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Fog Tropes
Songs like
Fog Tropes
by
Ingram Marshall
Based on a tempo of (+/- 10%) and a similar genre
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Pauline Oliveros
In the Houses of My Families
84 bpm • A# Maj • 00:59 • -21.9db
14% Popularity • 18% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
Whiten
84 bpm • C Maj • 04:51 • -17.85db
14% Popularity • 10% Danceability • 3% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
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Ben Frost
Unbreakable Silence
84 bpm • C# Maj • 03:36 • -18.15db
14% Popularity • 17% Danceability • 43% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Moondog
Fantasia - Remastered 2000
84 bpm • C Maj • 03:11 • -25.47db
11% Popularity • 21% Danceability • 20% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Mica Levi
Lonely Void
84 bpm • D# min • 03:38 • -14.93db
22% Popularity • 23% Danceability • 12% Energy • 15% Liveness
96% Instrumentalness • 8% Positiveness
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Ingram Marshall
Entrada: At The River
84 bpm • C min • 05:06 • -18.5db
10% Popularity • 10% Danceability • 19% Energy • 13% Liveness
78% Instrumentalness • 11% Positiveness
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Kronos Quartet
The Electricity Goes out and We Move to ...
84 bpm • D min • 03:03 • -13.3db
19% Popularity • 22% Danceability • 29% Energy • 14% Liveness
87% Instrumentalness • 29% Positiveness
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Max Richter
Quartet Fragment (1908)
84 bpm • E min • 03:08 • -32.46db
15% Popularity • 18% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
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Clint Mansell
Ghosts of Things to Come
84 bpm • D Maj • 01:33 • -27db
36% Popularity • 18% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Anna Meredith
Honeyed Words
84 bpm • G Maj • 03:17 • -14.5db
14% Popularity • 18% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Bobby Krlic
The Blessing
84 bpm • C# Maj • 03:04 • -9db
27% Popularity • 18% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 2% Positiveness
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Ingram Marshall
Fog Tropes
84 bpm • A# Maj • 09:56 • -33db
15% Popularity • 8% Danceability • 6% Energy • 5% Liveness
97% Instrumentalness • 3% Positiveness
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Anne Müller
Being Anne
84 bpm • E min • 04:45 • -20db
14% Popularity • 20% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Krzysztof Penderecki
Penderecki: Polymorphia
84 bpm • E min • 09:11 • -24.14db
13% Popularity • 12% Danceability • 25% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Giacinto Scelsi
Uaxuctum: III. —
85 bpm • A# Maj • 03:42 • -32.1db
13% Popularity • 14% Danceability • 2% Energy • 13% Liveness
38% Instrumentalness • 7% Positiveness
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Popol Vuh
Höre, Der Du Wagst
85 bpm • E min • 05:54 • -23.81db
11% Popularity • 22% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Masayoshi Fujita
Swallow Flies High in the May Sky
85 bpm • B Maj • 05:01 • -16.44db
10% Popularity • 9% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Ingram Marshall
Introduction
83 bpm • F min • 04:51 • -19.28db
2% Popularity • 8% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Ernst Reijseger
Child's Footprint
83 bpm • B min • 02:59 • -17.71db
17% Popularity • 8% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Krzysztof Penderecki
Penderecki: Threnody for the Victims of ...
85 bpm • F min • 09:06 • -20.65db
16% Popularity • 16% Danceability • 21% Energy • 22% Liveness
59% Instrumentalness • 4% Positiveness
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Bobby Krlic
Chorus of Sirens
85 bpm • A Maj • 01:38 • -23.83db
20% Popularity • 14% Danceability • 15% Energy • 14% Liveness
87% Instrumentalness • 7% Positiveness
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Wendy Carlos
Afterlife
83 bpm • C Maj • 08:21 • -21db
15% Popularity • 14% Danceability • 21% Energy • 8% Liveness
94% Instrumentalness • 12% Positiveness
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Max Richter
Infra 2
85 bpm • D min • 04:27 • -18.36db
19% Popularity • 14% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Ingram Marshall
Now Cannons
85 bpm • A min • 02:47 • -15.6db
1% Popularity • 17% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Ernst Reijseger
Deep Cave
83 bpm • C Maj • 03:37 • -26.02db
17% Popularity • 20% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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John Adams
Adams: Shaker Loops: III. Loops and Vers...
