Songs like Focused Attack by Tom Salta
Based on a tempo of (+/- 10%) and a similar genre
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Shigeru Umebayashi
Tsushima Suite: IV. Kodoku
123 bpm • D Maj • 09:50 • -18.91db
28% Popularity • 26% Danceability • 24% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
28% Popularity • 26% Danceability • 24% Energy • 14% Liveness
77% Instrumentalness • 4% Positiveness
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Halo
Spartan Strike
123 bpm • C Maj • 03:52 • -9db
21% Popularity • 51% Danceability • 39% Energy • 22% Liveness
86% Instrumentalness • 10% Positiveness
21% Popularity • 51% Danceability • 39% Energy • 22% Liveness
86% Instrumentalness • 10% Positiveness
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Atanas Valkov
Bloodhunt Main Theme
124 bpm • C# Maj • 02:57 • -14.89db
31% Popularity • 19% Danceability • 50% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
31% Popularity • 19% Danceability • 50% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
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Harry Gregson-Williams
Gekko
124 bpm • D Maj • 02:53 • -14db
21% Popularity • 59% Danceability • 43% Energy • 22% Liveness
53% Instrumentalness • 5% Positiveness
21% Popularity • 59% Danceability • 43% Energy • 22% Liveness
53% Instrumentalness • 5% Positiveness
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Inon Zur
Main Title
124 bpm • D min • 02:04 • -12db
40% Popularity • 23% Danceability • 55% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
40% Popularity • 23% Danceability • 55% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
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Nathan Whitehead
The Rager Bear
122 bpm • A# min • 02:51 • -12.2db
22% Popularity • 52% Danceability • 60% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
22% Popularity • 52% Danceability • 60% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Ramin Djawadi
Kraken Combat
124 bpm • A min • 02:21 • -10.16db
11% Popularity • 44% Danceability • 61% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
11% Popularity • 44% Danceability • 61% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
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Stuart Chatwood
Mournweald Encounter
124 bpm • G Maj • 02:25 • -6.37db
38% Popularity • 58% Danceability • 95% Energy • 8% Liveness
84% Instrumentalness • 28% Positiveness
38% Popularity • 58% Danceability • 95% Energy • 8% Liveness
84% Instrumentalness • 28% Positiveness
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Ron Fish
Bring Her Back to Me
124 bpm • A# min • 02:08 • -12.13db
22% Popularity • 51% Danceability • 69% Energy • 28% Liveness
72% Instrumentalness • 18% Positiveness
22% Popularity • 51% Danceability • 69% Energy • 28% Liveness
72% Instrumentalness • 18% Positiveness
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Sascha Dikiciyan
Infiltration
125 bpm • A Maj • 02:35 • -14.03db
24% Popularity • 42% Danceability • 37% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
24% Popularity • 42% Danceability • 37% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
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Ludvig Forssell
The Face of Our New Hope
122 bpm • C# min • 03:25 • -22.22db
36% Popularity • 30% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
36% Popularity • 30% Danceability • 14% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Inon Zur
You Must Rebuild
121 bpm • G Maj • 04:17 • -20.44db
21% Popularity • 31% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
21% Popularity • 31% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Cris Velasco
Citadel Underbelly
125 bpm • D Maj • 03:47 • -13db
19% Popularity • 56% Danceability • 70% Energy • 17% Liveness
90% Instrumentalness • 10% Positiveness
19% Popularity • 56% Danceability • 70% Energy • 17% Liveness
90% Instrumentalness • 10% Positiveness
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Jafet Meza
One Final Effort Anniversary Edition
125 bpm • A Maj • 03:58 • -10db
28% Popularity • 24% Danceability • 75% Energy • 13% Liveness
73% Instrumentalness • 8% Positiveness
28% Popularity • 24% Danceability • 75% Energy • 13% Liveness
73% Instrumentalness • 8% Positiveness
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Jason Hayes
The Golden Armada
125 bpm • B min • 02:23 • -10db
26% Popularity • 52% Danceability • 46% Energy • 6% Liveness
96% Instrumentalness • 14% Positiveness
26% Popularity • 52% Danceability • 46% Energy • 6% Liveness
96% Instrumentalness • 14% Positiveness
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Raison Varner
Mines of Avarice Combat - Tiny Tina's As...
