Songs like Fogarty's Cove by Stan Rogers
Based on a tempo of (+/- 10%) and a similar genre
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D'Arcy Broderick
New Mown Hay
115 bpm • G# Maj • 03:47 • -14db
14% Popularity • 56% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 56% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Spirit Of The West
The Crawl
115 bpm • E Maj • 04:05 • -13db
33% Popularity • 60% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 60% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 95% Positiveness
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Silly Wizard
The Parish of Dunkeld / The Curlew
115 bpm • A Maj • 04:09 • -6.33db
20% Popularity • 58% Danceability • 80% Energy • 68% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 58% Danceability • 80% Energy • 68% Liveness
0% Instrumentalness • 94% Positiveness
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Irish Lads Of Limerick
Crooked Jack
115 bpm • D Maj • 02:00 • -12db
36% Popularity • 64% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 64% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Stan Rogers
Make And Break Harbour
115 bpm • D Maj • 04:27 • -18.87db
25% Popularity • 54% Danceability • 13% Energy • 11% Liveness
29% Instrumentalness • 38% Positiveness
25% Popularity • 54% Danceability • 13% Energy • 11% Liveness
29% Instrumentalness • 38% Positiveness
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The Paul McKenna Band
John Riley
115 bpm • E Maj • 03:51 • -9.53db
25% Popularity • 53% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 53% Danceability • 55% Energy • 40% Liveness
0% Instrumentalness • 77% Positiveness
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The Sheringham Shantymen
Rattle Them Winches
115 bpm • D min • 02:39 • -8.51db
34% Popularity • 71% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 71% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 88% Positiveness
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Mcginty
The Ballad of St. Anne's Reel
116 bpm • D Maj • 03:40 • -8.09db
24% Popularity • 59% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 59% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Spirit Of The West
Our Station
114 bpm • G Maj • 03:37 • -11db
15% Popularity • 62% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 62% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Buddy Wasisname & The Other Fellers
By the Glow of the Kerosene Lamp
114 bpm • F Maj • 04:25 • -20db
23% Popularity • 63% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 63% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Stan Rogers
Fogarty's Cove
115 bpm • D Maj • 02:14 • -16.88db
35% Popularity • 74% Danceability • 42% Energy • 33% Liveness
2% Instrumentalness • 76% Positiveness
35% Popularity • 74% Danceability • 42% Energy • 33% Liveness
2% Instrumentalness • 76% Positiveness
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David Kincaid
Camp Song Of The Chicago Irish Brigade
116 bpm • F Maj • 02:23 • -11.06db
19% Popularity • 68% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 68% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Garnet Rogers
Under The Summer Moonlight
116 bpm • D Maj • 04:32 • -9.02db
10% Popularity • 79% Danceability • 88% Energy • 3% Liveness
1% Instrumentalness • 90% Positiveness
10% Popularity • 79% Danceability • 88% Energy • 3% Liveness
1% Instrumentalness • 90% Positiveness
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The Skullduggers
Flowers of Edinborough
114 bpm • G Maj • 01:46 • -7db
38% Popularity • 49% Danceability • 71% Energy • 33% Liveness
5% Instrumentalness • 96% Positiveness
38% Popularity • 49% Danceability • 71% Energy • 33% Liveness
5% Instrumentalness • 96% Positiveness
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The Rankin Family
Mairi's Wedding (Michael Rankin's Reel)
114 bpm • A Maj • 03:53 • -9.08db
31% Popularity • 62% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
31% Popularity • 62% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Rum Ragged
A Dose of White Owls
116 bpm • G Maj • 03:15 • -7.35db
35% Popularity • 79% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 79% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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The Poxy Boggards
Bang Away Lulu
114 bpm • C Maj • 04:36 • -11.08db
14% Popularity • 78% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 78% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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The Barra MacNeils
Haven't Got a Care
116 bpm • F Maj • 03:32 • -9.12db
13% Popularity • 72% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 72% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Tarahan
Getting Dark Again
114 bpm • A# Maj • 03:19 • -6db
19% Popularity • 73% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 73% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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David Kincaid
The Opinions of Paddy Magee
114 bpm • A# Maj • 03:37 • -12.45db
22% Popularity • 65% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 65% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Kilkenny Krew
Sonny's Dream
114 bpm • C Maj • 03:50 • -5db
30% Popularity • 62% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 62% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
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Rum Ragged
The Hard Times Song
114 bpm • A Maj • 03:06 • -7db
23% Popularity • 81% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 81% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Patrick Moran, Chris Andrews, Mark Hiscock, Mike Kinsella
Lukey's Boat
114 bpm • D Maj • 02:52 • -7db
22% Popularity • 72% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 72% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
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Andy M. Stewart
The Errant Apprentice
116 bpm • G Maj • 03:46 • -11.77db