85 bpm • G min • 06:54 • -21.92db
13% Popularity • 20% Danceability • 17% Energy • 8% Liveness
57% Instrumentalness • 16% Positiveness
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Colin Stetson
Awake on foreign shores
83 bpm • A# Maj • 01:30 • -16.24db
27% Popularity • 15% Danceability • 1% Energy • 28% Liveness
62% Instrumentalness • 5% Positiveness
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Steve Reich
New York Counterpoint: I. Fast
83 bpm • F# Maj • 05:03 • -16.37db
13% Popularity • 50% Danceability • 35% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Popol Vuh
Höre, Der Du Wagst
85 bpm • C Maj • 06:00 • -28.5db
18% Popularity • 20% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Ingram Marshall
Movement II: Slow, Stately
85 bpm • D# Maj • 07:28 • -21.24db
1% Popularity • 18% Danceability • 11% Energy • 11% Liveness
51% Instrumentalness • 8% Positiveness
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Pauline Oliveros
Monkey
85 bpm • E min • 02:52 • -42.47db
9% Popularity • 16% Danceability • 0% Energy • 9% Liveness
7% Instrumentalness • 3% Positiveness
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Brian Eno
Brutal Ardour (Variation On 'The Canon I...
83 bpm • D Maj • 08:13 • -15.99db
21% Popularity • 16% Danceability • 20% Energy • 42% Liveness
49% Instrumentalness • 4% Positiveness
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Matthew Herbert
Thaumotrope
83 bpm • B Maj • 01:07 • -25.01db
31% Popularity • 9% Danceability • 15% Energy • 16% Liveness
84% Instrumentalness • 3% Positiveness
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George Frideric Handel
Dank sei dir Gott - Intro
83 bpm • C Maj • 00:47 • -14.35db
11% Popularity • 17% Danceability • 53% Energy • 17% Liveness
58% Instrumentalness • 4% Positiveness
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KNOXVILLETRACKZ
HFDBMP
82 bpm • D min • 01:04 • -46.33db
19% Popularity • 18% Danceability • 0% Energy • 16% Liveness
99% Instrumentalness • 4% Positiveness
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Krzysztof Penderecki
De Natura Sonoris No. 1 - 1994 Remastere...
86 bpm • G Maj • 07:22 • -19db
12% Popularity • 12% Danceability • 38% Energy • 18% Liveness
88% Instrumentalness • 3% Positiveness
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Jonny Greenwood
Greenwood: Popcorn Superhet Receiver:, P...
86 bpm • G Maj • 08:42 • -21db
11% Popularity • 9% Danceability • 14% Energy • 36% Liveness
79% Instrumentalness • 3% Positiveness
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Kitchener Waterloo Symphony
Popcorn Superhet Receiver / Part 2a
82 bpm • F Maj • 01:12 • -21.17db
14% Popularity • 20% Danceability • 37% Energy • 8% Liveness
86% Instrumentalness • 26% Positiveness
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Christina Vantzou
Your Changes Have Been Submitted
82 bpm • C Maj • 01:43 • -17.51db
37% Popularity • 22% Danceability • 24% Energy • 6% Liveness
80% Instrumentalness • 3% Positiveness
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Gavin Bryars
The Sinking of the Titanic: 1. Opening P...
86 bpm • G# Maj • 01:48 • -33.64db
12% Popularity • 21% Danceability • 37% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Morton Feldman
Rothko Chapel 4
82 bpm • A min • 04:38 • -38db
19% Popularity • 8% Danceability • 0% Energy • 8% Liveness
71% Instrumentalness • 4% Positiveness
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Krzysztof Penderecki
Polymorphia
86 bpm • F min • 10:48 • -19db
21% Popularity • 12% Danceability • 30% Energy • 10% Liveness
79% Instrumentalness • 7% Positiveness
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Jonny Greenwood
Sandalwood II
82 bpm • C Maj • 03:42 • -15db
29% Popularity • 11% Danceability • 14% Energy • 20% Liveness
87% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Birting
81 bpm • D Maj • 02:53 • -17.34db
17% Popularity • 8% Danceability • 15% Energy • 10% Liveness
77% Instrumentalness • 3% Positiveness
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Giacinto Scelsi
4 Pezzi (Su una nota sola): I. —
87 bpm • A# Maj • 02:56 • -35.32db
13% Popularity • 12% Danceability • 0% Energy • 9% Liveness
22% Instrumentalness • 3% Positiveness
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Gavin Bryars
The Sinking of the Titanic: 3. Hymn II
82 bpm • G# Maj • 05:25 • -29db
19% Popularity • 8% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Balanescu Quartet
Seduction
87 bpm • A min • 01:46 • -25.72db
38% Popularity • 10% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Ernst Reijseger
Ostinato #3
81 bpm • G Maj • 03:25 • -26.83db
12% Popularity • 22% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 5% Positiveness
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Jonny Greenwood
Oil
81 bpm • C# min • 03:04 • -12.95db
16% Popularity • 17% Danceability • 28% Energy • 6% Liveness
5% Instrumentalness • 3% Positiveness
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John Zorn
Kol Nidre
87 bpm • E Maj • 05:52 • -25db
17% Popularity • 9% Danceability • 3% Energy • 19% Liveness
19% Instrumentalness • 3% Positiveness
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Lou Harrison
Suite for Symphonic Strings: 2. Chorale ...