125 bpm • F Maj • 03:01 • -12.01db
15% Popularity • 55% Danceability • 48% Energy • 11% Liveness
79% Instrumentalness • 40% Positiveness
15% Popularity • 55% Danceability • 48% Energy • 11% Liveness
79% Instrumentalness • 40% Positiveness
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Joel Nielsen
End Credits Part 2
125 bpm • G min • 01:56 • -7db
30% Popularity • 41% Danceability • 39% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
30% Popularity • 41% Danceability • 39% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
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Sascha Dikiciyan
Death From Above
125 bpm • G Maj • 02:59 • -10db
18% Popularity • 45% Danceability • 81% Energy • 22% Liveness
95% Instrumentalness • 12% Positiveness
18% Popularity • 45% Danceability • 81% Energy • 22% Liveness
95% Instrumentalness • 12% Positiveness
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Cris Velasco
Battlements
125 bpm • G# Maj • 03:16 • -13.22db
20% Popularity • 46% Danceability • 60% Energy • 21% Liveness
92% Instrumentalness • 12% Positiveness
20% Popularity • 46% Danceability • 60% Energy • 21% Liveness
92% Instrumentalness • 12% Positiveness
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Tilman Sillescu
No Escape
125 bpm • G Maj • 02:33 • -13db
16% Popularity • 46% Danceability • 57% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
16% Popularity • 46% Danceability • 57% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
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Michael McCann
Namir - Trailer Edit
125 bpm • B min • 02:30 • -11db
25% Popularity • 49% Danceability • 75% Energy • 21% Liveness
78% Instrumentalness • 6% Positiveness
25% Popularity • 49% Danceability • 75% Energy • 21% Liveness
78% Instrumentalness • 6% Positiveness
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Guillaume David
Lost Civilizations
125 bpm • C min • 03:25 • -18.94db
39% Popularity • 18% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
39% Popularity • 18% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Doyle W. Donehoo
Orks On Da Move
125 bpm • F min • 03:09 • -20.27db
18% Popularity • 66% Danceability • 32% Energy • 11% Liveness
77% Instrumentalness • 11% Positiveness
18% Popularity • 66% Danceability • 32% Energy • 11% Liveness
77% Instrumentalness • 11% Positiveness
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Sascha Dikiciyan
Making Our Escape
125 bpm • A min • 02:43 • -12db
17% Popularity • 45% Danceability • 82% Energy • 11% Liveness
76% Instrumentalness • 24% Positiveness
17% Popularity • 45% Danceability • 82% Energy • 11% Liveness
76% Instrumentalness • 24% Positiveness
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Tom Salta
Tortured Souls
121 bpm • E Maj • 01:46 • -14.71db
4% Popularity • 57% Danceability • 79% Energy • 20% Liveness
88% Instrumentalness • 8% Positiveness
4% Popularity • 57% Danceability • 79% Energy • 20% Liveness
88% Instrumentalness • 8% Positiveness
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Paul Leonard-Morgan
Cyprus Ultima: Third Movement
125 bpm • G# Maj • 05:34 • -18.2db
15% Popularity • 44% Danceability • 60% Energy • 14% Liveness
82% Instrumentalness • 18% Positiveness
15% Popularity • 44% Danceability • 60% Energy • 14% Liveness
82% Instrumentalness • 18% Positiveness
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SIE Sound Team
The Beginning
125 bpm • F# Maj • 02:59 • -15.37db
28% Popularity • 37% Danceability • 20% Energy • 11% Liveness
64% Instrumentalness • 5% Positiveness
28% Popularity • 37% Danceability • 20% Energy • 11% Liveness
64% Instrumentalness • 5% Positiveness
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Jason Hayes
My Life for Aiur
126 bpm • C min • 02:15 • -12.71db
22% Popularity • 18% Danceability • 27% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 27% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Jeremy Soule
Blood and Steel
125 bpm • G Maj • 02:10 • -14.59db
43% Popularity • 22% Danceability • 34% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
43% Popularity • 22% Danceability • 34% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Brian Tyler
Heroes