17% Popularity • 52% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 52% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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The Rankin Family
Tell My Ma
114 bpm • E Maj • 02:17 • -12.59db
36% Popularity • 59% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
36% Popularity • 59% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Andy Irvine
The Close Shave/East at Glendart
114 bpm • D Maj • 04:12 • -7.34db
15% Popularity • 56% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 56% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Arthur O'Brien
The Orange & The Green
116 bpm • C Maj • 03:06 • -11.45db
10% Popularity • 71% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 71% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Hobo Jim
On a Yankee Whaler
116 bpm • A min • 02:43 • -11.8db
10% Popularity • 57% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 57% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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The McCalmans
Johnnie Cope
114 bpm • B min • 02:15 • -10db
31% Popularity • 82% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 82% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Schooner Fare
Calgary, My Home Away from Home
117 bpm • F Maj • 04:59 • -11.43db
11% Popularity • 51% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 51% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Alan Mills
The Maple Leaf Forever
113 bpm • G# min • 02:45 • -23.15db
13% Popularity • 79% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 79% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Stan Rogers
The Wreck Of The Athens Queen
117 bpm • C Maj • 03:01 • -15.68db
29% Popularity • 78% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
29% Popularity • 78% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Ashley MacIsaac
Big John MacNeil
117 bpm • A Maj • 02:51 • -11.7db
18% Popularity • 60% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 60% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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David Kincaid
The Irish Volunteer
113 bpm • D Maj • 04:34 • -12.13db
39% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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The Rankin Family
Jigging Medley: Whiskey in a Cup/King Ge...
113 bpm • D Maj • 04:36 • -12.56db
21% Popularity • 49% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 49% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Blackthorn
Come Out Ye Black -n- Tans
113 bpm • F# min • 03:16 • -9.88db
14% Popularity • 62% Danceability • 82% Energy • 7% Liveness
4% Instrumentalness • 81% Positiveness
14% Popularity • 62% Danceability • 82% Energy • 7% Liveness
4% Instrumentalness • 81% Positiveness
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Mark Hiscock
The Night Paddy Murphy Died
117 bpm • G Maj • 02:53 • -6.32db
17% Popularity • 83% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 83% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Stompin' Tom Connors
Farewell To Nova Scotia
117 bpm • D Maj • 03:35 • -11.08db
26% Popularity • 53% Danceability • 39% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
26% Popularity • 53% Danceability • 39% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
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Stan Rogers
Tiny Fish for Japan
117 bpm • G Maj • 03:29 • -16.67db
23% Popularity • 48% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 48% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Jimmy Rankin
Cape Breton Fiddle
113 bpm • G Maj • 02:51 • -4.4db
12% Popularity • 61% Danceability • 97% Energy • 39% Liveness
2% Instrumentalness • 97% Positiveness
12% Popularity • 61% Danceability • 97% Energy • 39% Liveness
2% Instrumentalness • 97% Positiveness
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Ron Hynes
Dirt Poor
117 bpm • A Maj • 02:09 • -10.13db
11% Popularity • 65% Danceability • 54% Energy • 70% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 65% Danceability • 54% Energy • 70% Liveness
0% Instrumentalness • 58% Positiveness
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Robbie O'Connell
Ten Thousand Miles Away
118 bpm • A Maj • 03:38 • -13.82db
20% Popularity • 76% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 76% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Carl Peterson
The Bonnie Banks Of Loch Lomond
118 bpm • D Maj • 05:10 • -14.73db
33% Popularity • 53% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 53% Danceability • 18% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Mark Hiscock
Fishin' In A Dory
112 bpm • D Maj • 03:10 • -8db
23% Popularity • 76% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 76% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Natalie MacMaster
Gramma
118 bpm • D Maj • 02:34 • -6.58db
20% Popularity • 55% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 55% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Stan Rogers
Dark Eyed Molly
118 bpm • E Maj • 03:38 • -17.89db
18% Popularity • 36% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 36% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
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Buddy Wasisname & The Other Fellers
Where the Fisherman Used to Be
112 bpm • A Maj • 02:46 • -8.74db
23% Popularity • 60% Danceability • 51% Energy • 67% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 60% Danceability • 51% Energy • 67% Liveness
0% Instrumentalness • 97% Positiveness
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Shanneyganock
Whiskey In the Jar
118 bpm • D Maj • 03:00 • -4.18db
33% Popularity • 79% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 79% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Battlefield Band
The Last Trip Home / The Luckenbooth
112 bpm • D Maj • 04:59 • -14db
18% Popularity • 40% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 40% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Robbie O'Connell
The Ballad of Ó Bruadair / Out on the O...
