalness • 37% Positiveness
24% Popularity • 41% Danceability • 88% Energy • 30% Liveness
65% Instrumentalness • 37% Positiveness
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Fireball Ministry
It Flies Again
117 bpm • E Maj • 05:02 • -4.23db
23% Popularity • 61% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 61% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Philip Sayce
Black Train
117 bpm • D Maj • 03:11 • -4.55db
17% Popularity • 25% Danceability • 91% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
17% Popularity • 25% Danceability • 91% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
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The Company Band
Who Else But Us?
134 bpm • E Maj • 03:32 • -5.14db
33% Popularity • 62% Danceability • 90% Energy • 14% Liveness
1% Instrumentalness • 63% Positiveness
33% Popularity • 62% Danceability • 90% Energy • 14% Liveness
1% Instrumentalness • 63% Positiveness
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Mothership
Wise Man
134 bpm • G# Maj • 02:42 • -6db
21% Popularity • 54% Danceability • 83% Energy • 15% Liveness
5% Instrumentalness • 53% Positiveness
21% Popularity • 54% Danceability • 83% Energy • 15% Liveness
5% Instrumentalness • 53% Positiveness
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The Atomic Bitchwax
War Claw
116 bpm • C# Maj • 02:52 • -6db
26% Popularity • 21% Danceability • 91% Energy • 6% Liveness
85% Instrumentalness • 25% Positiveness
26% Popularity • 21% Danceability • 91% Energy • 6% Liveness
85% Instrumentalness • 25% Positiveness
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John Garcia
Saddleback
134 bpm • C Maj • 02:42 • -6.1db
28% Popularity • 62% Danceability • 72% Energy • 19% Liveness
88% Instrumentalness • 64% Positiveness
28% Popularity • 62% Danceability • 72% Energy • 19% Liveness
88% Instrumentalness • 64% Positiveness
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Toadies
Nothing to Cry About
116 bpm • A Maj • 03:13 • -3.53db
17% Popularity • 54% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 54% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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Henry's Funeral Shoe
Dog Scratched Ear
116 bpm • F min • 04:34 • -7.64db
17% Popularity • 43% Danceability • 59% Energy • 12% Liveness
36% Instrumentalness • 38% Positiveness
17% Popularity • 43% Danceability • 59% Energy • 12% Liveness
36% Instrumentalness • 38% Positiveness
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The Company Band
Lethe Waters
134 bpm • B min • 04:09 • -6.04db
29% Popularity • 61% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 61% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
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Five Horse Johnson
Quick On The Trigger
135 bpm • D Maj • 03:38 • -6.65db
8% Popularity • 35% Danceability • 95% Energy • 24% Liveness
62% Instrumentalness • 78% Positiveness
8% Popularity • 35% Danceability • 95% Energy • 24% Liveness
62% Instrumentalness • 78% Positiveness
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Black Nasa
Diamond Girl
116 bpm • A# Maj • 04:01 • -4.82db
8% Popularity • 34% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 34% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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John Garcia
Jim's Whiskers
116 bpm • F min • 03:42 • -5.6db
32% Popularity • 34% Danceability • 87% Energy • 15% Liveness
36% Instrumentalness • 59% Positiveness
32% Popularity • 34% Danceability • 87% Energy • 15% Liveness
36% Instrumentalness • 59% Positiveness
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Ché
Blue Demon
116 bpm • C# min • 06:13 • -8.47db
8% Popularity • 52% Danceability • 85% Energy • 7% Liveness
22% Instrumentalness • 85% Positiveness
8% Popularity • 52% Danceability • 85% Energy • 7% Liveness
22% Instrumentalness • 85% Positiveness
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Zodiac
A Bit of Devil
135 bpm • D Maj • 04:37 • -5.96db
8% Popularity • 52% Danceability • 86% Energy • 32% Liveness
4% Instrumentalness • 61% Positiveness
8% Popularity • 52% Danceability • 86% Energy • 32% Liveness
4% Instrumentalness • 61% Positiveness