120 bpm • C# Maj • 02:42 • -14.5db
24% Popularity • 31% Danceability • 54% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
24% Popularity • 31% Danceability • 54% Energy • 10% Liveness
82% Instrumentalness • 7% Positiveness
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Tom Salta
Chase Through the Palace
121 bpm • D Maj • 01:19 • -14.67db
2% Popularity • 67% Danceability • 70% Energy • 15% Liveness
83% Instrumentalness • 38% Positiveness
2% Popularity • 67% Danceability • 70% Energy • 15% Liveness
83% Instrumentalness • 38% Positiveness
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Christopher Lennertz
Stand Strong, Stand Together
126 bpm • G# Maj • 01:55 • -11db
32% Popularity • 17% Danceability • 44% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
32% Popularity • 17% Danceability • 44% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Sean Murray
Dwarka
120 bpm • G# Maj • 03:09 • -17db
26% Popularity • 51% Danceability • 26% Energy • 21% Liveness
72% Instrumentalness • 3% Positiveness
26% Popularity • 51% Danceability • 26% Energy • 21% Liveness
72% Instrumentalness • 3% Positiveness
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James Hannigan
Cry of the Ancients
120 bpm • D min • 04:26 • -19db
14% Popularity • 20% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
14% Popularity • 20% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Tilman Sillescu
Rampage
120 bpm • B min • 01:56 • -10.28db
17% Popularity • 41% Danceability • 62% Energy • 10% Liveness
82% Instrumentalness • 15% Positiveness
17% Popularity • 41% Danceability • 62% Energy • 10% Liveness
82% Instrumentalness • 15% Positiveness
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Cris Velasco
Pandora's Song
120 bpm • C Maj • 02:26 • -11.84db
29% Popularity • 23% Danceability • 31% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
29% Popularity • 23% Danceability • 31% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Tom Salta
Defying the Haoma
125 bpm • F Maj • 00:53 • -13.72db
3% Popularity • 23% Danceability • 38% Energy • 12% Liveness
99% Instrumentalness • 4% Positiveness
3% Popularity • 23% Danceability • 38% Energy • 12% Liveness
99% Instrumentalness • 4% Positiveness
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Halo
Jeopardy
120 bpm • D# Maj • 02:48 • -17.7db
32% Popularity • 56% Danceability • 16% Energy • 10% Liveness
98% Instrumentalness • 22% Positiveness
32% Popularity • 56% Danceability • 16% Energy • 10% Liveness
98% Instrumentalness • 22% Positiveness
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Ilan Eshkeri
The Fate of Tsushima
120 bpm • G# Maj • 03:15 • -9.73db
30% Popularity • 59% Danceability • 71% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
30% Popularity • 59% Danceability • 71% Energy • 9% Liveness
92% Instrumentalness • 16% Positiveness
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Pawel Blaszczak
Last Turn
120 bpm • D Maj • 03:26 • -13.42db
23% Popularity • 56% Danceability • 57% Energy • 12% Liveness
79% Instrumentalness • 51% Positiveness
23% Popularity • 56% Danceability • 57% Energy • 12% Liveness
79% Instrumentalness • 51% Positiveness
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Masami Ueda
Metamorphosis
120 bpm • C Maj • 05:38 • -9.07db
18% Popularity • 46% Danceability • 83% Energy • 12% Liveness
74% Instrumentalness • 40% Positiveness
18% Popularity • 46% Danceability • 83% Energy • 12% Liveness
74% Instrumentalness • 40% Positiveness
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Tilman Sillescu
Close Encounter
120 bpm • C# Maj • 02:02 • -11db
18% Popularity • 59% Danceability • 88% Energy • 10% Liveness
93% Instrumentalness • 46% Positiveness
18% Popularity • 59% Danceability • 88% Energy • 10% Liveness
93% Instrumentalness • 46% Positiveness
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Tom Salta
No End in Sight
120 bpm • F# min • 01:16 • -15.75db
3% Popularity • 47% Danceability • 71% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
3% Popularity • 47% Danceability • 71% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
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Kevin Riepl
Badass Crater of Badassitude Ambience - ...