87 bpm • B min • 05:51 • -33db
20% Popularity • 13% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 3% Positiveness
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Eduard Artemyev
Исход (Из к/ф "Зеркало")
81 bpm • C min • 07:04 • -15.27db
13% Popularity • 7% Danceability • 46% Energy • 40% Liveness
94% Instrumentalness • 4% Positiveness
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Popol Vuh
Ah!
87 bpm • G# Maj • 04:46 • -16.75db
26% Popularity • 19% Danceability • 19% Energy • 14% Liveness
79% Instrumentalness • 7% Positiveness
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Gavin Bryars
The Sinking of the Titanic: 2. Titanic H...
81 bpm • G# Maj • 05:09 • -37db
17% Popularity • 18% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Jonny Greenwood
Open Spaces
87 bpm • A Maj • 03:55 • -18.54db
36% Popularity • 9% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Alfred Schnittke
Piano Quintet: V. Moderato pastorale
81 bpm • G# Maj • 03:51 • -36db
18% Popularity • 15% Danceability • 1% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
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Cat's Eyes
Door No. 3
81 bpm • C# Maj • 01:39 • -25.96db
12% Popularity • 20% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Mica Levi
Bedroom
81 bpm • G Maj • 01:30 • -25.34db
26% Popularity • 20% Danceability • 3% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Ben Frost
Reyja
88 bpm • C# min • 05:05 • -25.08db
23% Popularity • 9% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Brian Eno
Fullness Of Wind (Variation On 'The Cano...
88 bpm • D Maj • 09:55 • -17.74db
27% Popularity • 9% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Giacinto Scelsi
Three Latin Prayers for solo voice: Ave ...
80 bpm • E min • 03:44 • -34db
9% Popularity • 12% Danceability • 1% Energy • 12% Liveness
64% Instrumentalness • 4% Positiveness
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Ingram Marshall
Now The Day: Prelude
80 bpm • C# min • 06:41 • -16.81db
2% Popularity • 12% Danceability • 21% Energy • 67% Liveness
88% Instrumentalness • 6% Positiveness
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Terry Riley
One Earth, One People, One Love
88 bpm • G Maj • 09:00 • -23.24db
22% Popularity • 12% Danceability • 14% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Harry Partch
Two Studies on Ancient Greek Scales: 1) ...
88 bpm • C min • 03:41 • -32db
19% Popularity • 16% Danceability • 4% Energy • 18% Liveness
85% Instrumentalness • 11% Positiveness
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Max Richter
Laika's Journey
88 bpm • G min • 01:28 • -34.31db
19% Popularity • 14% Danceability • 8% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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David Skidmore
Aliens with Extraordinary Abilities: Thi...
88 bpm • G min • 03:33 • -8.31db
9% Popularity • 22% Danceability • 72% Energy • 19% Liveness
94% Instrumentalness • 56% Positiveness
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Marcus Fjellström
LM-118
80 bpm • F# Maj • 04:05 • -20.55db
19% Popularity • 13% Danceability • 28% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Christina Vantzou
Glissando for Bodies and Machines in Spa...
80 bpm • A Maj • 02:47 • -21.72db
23% Popularity • 10% Danceability • 23% Energy • 14% Liveness
94% Instrumentalness • 3% Positiveness
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Paul Lansky
Notjustmoreidlechatter
80 bpm • F Maj • 08:03 • -17.06db
9% Popularity • 21% Danceability • 38% Energy • 25% Liveness
61% Instrumentalness • 53% Positiveness
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Jon Hassell
Delta Rain Dream
80 bpm • F# Maj • 03:29 • -24db
30% Popularity • 50% Danceability • 54% Energy • 10% Liveness
85% Instrumentalness • 15% Positiveness
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Ingram Marshall
Gradual Requiem: Part 4
80 bpm • F Maj • 07:44 • -31db
7% Popularity • 8% Danceability • 12% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Hildur Guðnadóttir
Elevation
80 bpm • G min • 05:57 • -18db
24% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Eduard Artemyev
Возвращение (Из к/ф "Со...
88 bpm • F min • 04:51 • -18.08db
11% Popularity • 9% Danceability • 38% Energy • 13% Liveness
54% Instrumentalness • 8% Positiveness
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Terry Riley
Cadenza on the Night Plain: Cadenza: Cel...