118 bpm • D Maj • 03:54 • -12.96db
8% Popularity • 44% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 44% Danceability • 28% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Tarahan
No Hopers, Jokers, & Rogues
112 bpm • D Maj • 02:41 • -7.79db
14% Popularity • 59% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 59% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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Mark Hiscock
Jack Was Every Inch A Sailor
118 bpm • D Maj • 02:11 • -9.47db
21% Popularity • 78% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
21% Popularity • 78% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Sons of Maxwell
Queen of Argyle
118 bpm • C# min • 02:56 • -6.72db
27% Popularity • 68% Danceability • 79% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 68% Danceability • 79% Energy • 2% Liveness
0% Instrumentalness • 92% Positiveness
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Shanneyganock
The Doryman
118 bpm • E min • 02:27 • -6.19db
18% Popularity • 74% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 74% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Mick Moloney
The Kellys
112 bpm • A Maj • 03:05 • -10.74db
26% Popularity • 57% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 57% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Salty Dick
Bell-Bottom Trousers
118 bpm • C Maj • 03:56 • -9db
17% Popularity • 79% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 79% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Stan Rogers
The Nancy
119 bpm • G Maj • 04:02 • -13.81db
23% Popularity • 78% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 78% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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97th Regimental String Band
The Minstrel Boy
119 bpm • D Maj • 02:47 • -13.4db
16% Popularity • 79% Danceability • 35% Energy • 3% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 79% Danceability • 35% Energy • 3% Liveness
0% Instrumentalness • 77% Positiveness
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Buddy Wasisname & The Other Fellers
Leave Her Johnny
119 bpm • C Maj • 03:27 • -15.17db
22% Popularity • 55% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 55% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Cu Chulainn
Ramblin' Rover
119 bpm • G Maj • 02:23 • -7.51db
26% Popularity • 63% Danceability • 69% Energy • 41% Liveness
0% Instrumentalness • 98% Positiveness
26% Popularity • 63% Danceability • 69% Energy • 41% Liveness
0% Instrumentalness • 98% Positiveness
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Mick Moloney
The Irish Volunteers
119 bpm • C Maj • 04:33 • -9db
27% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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The Barra MacNeils
Banks of the Roses
111 bpm • D Maj • 02:57 • -14db
25% Popularity • 71% Danceability • 32% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 71% Danceability • 32% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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The Cottars
Home By Bearna
119 bpm • D Maj • 02:33 • -6.45db
26% Popularity • 87% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 87% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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The Celtic Connection
McRory
119 bpm • E Maj • 04:31 • -10.39db
12% Popularity • 66% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 66% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Schooner Fare
Nova Scotia Farewell
111 bpm • F# Maj • 04:42 • -9.48db
18% Popularity • 47% Danceability • 52% Energy • 68% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 47% Danceability • 52% Energy • 68% Liveness
0% Instrumentalness • 70% Positiveness
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Irish Lads Of Limerick
Whiskey In The Jar
119 bpm • C Maj • 02:04 • -13.22db
36% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Mick Moloney
The Regular Army O
119 bpm • A# Maj • 04:35 • -8.49db
36% Popularity • 54% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
36% Popularity • 54% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Ian Giles
The bonny ship the Diamond
111 bpm • F# min • 02:26 • -13.84db
30% Popularity • 79% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 79% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Lennie Gallant
Peter's Dream
111 bpm • F Maj • 05:08 • -7db
29% Popularity • 58% Danceability • 66% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 58% Danceability • 66% Energy • 68% Liveness
0% Instrumentalness • 54% Positiveness
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The Navigators
Rabbits in a Basket
119 bpm • G Maj • 02:29 • -5.17db
20% Popularity • 65% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 65% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Garnet Rogers
All That Is
111 bpm • D Maj • 03:44 • -12db
20% Popularity • 60% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 60% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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The Fables
Spanish Lady
120 bpm • F Maj • 02:50 • -8.33db
36% Popularity • 64% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
36% Popularity • 64% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Stan Rogers
The Rawdon Hills
110 bpm • D Maj • 03:38 • -19.79db
16% Popularity • 63% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 63% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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The Poxy Boggards
Whiskey, You're the Devil
120 bpm • D Maj • 02:28 • -10.33db
38% Popularity • 75% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 75% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Louis Killen
Threescore and Ten
120 bpm • D# Maj • 04:26 • -17.15db