120 bpm • A Maj • 02:09 • -19db
26% Popularity • 54% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 27% Positiveness
26% Popularity • 54% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 27% Positiveness
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Cliff Martinez
Blood of Faith
120 bpm • C# Maj • 02:03 • -11.99db
11% Popularity • 46% Danceability • 93% Energy • 16% Liveness
96% Instrumentalness • 71% Positiveness
11% Popularity • 46% Danceability • 93% Energy • 16% Liveness
96% Instrumentalness • 71% Positiveness
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John Paesano
Inside the Numbers
120 bpm • A# min • 03:32 • -20db
29% Popularity • 23% Danceability • 27% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
29% Popularity • 23% Danceability • 27% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Justin E. Bell
Soldiers Earning Their Bonus
120 bpm • C Maj • 02:02 • -13.61db
29% Popularity • 65% Danceability • 82% Energy • 10% Liveness
82% Instrumentalness • 18% Positiveness
29% Popularity • 65% Danceability • 82% Energy • 10% Liveness
82% Instrumentalness • 18% Positiveness
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Paradox Interactive
Battle For Supremacy
120 bpm • A min • 04:00 • -15db
31% Popularity • 53% Danceability • 55% Energy • 11% Liveness
82% Instrumentalness • 47% Positiveness
31% Popularity • 53% Danceability • 55% Energy • 11% Liveness
82% Instrumentalness • 47% Positiveness
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Tom Salta
Updaam
120 bpm • A Maj • 10:03 • -14.58db
17% Popularity • 42% Danceability • 23% Energy • 18% Liveness
65% Instrumentalness • 7% Positiveness
17% Popularity • 42% Danceability • 23% Energy • 18% Liveness
65% Instrumentalness • 7% Positiveness
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Halo
Cratered
120 bpm • D# min • 02:32 • -18.04db
34% Popularity • 22% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 22% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Jason Hayes
The Stars Our Home
120 bpm • F min • 03:46 • -13db
26% Popularity • 42% Danceability • 44% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
26% Popularity • 42% Danceability • 44% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Jeremy Soule
Bloodlust
120 bpm • D# min • 01:06 • -24db
44% Popularity • 50% Danceability • 13% Energy • 17% Liveness
82% Instrumentalness • 24% Positiveness
44% Popularity • 50% Danceability • 13% Energy • 17% Liveness
82% Instrumentalness • 24% Positiveness
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Ola Strandh
We Are the Division
120 bpm • E min • 03:44 • -20.87db
31% Popularity • 26% Danceability • 20% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
31% Popularity • 26% Danceability • 20% Energy • 8% Liveness
88% Instrumentalness • 3% Positiveness
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Cris Velasco
Stalker
120 bpm • E Maj • 01:55 • -9.34db
30% Popularity • 63% Danceability • 85% Energy • 8% Liveness
83% Instrumentalness • 30% Positiveness
30% Popularity • 63% Danceability • 85% Energy • 8% Liveness
83% Instrumentalness • 30% Positiveness
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Tom Salta
Firefly Rain
120 bpm • D Maj • 02:32 • -18.56db
8% Popularity • 48% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 48% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Sascha Dikiciyan
Bonus - Borderlands
120 bpm • A Maj • 01:32 • -18.68db
21% Popularity • 26% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 26% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Michael McCann
Jewel Of The Orient
127 bpm • C min • 01:03 • -16.22db
32% Popularity • 38% Danceability • 38% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
32% Popularity • 38% Danceability • 38% Energy • 15% Liveness
95% Instrumentalness • 4% Positiveness
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Kevin Riepl
14 Years After E-Day
119 bpm • G Maj • 02:53 • -25.71db
23% Popularity • 22% Danceability • 3% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 3% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Nick Arundel
Zeppelin
127 bpm • A Maj • 05:46 • -20db
22% Popularity • 56% Danceability • 40% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
22% Popularity • 56% Danceability • 40% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
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Brian Tyler
Call of the Wild
119 bpm • D Maj • 03:43 • -17.02db
15% Popularity • 41% Danceability • 38% Energy • 14% Liveness
87% Instrumentalness • 5% Positiveness
15% Popularity • 41% Danceability • 38% Energy • 14% Liveness
87% Instrumentalness • 5% Positiveness
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Christopher Drake
Bruno
127 bpm • C# Maj • 05:04 • -13.26db
14% Popularity • 42% Danceability • 65% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
14% Popularity • 42% Danceability • 65% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Petri Alanko
A Writer's Dream
118 bpm • F# Maj • 01:55 • -21.47db
27% Popularity • 17% Danceability • 22% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