80 bpm • F# min • 01:07 • -28.23db
32% Popularity • 33% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 40% Positiveness
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William Basinski
Melancholia I
80 bpm • E Maj • 03:23 • -26db
31% Popularity • 45% Danceability • 5% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Popol Vuh
Mantra 2
89 bpm • D# min • 05:22 • -13.91db
12% Popularity • 10% Danceability • 21% Energy • 5% Liveness
56% Instrumentalness • 8% Positiveness
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Angelo Badalamenti
Muholland Drive: Main Title Theme
89 bpm • D min • 04:14 • -19db
30% Popularity • 15% Danceability • 13% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
In Gray
80 bpm • A min • 03:20 • -16.96db
9% Popularity • 31% Danceability • 10% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
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Brian Eno
Lizard Point - Remastered 2004
89 bpm • C# Maj • 04:34 • -35.95db
35% Popularity • 14% Danceability • 1% Energy • 15% Liveness
81% Instrumentalness • 3% Positiveness
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Bryce Dessner
Little Blue Something
89 bpm • D# Maj • 07:56 • -14db
13% Popularity • 26% Danceability • 15% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
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Bernard Parmegiani
De Natura Sonorum: Matières Induites
89 bpm • C# min • 03:52 • -16.49db
7% Popularity • 27% Danceability • 95% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Kaija Saariaho
7 Papillons: No. 4. —
79 bpm • G Maj • 02:13 • -22db
15% Popularity • 11% Danceability • 3% Energy • 16% Liveness
52% Instrumentalness • 5% Positiveness
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Hauschka
#304
79 bpm • C min • 06:09 • -22.74db
8% Popularity • 14% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Stuart Dempster
Deep Hockets
89 bpm • D min • 03:42 • -27db
23% Popularity • 13% Danceability • 8% Energy • 17% Liveness
97% Instrumentalness • 13% Positiveness
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Akira Rabelais
Gnossienne Troisième
79 bpm • A min • 03:34 • -28.48db
7% Popularity • 46% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Harold Budd
Angela
79 bpm • G min • 01:46 • -23.17db
13% Popularity • 7% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Jonny Greenwood
Henry Plainview
79 bpm • C# Maj • 04:13 • -19.97db
13% Popularity • 18% Danceability • 20% Energy • 15% Liveness
76% Instrumentalness • 3% Positiveness
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Arvo Pärt
Cantus in Memory of Benjamin Britten for...
89 bpm • A min • 07:39 • -18.02db
11% Popularity • 11% Danceability • 13% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Stars Of The Lid
Requiem String Melody
79 bpm • A# Maj • 02:46 • -28.28db
24% Popularity • 7% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Biosphere
Adagiati
90 bpm • C Maj • 01:51 • -30.43db
36% Popularity • 10% Danceability • 2% Energy • 11% Liveness
99% Instrumentalness • 4% Positiveness
► Preview
Pierre Schaeffer
Etude Violette
79 bpm • G Maj • 03:20 • -22.48db
12% Popularity • 40% Danceability • 38% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Hildur Guðnadóttir
Strokur
79 bpm • D min • 07:30 • -19db
26% Popularity • 15% Danceability • 3% Energy • 10% Liveness
64% Instrumentalness • 4% Positiveness
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Jonny Greenwood
Phantom Thread I
79 bpm • E min • 03:35 • -18.66db
30% Popularity • 10% Danceability • 16% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Colin Stetson
In love and in justice
79 bpm • C Maj • 04:53 • -16.99db
18% Popularity • 7% Danceability • 9% Energy • 15% Liveness
90% Instrumentalness • 2% Positiveness
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Jim Williams
Walk to My Still Beating Heart
90 bpm • E min • 01:44 • -11.28db
20% Popularity • 28% Danceability • 20% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
► Preview
Ingram Marshall
Hymnodic Delays: II. Broad Road
90 bpm • F min • 03:08 • -20.95db
6% Popularity • 26% Danceability • 9% Energy • 8% Liveness
68% Instrumentalness • 6% Positiveness
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Eduard Artemyev
Болезнь (Из к/ф "Соляри...
90 bpm • C min • 04:40 • -22.41db
18% Popularity • 10% Danceability • 25% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
Gavin Bryars
The Sinking of the Titanic: 4. Interlude
78 bpm • G# Maj • 04:35 • -34.73db
10% Popularity • 13% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Paul Dresher
Channels Passing
90 bpm • A# Maj • 09:51 • -20.42db
8% Popularity • 43% Danceability • 26% Energy • 5% Liveness
87% Instrumentalness • 18% Positiveness
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Krzysztof Penderecki
The Dream of Jacob
78 bpm • C Maj • 08:49 • -23db
19% Popularity • 7% Danceability • 7% Energy • 7% Liveness
81% Instrumentalness • 3% Positiveness
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Fog Tropes