22% Popularity • 64% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 64% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Fred Jorgensen
Waltzing Matilda
110 bpm • A Maj • 07:59 • -12.08db
18% Popularity • 55% Danceability • 28% Energy • 74% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 55% Danceability • 28% Energy • 74% Liveness
0% Instrumentalness • 37% Positiveness
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The Elders
Building a Boat
120 bpm • D Maj • 04:03 • -6.09db
16% Popularity • 65% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 65% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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The Prodigals
Happy Man
120 bpm • C Maj • 03:08 • -7.02db
16% Popularity • 68% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 68% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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The Skullduggers
Botany Bay
120 bpm • E min • 02:19 • -5.8db
33% Popularity • 65% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 65% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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North Sea Gas
Twa Recruiting Sergeants
110 bpm • G Maj • 03:46 • -6.67db
16% Popularity • 66% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 66% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Rum Ragged
Barque in the Harbour
110 bpm • B Maj • 03:16 • -9.56db
33% Popularity • 68% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 68% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Rawlins Cross
Colleen
120 bpm • D# Maj • 03:54 • -11.19db
25% Popularity • 61% Danceability • 80% Energy • 7% Liveness
5% Instrumentalness • 97% Positiveness
25% Popularity • 61% Danceability • 80% Energy • 7% Liveness
5% Instrumentalness • 97% Positiveness
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The Elders
Raging Sea
120 bpm • E Maj • 03:20 • -7db
38% Popularity • 71% Danceability • 70% Energy • 70% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 71% Danceability • 70% Energy • 70% Liveness
0% Instrumentalness • 96% Positiveness
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Stan Rogers
The Mary Ellen Carter
120 bpm • G Maj • 05:11 • -17.89db
17% Popularity • 56% Danceability • 33% Energy • 71% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 56% Danceability • 33% Energy • 71% Liveness
0% Instrumentalness • 56% Positiveness
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The Tannahill Weavers
Wild Mountain/Thyme
110 bpm • G# Maj • 04:17 • -15db
19% Popularity • 34% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 34% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Barleyjuice
Weekend Irish
120 bpm • A# Maj • 03:35 • -6db
24% Popularity • 50% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 50% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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The McCalmans
Ramblin Rover
120 bpm • F Maj • 02:40 • -4.72db
28% Popularity • 58% Danceability • 81% Energy • 57% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 58% Danceability • 81% Energy • 57% Liveness
0% Instrumentalness • 97% Positiveness
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Mcginty
Lukey's Boat
110 bpm • G Maj • 04:40 • -7.45db
18% Popularity • 77% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
18% Popularity • 77% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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John Doyle
Clear the Way
121 bpm • F Maj • 04:49 • -9db
15% Popularity • 55% Danceability • 62% Energy • 10% Liveness
2% Instrumentalness • 80% Positiveness
15% Popularity • 55% Danceability • 62% Energy • 10% Liveness
2% Instrumentalness • 80% Positiveness
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Andy M. Stewart and Manus Lunny
Take Her In Your Arms
121 bpm • D min • 04:08 • -15db
31% Popularity • 66% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 66% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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The Navigators
Pullin' Oil from the Sand
121 bpm • G Maj • 04:06 • -7.89db
29% Popularity • 58% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 58% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Rum Ragged
Ladies Man
121 bpm • C# min • 03:23 • -8.61db
32% Popularity • 74% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 74% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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The McCalmans
Farewell to Nova Scotia
110 bpm • E Maj • 03:00 • -8.37db
18% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 68% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Irish Lads Of Limerick
Lannigan's Ball
121 bpm • G min • 04:04 • -11db
29% Popularity • 69% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 69% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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The Ennis Sisters
Paddy McGinty's Goat
121 bpm • E Maj • 02:54 • -5db
11% Popularity • 96% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 96% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Mick Moloney
When McGuinness Gets a Job
109 bpm • A min • 04:11 • -9db
11% Popularity • 63% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 63% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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The Skullduggers
Red-Haired Boy
121 bpm • D Maj • 02:48 • -7.08db
18% Popularity • 36% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 36% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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The Fables
Down East Day
121 bpm • C Maj • 04:05 • -7.97db
28% Popularity • 66% Danceability • 84% Energy • 54% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 66% Danceability • 84% Energy • 54% Liveness
0% Instrumentalness • 87% Positiveness