27% Popularity • 17% Danceability • 22% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Ron Fish
The March of Tartarus
118 bpm • B min • 02:00 • -10.11db
28% Popularity • 47% Danceability • 72% Energy • 10% Liveness
82% Instrumentalness • 22% Positiveness
28% Popularity • 47% Danceability • 72% Energy • 10% Liveness
82% Instrumentalness • 22% Positiveness
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Inon Zur
Fallout 4 Main Theme ('Spinner' mix)
128 bpm • C# Maj • 02:49 • -20db
29% Popularity • 35% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
29% Popularity • 35% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Nick Arundel
Inner Demon
119 bpm • C# Maj • 02:01 • -23.93db
40% Popularity • 50% Danceability • 8% Energy • 14% Liveness
89% Instrumentalness • 32% Positiveness
40% Popularity • 50% Danceability • 8% Energy • 14% Liveness
89% Instrumentalness • 32% Positiveness
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Ola Strandh
Prologue
128 bpm • E Maj • 02:18 • -17.72db
28% Popularity • 39% Danceability • 42% Energy • 30% Liveness
91% Instrumentalness • 4% Positiveness
28% Popularity • 39% Danceability • 42% Energy • 30% Liveness
91% Instrumentalness • 4% Positiveness
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John Paesano
Remnant
118 bpm • D Maj • 03:29 • -17.8db
17% Popularity • 59% Danceability • 54% Energy • 20% Liveness
90% Instrumentalness • 3% Positiveness
17% Popularity • 59% Danceability • 54% Energy • 20% Liveness
90% Instrumentalness • 3% Positiveness
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Ludvig Forssell
V Has Come To
118 bpm • G min • 03:08 • -17.97db
30% Popularity • 30% Danceability • 33% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
30% Popularity • 30% Danceability • 33% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
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SIE Sound Team
Maiden Astraea
117 bpm • E min • 03:11 • -15db
37% Popularity • 25% Danceability • 40% Energy • 41% Liveness
74% Instrumentalness • 5% Positiveness
37% Popularity • 25% Danceability • 40% Energy • 41% Liveness
74% Instrumentalness • 5% Positiveness
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Inon Zur
Covert Action
128 bpm • A# Maj • 03:33 • -24.62db
23% Popularity • 38% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
23% Popularity • 38% Danceability • 13% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Keith Power
Grakata
117 bpm • B min • 01:40 • -11.92db
24% Popularity • 59% Danceability • 71% Energy • 10% Liveness
82% Instrumentalness • 17% Positiveness
24% Popularity • 59% Danceability • 71% Energy • 10% Liveness
82% Instrumentalness • 17% Positiveness
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Nick Arundel
Fear Within
119 bpm • C# Maj • 01:59 • -16.61db
29% Popularity • 59% Danceability • 49% Energy • 11% Liveness
76% Instrumentalness • 50% Positiveness
29% Popularity • 59% Danceability • 49% Energy • 11% Liveness
76% Instrumentalness • 50% Positiveness
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Garry Schyman
Babalon Ors
130 bpm • D Maj • 02:13 • -10.12db
12% Popularity • 28% Danceability • 74% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
12% Popularity • 28% Danceability • 74% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
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Doyle W. Donehoo
Chaos Approaches
130 bpm • G Maj • 03:10 • -19.36db
21% Popularity • 34% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
21% Popularity • 34% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Adam Skorupa
Arena Of Rage
130 bpm • C min • 01:11 • -9.54db
36% Popularity • 46% Danceability • 84% Energy • 10% Liveness
61% Instrumentalness • 12% Positiveness
36% Popularity • 46% Danceability • 84% Energy • 10% Liveness
61% Instrumentalness • 12% Positiveness
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Sean Murray
Blackbird
130 bpm • A Maj • 03:11 • -11.33db
27% Popularity • 39% Danceability • 54% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
27% Popularity • 39% Danceability • 54% Energy • 11% Liveness
83% Instrumentalness • 9% Positiveness
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Kevin Riepl
Fish in a Barrel
130 bpm • C Maj • 02:54 • -13.74db
17% Popularity • 64% Danceability • 48% Energy • 12% Liveness
74% Instrumentalness • 25% Positiveness
17% Popularity • 64% Danceability • 48% Energy • 12% Liveness
74% Instrumentalness • 25% Positiveness
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Max LL
Storms
130 bpm • G# Maj • 02:55 • -11.34db
7% Popularity • 49% Danceability • 47% Energy • 27% Liveness
86% Instrumentalness • 17% Positiveness
7% Popularity • 49% Danceability • 47% Energy • 27% Liveness
86% Instrumentalness • 17% Positiveness
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Keith Power
Wings of War
130 bpm • G Maj • 02:32 • -11.83db
22% Popularity • 38% Danceability • 95% Energy • 14% Liveness
66% Instrumentalness • 22% Positiveness
22% Popularity • 38% Danceability • 95% Energy • 14% Liveness
66% Instrumentalness • 22% Positiveness
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Frank Klepacki
Overlord Moving
130 bpm • C min • 03:45 • -18.69db
22% Popularity • 60% Danceability • 40% Energy • 11% Liveness
97% Instrumentalness • 26% Positiveness
22% Popularity • 60% Danceability • 40% Energy • 11% Liveness
97% Instrumentalness • 26% Positiveness
► Preview
Christopher Lennertz
Combat Troops
130 bpm • C Maj • 01:32 • -13.59db
28% Popularity • 57% Danceability • 80% Energy • 41% Liveness
92% Instrumentalness • 26% Positiveness
28% Popularity • 57% Danceability • 80% Energy • 41% Liveness
92% Instrumentalness • 26% Positiveness
► Preview
Rich Douglas
Hind D
130 bpm • A min • 01:56 • -10db
11% Popularity • 43% Danceability • 89% Energy • 35% Liveness
63% Instrumentalness • 43% Positiveness
11% Popularity • 43% Danceability • 89% Energy • 35% Liveness
63% Instrumentalness • 43% Positiveness
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Sean Murray
Eagle Claw, Pt. 1
130 bpm • G# Maj • 04:14 • -11.79db
25% Popularity • 39% Danceability • 53% Energy • 14% Liveness
76% Instrumentalness • 6% Positiveness
25% Popularity • 39% Danceability • 53% Energy • 14% Liveness
76% Instrumentalness • 6% Positiveness
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Jon Opstad
Secret Service
130 bpm • C min • 02:51 • -18.76db
19% Popularity • 35% Danceability • 20% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
19% Popularity • 35% Danceability • 20% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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Tom Salta
Lord of the Sea
130 bpm • C Maj • 01:59 • -19.18db
2% Popularity • 58% Danceability • 31% Energy • 7% Liveness
87% Instrumentalness • 22% Positiveness
2% Popularity • 58% Danceability • 31% Energy • 7% Liveness
87% Instrumentalness • 22% Positiveness
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John Paesano
A Trail of Hope
130 bpm • F min • 02:44 • -15.73db
27% Popularity • 45% Danceability • 34% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
27% Popularity • 45% Danceability • 34% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Brian Tyler
Lost Child
130 bpm • G Maj • 03:54 • -17.15db
13% Popularity • 34% Danceability • 37% Energy • 7% Liveness
91% Instrumentalness • 9% Positiveness
13% Popularity • 34% Danceability • 37% Energy • 7% Liveness
91% Instrumentalness • 9% Positiveness
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Trevor Gureckis
Hunger for the Stars
131 bpm • G# Maj • 03:55 • -17.68db
17% Popularity • 17% Danceability • 46% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 46% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Mark Mothersbaugh
Meet Me at Zurkie's
116 bpm • B min • 03:00 • -22.9db
11% Popularity • 24% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
11% Popularity • 24% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Inon Zur
The Savage Divide
115 bpm • F min • 04:10 • -23.52db
23% Popularity • 17% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Jeremy Soule
Steel on Steel
115 bpm • C min • 01:43 • -19.35db
48% Popularity • 52% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
48% Popularity • 52% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Christopher Drake
See You...In Hell
115 bpm • D min • 07:47 • -13.28db
26% Popularity • 27% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
26% Popularity • 27% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Brian Tyler
The Will Of A Single Man
115 bpm • D Maj • 02:10 • -11.57db
24% Popularity • 58% Danceability • 77% Energy • 13% Liveness
78% Instrumentalness • 26% Positiveness
24% Popularity • 58% Danceability • 77% Energy • 13% Liveness
78% Instrumentalness • 26% Positiveness
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Christopher Lennertz
The View Of Palaven
115 bpm • D min • 03:36 • -13.15db
28% Popularity • 26% Danceability • 57% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
28% Popularity • 26% Danceability • 57% Energy • 18% Liveness
89% Instrumentalness • 4% Positiveness
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Tilman Sillescu
Under Assault
132 bpm • B min • 02:01 • -12.53db
17% Popularity • 42% Danceability • 52% Energy • 12% Liveness
78% Instrumentalness • 23% Positiveness
17% Popularity • 42% Danceability • 52% Energy • 12% Liveness
78% Instrumentalness • 23% Positiveness
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Erasmus Talbot
Combat & Extras: E:D Menus
115 bpm • A min • 03:37 • -19db
16% Popularity • 39% Danceability • 19% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
16% Popularity • 39% Danceability • 19% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Brian Tuey
Safehouse
115 bpm • F min • 02:01 • -15.94db
28% Popularity • 19% Danceability • 32% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
28% Popularity • 19% Danceability • 32% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Bill Hemstapat
Sukhbataar's Revenge
132 bpm • A# min • 02:44 • -15.21db
15% Popularity • 53% Danceability • 81% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
15% Popularity • 53% Danceability • 81% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness